Filmografía De Arthur C. Clarke 12
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Arthur C. Clarke Fred Körper, SFGH-Treffen 21.02.2009
SF-Klassiker: Arthur C. Clarke Fred Körper, SFGH-Treffen 21.02.2009 Sir Arthur Charles Clarke (* 16. Dezember 1917 in Minehead, Somerset, England; † 19. März 2008 in Colombo, Sri Lanka) war ein britischer Science-Fiction-Schriftsteller. Durch den Film 2001: Odyssee im Weltraum von Stanley Kubrick, der auf einer Kurzgeschichte Clarkes beruht und dessen Drehbuch Clarke gemeinsam mit Kubrick schrieb, wurde er auch außerhalb der Science-Fiction-Szene bekannt. Clarke gilt als Visionär neuer Technologien, die er außer in Science-Fiction-Romanen und Kurzgeschichten auch in wissenschaftlichen Artikeln beschrieb. 1 Leben 2 Werk 2.1 Romane 2.2 Erzählungen 2.3 Kurzgeschichtensammlungen 2.4 Gemeinschaftswerke 2.5 Autobiografisches 3 Verfilmungen (Auswahl) 4 Clarke'sche Gesetze Leben Arthur Charles Clarke wurde am 16.Dezember 1917 in der Grafschaft Somerset im Südwesten Englands geboren. Von 1927 bis 1936 besuchte er die Huish's Grammar School in Taunton/Somerset und las bereits als Jugendlicher die Werke von H. G. Wells und Olaf Stapledon. Da Clarke aus finanziellen Gründen ein Studium zunächst verwehr blieb, ging er 1936 nach London und arbeitete dort zunächst im Staatsdienst. 1941 trat er als Radaroffizier in die Royal Air Force ein. Diese Erfahrungen liegen dem Roman Glide Path zugrunde. Seine Idee, geostationäre Satelliten zur technischen Kommunikation zu nutzen, die er 1945 unter dem Titel Extra-terrestrial Relays – Can Rocket Stations Give World- wide Radio Coverage? in der wissenschaftlichen Zeitschrift Wireless World veröffentlichte, erlebte 1964 mit dem Saetelliten Syncom 3 ihre Verwirklichung. Ihm zu Ehren wird daher der geostationäre Orbit auch „Clarke Belt“ beziehungsweise „Clarke Orbit“ genannt. Von 1946 bis 1948 studierte er Mathematik und Physik am Londoner King's College. -
2001: a Space Odyssey by James Verniere “The a List: the National Society of Film Critics’ 100 Essential Films,” 2002
2001: A Space Odyssey By James Verniere “The A List: The National Society of Film Critics’ 100 Essential Films,” 2002 Reprinted by permission of the author Screwing with audiences’ heads was Stan- ley Kubrick’s favorite outside of chess, which is just another way of screwing with heads. One of the flaws of “Eyes Wide Shut” (1999), Kubrick’s posthumously re- leased, valedictory film, may be that it doesn’t screw with our heads enough. 2001: A Space Odyssey (1968), however, remains Kubrick’s crowning, confounding achievement. Homeric sci-fi film, concep- tual artwork, and dopeheads’ intergalactic Gary Lockwood and Keir Dullea try to hold a discussion away from the eyes of HAL 9000. joyride, 2001 pushed the envelope of film at Courtesy Library of Congress a time when “Mary Poppins” and “The Sound of Music” ruled the box office. 3 million years in the past and ends in the eponymous 2001 with a sequence dubbed, with a wink and nod to As technological achievement, it was a quantum leap be- the Age of Aquarius, “the ultimate trip.” In between, yond Flash Gordon and Buck Rogers serials, although it “2001: A Space Odyssey” may be more of a series of used many of the same fundamental techniques. Steven landmark sequences than a fully coherent or satisfying Spielberg called 2001 “the Big Bang” of his filmmaking experience. But its landmarks have withstood the test of generation. It was the precursor to Andrei Tarkovsky’s time and repeated parody. “Solari” (1972), Spielberg’s “Close Encounters of the Third Kind” (1977) and George Lucas’s “Star The first arrives in the wordless “Dawn of Man” episode, Wars” (1977), as well as the current digital revolution. -
43759498.Pdf
