Felix Vinatieri's Forgotten Legacy
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Black US Army Bands and Their Bandmasters in World War I
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications: School of Music Music, School of Fall 8-21-2012 Black US Army Bands and Their Bandmasters in World War I Peter M. Lefferts University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicfacpub Part of the Music Commons Lefferts, Peter M., "Black US Army Bands and Their Bandmasters in World War I" (2012). Faculty Publications: School of Music. 25. https://digitalcommons.unl.edu/musicfacpub/25 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications: School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 1 Version of 08/21/2012 This essay is a work in progress. It was uploaded for the first time in August 2012, and the present document is the first version. The author welcomes comments, additions, and corrections ([email protected]). Black US Army bands and their bandmasters in World War I Peter M. Lefferts This essay sketches the story of the bands and bandmasters of the twenty seven new black army regiments which served in the U.S. Army in World War I. They underwent rapid mobilization and demobilization over 1917-1919, and were for the most part unconnected by personnel or traditions to the long-established bands of the four black regular U.S. Army regiments that preceded them and continued to serve after them. Pressed to find sufficient numbers of willing and able black band leaders, the army turned to schools and the entertainment industry for the necessary talent. -
Brass Bands of the World a Historical Directory
Brass Bands of the World a historical directory Kurow Haka Brass Band, New Zealand, 1901 Gavin Holman January 2019 Introduction Contents Introduction ........................................................................................................................ 6 Angola................................................................................................................................ 12 Australia – Australian Capital Territory ......................................................................... 13 Australia – New South Wales .......................................................................................... 14 Australia – Northern Territory ....................................................................................... 42 Australia – Queensland ................................................................................................... 43 Australia – South Australia ............................................................................................. 58 Australia – Tasmania ....................................................................................................... 68 Australia – Victoria .......................................................................................................... 73 Australia – Western Australia ....................................................................................... 101 Australia – other ............................................................................................................. 105 Austria ............................................................................................................................ -
German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
“In the Mood”—Glenn Miller (1939) Added to the National Recording Registry: 2004 Essay by Cary O’Dell
“In the Mood”—Glenn Miller (1939) Added to the National Recording Registry: 2004 Essay by Cary O’Dell Glenn Miller Original release label “Sun Valley Serenade” Though Glenn Miller and His Orchestra’s well-known, robust and swinging hit “In the Mood” was recorded in 1939 (and was written even earlier), it has since come to symbolize the 1940s, World War II, and the entire Big Band Era. Its resounding success—becoming a hit twice, once in 1940 and again in 1943—and its frequent reprisal by other artists has solidified it as a time- traversing classic. Covered innumerable times, “In the Mood” has endured in two versions, its original instrumental (the specific recording added to the Registry in 2004) and a version with lyrics. The music was written (or written down) by Joe Garland, a Tin Pan Alley tunesmith who also composed “Leap Frog” for Les Brown and his band. The lyrics are by Andy Razaf who would also contribute the words to “Ain’t Misbehavin’” and “Honeysuckle Rose.” For as much as it was an original work, “In the Mood” is also an amalgamation, a “mash-up” before the term was coined. It arrived at its creation via the mixture and integration of three or four different riffs from various earlier works. Its earliest elements can be found in “Clarinet Getaway,” from 1925, recorded by Jimmy O’Bryant, an Arkansas bandleader. For his Paramount label instrumental, O’Bryant was part of a four-person ensemble, featuring a clarinet (played by O’Bryant), a piano, coronet and washboard. Five years later, the jazz piece “Tar Paper Stomp” by Joseph “Wingy” Manone, from 1930, beget “In the Mood’s” signature musical phrase. -
