October 6, 2020 – Tuesday of the 27Th Week in Ordinary Time
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From Our Pastor
From Our Pastor On graduating, I asked my father, ‘Shall I After a disconcerting year in 2020, I want to WITH MUCH GRATITUDE... be a teacher or a singer?’ ‘Luciano,’ my father Shirley Brannan would like to thank everyone for challenge our church to think outside the box. I want replied, ‘if you try to sit on two chairs, you will fall your encouraging words, phone calls, cards, prayers every person to consider and embrace the between them. For life, you must choose one and for your helping hands during the time of her possibilities of what God can do through them for His struggle with covid. She is feeling much better now chair.’ ‘I chose one. It took seven years of study glory in 2021. I encourage each of you to seek and as she continues her recovery. and frustration before I made my first professional understand the calling that God has placed on your appearance. It took another seven to reach the life. To better understand your giftedness and strive Metropolitan Opera. And now I think whether it's to serve the Lord in that area. One of my favorite Why is February 14 called laying bricks, writing a book--whatever we choose- quotes by Albert Schweitzer, “I don't know what your Valentine’s Day? - we should give ourselves to it. Commitment, destiny will be, but one thing I know: the only ones that's the key. Choose one chair.” Valentine’s Day began as Saint among you who will be really happy are those who Our challenge this year at First Methodist is Valentine’s Day or the Feast of Saint Valentine. -
German Arias Concert Program
Graduate Vocal Arts Program Bard College Conservatory of Music OPERA WORKSHOP Stephanie Blythe and Howard Watkins, instructors “Thank you, do you have anything in German?” Friday, March 5 at 8pm Wo bin ich? Engelbert Humperdinck (1854 - 1921) from Hänsel und Gretel Diana Schwam, soprano Ryan McCullough, piano Nimmermehr wird mein Herze sich grämen Friedrich von Flotow (1812 - 1883) from Martha Joanne Evans, mezzo-soprano Elias Dagher, piano Glück, das mir verblieb Erich Wolfgang Korngold (1897 - 1957) from Die tote Stadt Jardena Gertler-Jaffe, soprano Diana Borshcheva, piano Einst träumte meiner sel’gen Base Carl Maria von Weber (1786 - 1826) from Der Freischütz Kirby Burgess, soprano Gwyyon Sin, piano Witch’s Aria Humperdinck from Hänsel und Gretel Maximillian Jansen, tenor Diana Borshcheva, piano Da Anagilda sich geehret… Ich bete sie an Reinhard Kaiser (1674 - 1739) from Die Macht der Tugend Chuanyuan Liu, countertenor Ryan McCullough, piano Arabien, mein Heimatland Weber from Oberon Micah Gleason, mezzo-soprano Gwyyon Sin, piano Da schlägt die Abschiedsstunde Wolfgang Amadeus Mozart (1756 - 1791) from Der Schauspieldirektor Meg Jones, soprano Sung-Soo Cho, piano Mein Sehnen, mein Wähnen Korngold from Die tote Stadt Louis Tiemann, baritone Diana Borshcheva, piano Wie du warst Richard Strauss (1864 - 1949) from Der Rosenkavalier Melanie Dubil, mezzo-soprano Elias Dagher, piano Presentation of the Rose Strauss from Der Rosenkavalier Samantha Martin, soprano Elias Dagher, piano Arie des Trommlers Viktor Ullman (1898 - 1944) from Der Kaiser von Atlantis Sarah Rauch, mezzo-soprano Gwyyon Sin, piano Weiche, Wotan, weiche! Richard Wagner (1813 - 1883) from Das Rheingold Pauline Tan, mezzo-soprano Sung-Soo Cho, piano Nun eilt herbei! Otto Nicolai (1810 - 1849) from Die lustigen Weiber von Windsor Alexis Seminario, soprano Elias Dagher, piano SYNOPSES: Wo bin ich? Hänsel und Gretel Engelbert Humperdinck, Adelheid Wette, 1893 Gretel has just awakened from a deep sleep in the forest. -
HOWARD COLLEGE MUSIC FALL 2018 RECITAL Monday November 5, 2018 Hall Center for the Arts Linda Lindell, Accompanist