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Keele Research Repository This work is protected by copyright and other intellectual property rights and duplication or sale of all or part is not permitted, except that material may be duplicated by you for research, private study, criticism/review or educational purposes. Electronic or print copies are for your own personal, non- commercial use and shall not be passed to any other individual. No quotation may be published without proper acknowledgement. For any other use, or to quote extensively from the work, permission must be obtained from the copyright holder/s. The security of the European Union’s critical outer space infrastructures Phillip A. Slann This electronic version of the thesis has been edited solely to ensure compliance with copyright legislation and excluded material is referenced in the text. The full, final, examined and awarded version of the thesis is available for consultation in hard copy via the University Library Thesis submitted for the degree of Doctor of Philosophy in International Relations March 2015 Keele University Abstract This thesis investigates the European Union’s (EU) conceptualisation of outer space security in the absence of clear borders or boundaries. In doing so, it analyses the means the EU undertakes to secure the space segments of its critical outer space infrastructures and the services they provide. The original contribution to knowledge offered by this thesis is the framing of European outer space security as predicated upon anticipatory mechanisms targeted towards critical outer space infrastructures. The objective of this thesis is to contribute to astropolitical literature through an analysis of the EU’s efforts to secure the space segments of its critical outer space infrastructures, alongside a conceptualisation of outer space security based upon actor-specific threats, critical infrastructures and anticipatory security measures. -
An Investigation of World-System Theory and Globalization in the Rama Novels by Arthur C
An Investigation of World-System Theory and Globalization in the Rama Novels by Arthur C. Clarke and Gentry Lee Zohreh Ramin1, Hooshmand Hedayati2 1. Assistant Professor of English Language and Literature, University of Tehran, Tehran, Iran (Corresponding author) ([email protected]) 2. PhD in English Language and Literature, University of Tehran, Tehran, Iran ([email protected]) (Received: Mar. 2, 2019 Revised: May. 17, 2019 Accepted: Jun. 27, 2019) Abstract Noam Chomsky argues that only a meager percentage of the world, consisting of mainly large corporations and developed nations, prosper from globalization. As stated in Immanuel Wallerstein’s World-System Theory, the modern system of the world, which is constructed according to the economic status of nations, can be divided into three levels: the core, the semi-periphery, and the periphery. While extensive research have been conducted on Immanuel Wallerstein, Noam Chomsky, and Arthur C. Clarke separately, no published work has exclusively studied Wallerstein’s and Chomsky’s theories in Arthur C. Clarke and Gentry Lee’s science fiction novels—Rama novels. This paper first aims to illustrate the relevance of Immanuel Wallerstein and Noam Chomsky and to argue that globalization, enjoyed by the core states, can be a new wave of colonization. Then, it is discussed that in the globalized world imagined by Arthur C. Clarke and Gentry Lee in their Rama novels, the semi-periphery and the periphery nations, with only a marginal role in vital space expeditions, are exploited by the core, which runs and regulates the world in the way it desires. Moreover, the paper investigates the way in which the core states in the Rama novels try to ensure a lofty role in the world, the result of which is rape, disease, bankruptcy, and murder. -
A SPACE ODYSSEY (1968) Tel: 610.917.1228 Fax: 610.917.0509
