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MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
No. Title Singer a 101 Addicted to Love Robert
No. Title Singer A 101 Addicted To Love Robert Palmer 127 After Midnight Eric Clapton 128 Ain't No Stoppin' Us Now McFadden & Whitehead 1 All I Want Is A Life Tim McGraw 82 All Star Smash Mouth 108 All The Man That I Need Whitney Houston 91 All You Wanted Michelle Branch 40 Always Atlantic Starr 129 Amarillo By Morning George Strait 130 Amie Pure Prairie League 109 And She Was Talking Heads 2 And Still Reba McEntire 8 Anything Goes Frank Sinatra 120 Are You Happy Now Michelle Branch 68 Arthur's Theme (The Best That You..) Christopher Cross 131 At This Moment Billy Vera B 132 Bad Michael Jackson 133 Bang The Drum All Day Todd Rundgren 134 Beat Goes On, The Sonny & Cher 135 Beat It Michael Jackson 41 Behind Closed Doors Charlie Rich 136 Big Spender from "Sweet Charity" 137 Billie Jean Michael Jackson 104 Black Or White Michael Jackson 138 Black Water Doobie Brothers 139 Brandy You're a Fine Girl Looking Glass 122 Breathe Michelle Branch 7 But I Will Faith Hill C 140 Candy Man Roy Orbison 141 Can't Get Enough (of Your Love) Bad Company 142 Can't Get Enough of Your Love Babe Barry White 87 Careless Whisper Wham 124 Carried Away George Strait 11 Carrying Your Love With Me George Strait 93 Celebration Kool And The Gang 143 Chain Of Fools Aretha Franklin 61 Cherish Kool And The Gang 76 Closing Time Semisonic 60 Copperhead Road Steve Earle 144 Could It Be I'm Falling in Love? Spinners, The 98 Crazy For You Madonna D 27 Dance To The Music Sly & The Family Stone 145 December Collective Soul E 42 Embraceable You Nat King Cole 105 Endless Love Diana Ross/Lionel Richie 146 Escape (The Pina Colada Song) Rupert Holmes 43 Evergreen Barbra Streisand 147 Everybody Hurts R.E.M. -
Robert Kenneth Wright's Copeland's Song List
Robert Kenneth Wright’s Copeland’s Song List Song Artist Medium A Kiss to Build a Dream On Louis Armstrong Vocal A Lovely Day Bill Withers Vocal A Song for Mama Boyz II Men Vocal A Whole New World Disney Vocal Addicted to Love Robert Palmer Vocal All I Do Stevie Wonder Piano (WT) All of Me John Legend Vocal/Piano Anniversary Tony Toni Tone Vocal Ask of You Raphael Saadiq Vocal Autumn in New York Tony Bennett Vocal Autumn Leaves Matt Monro Vocal Bad Case of Loving You Robert Palmer Vocal Bad Moon Rising Creedence Clearwater Vocal Beat It Michael Jackson Vocal Before I Let Go Frankie Beverly/Maze Vocal Billie Jean Michael Jackson Vocal Blueberry Hill Fats Domino Vocal Brick House Commodores Vocal Brown Eyed Girl Van Morrison Vocal Buffalo Soldier Bob Marley Vocal Can’t Help Falling in Love Elvis Presley Vocal Can’t Let Go Anthony Hamilton Vocal Careless Whisper George Michael Vocal Cause I Love You Lenny Williams Vocal Celebration Kool and the Gang Vocal Change the World Eric Clapton Vocal Cheek to Cheek Fred Astaire Vocal Circle of Life Disney/Elton John Vocal Close the Door Teddy Pendergrass Vocal Cold Sweat James Brown Vocal Could You Be Loved Bob Marley Vocal Creepin’ Luther Vandross Vocal Dat Dere Tony Bennett Vocal Distant Lover Marvin Gaye Vocal Don’t Stop Believing Journey Vocal Don’t Want to Miss a Thing Aerosmith Vocal Don’t You Know That Luther Vandross Vocal Early in the Morning Gap Band Vocal End of the Road Boyz II Men Vocal Every Breath You Take The Police Vocal Feelin’ on Ya Booty R. -
Record World Sales Iintder Motion for a Temporary Re- Straining Order Blocking the Single's Release
NEWSPAPER ISSN 0034-1622 Ztilea...," 1.1(12,Lic:c. SEPTEMBER 20, 1980 $2. Stephanie Mills A Saluteto to Teddy Pendergrass SINGLES ALBUMS DONNA SUMMER, "THE WANDERER" STEVIE WONDER, "MASTER BLASTER THE B -52's, "WILD PLANET." The (prod. by Moroder-Bellotte) (JAMMIN')" (prod. by Wonder) idiosyncratic Georgia quintet's de- (G M PC / Sweet Summer Night, (writer: Wonder) (Jobete/Black but LP was an AOR and club sleep- ASCAP) (3:44). One of Summer's Bull, ASCAP) (4:49). Blending er that wouldn't stop selling, and most eclectic outings. She draws topical urban street themes with their second album indicates that from numerous influences to cre- reggae -pop rhythms, Wonder the relentless, dance - crazed ate a seductive rocker. Vocal creates a compelling single from rhythms haven't stopped either. In- quivers & keyboard vamps