Learn. Dream. Grow
South Dakota Public Broadcasting SDPB consistently Fiscal Year 2016 strives to produce Local Content & Service Report quality programming, unique storytelling, and direct involvement in the communities we serve throughout South Dakota. Learn. Dream. Grow. LOCAL 2015 KEY LOCAL VALUE SERVICES IMPACT State’s most comprehensive source Statewide Television, Radio, Digital Offering communities throughout the of democracy in action, including South & Educational resources via Internet; state a source of local identity and pride Dakota State Legislature, committee nine television transmitters and six through High School Achievement meetings, debates and forums. television translators; and 11 radio events coverage. transmitters and nine radio translators. South Dakota’s source for quality More than 60,000 web users a High School Achievement coverage with Comprehensive coverage via TV, month, ranging up to 200,000+ web 100+ events broadcast and profiled Radio & Digital of South Dakota issues, views to see state basketball across platforms. government, arts, culture. tournament games in March. Only source for comprehensive Multi-platform resource of local & A statewide source for information South Dakota history and documentary state office candidates and ballot issues from state officials and experts for vital programming. for South Dakota voters. news and information. State’s destination for in-depth More than 200 hours of multimedia Over 2,000 educators subscribe to conversations on local and national State Legislative coverage. the Education Update e-newsletter. issues. More than 17,000 subscribers for the e- More than 200 hours of multimedia SDPB newsletter. Only statewide source of programs High School Achievement events. about the culture, history, and issues of More than 200,000 households Comprehensive educational tools SD’s nine Native American tribes. -
Historical Musings: the Contours of South Dakota Political Culture
Copyright © 2004 by the South Dakota State Historical Society. All Rights Reserved. Historical Musings The Contours of South Dakota Political Culture JON LAUCK, JOHN E. MILLER, AND EDWARD HOGAN like other states of the Midwest and Great Plains, South Dakota en- joys a moderate republican political culture, rooted in a belief in the equality of individuals and their ability to work together for the greater good. While similarities among these states abound, differences also persist. The political culture of South Dakota is distinct from that of Minnesota, known historically for its liberal leanings, and that of Wy- oming, known for its conservatism. The political culture of South Da- kota, where Populism originated, is even quite distinct from that of North Dakota, where radical pohtical reforms did not take hold until later. As the editor of the Watertown Public Opinion noted in 1890, the "politics of North Dakota is a product of an entirely different breed of cats."' We aim to sketch some of the influences that shape the broad contours of South Dakota's political culture and, therefore, the prac- tice of politics in the state. These contours, like those of a winding streambed, can change in response to events and trends from without but frequently return to form, or what anthropologist Adam Kuper calls "the authentic, local way of being different."^ The authors wish to thank Dwight Adams, Robert Burns, Loren Carlson, Herb Cheever, Alan Clem, Marshall Damgaard, Dave Danbom. Bill Dougherty, Steven Davis, Frank Den- holm, Gilbert Fite, Erin Hogan Fouberg, Neil Fulton. Doug Hajek, Noel Hamie!, Scott Heidepriem, Stephanie Herseth, Dave Kranz, Howard Lamar, Ted Muenster, George Mc- Govern, Lynwood Oyos, Bill Richardson, Jamison Rounds, RoUyn Samp, and Chuck Wood- ard for their generous comments on tliis essay. -
Custer, George.Pdf