COLONIAL THEATRE ILLUMINATING CINEMA: 227 Bridge Street, Phoenixville, PA 19460 2001: A SPACE ODYSSEY (1968) Tel: 610.917.1228 Fax: 610.917.0509 www.thecolonialtheatre.com Beyond the Tyranny of Flesh: Stanley Kubrick’s 2001: A Space Odyssey By Andrew Owen, PhD Stanley Kubrick intended for the film to be “an intensely subjective experience,” to craft a narrative that would purposefully defy an objective interpretation; consequently, any attempt to provide one, not only intentionally contradicts the director’s desires, it also runs the risk of emasculating the work, painting it with a veneer of explanation that only succeeds in a simplistic form of categorization, limiting its strength. A mere exercise in vanity that is unable to express appreciation without forcing an interpretation onto others. This is something that I have no desire to do. To write something, or, for that matter, present something in the guise of a single defining objective interpretation of this work of art would be both arrogant and foolish; in all honesty, in light of Kubrick’s comments, it would run the risk of being a little bit of a waste of time for everyone involved. Simply put, it is something I have no desire or intention to even attempt. Now, this might obviously present us with a problem regarding what to do with the remainder of this article. However, fear not, Kubrick offers me, and you, an out, stating that, “you’re free to speculate all you want about the philosophical and allegorical meaning of the film,” (Nordern, 1968), believing that for us to do so is indicative of the film’s power and potency. -
Updated Version
Updated version HIGHLIGHTS IN SPACE TECHNOLOGY AND APPLICATIONS 2011 A REPORT COMPILED BY THE INTERNATIONAL ASTRONAUTICAL FEDERATION (IAF) IN COOPERATION WITH THE SCIENTIFIC AND TECHNICAL SUBCOMMITTEE OF THE COMMITTEE ON THE PEACEFUL USES OF OUTER SPACE, UNITED NATIONS. 28 March 2012 Highlights in Space 2011 Table of Contents INTRODUCTION 5 I. OVERVIEW 5 II. SPACE TRANSPORTATION 10 A. CURRENT LAUNCH ACTIVITIES 10 B. DEVELOPMENT ACTIVITIES 14 C. LAUNCH FAILURES AND INVESTIGATIONS 26 III. ROBOTIC EARTH ORBITAL ACTIVITIES 29 A. REMOTE SENSING 29 B. GLOBAL NAVIGATION SYSTEMS 33 C. NANOSATELLITES 35 D. SPACE DEBRIS 36 IV. HUMAN SPACEFLIGHT 38 A. INTERNATIONAL SPACE STATION DEPLOYMENT AND OPERATIONS 38 2011 INTERNATIONAL SPACE STATION OPERATIONS IN DETAIL 38 B. OTHER FLIGHT OPERATIONS 46 C. MEDICAL ISSUES 47 D. SPACE TOURISM 48 V. SPACE STUDIES AND EXPLORATION 50 A. ASTRONOMY AND ASTROPHYSICS 50 B. PLASMA AND ATMOSPHERIC PHYSICS 56 C. SPACE EXPLORATION 57 D. SPACE OPERATIONS 60 VI. TECHNOLOGY - IMPLEMENTATION AND ADVANCES 65 A. PROPULSION 65 B. POWER 66 C. DESIGN, TECHNOLOGY AND DEVELOPMENT 67 D. MATERIALS AND STRUCTURES 69 E. INFORMATION TECHNOLOGY AND DATASETS 69 F. AUTOMATION AND ROBOTICS 72 G. SPACE RESEARCH FACILITIES AND GROUND STATIONS 72 H. SPACE ENVIRONMENTAL EFFECTS & MEDICAL ADVANCES 74 VII. SPACE AND SOCIETY 75 A. EDUCATION 75 B. PUBLIC AWARENESS 79 C. CULTURAL ASPECTS 82 Page 3 Highlights in Space 2011 VIII. GLOBAL SPACE DEVELOPMENTS 83 A. GOVERNMENT PROGRAMMES 83 B. COMMERCIAL ENTERPRISES 84 IX. INTERNATIONAL COOPERATION 92 A. GLOBAL DEVELOPMENTS AND ORGANISATIONS 92 B. EUROPE 94 C. AFRICA 101 D. ASIA 105 E. THE AMERICAS 110 F. -
Arthur C. Clarke Collection of Sri Lanka
Arthur C. Clarke Collection of Sri Lanka Tyler Love 2015 National Air and Space Museum Archives 14390 Air & Space Museum Parkway Chantilly, VA 20151 [email protected] https://airandspace.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Biographical / Historical.................................................................................................... 1 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Correspondence, 1937-2009 (bulk 1962-2005)........................................ 4 Series 2: Original Writing, 1948-c.2008 (bulk 1948-2008)..................................... 32 Series 3: Media & Publicity, 1950-2007 (bulk 1960-2007)..................................... 52 Series 4: Awards & Tributes, 1932-2003............................................................... 56 Series 5: Manuscripts written by others relating to Clarke's -
He Wrote the Future on Arthur C
