Daniela Dessì Fabio Armiliato
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From Our Pastor
From Our Pastor On graduating, I asked my father, ‘Shall I After a disconcerting year in 2020, I want to WITH MUCH GRATITUDE... be a teacher or a singer?’ ‘Luciano,’ my father Shirley Brannan would like to thank everyone for challenge our church to think outside the box. I want replied, ‘if you try to sit on two chairs, you will fall your encouraging words, phone calls, cards, prayers every person to consider and embrace the between them. For life, you must choose one and for your helping hands during the time of her possibilities of what God can do through them for His struggle with covid. She is feeling much better now chair.’ ‘I chose one. It took seven years of study glory in 2021. I encourage each of you to seek and as she continues her recovery. and frustration before I made my first professional understand the calling that God has placed on your appearance. It took another seven to reach the life. To better understand your giftedness and strive Metropolitan Opera. And now I think whether it's to serve the Lord in that area. One of my favorite Why is February 14 called laying bricks, writing a book--whatever we choose- quotes by Albert Schweitzer, “I don't know what your Valentine’s Day? - we should give ourselves to it. Commitment, destiny will be, but one thing I know: the only ones that's the key. Choose one chair.” Valentine’s Day began as Saint among you who will be really happy are those who Our challenge this year at First Methodist is Valentine’s Day or the Feast of Saint Valentine. -
Giacomo Puccini, III Atto. Percorsi Della Maturità Teatro Alla Scala, Milano 17 Giugno 2007
3 Teatro alla Scala, Milano Teatro domenica 17 giugno 2007, ore 20.00 giacomo III atto percorsi della maturità percorsi Puccini giacomo puccini giacomo percorsi della maturità Teatro alla Scala, Milano Teatro domenica 17 giugno 2007, ore 20.00 giacomo PucciniIII atto Percorsi della maturità Comitato Nazionale Celebrazioni Pucciniane 2004-2008 Sotto l’Alto Patronato del Presidente della Repubblica Presidente onorario – Senatore Marcello Pera Cavaliere del Lavoro Bruno Ermolli Presidente Comitato Nazionale Celebrazioni Pucciniane Enel - Gruppo Poste Italiane - Fondazione Banca del Monte di Lucca Giacomo Puccini, III atto. Percorsi della maturità Teatro alla Scala, Milano 17 giugno 2007 A cura di Michele Girardi Comitato Nazionale Celebrazioni Pucciniane - Commissione storico-scientifica Gabriella Biagi Ravenni, Virgilio Bernardoni, Luigi della Santa, Michele Girardi, Dieter Schickling Ricerca iconografica Simonetta Bigongiari Progetto grafico Marco Riccucci Stampa Italpaghe Toscana - Viareggio (Lucca) – giugno 2007 domenica 17 giugno 2007, ore 20.00 Teatro alla Scala, Milano Giacomo Puccini, III atto percorsi della maturità FILARMONICA DELLA SCALA CORO FILARMONICO DELLA SCALA soprano Isabelle Kabatu mezzosoprano Francesca Franci tenore Vincenzo La Scola baritono Franco Vassallo Alisa Zinovjeva Alessandro Paliaga Thiago Arancam Ernesto Panariello Giancarlo Boldrini Vassili Pavlenko Leonardo Cortellazzi Patrizio Saudelli Enrico Cossutta Sergio Spina Nino Machaidze Piero Terranova direttore RICCARDO CHAILLY maestro del Coro Bruno Casoni parte -
Luciano Pavarotti Is Dead at 71
