Packet 2.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Downloaded on 2017-02-12T05:23:19Z
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Cork Open Research Archive Title Golden Age, Stone Age, Iron Age, Axial Age: The significance of archaic civilization for the modern world Author(s) Szakolczai, Árpád Publication date 2009-12 Original citation Szakolczai, A., 2009. Golden Age, Stone Age, Iron Age, Axial Age: The Significance of Archaic Civilization for the Modern World. In Center of Excellence Cultural Foundations of Integration, New Perspectives on Archaic Civilizations. Konstanz, Germany 8 – 9 Dec 2009. Type of publication Conference item Rights ©2010, Árpád Szakolczai http://creativecommons.org/licenses/by-nc-nd/3.0/ Item downloaded http://hdl.handle.net/10468/200 from Downloaded on 2017-02-12T05:23:19Z Szakolczai, A., 2009. Golden Age, Stone Age, Iron Age, Axial Age: The Significance of Archaic Civilization for the Modern World. In Center of Excellence Cultural Foundations of Integration, New Perspectives on Archaic Civilizations. Konstanz, Germany 8 – 9 Dec 2009. CORA Cork Open Research Archive http://cora.ucc.ie 1 Golden Age, Stone Age, Iron Age, Axial Age: The Significance of Archaic Civilization for the Modern World by Arpad Szakolczai School of Philosophy and Sociology University College, Cork Paper prepared for the workshop entitled ‘New Perspectives on Archaic Civilizations’, 8- 9 December 2009, organized by the Center of Excellence ‘Cultural Foundations of Integration’, University of Konstanz. Draft version; please, do not quote without permission. 2 Introduction Concerning the theme of the conference, from the perspective of the social sciences it seems to me that there are – and indeed can only be – two quite radically different positions. -
Defining Orphism: the Beliefs, the Teletae and the Writings
Defining Orphism: the Beliefs, the teletae and the Writings Anthi Chrysanthou Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Languages, Cultures and Societies Department of Classics May 2017 The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. I This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2017 The University of Leeds and Anthi Chrysanthou. The right of Anthi Chrysanthou to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. II Acknowledgements This research would not have been possible without the help and support of my supervisors, family and friends. Firstly, I would like to express my sincere gratitude to my supervisors Prof. Malcolm Heath and Dr. Emma Stafford for their constant support during my research, for motivating me and for their patience in reading my drafts numerous times. It is due to their insightful comments and constructive feedback that I have managed to evolve as a researcher and a person. Our meetings were always delightful and thought provoking. I could not have imagined having better mentors for my Ph.D studies. Special thanks goes to Prof. Malcolm Heath for his help and advice on the reconstruction of the Orphic Rhapsodies. I would also like to thank the University of Leeds for giving me the opportunity to undertake this research and all the departmental and library staff for their support and guidance. -
For a Falcon
New Larousse Encyclopedia of Mythology Introduction by Robert Graves CRESCENT BOOKS NEW YORK New Larousse Encyclopedia of Mythology Translated by Richard Aldington and Delano Ames and revised by a panel of editorial advisers from the Larousse Mvthologie Generate edited by Felix Guirand and first published in France by Auge, Gillon, Hollier-Larousse, Moreau et Cie, the Librairie Larousse, Paris This 1987 edition published by Crescent Books, distributed by: Crown Publishers, Inc., 225 Park Avenue South New York, New York 10003 Copyright 1959 The Hamlyn Publishing Group Limited New edition 1968 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the permission of The Hamlyn Publishing Group Limited. ISBN 0-517-00404-6 Printed in Yugoslavia Scan begun 20 November 2001 Ended (at this point Goddess knows when) LaRousse Encyclopedia of Mythology Introduction by Robert Graves Perseus and Medusa With Athene's assistance, the hero has just slain the Gorgon Medusa with a bronze harpe, or curved sword given him by Hermes and now, seated on the back of Pegasus who has just sprung from her bleeding neck and holding her decapitated head in his right hand, he turns watch her two sisters who are persuing him in fury. Beneath him kneels the headless body of the Gorgon with her arms and golden wings outstretched. From her neck emerges Chrysor, father of the monster Geryon. Perseus later presented the Gorgon's head to Athene who placed it on Her shield. -
The Festival Proerosia Robertson, Noel Greek, Roman and Byzantine Studies; Winter 1996; 37, 4; Proquest Pg