COMMENT BOOKS & ARTS EVERETT COLLECTION/MARY EVANS COLLECTION/MARY EVERETT Arthur C. Clarke in 1968, on the set of 2001: A Space Odyssey. TECHNOLOGY He wrote the future On Arthur C. Clarke’s centenary, Andrew Robinson lauds a prescient, original writer. hen Arthur C. Clarke died was famously prescient. He anticipated, response on grounds of frantic busyness. in 2008, Nature’s obituarist for instance, satellite communications and The result seldom needed any editing. — astrophysicist and science- powerful computers in the form of HAL in Clarke’s interest in telecommunications Wfiction writer Gregory Benford — hailed the cult film 2001: A Space Odyssey (1968). began in rural Somerset, UK. His father had him as “the most famous of science-fiction He also popularized the ‘space elevator’. been an engineer in charge of telephone and writers” (G. Benford Nature 452, 546; 2008). That concept, which now has some solid telegraph circuits; his mother, a telegraph The makers of Hollywood biopic Steve Jobs scientific support (see Nature http://doi. operator. The young Arthur received cast- (2015) seem to agree: the film opens with org/fv4rxv; 2007), off equipment, such as telephones, switch- black-and-white footage of Clarke from a was central to “I was struck by gear and a photocell from his relative George television interview filmed in 1974, two years The Fountains of his unquenchable Grimstone, an engineer who taught him before Jobs co-founded Apple Computer. Paradise (1979), curiosity to build wireless crystal sets. Clarke also Balding and bespectacled, Clarke stands one of his score about science, experimented with homemade rockets on opposite the interviewer and his young son of science-fiction literature and family farmland. -
2001: a Space Odyssey
OSCAR WINNER 1968: Best Special Visual Effects TEACHERS’ NOTES The guide is aimed at students of GCSE and A’Level Media Studies, ALevel Film Studies and GNVO Media: Communication and Production (Intermediate and Advanced). The guide looks at production processes, representation, intertextuality, and genre and narrative structure. 2001: A Space Odyssey. Certi6cate 12. Running Time 141m. MAJOR CREDITS FOR 2001: A SPACE ODYSSEY 2001: A Space Odyssey 1968 (MGM) Producer: Stanley Kubrick Director: Stanley Kubrick Screenplay: Stanley Kubrick, Arthur C. Clarke Directors of Photography: Geoffrey Unsworth, John Alcott Editor: Ray Lovejoy Art Directors: Tony Masters, Harry Lange, Ernest Archer Cast: Keir DuIIea Gary Lockwood William Sylvester Daniel Richter Douglas Rain Leonard Rossiter Oscars 1968: Best Special Visual Effects Oscar Nominations 1968: Best Director Best Original Story and Screenplay Best Art Direction © Film Education 1 2001: A SPACE ODYSSEY One of the most influential films of the last 25 years, Kubrick’s special effects, orchestrated by the brilliant Douglas Trumbull, have been copied and developed ever since. The Star Wars series would never have been possible without Trumbull’s pioneering work. But A Space Odyssey isn’t just a superb piece of technique. Based on a short story by Arthur C. Clarke, it’s also a moving look at our progress as a civilisation from prehistoric times into a visionary future. HAL, the computer which tries to take over the astronauts’ mission to Jupiter, is an even more relevant concept today than it was at the time. To some, the film is infuriatingly slow. T0 others, it’s an obvious masterwork One thing is certain. -
Winter Wheat Yield Assessment from Landsat 8 and Sentinel-2 Data: Incorporating Surface Reflectance, Through Phenological Fitting, Into Regression Yield Models
remote sensing Article Winter Wheat Yield Assessment from Landsat 8 and Sentinel-2 Data: Incorporating Surface Reflectance, Through Phenological Fitting, into Regression Yield Models Sergii Skakun 1,2,3,* , Eric Vermote 3, Belen Franch 1,3, Jean-Claude Roger 1,3 , Nataliia Kussul 4, Junchang Ju 5,6 and Jeffrey Masek 6 1 Department of Geographical Sciences, University of Maryland, College Park, MD 20742, USA 2 College of Information Studies (iSchool), University of Maryland, College Park, MD 20742, USA 3 NASA Goddard Space Flight Center Code 619, 8800 Greenbelt Road, Greenbelt, MD 20771, USA 4 Space Research Institute NAS Ukraine & SSA Ukraine, 03680 Kyiv, Ukraine 5 Earth System Science Interdisciplinary Center (ESSIC), University of Maryland, College Park, MD 20742, USA 6 NASA Goddard Space Flight Center Code 618, 8800 Greenbelt Road, Greenbelt, MD 