U.S. Army Military History Institute Biographies 950 Soldiers Drive Carlisle Barracks, PA 17013-5021 20 Jan 2012 GEORGE A. CUSTER A Working Bibliography of MHI Sources CONTENTS Bibliographies & Reference Sources.....p.1 General Sources.....p.2 Civil War…..p.4 Since 1865 (Less Little Big Horn)…..p.5 Disciplinary Events.....p.8 (Brother) Thomas Custer…..p.8 BIBLIOGRAPHIES & REFERENCE SOURCES Carroll, John M. Custer in Periodicals: A Bibliographic Checklist. Ft Collins: Old Army Press, 1975. 134 p. Z8206.7.C3. Dowd, James P. Custer Lives! Fairfield, WA: YeGalleon, 1982. 263 p. Z1209.2.U52.W86. Lists 3,114 items, each annotated. Engebretson, Darold E. Medals for the General: A History of Awards for General Custer for Gallant and Meritorious Service. El Segundo, CA: Upton & Sons, 2007. 203 p. E467.1.C99.E54. Graham, William A. The Custer Myth: A Source Book of Custerania to Which is Added Important Items of Custerania and a Complete and Comprehensive Bibliography. Harrisburg, PA: Stackpole, 1953. 413 p. E83.876.G7. Hardorff, Richard G. Cheyenne Memories of the Custer Fight: A Source Book. Spokane, WA: Arthur H. Clarke, 1995. 189 p. E83.876.C54. Hatch, Thom. The Custer Companion: A Comprehensive Guide to the Life of George Armstrong Custer and the Plains Indian Wars. Mechanicsburg, PA: Stackpole, 2002. 274 p. E467.1.C99.H38. Hedren, Paul L. King on Custer: An Annotated Bibliography. n.p., 1982? 12 p. Z8464.35.H43. Charles King, that is, Army officer & novelist of the late 19th century Army. Research Review. Journal of the Little Big Horn Associates. Per. -
An Investigation of Dalcroze-Inspired Embodied Movement
AN INVESTIGATION OF DALCROZE-INSPIRED EMBODIED MOVEMENT WITHIN UNDERGRADUATE CONDUCTING COURSEWORK by NICHOLAS J. MARZUOLA Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. Nathan B. Kruse Department of Music CASE WESTERN RESERVE UNIVERSITY May, 2019 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of Nicholas J. Marzuola, candidate for the degree of Doctor of Philosophy*. (signed) Dr. Nathan B. Kruse (chair of the committee) Dr. Lisa Huisman Koops Dr. Matthew L. Garrett Dr. Anthony Jack (date) March 25, 2019 *We also certify that written approval has been obtained for any proprietary material contained therein. 2 Copyright © 2019 by Nicholas J. Marzuola All rights reserved 3 DEDICATION To Allison, my loving wife and best friend. 4 TABLE OF CONTENTS TABLE OF CONTENTS .................................................................................................... 5 LIST OF FIGURES .......................................................................................................... 10 ACKNOWLEDGEMENTS .............................................................................................. 11 ABSTRACT ...................................................................................................................... 13 CHAPTER ONE, INTRODUCTION ............................................................................... 15 History of Conducting .................................................................................................. -
CUSTER BATTLEFIELD National Monument Montana (Now Little Bighorn Battlefield)
CUSTER BATTLEFIELD National Monument Montana (now Little Bighorn Battlefield) by Robert M. Utley National Park Service Historical Handbook Series No. 1 Washington, D.C. 1969 Contents a. A CUSTER PROFILE b. CUSTER'S LAST STAND 1. Campaign of 1876 2. Indian Movements 3. Plan of Action 4. March to the Little Bighorn 5. Reno Attacks 6. The Annihilation of Custer 7. Reno Besieged 8. Rescue 9. Collapse of the Sioux 10. Custer Battlefield Today 11. Campaign Maps c. APPENDIXES I. Officers of the 7th Cavalry at the Battle of the Little Bighorn II. Low Dog's Account of the Battle III. Gall's Account of the Battle IV. A Participant's Account of Major Reno's Battle d. CUSTER'S LAST CAMPAIGN: A PHOTOGRAPHIC ESSAY e. THE ART AND THE ARTIST f. ADMINISTRATION For additional information, visit the Web site for Little Bighorn Battlefield National Monument or view their Official National Park Handbook (#132): Historical Handbook Number One 1969 The publication of this handbook was made possible by a grant from the Custer Battlefield Historical and Museum Association, Inc. This publication is one of a series of handbooks describing the historical and archeological areas in the National Park System administered by the National Park Service, U.S. Department of the Interior. For sale by the Superintendent of Documents, U.S. Government Printing Office, Washington, D.C. 20402. Price lists of Park Service publications sold by the Government Printing Office may be obtained from the Superintendent of Documents, Washington, D.C. 20402. The National Park System, of which Custer Battlefield National Monument is a unit, is dedicated to conserving the scenic, scientific, and historic heritage of the United States for the benefit and enjoyment of its people. -
American Mavericks Festival