New Light on Demeter's Mysteries: The Festival Proerosia Robertson, Noel Greek, Roman and Byzantine Studies; Winter 1996; 37, 4; ProQuest pg. 319 New Light on Demeter's Mysteries: The Festival Proerosia Noel Robertson EMETER'S "MYSTERIES: festivals conducted mainly by women and in sanctuaries that were suitably withdrawn, D were almost universal in Greek cities, like the cereal agri culture they were intended to promote. They were integral to Greek society and are now widely and profitably studied as a social phenomenon. If the general custom is important, so are the many ritual actions that constitute a given festival, through which (according to one's point of view) the women either worship the goddess Demeter, or work directly on the earth, or affirm their sense of the fitness of things. Animal sacrifice plays a large part, as usual, the pig species being favored by De meter, and there is a peculiar practice of throwing piglets into a pit, which is then closed. It is a disadvantage that reconstructions of ritual must be sought in older handbooks and special studies. The basic work on Greek festivals was done long ago, and new evidence, though not wholly neglected, has not led to any sustained effort of revision. The festival Proerosia, "Before-ploughing (rites)," is such a case. The Athenian, or Eleusinian, version of this festival once seemed to stand alone, as if it were something secondary and contrived, without much bearing on the larger pattern of Demeter's worship. We can now see that the Proerosia was widespread. It may have been as common as the greatest of Demeter's festivals, the Thesmophoria: it was a sequel to it, coming later in the autumn season. -
Shakespeare, Christianity and Italian Paganism
Shakespeare, Christianity and Italian Paganism Shakespeare, Christianity and Italian Paganism By Eric Harber Shakespeare, Christianity and Italian Paganism By Eric Harber This book first published 2020 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2020 by Eric Harber All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-5444-9 ISBN (13): 978-1-5275-5444-3 CONTENTS Acknowledgements .................................................................................. vii Foreword ................................................................................................... ix Preface ...................................................................................................... xv Introduction ................................................................................................ 1 1. Religion and the Community ................................................................ 15 2. Religion and the Monarchy .................................................................. 28 3. Protestantism and the Manichean Heresy ............................................. 58 4. Cain and Abel ...................................................................................... -
GREEK STUDIES Jl?»!!& • R "^ ^%W '^^^Ww^^M Ip « - 47/*^ •
,KW ;^-;i> ::*' :^?' 5^':^%?'*^^' i :^ %^^' S^ i^i*/ in, >*<. •3. m '<>.-.NS*,Crt' V;;. *« ^!y> m Tprescntc^ to of tbc laniverelti? of Toronto b^ Xab? falconer from tbe boohs ot tbc late Sir IRobert jfalconcr, ii^.(i,/iib,(3., IpresiDent ot tbe Tanfversitv> ot ^Toronto, 1907-1932 51 Digitized by the Internet Archive in 2010 with funding from University of Toronto http://www.archive.org/details/greekstudiesserOOpate GREEK STUDIES Jl?»!!& • r "^ ^%w '^^^ww^^m ip « - 47/*^ • GREEK STUDIES A SERIES OF ESSAYS BY WALTER PATER LATE FELLOW OF BRASENOSE COLLEGE PREPARED FOR THE PRESS BY CHARLES L SHADWELL FELLOW OF ORIEL COLLEGE Nefaj gork MACMILLAN AND CO. AND LONDON 1895 Aii rights reserved : Copyright, 1894, By MACMILLAN AND CO. SbSo Pi7 Noriuootr ^rfss J. S. Gushing & Co. — Berwick & Smith. Boston, Mass., U.S.A. PREFACE The present volume consists of a collection of essays by the late Mr. Pater, all of which have already been given to the public in various Magazines ; and it is owing to the kindness of the several proprietors of those Magazines that they can now be brought together in a collected shape. It will, it is believed, be felt, that their value is considerably enhanced by their appearance in a single volume, where they can throw light upon one another, and exhibit by their connexion a more complete view of the scope and purpose of Mr. Pater in dealing with the art and literature of the ancient world. The essays fall into two distinct groups, one dealing with the subjects of Greek mythology and Greek poetry, the other with the history of Greek sculpture and Greek architecture. -
Hephaestus Stated As We Made Our Way Toward the Othrys Mountains and Trachis Beyond