20771, USA * Correspondence: [email protected]; Tel.: +1-301-405-2179 Received: 9 July 2019; Accepted: 25 July 2019; Published: 27 July 2019 Abstract: A combination of Landsat 8 and Sentinel-2 offers a high frequency of observations (3–5 days) at moderate spatial resolution (10–30 m), which is essential for crop yield studies. Existing methods traditionally apply vegetation indices (VIs) that incorporate surface reflectances (SRs) in two or more spectral bands into a single variable, and rarely address the incorporation of SRs into empirical regression models of crop yield. In this work, we address these issues by normalizing satellite data (both VIs and SRs) derived from NASA’s Harmonized Landsat Sentinel-2 (HLS) product, through a phenological fitting. We apply a quadratic function to fit VIs or SRs against accumulated growing degree days (AGDDs), which affects the rate of crop development. -
Souvenir Program Book
PHILCON 2020 A Virtual Philcon Special Features: • Non-Fiction • Fiction • Art Gallery © 2020 The Philadelphia Science Fiction Society (PSFS) Philcon , The Philadelphia Area Conference on Science Fiction and Fantasy, is a registered service mark of PSFS. Interior content is copy- righted to the cited owners, available under Creative Commons license or employed per “fair use” principles. Visit www.philcon.org and www.psfs.org for more information. Table of Contents ® PHILCON 2020 Welcome The Program Book Greeting, Chair of Philcon 2020 ………………… 4 Greeting, President of PSFS 2020 ………………… 5 November 20-22, 2020 Virtual Convention How to Get the Most from a Virtual Philcon Cherry Hill, New Jersey The Newbie’s Guide to Virtual Philcon ©2020 The Philadelphia Science Fiction by Joann Lawler ………………………………… 6 Society (PSFS) unless otherwise noted. Philcon is a registered service mark of PSFS, a 501(c)3 nonprofit About The Philadelphia Science Fiction Society (PSFS) organization. All art (except logo, venue map & ads) copyright by the artists and used by permission. All articles and fiction are copyright by the Monthly Meetings & Book Discussions ………… 12 submitting authors, with all rights reserved. Philip K. Dick Award & Young Writers Contest … 13 Editing & Design: Terry Sisk Graybill Proof-Reading, Research, Advice & Support: Joann Lawler & Todd Dashoff About Philcon Printing: Affordable Offset Printing, Inc., Pennsauken NJ Committee & Staff Credits ……………………… 14 A Brief History of Philcon, 2006-2020 ………… 16 Updates & Additions In Memoriam This -
Download in PDF Format
The SF Book of Days Don Sakers THE SF BOOK OF DAYS copyright © 2004, Don Sakers All rights reserved Published by Speed-of-C Productions PO Box 265 Linthicum, MD 21090-0265 ISBN: 0-9716147-6-8 January 2004 Scanning and distributing books on the Internet without permission is piracy, and deprives authors of income. Authorized electronic texts of this book are available at www.scatteredworlds.com. DEDICATED TO: Friday, August 30, 1974 Thursday, October 3, 1974 Saturday, August 30, 1980 and most of all, to Friday, April 9, 1982 INTRODUCTION: The Days of Futures Passed This idea for this book came in the year HAL wasn’t born, Skynet didn’t attempt to destroy the human race, and worst of all, the Jupiter II wasn’t launched. All things considered, the real world’s version of the year 1997 was a pale imitation of the momentous year chronicled by many science fiction stories, books, and media. Of course, science fiction has taken it on the chin from reality before. The atom bomb was first used in war on August 6, 1945 — not the 1960’s, as H.G. Wells had told us. On April 12, 1961, Yuri Gagarin in Vostok I — and not Richard Seaton in The Skylark of Space — became the first man in space. Armstrong and Aldrin made the first footprints on the Moon on July 21, 1969 — not Cavor and Bedford, nor even Leslie LeCroix. The closest that the world of 1984 came to universal totalitarianism was Apple Computer’s Superbowl commercial. In 1990, the United States and Russia fought a long-awaited war in the Persian Gulf — but incredibly, almost insultingly, they were on the same side.