Mozart Booklet
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Clarinet Concertos Nos. 1 and 2
WEBER Clarinet Concertos Nos. 1 and 2 Concertina Ernst Ottensamer, Clarinet Czecho-Slovak State Philharmonic (Kdce) Johannes Wildner Carl Maria von Weber (1786 - 1826) Clarinet Concerto No. 1 in F Minor, Op. 73 (J. 109) Clarinet Concerto No. 2 in E Flat Major, Op. 74 (J. 114) Clarinet Concertino in E Flat Major, Op. 26 (J. 118) It was natural that there should be an element of the operatic in the music of Weber. The composer of the fint great Romantic German opera, Der Freischutz, spent much of his childhood with the peripatetic theatre company directed by his father, Franz Anton Weber, uncle of Mozart's wife Constanze and, like his brother, Constanze's Father, at one time a member of the famous Mannheim orchestra. At the time of Weber's birth his father was still in the service of the Bishop of Lubeck and during the course of an extended visit to Vienna had taken a second wife, an actress and singer, who became an important member of the family theatre company established in 1788. Weber's musical gifts were fostered by his father, who saw in his youngest son the possibility of a second Mozart. Travel brought the chance of varied if inconsistent study, in Salzburg with Michael Haydn and elsewhere with musicians of lesser ability. His second opera was performed in Freiberg in 1800, followed by a third in Augsburg in 1803. Lessons with the Abbe Vogler led to a position as Kapellmeister in Breslau in 1804, brought to a premature end through the hostility of musicians long established in the city and through the accidental drinking of engraving acid, left by his father in a wine-bottle. -
“Il '700: Il Classicismo, La Nascita Delle Forme E I Suoi Sviluppi”
dei Assessorato alla Cultura e al Turismo Festival Pianistico XXI EDIZIONE “Il ’700: il classicismo, la nascita delle forme e i suoi sviluppi” CASTEL NUOVO Maggio/Giugno 2019 Festival Pianistico XXI EDIZIONE Sala dei Baroni - ore 19,00 12 maggio - 19 maggio - 26 maggio - 2 giugno 2 Il Festival incontra i giovani Sala della Loggia - ore 11,00 12 maggio - 19 maggio - 26 maggio - 2 giugno 2 ingresso libero fino ad esaurimento posti Per informazioni: 347.8430019 [email protected] 2 a XXI edizione del Festival Pianistico, collegandosi Festival Pianistico al tema guida di questo “Maggio dei Monumenti” XXI EDIZIONE dedicato a Gaetano Filangieri e al ’700 ha come tema “Il ’700: il classicismo, la nascita delle forme e i suoi Lsviluppi” e ogni concerto, partendo da un autore del periodo Sala dei Baroni - ore 19,00 classico, proporrà un confronto con gli autori dei secoli succes- 12 maggio - 19 maggio - 26 maggio - 2 giugno sivi e con le evoluzioni, che, dalle basi formali nate proprio nel ’700, hanno poi generato tante diverse forme musicali. 2 In particolare il Festival Pianistico si articolerà in quattro domeniche, da domenica 12 maggio a domenica 2 giugno, con concerti serali nella Sala dei Baroni e nella mattinata nella Sala Il Festival incontra della Loggia per un totale di otto eventi. Anche questa edizione, come quelle storiche al Museo di Villa i giovani Pignatelli, all’Accademia di Belle Arti, al Museo Archeologico e al Complesso Monumentale di Sant’Anna dei Lombardi, si dividerà in due sezioni: una dedicata a pianisti di chiara fama ed una ai giovani talenti, con in particolare l’appuntamento del 2 giugno Sala della Loggia - ore 11,00 alle 11 nella “Sala della Loggia” dedicato ai vincitori del “Premio Pianistico Internazionale Napolinova”. -
