Herodotus in the North? Reflections on a Colossal Cauldron (4.81)
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Dewald 1987. Carolyn Dewald, “Narrative Surface and Authorial
DEWALD, CAROLYN, Narrative Surface and Authorial Voice in Herodotus' "Histories" , Arethusa, 20:1/2 (1987:Spring/Fall) p.147 NARRATIVE SURFACE AND AUTHORIAL VOICE IN HERODOTUS' HISTORIES CAROLYN DEWALD It is a topos nowadays that an author does not just construct his text but also encodes into it a narrative contract: he writes into the text the rules by which his audience is to read it, how we are to under stand his performance as author and our own responsibilities and legitimate pleasures as readers. 1 Judged by the standards of later historical prose, the narrative contract that Herodotus establishes be tween himself, the author, and ourselves, his readers, is a peculiar one. Its rules are very odd indeed. Here I would like to explore two aspects of those rules: the construction of the narrative surface and of the authorial "I" within it. Both these aspects of Herodotus' rhetoric have generally been evaluated against the standard practices of history writing. But if we look at Herodotus' narrative surface and authorial voice on their own terms, the contract they suggest is not (at least in some essentials) a historical one. The Herodotus I would like to pro pose here is a heroic warrior. Like Menelaus on the sands of Egypt, he struggles with a fearsome beast - and wins. The antagonist that He rodotus struggles with is, like many mythic beasts, a polymorphously fearsome oddity; it consists of the logos, or collection of logoi, that comprise the narrative of the Histories. What Herodotus, like Mene laus, wants from his contest is accurate information. -
Marathon 2,500 Years Edited by Christopher Carey & Michael Edwards
MARATHON 2,500 YEARS EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON MARATHON – 2,500 YEARS BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES SUPPLEMENT 124 DIRECTOR & GENERAL EDITOR: JOHN NORTH DIRECTOR OF PUBLICATIONS: RICHARD SIMPSON MARATHON – 2,500 YEARS PROCEEDINGS OF THE MARATHON CONFERENCE 2010 EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON 2013 The cover image shows Persian warriors at Ishtar Gate, from before the fourth century BC. Pergamon Museum/Vorderasiatisches Museum, Berlin. Photo Mohammed Shamma (2003). Used under CC‐BY terms. All rights reserved. This PDF edition published in 2019 First published in print in 2013 This book is published under a Creative Commons Attribution-NonCommercial- NoDerivatives (CC-BY-NC-ND 4.0) license. More information regarding CC licenses is available at http://creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN: 978-1-905670-81-9 (2019 PDF edition) DOI: 10.14296/1019.9781905670819 ISBN: 978-1-905670-52-9 (2013 paperback edition) ©2013 Institute of Classical Studies, University of London The right of contributors to be identified as the authors of the work published here has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. Designed and typeset at the Institute of Classical Studies TABLE OF CONTENTS Introductory note 1 P. J. Rhodes The battle of Marathon and modern scholarship 3 Christopher Pelling Herodotus’ Marathon 23 Peter Krentz Marathon and the development of the exclusive hoplite phalanx 35 Andrej Petrovic The battle of Marathon in pre-Herodotean sources: on Marathon verse-inscriptions (IG I3 503/504; Seg Lvi 430) 45 V. -
UC Berkeley Berkeley Undergraduate Journal of Classics