September 6, 2007 Luciano Pavarotti Is Dead at 71 By BERNARD HOLLAND Luciano Pavarotti, the Italian singer whose ringing, pristine sound set a standard for operatic tenors of the postwar era, died Thursday at his home near Modena, in northern Italy. He was 71. His death was announced by his manager, Terri Robson. The cause was pancreatic cancer. In July 2006 he underwent surgery for the cancer in New York, and he had made no public appearances since then. He was hospitalized again this summer and released on Aug. 25. Like Enrico Caruso and Jenny Lind before him, Mr. Pavarotti extended his presence far beyond the limits of Italian opera. He became a titan of pop culture. Millions saw him on television and found in his expansive personality, childlike charm and generous figure a link to an art form with which many had only a glancing familiarity. Early in his career and into the 1970s he devoted himself with single- mindedness to his serious opera and recital career, quickly establishing his rich sound as the great male operatic voice of his generation — the “King of the High Cs,” as his popular nickname had it. By the 1980s he expanded his franchise exponentially with the Three Tenors projects, in which he shared the stage with Plácido Domingo and José Carreras, first in concerts associated with the World Cup and later in world tours. Most critics agreed that it was Mr. Pavarotti’s charisma that made the collaboration such a success. The Three Tenors phenomenon only broadened his already huge audience and sold millions of recordings and videos. -
Addio Pavarotti, Leggenda Della Musica
QUOTIDIANO INDIPENDENTE FONDATO NEL 1889 VENERDÌ 7 SETTEMBRE 2007 1 11 L’UNIONESPED. ABB. POST. - 45% - ART.2 COMMA 20/B LEGGE 662/96 CAGLIARI ANNO CXIX, NUMERO 245 www.unionesarda.it SARDAL’UNIONE SARDA € L’UNIONE SARDA + SCHEDA LA7 € SPETTACOLI VIA POMA I BOLLINI per la SCHEDA PREMIO FEDELTÀ Borsa Goran Bregovic Sotto accusa saranno DI NUOVO pubblicati MIBTEL ............................+0,18 CON LA PROSSIMA S&P/MIB ..........................+0,22 stasera il fidanzato INIZIATIVA EDITORIALE DOW JONES ...................+0,43 all’Anfiteatro della Cesaroni NASDAQ .........................+0,32 EURO/DOLLARO............+0,60 BTP..................................100,07 CCT .................................100,08 NELL’INSERTO A PAGINA 8 Riflettendo sui rincari Il mondo piange "Big Luciano" che si è spento a Modena. Domani i funerali Ulassai. Auto a fuoco Scuola e libri di testo, Ingegnere manca il buon senso Addio Pavarotti, WWDI RAIMONDO CUBEDDUWW del Comune a propensione degli ridotta in quiz a rispo- Litaliani a spendere sta multipla che nessu- in educazione non è no studente dovrebbe sotto tiro marcata. Più che di avere difficoltà a supe- leggenda della musica una buona laurea si rare a meno di sceglie- pensa debba essere re una facoltà molto fornito ai figli un tito- diversa dal proceden- lo di studio. Possibil- te curriculum. Il grande tenore è stato sconfitto dal cancro: aveva 71 anni mente conseguito a Tutti questi difetti buon prezzo. Di qui le del sistema scolastico È morto alle cinque del mattino nel- proteste degli aspiran- ed editoriale non devo- la sua villa di Modena. Era malato di ti studenti universitari no comunque indurre tumore al pancreas, aveva 71 anni. -
Congressional Record—House H15231
December 11, 2007 CONGRESSIONAL RECORD — HOUSE H15231 As my colleagues may know, on the of former Prime Minister Khaleda Zia. After lis- and starvation due to the current lack of ac- 15th of November a powerful, category tening to his concerns and insights, it is my cess to drinking water and medicines. One re- five-equivalent tropical cyclone struck hope that Bangladesh will move swiftly toward lief worker in Bagerhat went so far as to say low-lying areas of Bangladesh from the regaining its status as a thriving, emerging de- that the region looked like a ‘‘valley of death.’’ Bay of Bengal. Mr. Speaker, in the mocracy and set an example for its neighbors Unfortunately, the worst may be yet to come. West we call these tropical storms hur- and the rest of the world. Health officials have begun to warn against ricanes, and in the Far East they call The region has been undergoing serious po- the serious threat posed by cholera, dys- them cyclones. Be that as it may, they litical and economic changes, with several na- entery, and other waterborne diseases as a both have destructive power. Being tions undergoing significant political upheaval. result of the limited access to water supplies from southeast Texas on the gulf coast, Key among these is Bangladesh, where emer- and sanitation facilities that millions of we call the area ‘‘hurricane alley,’’ and gency rule was declared by President Iajuddin Bangladeshis will face. we are not unfamiliar with hurricanes. Ahmed following opposition protests during the As a member of the international commu- Even this year, Hurricane Humberto, run-up to the January 2007 elections. -
Biography: Fabio Armiliato
Biography: Fabio Armiliato Internationally renewed tenor Fabio Armiliato is acclaimed by the public thanks to his unique vocal style, his impressive upper register and his dramatic abilities and charisma that infuses in his characters. He made his opera debut as Gabriele Adorno in Simon Boccanegra in his hometown Genoa, where he graduated at the Conservatory Niccolo Paganini, after which his career set off leading him to address many important roles for his register in the most prestigious theatres in the world. In 1993 debuted at the Metropolitan Opera House in New York with Il Trovatore, followed by Aida, Cavalleria Rusticana, Don Carlo, Simon Boccanegra, Tosca, Fedora, Madama Butterfly. Especially his performance of Andrea Chènier at the Met is considered one of his most iconic roles, receiving the proclamation from the critics of “best Chénier of our times”. Equally importance Fabio Armiliato gave to the role of Pinkerton in Madama Butterfly, sung amongst others at La Scala in Milan, at the Gran Teatre del Liceu and the New National Theatre in Tokyo. During the period from 1990 to 1996, he performed in the Opera of Antwerp on a cycle dedicated to Giacomo Puccini, in production directed by Robert Carsen interpreting Tosca, Don Carlo and Manon Lescaut. Armiliato is a refined interpreter of Mario Cavaradossi in Tosca with more than 150 performances of the title, he has been acclaimed in this role in the most prestigious Opera Houses including La Scala in Milan, conducted by Lorin Maazel, and the Royal Opera House at Covent Garden in London under the baton of Antonio Pappano in 2006. -
1 Prime+Trama TRAVIATA
Parma e le terre di Verdi 1-28 ottobre 2007 La Traviata Musica di GIUSEPPE VERDI Parma e le terre di Verdi 1-28 ottobre 2007 Parma e le terre di Verdi 1-28 ottobre 2007 main sponsor media partner Il Festival Verdi è realizzato anche grazie a e con il sostegno e la collaborazione di Teatro Verdi di Busseto Teatro Comunale di Modena iTeatri di Reggio Emilia Soci fondatori Consiglio di Amministrazione Presidente Pietro Vignali Sindaco di Parma Consiglieri Paolo Cavalieri Maurizio Marchetti Sovrintendente Mauro Meli Direttore musicale Bruno Bartoletti Segretario generale Gianfranco Carra Collegio dei Revisori Giuseppe Ferrazza Presidente Nicola Bianchi Andrea Frattini La Traviata Melodramma in tre atti su libretto di Francesco Maria Piave dal dramma La Dame aux camélias di Alexandre Dumas figlio Musica di GIUSEPPE V ERDI Editore Universal Music Publishing Ricordi srl, Milano Villa Verdi a Sant’Agata La trama dell’opera Atto primo Parigi, alla metà dell’Ottocento. È estate e c’è festa nella casa di Violetta Valéry, una famosa mondana: è un modo per soffocare l’angoscia che la tormenta, perché ella sa che la sua salute è gravemente minata. Un nobile, Gastone, presenta alla padrona di casa il suo amico Alfredo, che l’ammira sinceramente. L’attenzione che Violetta dimostra per la nuova conoscenza non sfugge a Douphol, il suo amante abituale. Mentre Violetta e Alfredo danzano, il giovane le dichiara tutto il suo amore e Violetta gli regala un fiore, una camelia: rivedrà Alfredo solo quando sarà appassita. Alla fine della festa, Violetta deve ammettere di essersi innamorata davvero, per la prima volta. -