VISIONARIES PIONEERS ICONOCLASTS A LOOK AT 20TH-CENTURY MUSIC IN THE UNITED STATES, FROM THE SAN FRANCISCO SYMPHONY EDITED BY SUSAN KEY AND LARRY ROTHE PUBLISHED IN COOPERATION WITH THE UNIVERSITY OF CaLIFORNIA PRESS The San Francisco Symphony TO PHYLLIS WAttIs— San Francisco, California FRIEND OF THE SAN FRANCISCO SYMPHONY, CHAMPION OF NEW AND UNUSUAL MUSIC, All inquiries about the sales and distribution of this volume should be directed to the University of California Press. BENEFACTOR OF THE AMERICAN MAVERICKS FESTIVAL, FREE SPIRIT, CATALYST, AND MUSE. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England ©2001 by The San Francisco Symphony ISBN 0-520-23304-2 (cloth) Cataloging-in-Publication Data is on file with the Library of Congress. The paper used in this publication meets the minimum requirements of ANSI / NISO Z390.48-1992 (R 1997) (Permanence of Paper). Printed in Canada Designed by i4 Design, Sausalito, California Back cover: Detail from score of Earle Brown’s Cross Sections and Color Fields. 10 09 08 07 06 05 04 03 02 01 10 9 8 7 6 5 4 3 2 1 v Contents vii From the Editors When Michael Tilson Thomas announced that he intended to devote three weeks in June 2000 to a survey of some of the 20th century’s most radical American composers, those of us associated with the San Francisco Symphony held our breaths. The Symphony has never apologized for its commitment to new music, but American orchestras have to deal with economic realities. For the San Francisco Symphony, as for its siblings across the country, the guiding principle of programming has always been balance. -
Open Drane Dissertation.Pdf
The Pennsylvania State University The Graduate School AN ORAL HISTORY OF THE NAVY BAND B-1: THE FIRST ALL-BLACK NAVY BAND OF WORLD WAR II A Dissertation in Music Education by Gregory Abdul Drane © 2020 Gregory Abdul Drane Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2020 ii The dissertation of Gregory Abdul Drane was reviewed and approved* by the following: O. Richard Bundy, Jr. Professor of Music Education, Emeritus Dissertation Advisor Chair of Committee Robert Gardner Associate Professor of Music Education David McBride Professor of African American Studies and African American History Ann Clements Professor of Music Education Linda Thornton Professor of Music Education Chair of the Graduate Program iii ABSTRACT This study investigates the service of the Navy Band B-1, the first all-black Navy band to serve during World War II. For many years it was believed that the black musicians of the Great Lakes Camp held the distinction as the first all-black Navy band to serve during World War II. However, prior to the opening of the Navy’s Negro School of Music at the Great Lakes Camps, the Navy Band B-1 had already completed its training and was in full service. This study documents the historical timeline of events associated with the formation of the Navy Band B-1, the recruitment of the bandsmen, their service in the United States Navy, and their valuable contributions to the country. Surviving members of the Navy Band B-1 were interviewed to share their stories and reflections of their service during World War II. -
A Quantitative Assessment of Political Culture in South Dakota
Department of Economics Working Paper Series From Policy Preferences to Partisan Support: A Quantitative Assessment of Political Culture in South Dakota Dakota Cannabis use and suicidal ideation Russell H. Hillberry, William D. Anderson August 2012 Research Paper Number 1156 ISSN: 0819 2642 ISBN: 978 0 7340 4507 2 Department of Economics The University of Melbourne Parkville VIC 3010 www.economics.unimelb.edu.au From Policy Preferences to Partisan Support: A Quantitative Assessment of Political Culture in South Dakota Russell H. Hillberry∗ William D. Anderson† University of Melbourne University of South Dakota August 2012 Abstract This study uses cross-county variation in support for 46 ballot measures to identify political subcultures in South Dakota and to study them. A hierarchical clustering method applied to county-level election returns allows the identification of subcultures at various levels of granularity. We choose a threshold that suggests seven subcultures as a useful summary of the data. While the allocation procedure employs only election returns as an input, the identified subcultures match observable regularities in demographics and geography. Subsequent factor analysis of election returns from the ballot measures reveals a multi-dimensional policy space. By contrast, a similar analysis of support for political candidates reveals a single partisan spectrum as a dominant feature of the data. A county’s location in the revealed policy space well explains its location along this partisan spectrum. The link between policy and partisan preferences is robust to the inclusion of a wide variety of additional control measures. Keywords: Constraint, political culture, partisanship, efficient classification ∗Corresponding author. Department of Economics, University of Melbourne, Victoria 3010, Australia email: [email protected].