UC Berkeley Berkeley Undergraduate Journal of Classics Title Bow Designs on Ancient Greek Vases Permalink https://escholarship.org/uc/item/3rh4f9jd Journal Berkeley Undergraduate Journal of Classics, 5(2) ISSN 2373-7115 Author Bowyer, Emily S Publication Date 2017 Peer reviewed|Undergraduate eScholarship.org Powered by the California Digital Library University of California Bow Designs on Ancient Greek Vases Emily Bowyer University of California, Los Angeles Classical Civilizations Class of 2017 Abstract: This research looks to investigate the designs of ancient bows depicted on ancient Greek pottery. The goal is to show that the bows most commonly shown are not native to the Greek mainland but rather are from Scythia and Egypt. This has been done by examining a number of vases, pyramid friezes, and modern bow reconstructions. The common use of the Scythian design for archer characters in scenes of myth implies a familiarity with archery primarily through the Scythian mercenaries. The Egyptian acacia deflex bow design, while rare in vase depictions, directly corresponds to images on pyramids. The Egyptian angular composite bow appears in a rare case on a Greek vase, but its depiction is consistent with modern historical reconstructions. Through showing these non-native bow origins, this paper hopes to further demonstrate the worldly influences on archaic Greece. The practice of archery is ancient, as is its depiction in art. Analysis of the bow’s form provides a unique insight into the ancient world. This is because a culture’s bow design is a direct reflection of its environment. From the single-piece English Yew longbow to the massive Japanese Yumi to the compact Mongolian horse bow, the available materials dictate the form of the tool. -
The Greek World
THE GREEK WORLD THE GREEK WORLD Edited by Anton Powell London and New York First published 1995 by Routledge 11 New Fetter Lane, London EC4P 4EE This edition published in the Taylor & Francis e-Library, 2003. Disclaimer: For copyright reasons, some images in the original version of this book are not available for inclusion in the eBook. Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 First published in paperback 1997 Selection and editorial matter © 1995 Anton Powell, individual chapters © 1995 the contributors All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data Greek World I. Powell, Anton 938 Library of Congress Cataloguing in Publication Data The Greek world/edited by Anton Powell. p. cm. Includes bibliographical references and index. 1. Greece—Civilization—To 146 B.C. 2. Mediterranean Region— Civilization. 3. Greece—Social conditions—To 146 B.C. I. Powell, Anton. DF78.G74 1995 938–dc20 94–41576 ISBN 0-203-04216-6 Master e-book ISBN ISBN 0-203-16276-5 (Adobe eReader Format) ISBN 0-415-06031-1 (hbk) ISBN 0-415-17042-7 (pbk) CONTENTS List of Illustrations vii Notes on Contributors viii List of Abbreviations xii Introduction 1 Anton Powell PART I: THE GREEK MAJORITY 1 Linear -
HYPERBOREANS Myth and History in Celtic-Hellenic Contacts Timothy P.Bridgman HYPERBOREANS MYTH and HISTORY in CELTIC-HELLENIC CONTACTS Timothy P.Bridgman
STUDIES IN CLASSICS Edited by Dirk Obbink & Andrew Dyck Oxford University/The University of California, Los Angeles A ROUTLEDGE SERIES STUDIES IN CLASSICS DIRK OBBINK & ANDREW DYCK, General Editors SINGULAR DEDICATIONS Founders and Innovators of Private Cults in Classical Greece Andrea Purvis EMPEDOCLES An Interpretation Simon Trépanier FOR SALVATION’S SAKE Provincial Loyalty, Personal Religion, and Epigraphic Production in the Roman and Late Antique Near East Jason Moralee APHRODITE AND EROS The Development of Greek Erotic Mythology Barbara Breitenberger A LINGUISTIC COMMENTARY ON LIVIUS ANDRONICUS Ivy Livingston RHETORIC IN CICERO’S PRO BALBO Kimberly Anne Barber AMBITIOSA MORS Suicide and the Self in Roman Thought and Literature Timothy Hill ARISTOXENUS OF TARENTUM AND THE BIRTH OF MUSICOLOGY Sophie Gibson HYPERBOREANS Myth and History in Celtic-Hellenic Contacts Timothy P.Bridgman HYPERBOREANS MYTH AND HISTORY IN CELTIC-HELLENIC CONTACTS Timothy P.Bridgman Routledge New York & London Published in 2005 by Routledge 270 Madison Avenue New York, NY 10016 http://www.routledge-ny.com/ Published in Great Britain by Routledge 2 Park Square Milton Park, Abingdon Oxon OX14 4RN http://www.routledge.co.uk/ Copyright © 2005 by Taylor & Francis Group, a Division of T&F Informa. Routledge is an imprint of the Taylor & Francis Group. This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photo copying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