Thalberg Revisited / the Piano Music of Sigismund Thalberg, Ian Hominick, Piano
Document generated on 10/01/2021 9:25 p.m. Canadian University Music Review Revue de musique des universités canadiennes --> See the erratum for this article Thalberg Revisited The Piano Music of Sigismund Thalberg, Ian Hominick, piano. Titanic Records Ti-227 [DDD], produced by Jeanne Lippincott Thalberg: Fantasies on Operas by Verdi, Rossini and Bellini. Francesco Nicolosi, piano. Marco Polo 8.223367 [DDD], produced by Tamás Benedek Paul F. Rice Volume 16, Number 2, 1996 URI: https://id.erudit.org/iderudit/1014439ar DOI: https://doi.org/10.7202/1014439ar See table of contents Publisher(s) Canadian University Music Society / Société de musique des universités canadiennes ISSN 0710-0353 (print) 2291-2436 (digital) Explore this journal Cite this review Rice, P. F. (1996). Review of [Thalberg Revisited / The Piano Music of Sigismund Thalberg, Ian Hominick, piano. Titanic Records Ti-227 [DDD], produced by Jeanne Lippincott / Thalberg: Fantasies on Operas by Verdi, Rossini and Bellini. Francesco Nicolosi, piano. Marco Polo 8.223367 [DDD], produced by Tamás Benedek]. Canadian University Music Review / Revue de musique des universités canadiennes, 16(2), 150–152. https://doi.org/10.7202/1014439ar All Rights Reserved © Canadian University Music Society / Société de musique This document is protected by copyright law. Use of the services of Érudit des universités canadiennes, 1996 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. -
History of Opera CD Booklet
Richard Fawkes The History of Opera NON- Read by Robert Powell FICTION HISTORIES NA417612D 1 VERDI RIGOLETTO 8.660013-14 Soloists, Czecho-Slovak RSO, Alexander Rahbari Opera – the beginnings 4:15 Orazio Vecchi (1550-1605) VECCHI L’AMFIPARNASO 8.553312 Cappella Musicale di S Petronio di Bologna, Sergio Vartolo 2 The Baroque – opera emerges 5:16 Jacopo Peri (1561-1633) Giulio Caccini (1550-1610) Emilio de Cavalieri (1550-1602) CAVALIERI RAPPRESENTATIONE DI ANIMA E DI CORPO 8.554096-97 Cappella Musicale di S Petronio di Bologna, Sergio Vartolo 3 Claudio Monteverdi (1567-1643) 5:39 MONTEVERDI L’ORFEO 8.553319 Cappella Musicale di S Petronio di Bologna, Sergio Vartolo MONTEVERDI LAMENTI BAROCCHI VOL 3 8.553320 Lamento d’Arianna, Anna Caterina Antonacci, soprano Cappella Musicale di S Petronio, Sergio Vartolo 4 The first public opera house in Venice – 1637 3:06 Antonio Cesti (1623-1649) 2 5 Opera spreads 5:24 Giovanni Battista Pergolesi (1710-1736) PERGOLESI LA SERVA PADRONA SAGA 5360 Soloists, Hamburg RSO, George Singer. Used with kind permission from National Sound Archive, British Library 6 Opera in France 5:12 Jean-Baptiste Lully (1632-1687) LULLY BALLET MUSIC FOR THE SUN KING 8.554003 Aradia Baroque Ensemble, Kevin Mallon Jean Philippe Rameau (1683-1764) RAMEAU ANACREON 8.553746 Capella Savaria, Mary Térey-Smith 7 Opera in Germany – 17th century 1:41 Heinrich Schütz (1585-1672) 8 Opera in England – 17th century 6:57 John Blow (1649-1708) Henry Purcell (1659-16) PURCELL DIDO & AENEAS (ACT II Witches & Sorceress Scene) The Scholars Baroque -
Thursday Playlist
