Shamanism and the Ancient Greek Mysteries
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OVID Metamorphoses
Metamorphoses Ovid, Joseph D. Reed, Rolfe Humphries Published by Indiana University Press Ovid, et al. Metamorphoses: The New, Annotated Edition. Indiana University Press, 2018. Project MUSE. muse.jhu.edu/book/58757. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/58757 [ Access provided at 20 May 2021 05:17 GMT from University of Washington @ Seattle ] book FIve The Fighting of Perseus* So Perseus told his story, and the halls Buzzed loud, not with the cheery noise that rings From floor to rafter at a wedding-party. No; this meant trouble. It was like the riot When sudden squalls lash peaceful waves to surges. Phineus was the reckless one to start it, That warfare, brandishing his spear of ash With sharp bronze point. “Look at me! Here I am,” He cried, “Avenger of my stolen bride! No wings will save you from me, and no god Turned into lying gold.”* He poised the spear, As Cepheus shouted: “Are you crazy, brother? What are you doing? Is this our gratitude, This our repayment for a maiden saved? If truth is what you want, it was not Perseus Who took her from you, but the Nereids Whose power is terrible, it was hornèd Ammon, It was that horrible monster from the ocean Who had to feed on my own flesh and blood, And that was when you really lost her, brother; 107 lines 20–47 She would have died—can your heart be so cruel To wish it so, to heal its grief by causing Grief in my heart? It was not enough, I take it, For you to see her bound and never help her, Never so much as lift a little finger, And you her uncle and her promised husband! So now you grieve that someone else did save her, You covet his reward, a prize so precious, It seems, you could not force yourself to take it From the rocks where it was bound. -
Herakles Iconography on Tyrrhenian Amphorae
HERAKLES ICONOGRAPHY ON TYRRHENIAN AMPHORAE _____________________________________________ A Thesis presented to the Faculty of the Graduate School University of Missouri-Columbia _____________________________________________ In Partial Fulfillment Of the Requirements for the Degree Master of Arts ______________________________________________ by MEGAN LYNNE THOMSEN Dr. Susan Langdon, Thesis Supervisor DECEMBER 2005 ACKNOWLEDGEMENTS I would like to thank my thesis advisor, Dr. Susan Langdon, and the other members of my committee, Dr. Marcus Rautman and Dr. David Schenker, for their help during this process. Also, thanks must be given to my family and friends who were a constant support and listening ear this past year. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS………………………………………………………………ii LIST OF ILLUSTRATIONS……………………………………………………………..v Chapter 1. TYRRHENIAN AMPHORAE—A BRIEF STUDY…..……………………....1 Early Studies Characteristics of Decoration on Tyrrhenian Amphorae Attribution Studies: Identifying Painters and Workshops Market Considerations Recent Scholarship The Present Study 2. HERAKLES ON TYRRHENIAN AMPHORAE………………………….…30 Herakles in Vase-Painting Herakles and the Amazons Herakles, Nessos and Deianeira Other Myths of Herakles Etruscan Imitators and Contemporary Vase-Painting 3. HERAKLES AND THE FUNERARY CONTEXT………………………..…48 Herakles in Etruria Etruscan Concepts of Death and the Underworld Etruscan Funerary Banquets and Games 4. CONCLUSION………………………………………………………………..67 iii APPENDIX: Herakles Myths on Tyrrhenian Amphorae……………………………...…72 BIBLIOGRAPHY………………………………………………………………………..77 ILLUSTRATIONS………………………………………………………………………82 iv LIST OF ILLUSTRATIONS Figure Page 1. Tyrrhenian Amphora by Guglielmi Painter. Bloomington, IUAM 73.6. Herakles fights Nessos (Side A), Four youths on horseback (Side B). Photos taken by Megan Thomsen 82 2. Tyrrhenian Amphora (Beazley #310039) by Fallow Deer Painter. Munich, Antikensammlungen 1428. Photo CVA, MUNICH, MUSEUM ANTIKER KLEINKUNST 7, PL. 322.3 83 3. Tyrrhenian Amphora (Beazley #310045) by Timiades Painter (name vase). -
Demetrius Poliorcetes and the Hellenic League