HOWARD COLLEGE MUSIC FALL 2018 RECITAL Monday November 5, 2018 Hall Center for the Arts Linda Lindell, Accompanist Makinsey Grant . Bb Clarinet Fantasy Piece No. 1 by Robert Schumann Fantasy Piece No. 1 by Robert Schumann (1810 – 1856) was written in 1849. It is the first movement of three pieces written to promote the creative notion of the performer. It allows the performer to be unrestricted with their imagination. Fantasy Piece No. 1 is written to be “Zart und mit Ausdruck” which translates to tenderly and expressively. It begins in the key of A minor to give the audience the sense of melancholy then ends in the key of A major to give resolution and leave the audience looking forward to the next movements. (M. Grant) Tony Lozano . Guitar Tu Lo Sai by Giuseppe Torelli (1650 – 1703) Tu lo sai (You Know It) This musical piece is emotionally fueled. Told from the perspective of someone who has confessed their love for someone only to find that they no longer feel the same way. The piece also ends on a sad note, when they find that they don’t feel the same way. “How much I do love you. Ah, cruel heart how well you know.” (T. Lozano) Ruth Sorenson . Mezzo Soprano Sure on this Shining Night by Samuel Barber Samuel Barber (1910 – 1981) was an American composer known for his choral, orchestral, and opera works. He was also well known for his adaptation of poetry into choral and vocal music. Considered to be one of the composers most famous pieces, “Sure on this shining night,” became one of the most frequently programmed songs in both the United States and Europe. -
Giacomo Puccini, III Atto. Percorsi Della Maturità Teatro Alla Scala, Milano 17 Giugno 2007
3 Teatro alla Scala, Milano Teatro domenica 17 giugno 2007, ore 20.00 giacomo III atto percorsi della maturità percorsi Puccini giacomo puccini giacomo percorsi della maturità Teatro alla Scala, Milano Teatro domenica 17 giugno 2007, ore 20.00 giacomo PucciniIII atto Percorsi della maturità Comitato Nazionale Celebrazioni Pucciniane 2004-2008 Sotto l’Alto Patronato del Presidente della Repubblica Presidente onorario – Senatore Marcello Pera Cavaliere del Lavoro Bruno Ermolli Presidente Comitato Nazionale Celebrazioni Pucciniane Enel - Gruppo Poste Italiane - Fondazione Banca del Monte di Lucca Giacomo Puccini, III atto. Percorsi della maturità Teatro alla Scala, Milano 17 giugno 2007 A cura di Michele Girardi Comitato Nazionale Celebrazioni Pucciniane - Commissione storico-scientifica Gabriella Biagi Ravenni, Virgilio Bernardoni, Luigi della Santa, Michele Girardi, Dieter Schickling Ricerca iconografica Simonetta Bigongiari Progetto grafico Marco Riccucci Stampa Italpaghe Toscana - Viareggio (Lucca) – giugno 2007 domenica 17 giugno 2007, ore 20.00 Teatro alla Scala, Milano Giacomo Puccini, III atto percorsi della maturità FILARMONICA DELLA SCALA CORO FILARMONICO DELLA SCALA soprano Isabelle Kabatu mezzosoprano Francesca Franci tenore Vincenzo La Scola baritono Franco Vassallo Alisa Zinovjeva Alessandro Paliaga Thiago Arancam Ernesto Panariello Giancarlo Boldrini Vassili Pavlenko Leonardo Cortellazzi Patrizio Saudelli Enrico Cossutta Sergio Spina Nino Machaidze Piero Terranova direttore RICCARDO CHAILLY maestro del Coro Bruno Casoni parte -
12-04-2018 Traviata Eve.Indd
GIUSEPPE VERDI la traviata conductor Opera in three acts Yannick Nézet-Séguin Libretto by Francesco Maria Piave, production Michael Mayer based on the play La Dame aux Camélias by Alexandre Dumas fils set designer Christine Jones Tuesday, December 4, 2018 costume designer 8:00–11:00 PM Susan Hilferty lighting designer New Production Premiere Kevin Adams choreographer Lorin Latarro DEBUT The production of La Traviata was made possible by a generous gift from The Paiko Foundation Major additional funding for this production was received from Mercedes T. Bass, Mr. and Mrs. Paul M. Montrone, and Rolex general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON The 1,012th Metropolitan Opera performance of GIUSEPPE VERDI’S la traviata conductor Yannick Nézet-Séguin in order of vocal appearance violet ta valéry annina Diana Damrau Maria Zifchak flor a bervoix giuseppe Kirstin Chávez Marco Antonio Jordão the marquis d’obigny giorgio germont Jeongcheol Cha Quinn Kelsey baron douphol a messenger Dwayne Croft* Ross Benoliel dr. grenvil Kevin Short germont’s daughter Selin Sahbazoglu gastone solo dancers Scott Scully Garen Scribner This performance Martha Nichols is being broadcast live on Metropolitan alfredo germont Opera Radio on Juan Diego Flórez SiriusXM channel 75 and streamed at metopera.org. Tuesday, December 4, 2018, 8:00–11:00PM MARTY SOHL / MET OPERA Diana Damrau Chorus Master Donald Palumbo as Violetta and Musical Preparation John Keenan, Yelena Kurdina, Juan Diego Flórez Liora Maurer, and Jonathan -