Amazons, Thracians, and Scythians , Greek, Roman and Byzantine Studies, 24:2 (1983:Summer) P.105
SHAPIRO, H. A., Amazons, Thracians, and Scythians , Greek, Roman and Byzantine Studies, 24:2 (1983:Summer) p.105 Amazons, Thracians, and Scythians H A. Shapiro HE AMAZONS offer a remarkable example of the lacunose and T fragmented state of ancient evidence for many Greek myths. For while we hear virtually nothing about them in extant litera ture before the mid-fifth century, they are depicted in art starting in the late eighth! and are extremely popular, especially in Attica, from the first half of the sixth. Thus all we know about the Greeks' con ception of the Amazons in the archaic period comes from visual rep resentations, not from written sources, and it would be hazardous to assume that various 'facts' and details supplied by later writers were familiar to the sixth-century Greek. The problem of locating the Amazons is a good case in point. Most scholars assume that Herakles' battle with the Amazons, so popular on Attic vases, took place at the Amazon city Themiskyra in Asia Minor, on the river Thermodon near the Black Sea, where most ancient writers place it.2 But the earliest of these is Apollodoros (2.5.9), and, as I shall argue, alternate traditions locating the Ama zons elsewhere may have been known to the archaic vase-painter and viewer. An encounter with Amazons figures among the exploits of three important Greek heroes, and each story entered the Attic vase painters' repertoire at a different time in the course of the sixth century. First came Herakles' battle to obtain the girdle of Hippolyte (although the prize itself is never shown), his ninth labor. -
Abbreviations
Abbreviations ATL Meritt, B.D., H.T. Wade-Gery & M.F. MacGregor 1939-1953. The Athenian Tribute Lists I-IV. Cambridge & Princeton. BE Bulletin épigraphique. CAF Kock, T. 1880-1888. Comicorum Atticorum fragmenta I-III. Leipzig. CAH Cambridge Ancient History. CEG II Hansen, P.A. 1989. Carmina epigraphica Graeca II. Berlin-New York. CIG Corpus Inscriptionum Graecarum. CIRB Struve, V.V. (ed.) 1965. Corpus Inscriptionum Regni Bosporani. Leningrad. CVA Corpus Vasorum Antiquorum. FD Fouilles de Delphes. FGrH Jacoby, F. 1924-1958. Die Fragmente der griechischen Historiker I-III. Berlin. FRA Osborne, M.J. & S.G. Byrne 1996. The Foreign Residents of Athens. An Annex to the “Lexicon of Greek Personal Names” (Studia Hellenistica, 33). Leuven. GVI I Peek, W. 1955. Griechische Vers-Inschriften I. Die Grabepigramme. Berlin. I.Apameia Corsten, T. 1987. Die Inschriften von Apameia (Bithynien) und Pylai (IK, 32). Bonn. I.Byzantion Łajtar, A. 2000. Die Inschriften von Byzantion I: Die Inschriften (IK, 58). Bonn. I.Callatis Avram, A. 1999. Inscriptiones Daciae et Scythiae Minoris Antiquae, Series Altera. Inscriptiones Scythiae Minoris Graecae et Latinae, III. Callatis et Territorium. Bucarest. I.Didyma Rehm, A. 1958. Didyma II. Die Inschriften. Berlin. I.Histriae Pippidi, D.M. 1983. Inscriptiones Daciae et Scythiae Minoris Antiquae, Series Altera. Inscriptiones Scythiae Minoris Graecae et Latinae, I. Inscriptiones Histriae et Viciniae. Bucarest. I.Kalchedon Merkelbach, R. 1997. Die Inschriften von Kalchedon (IK, 20). Bonn. I.Magnesia Kern, O. 1900. Die Inschriften von Magnesia am Maeander. Berlin. IAK Izvestija imperatorskoj Archeologičeskoj Kommissii. St Peterburg. ID Durrbach, F. 1926-1937. Inscriptions de Délos. Paris. IG Inscriptiones Graecae. -
Mythic Bio-Techne in Classical Antiquity: Desire, Hope, and Dread