April 9, 2020: (Full-page version) Close Window “Inspiration is an awakening, a quickening of all man's faculties, and it is manifested in all high artistic achievements.” — Giacomo Puccini Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, 00:01 Buy Now! Debussy Six Epigraphes Antiques Andrei Diev Arte Nova 34053 743213405322 Awake! 00:21 Buy Now! Grieg Cradle Song ~ Lyric Pieces, Op. 68 BBC Scottish Symphony/Maksymiuk Naxos 8.550864 4891030508644 00:27 Buy Now! Tchaikovsky Orchestral Suite No. 2 in C, Op. 53 USSR Symphony/Svetlanov Melodiya 278825/26 3149023388256 01:01 Buy Now! Schubert Symphony No. 4 in C minor, D. 417 "Tragic" Hanover Band/Goodman Nimbus 5198 083603519827 01:33 Buy Now! Handel Concerto Grosso in A minor, Op. 6 No. 4 Bath Festival Orchestra/Menuhin EMI 73344 724357334426 01:46 Buy Now! Strauss Jr. Tales from the Vienna Woods Vienna Philharmonic/Maazel Sony 88697952062 886979520622 02:00 Buy Now! Dvorak Prague Waltzes Detroit Symphony/Dorati London 414 370 028941437020 02:10 Buy Now! Herrmann Suite ~ The Snows of Kilimanjaro Moscow Symphony/Stromberg Marco Polo 8.225168 636943516829 02:49 Buy Now! Borodin Overture ~ Prince Igor Toronto Symphony/Davis Sony 62406 074646240625 03:01 Buy Now! Bach Trio Sonata in G, BWV 1039 Alanko/Juutilainen/Mattila Naxos 8.553755 730099475525 03:13 Buy Now! Mozart Piano Concerto No. 08 in C, K. 246 Ashkenazy/London Symphony/Kertesz London 443 576 028944357622 03:36 Buy Now! Viotti Cello Concerto in C Harnoy/I Solisti Veneti/Scimone RCA 61228 090266122820 04:01 Buy Now! Haydn Piano Sonata No. -
Symphonic Concerts Featuring Solo Violinist 1 Alexandre Da Costa
MAEGi S ARTS Presents INTERNATIONALLY ACCLAIMED SOLO VIOLINIST ALEXANDRE DA COSTA A SONY CLASSICAL RECORDING ARTIST 170522 Alexandre Da Costa is currently one of the top and most sought after violinists and soloists in the world. “When I play, my instrument He’s appeared as guest soloist and conductor in becomes the more than 2000 concerts across four continents and extension of over 30 countries in the world’s most prestigious my soul” venues with the most renowned orchestras and conductors. 2 Contents Quotes ……………………………………. 4 Rare violins experience …………….…… 20 Biography ………………………………… 6 Concerts and tours …………………….… 22 Recordings …………………………….……… 8 Proposed concerts ………………………….. 24 Orchestral engagements …………….….. 12 Artistic direction ……………………………… 36 Chamber music engagements …………. 14 Masterclasses and workshops ………….… 38 Venues and broadcasters …………….…… 16 Maegis Arts …………………………….…...… 42 Playing Stradivarius violins …………….…… 18 Contact us ……………………….……….....… 44 3 Quotes “It is with lots of enthusiasm that I recommend a great artist that I appreciate and strongly support, violinist Alexandre Da Costa.” Rafael Frühbeck De Burgos Musical America Artist of the Year 2010 “I was delighted: what a violinist, beauty of sound, fastest fingers I have heard yet, the good taste to play different styles and great humor. Chapeau!” Leon Spierer Berlin Philharmonic Concertmaster 1963-1993 "He has a virtuoso technique and a huge sound, plus passion, commitment and musicality in equal measure. This is a major talent.” Hugh Wolff Music Director, -
Ideazione E Coordinamento Della Programmazione a Cura Di Massimo Di Pinto