Luciano Pavarotti Is Dead at 71
September 6, 2007 Luciano Pavarotti Is Dead at 71 By BERNARD HOLLAND Luciano Pavarotti, the Italian singer whose ringing, pristine sound set a standard for operatic tenors of the postwar era, died Thursday at his home near Modena, in northern Italy. He was 71. His death was announced by his manager, Terri Robson. The cause was pancreatic cancer. In July 2006 he underwent surgery for the cancer in New York, and he had made no public appearances since then. He was hospitalized again this summer and released on Aug. 25. Like Enrico Caruso and Jenny Lind before him, Mr. Pavarotti extended his presence far beyond the limits of Italian opera. He became a titan of pop culture. Millions saw him on television and found in his expansive personality, childlike charm and generous figure a link to an art form with which many had only a glancing familiarity. Early in his career and into the 1970s he devoted himself with single- mindedness to his serious opera and recital career, quickly establishing his rich sound as the great male operatic voice of his generation — the “King of the High Cs,” as his popular nickname had it. By the 1980s he expanded his franchise exponentially with the Three Tenors projects, in which he shared the stage with Plácido Domingo and José Carreras, first in concerts associated with the World Cup and later in world tours. Most critics agreed that it was Mr. Pavarotti’s charisma that made the collaboration such a success. The Three Tenors phenomenon only broadened his already huge audience and sold millions of recordings and videos. -
Hoirup Presents Study
Hoirup Presents Study Symphony· Guild Holds First Night Meeti~g Donald Hoirup, instructor in voice at Wake Forest Leading roles will be taken by three.singers new to local University, presented the pre-concert study of Bizet's audiences. Dorothy Krebift, mezzo soprano will portray "Carmen" for members of the Winston-Salem Symphony the gypsy, Carmen; James McCray, tenor, will be the cor- Guild Thursday night in the lower auditorium of Centenary poral, Don Jose; and Thomas Palmer, baritone, will sing Uriit«I Methodist Church. the role of the bullfighter, Escamillo. 1he public was invited to this first night meeting of the David Partington is chorus master, and John Iuele, con- G~ild, which was preceded by a social hour. · ductor. Beverly Culbreath, Steve Wellman, Lewis Turner, Stqdents from the N.C. School of the Arts, Debbie Smith, Andrew Beattie, [?eborah Smith and Martha Lindsey will sopr$10, and Martha Sizemore, mezzo soprano, joined be in the supporting cast. Mrs. Sandy Rushing is also train- Hoir11P in his presentation. One of his own voice students, ing a children's chorus which will sing in addition to the Mar~ne Hyatt, mezzo soprano, and Mrs. Margaret Kolb, chorus of Symphony Chorale members. pianiat, also took part in the program of excerpts from the Hoirup, who joined the Wake Forest faculty in 1972, holds popular opera. · degrees from Juilliard School of Music and has studied in Carmen", to be presented March 7 and 8 at Reynolds Frankfurt, Germany. A bass-baritone, he sang last year in ~nald Hoirup, Wake Forest faculty member gives a Audi&orium, will be sung in English this time. -
Addio Pavarotti, Leggenda Della Musica