Mayor, Mythic Bio-Techne, 1 Mythic Bio-Techne in Classical Antiquity: Desire, Hope, and Dread Adrienne Mayor Biotechnique Exhibit Catalog, Yerba Buena Center for the Arts, 2007 The apprehension and exuberance (rational or otherwise) evoked by obscuring the lines between the natural and unnatural, art and science, life and death, might seem to be new constellations of human emotions called into being by uniquely modern biotechnological advances. Concepts of replicating, amplifying, and creating life itself— and the ambivalence that surrounds such issues—have very ancient roots, and were explored in Greek mythology and art, thousands of years before the advent of modern science. Ancient narratives about artificial life, surpassing human limits, and controlling potentially dangerous biotechnologies feature familiar legendary figures: Hercules, Medea, Daedalus, Pandora. Classical stories describing what the ancient Greeks might have termed bio- techne (bios, life, crafted through the art of science, techne) eerily foreshadow the ways that contemporary feelings of optimism about modern biotechnology vie with a sense of dread. In classical antiquity, as in modernity, cultural dreams and nightmares about bio-techne Mayor, Mythic Bio-Techne, 2 inspired artistic endeavors. Artisans created hybrid mythological life- forms for public display. Bio-techne myths led playwrights like Euripides and Sophocles to produce haunting dramatic performances, and artists illustrated the stories in vase paintings and sculpture. These classical artifacts continue to have powerful impacts on modern audiences. The stories discussed in this essay help to place the seemingly modern idea of manipulating life within early mytho-historic traditions. The examples I’ve selected fall into four, often overlapping categories. -
The Image of a 'Drunken Scythian' in Greek Tradition
1st Annual International Interdisciplinary Conference, AIIC 2013, 24-26 April, Azores, Portugal - Proceedings- THE IMAGE OF A ‘DRUNKEN SCYTHIAN’ IN GREEK TRADITION Joanna Porucznik, MA University of Liverpool/Uniwersytet Wrocławski, UK/Poland Abstract: Since the Greeks first came into contact with Scythian populations (who should be understood as a great conglomerate of various groups of peoples inhabiting the north Pontic steppes), many negative clichés concerning the Scythians occurred in Greek tradition. One of them is the stereotype of drunkenness among the Scythians and their lack of urbane manners that were commonly accepted by Greek society. This image of a drunken Scythian may have been created in Greek tradition due to the fact that the Scythians (Scythian aristocracy in particular) adopted the Greek tradition of the drinking of wine. This is visible in archaeological material from the northern Black Sea areas, where many amphorae and wine jars have been found in Scythian tombs. However, written sources indicate that the Scythians did not mix wine with water and this did not correspond with Greek customs, according to which drinking unadulterated wine was extremely ‘barbarian’ and inappropriate. This in turn may have become a catalyst behind the concept of drunkenness amongst the Scythians. Key Words: Scythians, Greeks, symposion, wine, the Black Sea Introduction: When studying the issue of the image of the Scythians in antiquity, the first thing that should be mentioned is the fact that the ancient Greeks used the name ‘Scythians’ to describe all nomadic populations inhabited vast territories of the steppes north of the Black Sea. In turn, in the territories of Asia, the Scythians were known as Saka. -
Aristeas of Proconnesos Anca Dan
Aristeas of Proconnesos Anca Dan To cite this version: Anca Dan. Aristeas of Proconnesos. I∆ΥMAMEIZOOΣ EΛΛHIΣMOΥ. Eγκυκλoπαιδϵια Mϵιζoνo& Eλληνισµoυ, Eυξϵινo& Πντo&, 2008. hal-02435581 HAL Id: hal-02435581 https://hal.archives-ouvertes.fr/hal-02435581 Submitted on 11 Jan 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. IΔΡΥΜA ΜΕΙΖΟΝΟΣ ΕΛΛΗΝΙΣΜΟΥ Συγγραφή : Dan Anca (12/3/2008) Για παραπομπή : Dan Anca , "Aristeas of Proconnesus", 2008, Εγκυκλοπαίδεια Μείζονος Ελληνισμού, Εύξεινος Πόντος URL: <http://www.ehw.gr/l.aspx?id=10756> Aristeas of Proconnesus Περίληψη : The poet and philosopher Aristeas was born in Proconnesus. The chronology of his life is uncertain. He probably lived in the 6th c. BC as the Suda lexicon informs us. The only poem associated with Aristeas is Arimaspea, divided into three books. Τόπος και Χρόνος Γέννησης Proconnesus (Propontis/Sea of Marmara), 6th c. BC Τόπος και Χρόνος Θανάτου Proconnesus (Propontis/Sea of Marmara ), 6th c. BC Κύρια Ιδιότητα Poet, philosopher 1. Life, chronology and identification Aristeas, son of Caÿstrobios or of Democharis,1 was born in Proconnesus (or, if we follow G. Huxley, in Old Proconnesus [modern Halone])2, one of the earliest Milesian foundations in the Propontis (the modern name, Sea of Marmara, is derived from its famous marble sources). -