1 “What you shall hear is not a tale I have shared with many, indeed parts of it I have never shared,” Hephaestus stated as we made our way toward the Othrys Mountains and Trachis beyond. “But I hope you can accept what you hear and support the decisions made, and those still being made.” Lysistratos looked to me in confusion. “Just listen,” I told him. I appreciated Hephaestus trying to pre-empt his story about Demetri … about Demi with strangers and I could only hope that Moeris and Lysistratos would be as welcoming as I had been. “Many winters ago I emerged from Hera’s womb, a full-grown god, with the expectation of being just as strong and powerful as she, and my father, Zeus were. As they still are,” Hephaestus continued. “As I slid from her body, she taunted Zeus that she had borne me alone, without help from him. He did not believe her, replying that he had planted his godly seed within her and from it, I was created. Their argument did not last long, neither suddenly eager to admit their part in my lineage when they saw the lameness in my legs preventing me from standing as tall as my other siblings. “Before I could defend myself or prove I had talents that would outweigh my physical limitations, Hera threw me from Olympos. I fell for days through the clouds and the air, falling towards the mortal world far below until finally I landed on the island of Lemnos. “The sea god Proteus found me and cared for me as my broken bones healed. -
The CULT of Cybele the Cult of Cybele
A Study on The CULT of Cybele The Cult of Cybele The cult of Cybele is said to have originated in Asia Minor, near Pergamum. As a deity connected to the concerns of women, as a healer, and as a protector from enemies, Cybele was often associated with Rhea, mother of Zeus and Demeter. Cybele is known by several epithets, such as Magna Mater and Mater Deum (deum = deorum, a syncopated poetic form). Her home was said to be Mount Ida, near the city of Troy. Early depictions show her first as a lump of black stone, then as an earth mother. After the Greeks colonised Asia Minor, the cult spread -- but not without violence. A priest of Cybele is said to have been murdered while trying to introduce the cult into Athens. When the city was struck by a plague, Greeks consulted an oracle (probably the one at Delphi) and were told to build a temple to Cybele. The goddess Cybele During the second Punic War, Hannibal was having much success subduing towns and villages in Italy and was approaching Rome. The Senate consulted the Sybilline Books and learned that, should a foreign enemy invade Italy, he could be deterred only if the worship of the "Mother of Mount Ida" were brought to Rome. Always ones to hedge their bets, the Romans sent a delegation to the oracle at Delphi. A treaty was made with Philip V of Macedon and he permitted the Romans to bring back to Rome both the statue and a black meteorite that personified the divine Cybele. -
The Symbolical Language of Ancient Art and Mythology; an Inquiry
CORNELL UNIVERSITY LIBRARY Gift of Herbert Fisk Johnson '22 BL313 .kVTJ'892''^""*' '-*'"^*' Symbolical lang ^924 olinin ^ 032 329 207 DATE DUE Sim.j^-^ iM-^^STTli Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924032329207 25outon'3S 3Ilrcljatc Itibrarp VOL. II. SYMBOLICAL LANGUAGE OF ANCIENT ART AND MYTHOLOGY Soor^'a. THE SYMBOLICAL LANGUAGE OF ANCIENT ART AND MYTHOLOGY AN INQUIRY ]'.Y Richard Payne Knight, Esq. AUTHOR OF 'THE WORSHIP OF PRIAPUS," ETC. A NEW EDITION WITH INTRODUCTION, ADDITIONS, NOTES TRANSLATED INTO ENGLISH AND A NEW AND COMPLETE INDEX By ALEXANDER WILDER, M.D. W7//; 34s Illustrations by A. L. Rawson NEW YORK J. W. BOUTON, 8 WEST 28TH STREET i8q2 IT K7I i] Copyright, 1891 Ev J. W. BOUTON 46e Cavfon (JJtciiC New V'>r)< 171. 173 Macdougal Street, Groups 01 Gods and Goddesses before Proserpine. PREFACIv The original edition of this worlc was privately printed by the author at London, in the year 1818. It had not been designed by him for a treatise by itself, as appears from the following notice on the title-page, namely : " Intended to be prefixed to the Second Volume of the ' Select Specimens of Ancient Sculpture^ published by the Society of Dilettanti ; but the necessarily slow progress ot that work, in the exhausted state of the funds to be applied to it, affording the author little probability of seeing its com- pletion, he has been induced to print a few copies of this pro- posed Part of it, that any information which he may have been able to collect upon a subject so interesting to all lovers of Elegant Art, may not be lost to his successors in such pur- suits, but receive any additions and corrections which may render it more worthy to appear in the splendid form, and with the beautiful Illustrations of the preceding volume." Afterward, with Mr. -
Work Notes on the Lemnos Stele, Script “S” — a Survey of Etruscan Phrases Texts