DEMETRIUSPOLIORCETES AND THE HELLENIC LEAGUE (PLATE 33) 1. HISTORICAL BACKGROUND D JURING the six years, 307/6-302/1 B.C., issues were raised and settled which shaped the course of western history for a long time to come. The epoch was alike critical for Athens, Hellas, and the Macedonians. The Macedonians faced squarely during this period the decision whether their world was to be one world or an aggregate of separate kingdoms with conflicting interests, and ill-defined boundaries, preserved by a precarious balance of power and incapable of common action against uprisings of Greek and oriental subjects and the plundering appetites of surrounding barbarians. The champion of unity was King Antigonus the One- Eyed, and his chief lieutenant his brilliant but unstatesmanlike son, King Demetrius the Taker of Cities, a master of siege operations and of naval construction and tactics, more skilled in organizing the land-instruments of warfare than in using them on the battle field. The final campaign between the champions of Macedonian unity and disunity opened in 307 with the liberation of Athens by Demetrius and ended in 301 B.C. with the Battle of the Kings, when Antigonus died in a hail of javelins and Demetrius' cavalry failed to penetrate a corps of 500 Indian elephants in a vain effort to rescue hinm. Of his four adversaries King Lysimachus and King Kassander left no successors; the other two, Kings Ptolemy of Egypt and Seleucus of Syria, were more fortunate, and they and Demetrius' able son, Antigonus Gonatas, planted the three dynasties with whom the Romans dealt and whom they successively destroyed in wars spread over 44 years. -
The Herodotos Project (OSU-Ugent): Studies in Ancient Ethnography
Faculty of Literature and Philosophy Julie Boeten The Herodotos Project (OSU-UGent): Studies in Ancient Ethnography Barbarians in Strabo’s ‘Geography’ (Abii-Ionians) With a case-study: the Cappadocians Master thesis submitted in fulfilment of the requirements for the degree of Master in Linguistics and Literature, Greek and Latin. 2015 Promotor: Prof. Dr. Mark Janse UGent Department of Greek Linguistics Co-Promotores: Prof. Brian Joseph Ohio State University Dr. Christopher Brown Ohio State University ACKNOWLEDGMENT In this acknowledgment I would like to thank everybody who has in some way been a part of this master thesis. First and foremost I want to thank my promotor Prof. Janse for giving me the opportunity to write my thesis in the context of the Herodotos Project, and for giving me suggestions and answering my questions. I am also grateful to Prof. Joseph and Dr. Brown, who have given Anke and me the chance to be a part of the Herodotos Project and who have consented into being our co- promotores. On a whole other level I wish to express my thanks to my parents, without whom I would not have been able to study at all. They have also supported me throughout the writing process and have read parts of the draft. Finally, I would also like to thank Kenneth, for being there for me and for correcting some passages of the thesis. Julie Boeten NEDERLANDSE SAMENVATTING Deze scriptie is geschreven in het kader van het Herodotos Project, een onderneming van de Ohio State University in samenwerking met UGent. De doelstelling van het project is het aanleggen van een databank met alle volkeren die gekend waren in de oudheid. -
Dewald 1987. Carolyn Dewald, “Narrative Surface and Authorial
DEWALD, CAROLYN, Narrative Surface and Authorial Voice in Herodotus' "Histories" , Arethusa, 20:1/2 (1987:Spring/Fall) p.147 NARRATIVE SURFACE AND AUTHORIAL VOICE IN HERODOTUS' HISTORIES CAROLYN DEWALD It is a topos nowadays that an author does not just construct his text but also encodes into it a narrative contract: he writes into the text the rules by which his audience is to read it, how we are to under stand his performance as author and our own responsibilities and legitimate pleasures as readers. 1 Judged by the standards of later historical prose, the narrative contract that Herodotus establishes be tween himself, the author, and ourselves, his readers, is a peculiar one. Its rules are very odd indeed. Here I would like to explore two aspects of those rules: the construction of the narrative surface and of the authorial "I" within it. Both these aspects of Herodotus' rhetoric have generally been evaluated against the standard practices of history writing. But if we look at Herodotus' narrative surface and authorial voice on their own terms, the contract they suggest is not (at least in some essentials) a historical one. The Herodotus I would like to pro pose here is a heroic warrior. Like Menelaus on the sands of Egypt, he struggles with a fearsome beast - and wins. The antagonist that He rodotus struggles with is, like many mythic beasts, a polymorphously fearsome oddity; it consists of the logos, or collection of logoi, that comprise the narrative of the Histories. What Herodotus, like Mene laus, wants from his contest is accurate information. -