Read Ebook {PDF EPUB} Pavarotti My Own Story by Luciano Pavarotti Pavarotti, My Own Story
Read Ebook {PDF EPUB} Pavarotti My Own Story by Luciano Pavarotti Pavarotti, My Own Story. INSCRIBED BY PAVAROTTI to the first owner with year (1981) and inscription in Italian. The hardcover is in excellent, next-to-pristine condition. The dust jacket is VG with slight wear and two tiny tears, price-clipped corner, and is protected by a new, clear, removeable cover. 316 pages. Because the lower corner of the DJ flap is clipped, this may be a book club edition. [1.4 lbs]. Seller Inventory # 068757. About this title: Synopsis: Acclaimed as one of the world's leading tenors, Pavarotti reflects upon his personal life as well as his career and discusses the tenor phenomenon, his theories on singing, and the present-day world of opera and its personalities. Bibliographic Details. Title: Pavarotti, My Own Story Publisher: Doubleday & Company Publication Date: 1981 Binding: Hardcover Book Condition: Near Fine Dust Jacket Condition: Very Good Signed: Signed by Author(s) ISBN 13: 9780385153409. Acclaimed as one of the world's leading tenors, Pavarotti reflects upon his personal life as well as his career and discusses the tenor phenomenon, his theories on singing, and the present-day world of opera and its personalities. "synopsis" may belong to another edition of this title. Shipping: US$ 3.99 Within U.S.A. Other Popular Editions of the Same Title. Featured Edition. ISBN 10: 0446301795 ISBN 13: 9780446301794 Publisher: Grand Central Pub, 1982 Softcover. Sidgwi. 1983 Softcover. Doubleday, 1981 Hardcover. Customers who bought this item also bought. Top Search Results from the AbeBooks Marketplace. 1. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
Luciano Pavarotti 1 PHILLIP GEORGE
21ST CENTURY MUSIC NOVEMBER 2007 INFORMATION FOR SUBSCRIBERS 21ST-CENTURY MUSIC is published monthly by 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. ISSN 1534-3219. Subscription rates in the U.S. are $84.00 per year; subscribers elsewhere should add $36.00 for postage. Single copies of the current volume and back issues are $10.00. Large back orders must be ordered by volume and be pre-paid. Please allow one month for receipt of first issue. Domestic claims for non-receipt of issues should be made within 90 days of the month of publication, overseas claims within 180 days. Thereafter, the regular back issue rate will be charged for replacement. Overseas delivery is not guaranteed. Send orders to 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. email: [email protected]. Typeset in Times New Roman. Copyright 2007 by 21ST-CENTURY MUSIC. This journal is printed on recycled paper. Copyright notice: Authorization to photocopy items for internal or personal use is granted by 21ST-CENTURY MUSIC. INFORMATION FOR CONTRIBUTORS 21ST-CENTURY MUSIC invites pertinent contributions in analysis, composition, criticism, interdisciplinary studies, musicology, and performance practice; and welcomes reviews of books, concerts, music, recordings, and videos. The journal also seeks items of interest for its calendar, chronicle, comment, communications, opportunities, publications, recordings, and videos sections. Typescripts should be double-spaced on 8 1/2 x 11 -inch paper, with ample margins. Authors with access to IBM compatible word-processing systems are encouraged to submit a floppy disk, or e-mail, in addition to hard copy. -