do the his forthcoming "Hotter Than cludes "Private Idaho." Warner job. Geffen 49563 (WB). July" LP. Tamla 54317 (Motown). Bros. BSK 3471 (7.98). SUPERTRAMP, "DREAMER" (prod. by KANSAS, "HOLD ON" (prod. by group) GARY NUMAN, "TELEKON." Numan Henderson -Pope) (writers: Da- (writer: Livgren) (Don Kirshner/ may not have been the first prac- vies -Hodgson) (Almo/Delicate, Blackwood, BMI) (3:45). From titioner of techno-pop, but his sim- ASCAP) (3:15). This live cut from the new "Audio -Visions" LP plified approach and lilting lyric the forthcoming double -LP set comes this ballad with a recur- patterns seem to be the most ideally is a to get cinch immediate pop ring surge of power at the hook. suited to pop radio formats, as indi- reaction. -
In the Studio: the Role of Recording Techniques in Rock Music (2006)
21 In the Studio: The Role of Recording Techniques in Rock Music (2006) John Covach I want this record to be perfect. Meticulously perfect. Steely Dan-perfect. -Dave Grohl, commencing work on the Foo Fighters 2002 record One by One When we speak of popular music, we should speak not of songs but rather; of recordings, which are created in the studio by musicians, engineers and producers who aim not only to capture good performances, but more, to create aesthetic objects. (Zak 200 I, xvi-xvii) In this "interlude" Jon Covach, Professor of Music at the Eastman School of Music, provides a clear introduction to the basic elements of recorded sound: ambience, which includes reverb and echo; equalization; and stereo placement He also describes a particularly useful means of visualizing and analyzing recordings. The student might begin by becoming sensitive to the three dimensions of height (frequency range), width (stereo placement) and depth (ambience), and from there go on to con sider other special effects. One way to analyze the music, then, is to work backward from the final product, to listen carefully and imagine how it was created by the engineer and producer. To illustrate this process, Covach provides analyses .of two songs created by famous producers in different eras: Steely Dan's "Josie" and Phil Spector's "Da Doo Ron Ron:' Records, tapes, and CDs are central to the history of rock music, and since the mid 1990s, digital downloading and file sharing have also become significant factors in how music gets from the artists to listeners. Live performance is also important, and some groups-such as the Grateful Dead, the Allman Brothers Band, and more recently Phish and Widespread Panic-have been more oriented toward performances that change from night to night than with authoritative versions of tunes that are produced in a recording studio. -
Cantos: a Literary and Arts Journal
Cantos: A Literary and Arts Journal EDITOR John J. Han ASSISTANT EDITOR Ashley Anthony EDITORIAL ASSISTANTS Mary C. Bagley Sara Choate Mary Ellen Fuquay Rachel Hayes Douglas T. Morris COVER ART (“Magnolia”) COVER DESIGN Carol Sue Horstman Jenny Gravatt Cantos: A Literary and Arts Journal is published every April by the Department of English at Missouri Baptist University. It is designed to provide writers and poets with a venue for their artistic expressions and to promote literary awareness among scholars and students. The views expressed in this publication are those of the authors and do not necessarily represent those of Missouri Baptist University. Compensation for contributions is one copy of Cantos. Copyrights revert to authors and artists upon publication. SUBMISSIONS: Cantos welcomes submissions from the students, faculty, staff, alumni, and friends of Missouri Baptist University. Send previously unpublished manuscripts as e-mail attachments (Microsoft Word format) to the editor at [email protected] by March 1 each year. However, earlier submissions receive priority consideration. Poems should consist of 40 or fewer lines; limit up to five poems per submission. Prose submissions must be less than 2000 words; we consider up to three works from each author. We do not accept simultaneous submissions. By submitting, you certify that the work is your own and is not being considered elsewhere. Accepted manuscripts are subject to editing for length, clarity, grammar, usage, conciseness, and appropriate language. Along with your work, please submit a 50-100 word biographical sketch in third-person narrative. SUBSCRIPTIONS & BOOKS FOR REVIEW: Cantos subscriptions, renewals, address changes, and books for review should be mailed to John J. -