QUOTIDIANO INDIPENDENTE FONDATO NEL 1889 VENERDÌ 7 SETTEMBRE 2007 1 11 L’UNIONESPED. ABB. POST. - 45% - ART.2 COMMA 20/B LEGGE 662/96 CAGLIARI ANNO CXIX, NUMERO 245 www.unionesarda.it SARDAL’UNIONE SARDA € L’UNIONE SARDA + SCHEDA LA7 € SPETTACOLI VIA POMA I BOLLINI per la SCHEDA PREMIO FEDELTÀ Borsa Goran Bregovic Sotto accusa saranno DI NUOVO pubblicati MIBTEL ............................+0,18 CON LA PROSSIMA S&P/MIB ..........................+0,22 stasera il fidanzato INIZIATIVA EDITORIALE DOW JONES ...................+0,43 all’Anfiteatro della Cesaroni NASDAQ .........................+0,32 EURO/DOLLARO............+0,60 BTP..................................100,07 CCT .................................100,08 NELL’INSERTO A PAGINA 8 Riflettendo sui rincari Il mondo piange "Big Luciano" che si è spento a Modena. Domani i funerali Ulassai. Auto a fuoco Scuola e libri di testo, Ingegnere manca il buon senso Addio Pavarotti, WWDI RAIMONDO CUBEDDUWW del Comune a propensione degli ridotta in quiz a rispo- Litaliani a spendere sta multipla che nessu- in educazione non è no studente dovrebbe sotto tiro marcata. Più che di avere difficoltà a supe- leggenda della musica una buona laurea si rare a meno di sceglie- pensa debba essere re una facoltà molto fornito ai figli un tito- diversa dal proceden- lo di studio. Possibil- te curriculum. Il grande tenore è stato sconfitto dal cancro: aveva 71 anni mente conseguito a Tutti questi difetti buon prezzo. Di qui le del sistema scolastico È morto alle cinque del mattino nel- proteste degli aspiran- ed editoriale non devo- la sua villa di Modena. Era malato di ti studenti universitari no comunque indurre tumore al pancreas, aveva 71 anni. -
Congressional Record—House H15231
December 11, 2007 CONGRESSIONAL RECORD — HOUSE H15231 As my colleagues may know, on the of former Prime Minister Khaleda Zia. After lis- and starvation due to the current lack of ac- 15th of November a powerful, category tening to his concerns and insights, it is my cess to drinking water and medicines. One re- five-equivalent tropical cyclone struck hope that Bangladesh will move swiftly toward lief worker in Bagerhat went so far as to say low-lying areas of Bangladesh from the regaining its status as a thriving, emerging de- that the region looked like a ‘‘valley of death.’’ Bay of Bengal. Mr. Speaker, in the mocracy and set an example for its neighbors Unfortunately, the worst may be yet to come. West we call these tropical storms hur- and the rest of the world. Health officials have begun to warn against ricanes, and in the Far East they call The region has been undergoing serious po- the serious threat posed by cholera, dys- them cyclones. Be that as it may, they litical and economic changes, with several na- entery, and other waterborne diseases as a both have destructive power. Being tions undergoing significant political upheaval. result of the limited access to water supplies from southeast Texas on the gulf coast, Key among these is Bangladesh, where emer- and sanitation facilities that millions of we call the area ‘‘hurricane alley,’’ and gency rule was declared by President Iajuddin Bangladeshis will face. we are not unfamiliar with hurricanes. Ahmed following opposition protests during the As a member of the international commu- Even this year, Hurricane Humberto, run-up to the January 2007 elections. -
American Spiritual Program Fall 2009
Saturday, September 26, 2009 • 7:30 p.m. Asbury United Methodist Church • 1401 Camden Avenue, Salisbury Comprised of some of the finest voices in the world, the internationally acclaimed ensemble offers stirring renditions of Negro spirituals, Broadway songs and other music influenced by the spiritual. This concert is sponsored by The Peter and Judy Jackson Music Performance Fund;SU President Janet Dudley-Eshbach; Provost and Senior Vice President of Academic Affairs Diane Allen; Dean Maarten Pereboom, Charles R. and Martha N. Fulton School of Liberal Arts; Dean Dennis Pataniczek, Samuel W. and Marilyn C. Seidel School of Education and Professional Studies; the SU Foundation, Inc.; and the Salisbury Wicomico Arts Council. THE AMERICAN SPIRITUAL ENSEMBLE EVERETT MCCORVEY , F OUNDER AND MUSIC DIRECTOR