The Titanic Origin of Humans: the Melian Nymphs and Zagreus Velvet Yates
The Titanic Origin of Humans: The Melian Nymphs and Zagreus Velvet Yates HE FIRST PART of this paper examines a minor mystery in Hesiod’s Theogony, centering around the Melian Nymphs, Tin order to assess the suggestions, both ancient and modern, that the Melian Nymphs were the mothers of the human race. The second part examines the afterlife of Hesiod’s Melian Nymphs over a thousand years later, in the allegorizing myths of late Neoplatonism, in order to suggest that the Hesiodic myth in which the Melian Nymphs primarily figure, namely the castration of Ouranos, has close similarities to a central Neoplatonic myth, that of Zagreus. Both myths depict a “Titanic” act of destruction and separation which leads to the birth of the human race. Both myths furthermore seek to account for a divine element which human nature retains from its origins. The Melian Nymphs in Hesiod ˜ssai går =ayãmiggew ép°ssuyen aflmatÒessai, pãsaw d°jato Ga›a: periplom°nou d' §niautoË ge¤nat' ÉErinËw te krateråw megãlouw te G¤gantaw, teÊxesi lampom°nouw, dol¤x' ¶gxea xers‹n ¶xontaw, NÊmfaw y' ìw Mel¤aw kal°ous' §p' épe¤rona ga›an. Gaia took in all the bloody drops that spattered off, and as the seasons of the year turned round she bore the potent Furies and the Giants, immense, dazzling in their armor, holding long spears in their hands, and then she bore the Melian Nymphs on the boundless earth.1 1 Theog. 183–187. Translations of Hesiod adapted from A. Athanassakis, Hesiod: Theogony, Works and Days, Shield (Baltimore 1983). -
Herodotus in the North? Reflections on a Colossal Cauldron (4.81)
Herodotus in the North? Reflections on a Colossal Cauldron (4.81) Stephanie West Nearly 150 years ago J.W. Blakesley, in the introduction to his commentary, protested against anachronistic assumptions about the manner in which Herodotus gathered his material: ‘Every one accustomed to the facilities which the present time offers involuntarily attributes to any individual of the same social position with himself similar methods of effecting any given purpose — unconsciously forgetting the entirely different conditions of so cial existence which an interval of more than 2000 years implies’. In par ticular, the modem reader tends to underestimate the problems of travel. ‘The mere difficulties and dangers of locomotion were enormous. Until the time of Alexander the seas swarmed with pirates, and the land with banditti (Polybius, iii 58, 59). The only countries to which there is any satisfactory evidence of Greek visitors having resorted for the mere purpose of gratifying an intelligent curiosity are Lydia (under the reign of Croesus) and Egypt, with both of which places there existed direct commercial relations of con siderable importance. Where this was the case, the interest of the states whose revenue was increased by levying duties upon the merchants would induce them to render the access of foreigners something safer. But on the other hand, the very same interest would tend to confine traffic to certain definite channels, and to fetter it by arbitrary rules enforced in the most summary manner ... Admitting our author to have been as naturally inclined to travel as an Englishman of the present day, his means of gratifying this passion must have been very limited’.1 We might suppose that travel is substantially easier nowadays than it was in the mid-nineteenth century, and the difference from mid-fifth-century Herodotus, with a commentary by the Rev. -
Convergences and Divergences Between God and Hero in the Mnesiepes Inscription of Paros