De Classic Album Collection
DE CLASSIC ALBUM COLLECTION EDITIE 2013 Album 1 U2 ‐ The Joshua Tree 2 Michael Jackson ‐ Thriller 3 Dire Straits ‐ Brothers in arms 4 Bruce Springsteen ‐ Born in the USA 5 Fleetwood Mac ‐ Rumours 6 Bryan Adams ‐ Reckless 7 Pink Floyd ‐ Dark side of the moon 8 Eagles ‐ Hotel California 9 Adele ‐ 21 10 Beatles ‐ Sgt. Pepper's Lonely Hearts Club Band 11 Prince ‐ Purple Rain 12 Paul Simon ‐ Graceland 13 Meat Loaf ‐ Bat out of hell 14 Coldplay ‐ A rush of blood to the head 15 U2 ‐ The unforgetable Fire 16 Queen ‐ A night at the opera 17 Madonna ‐ Like a prayer 18 Simple Minds ‐ New gold dream (81‐82‐83‐84) 19 Pink Floyd ‐ The wall 20 R.E.M. ‐ Automatic for the people 21 Rolling Stones ‐ Beggar's Banquet 22 Michael Jackson ‐ Bad 23 Police ‐ Outlandos d'Amour 24 Tina Turner ‐ Private dancer 25 Beatles ‐ Beatles (White album) 26 David Bowie ‐ Let's dance 27 Simply Red ‐ Picture Book 28 Nirvana ‐ Nevermind 29 Simon & Garfunkel ‐ Bridge over troubled water 30 Beach Boys ‐ Pet Sounds 31 George Michael ‐ Faith 32 Phil Collins ‐ Face Value 33 Bruce Springsteen ‐ Born to run 34 Fleetwood Mac ‐ Tango in the night 35 Prince ‐ Sign O'the times 36 Lou Reed ‐ Transformer 37 Simple Minds ‐ Once upon a time 38 U2 ‐ Achtung baby 39 Doors ‐ Doors 40 Clouseau ‐ Oker 41 Bruce Springsteen ‐ The River 42 Queen ‐ News of the world 43 Sting ‐ Nothing like the sun 44 Guns N Roses ‐ Appetite for destruction 45 David Bowie ‐ Heroes 46 Eurythmics ‐ Sweet dreams 47 Oasis ‐ What's the story morning glory 48 Dire Straits ‐ Love over gold 49 Stevie Wonder ‐ Songs in the key of life 50 Roxy Music ‐ Avalon 51 Lionel Richie ‐ Can't Slow Down 52 Supertramp ‐ Breakfast in America 53 Talking Heads ‐ Stop making sense (live) 54 Amy Winehouse ‐ Back to black 55 John Lennon ‐ Imagine 56 Whitney Houston ‐ Whitney 57 Elton John ‐ Goodbye Yellow Brick Road 58 Bon Jovi ‐ Slippery when wet 59 Neil Young ‐ Harvest 60 R.E.M. -
The Sandburg Scoop
The Sandburg Scoop Volume I, Issue 5 April 2017 SIX FLAGS - A SANDBURG ‘GREAT ADVENTURE!’ On Friday, April 21st, the Sandburg delegation hit the road to Six Flags-Great Adventure for at least the 24th time in school history. (No one here can say for sure beyond that, but it definitely goes back that far!) Originally, the Sandburg trips to Six Flags were a 9th grade trip that was taken on a Saturday. Needless to say, a lot of things have changed. Mrs. Welke, our 7th grade Science teacher, gave the Scoop a little background on the history of the trip. “I have been here for 24 years and there has been a Six Flags trip every year. It started (before I came to Sandburg) as a 9th grade trip the Saturday after the 9th grade dance. This was always the first weekend in June. It remained a 9th grade exclusive up until the 9th grade was moved to the high school. I became a teacher on an 8th grade team and we continued the trip for our team. It was moved to one of the ‘Physics Days’ which are during the week. Very shortly after that it became a whole school trip.” As they say, “ . and the rest is history!” According to Mrs. Kelly, 650 students were a part of this year’s excursion - a large number to keep track of in a huge amusement park! Park-goers loaded onto 15 buses to make the trip. With the exception of a minor accident with one of the buses on the way home, there were no incidents. -
Renault Cla Ssic
RENAULT CLASSICCLASSIC LES CAHIERS CAHIERS PASSION PASSION HS “ LESLES RENAULT, RENAULT, MA FAMILLE MA FAMILLE ET MOI ” ET MOI ” Témoignage d’une jeune mère de famille (par Marion Rannou-PEHUN) 01 DAD’S AMAZING RENAULT 16 01 L’EXTRAORDINAIRE RENAULT 16 DE PAPA possessed until then. This was the Elle était grise. Grise ardoise. Les J’avais dix ou onze ans. C’était la Chaque nouvelle voiture était confort des banquettes, découvrir beautiful car that Dad would take to vitres étaient électriques à l’avant. voiture de mon père : une RENAULT vécue comme une fête. D’abord, les options, admirer la vue depuis le come get me from middle school at Une condamnation centralisée 16... Une RENAULT 16 TX. nous nous félicitions du choix de la tableau de bord et nous imprégner lunchtime. Our discussions were pouvait fermer