Luciano Pavarotti GRAN TEATRE DEL LICEU
GRAN TEATRE DEL LICEU Luciano Pavarotti GRAN TEATRE DEL LICEU Recital extraordinari Luciano Pavarotti Amb el patrocini de GRUPO TABACALERA f Dijous, 8 de juny de 1989, a les 21 '30 h. CONSORCI DEL GRAN TEATRE DEL liCEU El CONSORCI DEL GRAN TEATRE DEL LICEU agraeix a GRUPO TABACALERA el patrocini d'aquest recital Luciano Pavarotti Luciano Pavarotti va néixer a Mòdena el 12 d'octubre de 1935. Enceta l'estudi del cant sota el guiatge del tenor conciutadà Arrigo Pola, el qual cantà al Liceu La fiarnma i La Bohème l'any 1951. Dos anys des prés continua els estudis amb Ettore Campogalliani a Màntua. El1961 par ticipa al Concurs Internacional «Achille Peri» per a cantants lírics joves debuta en ciutat a Reggio Emilia i, en haver-se classificat primer, aquella a la seva com a Rodolfo de La Bohème. Tot seguit fa la mateixa òpera ciutat, Mòdena, amb la direcció de Leone Magiera. Després d'aquest debut té contractes amb els teatres de Venècia, Gènova, Florència, Palerm i dife rents teatres emilians. Amplia el repertori amb La Traviata, Rigoletto, Madama Butterfly i algun oratori. El 1963 debuta amb Lucia di Lammermoor a Amsterdam i a les principals ciutats d'Holanda. Canta a diferents teatres italians i estrangers (Dublín, Viena, Zuric, etc.). El setembre del mateix any debuta al Covent Garden Di de Londres, com a Rodolfo de La Bohème, en substitució de Stefano, una transmissió tele i com a conseqüència de l'èxit aconseguit participa en tornarà amb visiva i fa un concert al Royal Albert Hall (al Covent Garden del òperes com La Sonnambula, La Traviata, La figlia reggimento, Rigo letto, Lucia di Lammermoor, etc.). -
Daniela Dessì (1957-2016)
OBITUARIO Daniela Dessì (1957-2016) por Ingrid Haas l 20 de agosto del año pasado falleció la soprano Daniela Dessì a la edad de 59 años. Fue una de la Egrandes sopranos de los últimos 20 años, poseedora de una presencia escénica imponente y una voz lírica potente y emotiva. Casada con el tenor Fabio Armiliato, formaron por mucho tiempo una de las parejas más sólidas y aclamadas del ambiente operístico internacional, cantando juntos en varias óperas en diversos teatros del mundo. Nacida en Génova, se graduó en canto y piano del Conservatorio Arrigo Boito de Parma. Hizo su debut en su ciudad natal en la ópera La serva padrona de Pergolesi y desde ahí su carrera despegó de manera exorbitante. Su repertorio fue tan amplio que comprendió desde ópera barroca, óperas de Mozart (Las bodas de Fígaro, Don Giovanni, Così fan tutte y La clemenza di Tito), pasando por óperas de Bellini, Rossini, Donizetti y Verdi y óperas del siglo XX. Fueron sus interpretaciones de roles verdianos, puccinianos y del periodo verista por los que Dessì fue más conocida. Al lado de Armiliato, cantó y grabó en CD y DVD, entre otras, Norma, Ernani, La traviata, Las vísperas sicilianas, Manon Lescaut, Tosca, Madama Butterfly, La fanciulla del West, La bohème, Francesca da Rimini, Andrea Maazel, Zubin Mehta, Riccardo Muti y Giuseppe Sinopoli; y Chénier y La zingara guerriera (de Nicolini), entre muchas con directores de escena de la talla de Pier Luigi Pizzi, Luca otras grabaciones. Ronconi, Ettore Scola, Roberto De Simone, Giorgio Strehler y Franco Zeffirelli. Fue la primera cantante italiana en interpretar los tres roles principales femeninos de Il trittico en una sola noche, la Desde hace algunos años, Daniela Dessì dedicaba parte de primera soprano de occidente en cantar Madama Butterfly su tiempo a la enseñanza a jóvenes talentos de la lírica y en Nagasaki, Japón, en ocasión del tour que hizo el Festival a participar en programas de televisión para acercar más Pucciniano de Torre del Lago, y en Florencia cantó un bis al público en general a la ópera.