Convergences and Divergences Between God and Hero in the Mnesiepes Inscription of Paros The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Nagy, Gregory. 2008. Convergences and divergences between god and hero in the Mnesiepes Inscription of Paros. In Archilochus and his Age: Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades (Athens), ed. D. Katsonopoulou, I.Petropoulos, and S. Katsarou, 259-265. Athens: Archaeological Institute of Paros and Cyclades. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42665437 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Open Access Policy Articles, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#OAP 1 Convergences and divergences between god and hero in the Mnesiepes Inscription of Paros Gregory Nagy [[This article was first published in 2008 in Archilochus and his Age II (ed. D. Katsonopoulou, I. Petropoulos, S. Katsarou) 259-265. The original pagination of the article will be indicated in this electronic version by way of curly brackets (“{“ and “}”). For example, “{259|260}” indicates where p. 259 of the printed article ends and p. 260 begins.]] In his pathfinding book, Archilochos Heros, Diskin Clay has questioned the applicability of a well-known formula for distinguishing between the cult of heroes and the cult of gods in archaic, classical, and postclassical Greek historical contexts.1 The formula is derived from the use of the words thuein / theos and enagizein / hērōs by Herodotus (2.44.5) in distinguishing between one cult of Herakles as a god and another cult of Herakles as a hero. -
Parthenon 1 Parthenon
Parthenon 1 Parthenon Parthenon Παρθενών (Greek) The Parthenon Location within Greece Athens central General information Type Greek Temple Architectural style Classical Location Athens, Greece Coordinates 37°58′12.9″N 23°43′20.89″E Current tenants Museum [1] [2] Construction started 447 BC [1] [2] Completed 432 BC Height 13.72 m (45.0 ft) Technical details Size 69.5 by 30.9 m (228 by 101 ft) Other dimensions Cella: 29.8 by 19.2 m (98 by 63 ft) Design and construction Owner Greek government Architect Iktinos, Kallikrates Other designers Phidias (sculptor) The Parthenon (Ancient Greek: Παρθενών) is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their patron. Its construction began in 447 BC and was completed in 438 BC, although decorations of the Parthenon continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered to be the culmination of the development of the Doric order. Its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an Parthenon 2 enduring symbol of Ancient Greece and of Athenian democracy and one of the world's greatest cultural monuments. The Greek Ministry of Culture is currently carrying out a program of selective restoration and reconstruction to ensure the stability of the partially ruined structure.[3] The Parthenon itself replaced an older temple of Athena, which historians call the Pre-Parthenon or Older Parthenon, that was destroyed in the Persian invasion of 480 BC. Like most Greek temples, the Parthenon was used as a treasury. -
ANT 333 Anthropology of Religion 1
ANT 333 Anthropology of Religion Tuesday/Thursday 12:30 – 1:45 Candelaria 0065 Section 001 Spring 2013 Instructor: Dr. Sally McBeth Office Hours: Mon 2:00 – 5:00 Candelaria 2200 Tues 11-12 – 2-3 (970) 351-1746 Thurs 11-12 – 2-3 [email protected] or by appointment Blair Mueller (TA) [email protected] Texts (Required): God Is Not One (2010) by Stephen Prothero (2 copies on reserve at Michener) Holy Ghost Girl (2011) by Donna Johnson E-Reserve Readings Required: listed in order of due date (see syllabus) Scanned in Weekly BB Folders “On the Origin of Religion” (Elizabeth Culotta) “On the Origin of Art and Symbolism” (Michael Balter) “Genesis “ “P’An Ku” “Bumba” “Emergence” “World on Turtle’s Back” “Amma and Nummu Prepare the World” “The Letter” (Shadi Eskandani) “Aztec Sacrifice” (Bernardino de Sahagún) “Mother Cow” (Marvin Harris) “A Buddhist Perspective on Nonviolence” (Sulak Sivaraksa) DSS Statement: Students with disabilities: Any student requesting disability accommodation for this class must inform the instructor by giving appropriate notice. Students are encouraged to contact Disability Support Services at UNC: 970-351-2289 to certify documentation of disability and to ensure that appropriate accommodations are implemented in a timely manner. Catalogue Description: Topics in Cultural Anthropology: Study of a global theme (art, religion, etc.) as represented in a variety of subsistence technologies and/or world cultures. Repeatable under different sub-titles. Course Description: Anthropology of Religion. This class is designed to challenge your assumptions about what religion is. I hope that you will encounter the ‘Other’ and interrogate the familiar. -