toutes les portes couleur, objet de tant de discussions de l’odeur unique du cuir et des fairly brief: it was time to watch the Lorsque je pense aux voitures qui plastiques neufs. Ce cérémonial news. I can see the parking lot d’un seul tour de clef et comble m’ont accompagnées, c’est cette familiales, puis avec un soin qui fut très marqué lorsque la nouvelle perfectly, in front of school where du confort, elle était dotée d’une image-là qui tout de suite, s’imposé ne durerait malheureusement pas RENAULT 16 emprunta pour la he was waiting for me, always on climatisation. L’intérieur était d’un et puis le film s’enclenche et une très longtemps, nous montions à première fois l’allée de la maison, et time. -
Pop / Rock / Commercial Music Wed, 25 Aug 2021 21:09:33 +0000 Page 1
Pop / Rock / Commercial music www.redmoonrecords.com Artist Title ID Format Label Print Catalog N° Condition Price Note 10000 MANIACS The wishing chair 19160 1xLP Elektra Warner GER 960428-1 EX/EX 10,00 € RE 10CC Look hear? 1413 1xLP Warner USA BSK3442 EX+/VG 7,75 € PRO 10CC Live and let live 6546 2xLP Mercury USA SRM28600 EX/EX 18,00 € GF-CC Phonogram 10CC Good morning judge 8602 1x7" Mercury IT 6008025 VG/VG 2,60 € \Don't squeeze me like… Phonogram 10CC Bloody tourists 8975 1xLP Polydor USA PD-1-6161 EX/EX 7,75 € GF 10CC The original soundtrack 30074 1xLP Mercury Back to EU 0600753129586 M-/M- 15,00 € RE GF 180g black 13 ENGINES A blur to me now 1291 1xCD SBK rec. Capitol USA 7777962072 USED 8,00 € Original sticker attached on the cover 13 ENGINES Perpetual motion 6079 1xCD Atlantic EMI CAN 075678256929 USED 8,00 € machine 1910 FRUITGUM Simon says 2486 1xLP Buddah Helidon YU 6.23167AF EX-/VG+ 10,00 € Verty little woc COMPANY 1910 FRUITGUM Simon says-The best of 3541 1xCD Buddha BMG USA 886972424422 12,90 € COMPANY 1910 Fruitgum co. 2 CELLOS Live at Arena Zagreb 23685 1xDVD Masterworks Sony EU 0888837454193 10,90 € 2 UNLIMITED Edge of heaven (5 vers.) 7995 1xCDs Byte rec. EU 5411585558049 USED 3,00 € 2 UNLIMITED Wanna get up (4 vers.) 12897 1xCDs Byte rec. EU 5411585558001 USED 3,00 € 2K ***K the millennium (3 7873 1xCDs Blast first Mute EU 5016027601460 USED 3,10 € Sample copy tracks) 2PLAY So confused (5 tracks) 15229 1xCDs Sony EU NMI 674801 2 4,00 € Incl."Turn me on" 360 GRADI Ba ba bye (4 tracks) 6151 1xCDs Universal IT 156 762-2 -
Academically Resilient Elementary Students in One Virginia School Division: Identifying and Exploring Protective Factors
Academically Resilient Elementary Students in one Virginia school division: Identifying and Exploring Protective Factors LaQuiche R. Parrott Dissertation submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Doctor of Education In Educational Leadership and Policy Studies Carol S. Cash, Chair Laura D. Kassner Ted S. Price Travis W. Twiford October 12, 2015 Blacksburg, Virginia Keywords: academic resilience, at-risk students, economically disadvantaged, protective factors, resiliency, risk factors, rural Academically Resilient Elementary Students in one Virginia school division: Identifying and Exploring Protective Factors LaQuiche R. Parrott Abstract The purpose of the study was to identify the internal and external protective factors found in family, school and community as perceived by rural elementary students who experienced poverty and demonstrated academic resilience in a Virginia school division. By identifying the common protective factors among the academically resilient elementary students, school leaders and educators can implement practices that foster a learning climate that cultivates and supports resilience in students who are at risk of academic failure. A qualitative approach was used to analyze a purposefully selected group of academically resilient elementary school students living in rural poverty. The research questions were: 1. What are the self-identified protective factors regarding academic achievement for students purposefully selected as meeting the criteria for academic resilience? 2. What are the similarities and differences in protective factors among these purposefully selected students? Ten fifth grade elementary students, a boy and girl from each of the elementary schools in the rural school division meeting the definition of academic resilience and living in poverty were eligible to participate in the study.