Work notes on the Lemnos Stele, Script “S” — a survey of Etruscan Phrases texts April 13, 2017 Update By Mel Copeland A work in progress The Lemnos Stele was found on the island of Lemnos, containing a writing style that is similar to the Etruscan texts found in Italy. It differs somewhat in the use of the punctuation marks. Etruscan texts tend to separate words and phrases using a dot or a colon. This text, like Phrygian texts on the mainland adjacent to Lemnos, uses two-dot and three-dot colons. Also, like the Phrygian texts (See our Phrygian.html) it uses the omega “o” rather than the “V” = “O.” Perry-Castañeda Library Historical Atlas by William R. Shepherd http://www.lib.utexas.edu/maps/ Lemnos is an island in the northern Aegean Sea. When Hephaestus was thrown out of heaven, he fell on Lemnos, where the Sintians (an ancient people of whom nothing else is known) cared for him. One version of the story says his mother Hera was disgusted at him, because he was lame, and threw him out of heaven, where he landed 1 Work notes on the Lemnos Stele, Script “S” — a survey of Etruscan Phrases texts in the sea and was saved by Thetis. Another story says Zeus threw him out of heaven, to land on Lemnos, because he had come to the rescue of Hera who at the time was being punished by Zeus. He was later reinstated on Mount Olympus, but never forgot Lemnos, which became his chief cult center. Hephaestus was a blacksmith and became the master artisan of the gods. -
The Origin of the Panathenaea
Geschichte des griechischen Weltmodells vor AristoteIes 231 Vom frühhistorischen Weltbild aus fragt man nicht nach der wahren Größe der Gestirne, nach dem Fallen der Erde, nach einer Vielzahl von Welten. Alle diese Fragen, sowie die Theorie des Wirbels, werden erst mit der Himmelskugel sinnvoll. Anaxime nes und Xenophanes haben noch das alte Weltbild; erst Anaxago ras durchdenkt konsequent die Hypothese der Himmelskugel (§§ 4-9). Mit der Himmelskugel drängt sich allmählich der Ge danke auf, daß es kein absolutes Oben und Unten gibt, logische Entwicklung über Plato zum Philolaos-System und zu Aristoteles (§ 10). Während sich der schrittweise erfolgende Fortschritt vom alten Weltbild über Anaxagoras zum aristotelischen Modell im mer deutlicher und durch Originalstellen belegt abzeichnet, wer den die nur von der Doxographie überlieferten frühen Vorweg nahmen von Himmels- und Erdkugel immer fragwürdiger. Nach den Ergebnissen dieses Aufsatzes bleibt allein Anaximander davon übrig. Diese Lage zwingt zu einer radikalen Kritik an der Anaxi mander-Doxographie: Die Himmelskugel ist in Anaximander hineingelesen worden (§§ 11-2). Zwei Exkurse: Anaxagoras ist zeitlich vor Parmenides anzu SCL"en; Rechtfertigung der Deutung und Datierung des Philolaos Systt. 'S iq dieser Arbeit (§§ 13-4). Kiel Detlev Fehling THE ORIGIN OF THE PANATHENAEA I. The problem 11. Festivals of Athena resembling the Panathenaea IH. Erichthonius, Erechtheus, and the Cecropids IV. Erichthonius and the fetching of new fire V. Hephaestus and the sixth-century reform VI. The ritual innovations: torch-race, peplos, ship-wagon I. The problem The evidence for the Panathenaea - for the procession, the sacrifices, the contests, the setting of the ritual, the aspect of the worshippers and the officiants - is probably fuller than for any 232 Noel Robertson 1 other ancient festival save the Eleusinian MYsteries ). -
The Gallae: Transgender Priests of Ancient Greece, Rome, and the Near East
THE GALLAE: TRANSGENDER PRIESTS OF ANCIENT GREECE, ROME, AND THE NEAR EAST BY K. A. LUCKER A Thesis Submitted to the Division of Humanities of New College of Florida in partial fulfillment of the requirements for the degree of Bachelor of the Arts in Classics/Anthropology Under the Sponsorship of David Rohrbacher Sarasota, Florida May, 2005 Table of Contents Introduction 1 Chapter 1: The History of the Goddess and her Gallae 8 Phrygian Origins 8 Greek Emergence 13 Early Texts 16 Emergence of the Gallae 17 Echoes of Sumer 19 Roman Naturalization 24 Attis 27 Textual Materials 29 Lucian: Ethnographic Satire 29 Catullus: The Tragedy of Attis 33 Ovid: The Idaean Mother FAQ 36 Strabo: Classification of Curetes 40 Livy: Immigration by Invitation 39 Pausanias: Two Origins 43 Martial: Poetry and Polemic 45 Summary of Chapter 1 and Texts 48 Chapter 2: Theoretical Insights and Challenges 51 Why a New Model? 54 The Gallae and Marginality 60 Commonalities and Differences: Modern Analogy 64 Reenvisioning the Gallae 65 Chapter 3: Back to the Ancient World 68 Parallels Among the Gods 69 The Outsider's View 72 From the Outside In 75 Conclusions: Strengths and Weaknesses 77 Afterword: Modern Gallae, a Variety of Transsexual Experience 78 Primary Texts 83 Works Cited 84 Introduction The gallae were a group of priests in the cult of Kybele who first appear in classical literature in the late third and early second century BCE. They have attracted the attention of classical scholars by virtue of their unconventional dress, speech, and behavior that was labeled "feminine" by their contemporaries, despite the fact that the gallae were born with male genitals.