HYPERBOREANS Myth and History in Celtic-Hellenic Contacts Timothy P.Bridgman HYPERBOREANS MYTH and HISTORY in CELTIC-HELLENIC CONTACTS Timothy P.Bridgman
STUDIES IN CLASSICS Edited by Dirk Obbink & Andrew Dyck Oxford University/The University of California, Los Angeles A ROUTLEDGE SERIES STUDIES IN CLASSICS DIRK OBBINK & ANDREW DYCK, General Editors SINGULAR DEDICATIONS Founders and Innovators of Private Cults in Classical Greece Andrea Purvis EMPEDOCLES An Interpretation Simon Trépanier FOR SALVATION’S SAKE Provincial Loyalty, Personal Religion, and Epigraphic Production in the Roman and Late Antique Near East Jason Moralee APHRODITE AND EROS The Development of Greek Erotic Mythology Barbara Breitenberger A LINGUISTIC COMMENTARY ON LIVIUS ANDRONICUS Ivy Livingston RHETORIC IN CICERO’S PRO BALBO Kimberly Anne Barber AMBITIOSA MORS Suicide and the Self in Roman Thought and Literature Timothy Hill ARISTOXENUS OF TARENTUM AND THE BIRTH OF MUSICOLOGY Sophie Gibson HYPERBOREANS Myth and History in Celtic-Hellenic Contacts Timothy P.Bridgman HYPERBOREANS MYTH AND HISTORY IN CELTIC-HELLENIC CONTACTS Timothy P.Bridgman Routledge New York & London Published in 2005 by Routledge 270 Madison Avenue New York, NY 10016 http://www.routledge-ny.com/ Published in Great Britain by Routledge 2 Park Square Milton Park, Abingdon Oxon OX14 4RN http://www.routledge.co.uk/ Copyright © 2005 by Taylor & Francis Group, a Division of T&F Informa. Routledge is an imprint of the Taylor & Francis Group. This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photo copying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
DARKWOODS MAILORDER CATALOGUE June 2017
DARKWOODS MAILORDER CATALOGUE June 2017 DARKWOODS PAGAN BLACK METAL DI STRO / LABEL [email protected] www.darkwoods.eu Next you w ill find a full list w ith all available items in our mailorder catalogue alphabetically ordered... With the exception of the respective cover, w e have included all relevant information about each item, even the format, the releasing label and the reference comment... This catalogue is updated every month, so it could not reflect the latest received products or the most recent sold-out items... please use it more as a reference than an updated list of our products... CDS / MCDS / SGCDS 1349 - Beyond the Apocalypse [CD] 11.95 EUR Second smash hit of the Norwegians 1349, nine outstanding tracks of intense, very fast and absolutely brutal black metal is what they offer us with “Beyond the Apocalypse”, with Frost even more a beast behind the drum set here than in Satyricon, excellent! [Released by Candlelight] 1349 - Demonoir [CD] 11.95 EUR Fifth full-length album of this Norwegian legion, recovering in one hand the intensity and brutality of the fantastic “Hellfire” but, at the same time, continuing with the experimental and sinister side of their music introduced in their previous work, “Revelations of the Black Flame”... [Released by Indie Recordings] 1349 - Liberation [CD] 11.95 EUR Fantastic debut full-length album of the Nordic hordes 1349 leaded by Frost (Satyricon), ten tracks of furious, violent and merciless black metal is what they show us in "Liberation", ten straightforward tracks of pure Norwegian black metal, superb! [Released by Candlelight] 1349 - Massive Cauldron of Chaos [CD] 12.95 EUR Sixth full-length album of the Norwegians 1349, with which they continue this returning path to their most brutal roots that they starte d with the previous “Demonoir”, perhaps not as chaotic as the title might suggested, but we could place it in the intermediate era of “Hellfire”..