www.americanspiritualensemble.com PROGRAM THE SPIRITUAL Walk Together, Children ..........................................................................................arr. William Henry Smith Jacob’s Ladder ..........................................................................................................arr. Harry Robert Wilson Angelique Clay, Soprano Soloist Plenty Good Room ..................................................................................................arr. William Henry Smith Go Down, Moses ............................................................................................................arr. Harry T. Burleigh Frederick Jackson, Bass-Baritone Is There Anybody Here? ....................................................................................................arr. -
Chronology 1916-1937 (Vienna Years)
Chronology 1916-1937 (Vienna Years) 8 Aug 1916 Der Freischütz; LL, Agathe; first regular (not guest) performance with Vienna Opera Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Miller, Max; Gallos, Kilian; Reichmann (or Hugo Reichenberger??), cond., Vienna Opera 18 Aug 1916 Der Freischütz; LL, Agathe Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Gallos, Kilian; Betetto, Hermit; Marian, Samiel; Reichwein, cond., Vienna Opera 25 Aug 1916 Die Meistersinger; LL, Eva Weidemann, Sachs; Moest, Pogner; Handtner, Beckmesser; Duhan, Kothner; Miller, Walther; Maikl, David; Kittel, Magdalena; Schalk, cond., Vienna Opera 28 Aug 1916 Der Evangelimann; LL, Martha Stehmann, Friedrich; Paalen, Magdalena; Hofbauer, Johannes; Erik Schmedes, Mathias; Reichenberger, cond., Vienna Opera 30 Aug 1916?? Tannhäuser: LL Elisabeth Schmedes, Tannhäuser; Hans Duhan, Wolfram; ??? cond. Vienna Opera 11 Sep 1916 Tales of Hoffmann; LL, Antonia/Giulietta Hessl, Olympia; Kittel, Niklaus; Hochheim, Hoffmann; Breuer, Cochenille et al; Fischer, Coppelius et al; Reichenberger, cond., Vienna Opera 16 Sep 1916 Carmen; LL, Micaëla Gutheil-Schoder, Carmen; Miller, Don José; Duhan, Escamillo; Tittel, cond., Vienna Opera 23 Sep 1916 Die Jüdin; LL, Recha Lindner, Sigismund; Maikl, Leopold; Elizza, Eudora; Zec, Cardinal Brogni; Miller, Eleazar; Reichenberger, cond., Vienna Opera 26 Sep 1916 Carmen; LL, Micaëla ???, Carmen; Piccaver, Don José; Fischer, Escamillo; Tittel, cond., Vienna Opera 4 Oct 1916 Strauss: Ariadne auf Naxos; Premiere -
1 Prime+Trama TRAVIATA
Parma e le terre di Verdi 1-28 ottobre 2007 La Traviata Musica di GIUSEPPE VERDI Parma e le terre di Verdi 1-28 ottobre 2007 Parma e le terre di Verdi 1-28 ottobre 2007 main sponsor media partner Il Festival Verdi è realizzato anche grazie a e con il sostegno e la collaborazione di Teatro Verdi di Busseto Teatro Comunale di Modena iTeatri di Reggio Emilia Soci fondatori Consiglio di Amministrazione Presidente Pietro Vignali Sindaco di Parma Consiglieri Paolo Cavalieri Maurizio Marchetti Sovrintendente Mauro Meli Direttore musicale Bruno Bartoletti Segretario generale Gianfranco Carra Collegio dei Revisori Giuseppe Ferrazza Presidente Nicola Bianchi Andrea Frattini La Traviata Melodramma in tre atti su libretto di Francesco Maria Piave dal dramma La Dame aux camélias di Alexandre Dumas figlio Musica di GIUSEPPE V ERDI Editore Universal Music Publishing Ricordi srl, Milano Villa Verdi a Sant’Agata La trama dell’opera Atto primo Parigi, alla metà dell’Ottocento. È estate e c’è festa nella casa di Violetta Valéry, una famosa mondana: è un modo per soffocare l’angoscia che la tormenta, perché ella sa che la sua salute è gravemente minata. Un nobile, Gastone, presenta alla padrona di casa il suo amico Alfredo, che l’ammira sinceramente. L’attenzione che Violetta dimostra per la nuova conoscenza non sfugge a Douphol, il suo amante abituale. Mentre Violetta e Alfredo danzano, il giovane le dichiara tutto il suo amore e Violetta gli regala un fiore, una camelia: rivedrà Alfredo solo quando sarà appassita. Alla fine della festa, Violetta deve ammettere di essersi innamorata davvero, per la prima volta.