Ideazione e coordinamento della programmazione a cura di Massimo Di Pinto gli orari indicati possono variare nell'ambito di 4 minuti per eccesso o difetto Giovedì 3 marzo 2016 00:00 - 02:00 euroclassic notturno bach, johann sebastian (1685-1750)/ gounod, charles (1818-1893) ave maria arr. per trba e org di blagoj angelovski blagoj angelovski, trba; velin iliev, org (reg. sofia, 1999) durata: 2.58 BNR ente radiofonico bulgaro lewkovitch, bernhard (1927) tre madrigali op. 13 su testi di torquato tasso a virgilio - all'aurora - non è questo un morire. the jutland chamber choir dir. mogens dahl durata: 8.26 DR radiotelevisione di stato danese barriere, jean (1705-1747) sonata n. 10 in sol mag per 2 vcl duo fouquet: elizabeth dolin e guy fouquet, vcl durata: 9.08 CBC canadian broadcasting corporation kainz, joseph (1738-1813) concerto in do mag per clav 2 ob 2 vl e b. c. allegro moderato - adagio - finale, presto. linda nicholson, clav; ensemble florilegium collinda (reg. herne, 17/11/1996) durata: 13.21 WDR radio della germania occidentale haydn, joseph (1732-1809) sonata per piano Hob XVI n. in mi min presto - adagio - finale: molto vivace. niklas sivelöv, pf (reg. stoccolma, 01/02/ 1997) durata: 12.15 SR radio svedese gounod, charles (1818-1893) l'amour! l'amour .. ah! lève-toi, soleil - cavatina e aria dall'opera: roméo et juliette (a. II) richard margison, ten; canadian opera company orch dir. richard bradshaw durata: 4.19 CBC canadian broadcasting corporation ciaikovsky, piotr (1840-1893) la tempesta, fantasia sinfonica op. 18 da shakespeare BBC philharmonic orch dir. -
PRESS RELEASE Hong Kong Philharmonic
PRESS RELEASE FOR IMMEDIATE RELEASE DATE: 24 December 2013 Hong Kong Philharmonic - The Macallan Bravo Series: New Year’s Eve – A Viennese Concert (Dec 30 & 31) [24 December 2013, Hong Kong] Celebrating the arrival of the new year, the Hong Kong Philharmonic (HK Phil) and Austrian conductor Johannes Wildner , invite you to bid farewell to 2013 and welcome 2014 in true Viennese style with a glittering programme, “The Macallan Bravo Series: New Year’s Eve – A Viennese Concert ” (Dec 30 & 31) This annual New Year celebration will see the stage of the Hong Kong Cultural Centre Concert Hall transformed into a festive centrepiece, decorated with flowers and ornaments. Conductor Johannes Wildner and the HK Phil bring you the century-old musical tradition from Vienna, with a series of elegant waltzes, delightful polkas and exciting overtures, written by the Strauss family and Suppé. Born in Austria, Johannes Wildner studied conducting, violin and musicology. At the beginning of his career, he spent 10 years as a violinist in the Vienna Philharmonic. After being Chief Conductor of Prague State Opera and First Permanent Conductor of Leipzig Opera, Johannes Wildner was General Music Director of the New Philharmonic Orchestra of Westphalia (Germany) for 10 years from 1997. He is now Principal Guest Conductor of the BBC Concert Orchestra in London. “The Macallan Bravo Series: New Year’s Eve – A Viennese Concert ” will be held on 30 & 31 December 2013 (Mon & Tue), 8PM in the Hong Kong Cultural Centre Concert Hall. Tickets priced: $420, $320, $220, $160, are now available at URBTIX. For enquiries, please call 2721 2332 or visit www.hkphil.org . -
The Fourth International Piano Master Competition