The Image of a 'Drunken Scythian' in Greek
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by European Scientific Journal (European Scientific Institute) 1st Annual International Interdisciplinary Conference, AIIC 2013, 24-26 April, Azores, Portugal - Proceedings- THE IMAGE OF A ‘DRUNKEN SCYTHIAN’ IN GREEK TRADITION Joanna Porucznik, MA University of Liverpool/Uniwersytet Wrocławski, UK/Poland Abstract: Since the Greeks first came into contact with Scythian populations (who should be understood as a great conglomerate of various groups of peoples inhabiting the north Pontic steppes), many negative clichés concerning the Scythians occurred in Greek tradition. One of them is the stereotype of drunkenness among the Scythians and their lack of urbane manners that were commonly accepted by Greek society. This image of a drunken Scythian may have been created in Greek tradition due to the fact that the Scythians (Scythian aristocracy in particular) adopted the Greek tradition of the drinking of wine. This is visible in archaeological material from the northern Black Sea areas, where many amphorae and wine jars have been found in Scythian tombs. However, written sources indicate that the Scythians did not mix wine with water and this did not correspond with Greek customs, according to which drinking unadulterated wine was extremely ‘barbarian’ and inappropriate. This in turn may have become a catalyst behind the concept of drunkenness amongst the Scythians. Key Words: Scythians, Greeks, symposion, wine, the Black Sea Introduction: When studying the issue of the image of the Scythians in antiquity, the first thing that should be mentioned is the fact that the ancient Greeks used the name ‘Scythians’ to describe all nomadic populations inhabited vast territories of the steppes north of the Black Sea. -
Causes of the Rise in Violence in the Eastern Campaigns of Alexander the Great
“Just Rage”: Causes of the Rise in Violence in the Eastern Campaigns of Alexander the Great _______________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia _____________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts _____________________________________________________ by Jenna Rice MAY 2014 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled “JUST RAGE”: CAUSES OF THE RISE IN VIOLENCE IN THE EASTERN CAMPAIGNS OF ALEXANDER THE GREAT presented by Jenna Rice, a candidate for the degree of master of history, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Ian Worthington Professor Lawrence Okamura Professor LeeAnn Whites Professor Michael Barnes τῷ πατρί, ὅς ἐμοί τ'ἐπίστευε καὶ ἐπεκέλευε ACKNOWLEDGEMENTS I would like to thank the members of my committee, Professors Worthington, Okamura, Whites, and Barnes, for the time they spent reading and considering my thesis during such a busy part of the semester. I received a number of thoughtful questions and suggestions of new methodologies which will prompt further research of my topic in the future. I am especially grateful to my advisor, Professor Worthington, for reading through and assessing many drafts of many chapters and for his willingness to discuss and debate the topic at length. I know that the advice I received throughout the editing process will serve me well in future research endeavors. ii TABLE OF CONTENTS LIST OF ABBREVIATIONS ............................................................................................ iv INTRODUCTION ...............................................................................................................1 Chapter 1. THE GREEK RULES OF WAR ..............................................................................5 2. ALEXANDER IN PERSIA ...................................................................................22 3.