THE FOURTH INTERNATIONAL PIANO MASTER COMPETITION MARCH-APRIL 1983 ISRAEL THE ARTHUR RUBINSTEIN INTERNATIONAL MUSIC SOCIETY ' THE FOURTH INTERNATIONAL PIANO MASTER COMPETITION MARCH-APRIL 1983 ISRAEL . THE NEW JEWISH NATION HAS FELT, FROM ITS’ EARLIEST BEGINNING, THAT HOMELAND AND CULTURE ARE TWO CONCEPTIONS WHICH CANNOT BE SEPARATED FROM EACH OTHER. ARTHUR RUBINSTEIN For Israel this fourth Arthur Rubinstein International Piano Master Competition is an event of deep and moving significance. It is bound up with many aspects of our nation's life, even beyond the Competition's world-wide artistic importance and the aesthetic delight it gives to great numbers We see it this year as a fitting memorial to the great musician, humanist, superbly charming man and dedicated Jew who shed his luster upon it ever since its initiation in 1974. We in Israel have benefitted from Arthur Rubinstein's special, generous concern for young talents in the country, and we are happy that young artists from many countries are to participate 1n the Competition. Their presence and the remarkable panel of judges underscore the international nature of music and Israel's place in that great world - a place consonant with Israel's dedication to the arts and the enhancement of human life. May the fourth Rubinstein Competition fulfil its hopes Yitzhak Navon Jerusalem, January 25, 1983 Mr. J. Bistritzky The Arthur Rubinstein International Piano Master Competition P.O. Box 29MW Tel Aviv Dear Mr. Bistritzky, I wish to acknowledge with thanks receipt of your letter of January 12, 1983. Certainly, if I am able to do so, I will attend the special concert to mark the close of the Competition which bears the great artist's name. -
Patrimonio Uno CMBS S.R.L
OFFERING CIRCULAR DATED 28 JUNE 2006 Pursuant to Article 2, paragraph 3 of Italian Law No. 130 of 30 April 1999 and to Art. 8 of the Luxembourg law of 10 July, 2005, implementing the Prospectus Directive 2003/71/EC Patrimonio Uno CMBS S.r.l. (incorporated with limited liability under the laws of the Republic of Italy) € 115,050,000 Class A Commercial Mortgage Backed Floating Rate Notes due 2021 € 110,050,000 Class B Commercial Mortgage Backed Floating Rate Notes due 2021 € 70,000,000 Class C Commercial Mortgage Backed Floating Rate Notes due 2021 € 30,550,000 Class D Commercial Mortgage Backed Floating Rate Notes due 2021 € 39,500,000 Class E Commercial Mortgage Backed Floating Rate Notes due 2021 € 32,678,000 Class F Commercial Mortgage Backed Floating Rate Notes due 2021 with Class X Detachable Coupons This Offering Circular (the “Offering Circular”) constitutes a prospectus under Art. 8 of the Luxembourg law of 10 July, 2005, implementing the Prospectus Directive 2003/71/EC. Application has been made to the Luxembourg Stock Exchange (the “Luxembourg Stock Exchange“) for the admission to listing of the € 115,050,000 Class A Commercial Mortgage Backed Floating Rate Notes due 2021 (the “Class A Notes”), the € 110,050,000 Class B Commercial Mortgage Backed Floating Rate Notes due 2021 (the “Class B Notes”), the € 70,000,000 Class C Commercial Mortgage Backed Floating Rate Notes due 2021 (the “Class C Notes”), the € 30,550,000 Class D Commercial Mortgage Backed Floating Rate Notes due 2021 (the “Class D Notes”), the € 39,500,000 Class E Commercial Mortgage Backed Floating Rate Notes due 2021 (the “Class E Notes”), the € 32,678,000 Class F Commercial Mortgage Backed Floating Rate Notes due 2021 (the “Class F Notes“ and, together with the Class A Notes, the Class B Notes, the Class C Notes, the Class D Notes and the Class E Notes the “Notes”) to be issued by Patrimonio Uno CMBS S.r.l., a limited liability company organised under the laws of the Republic of Italy (the “Issuer“). -
Al Dirigente Del Servizio Provveditorato
Assessorato alla Cultura e al Turismo Cultura · Turismo · Biblioteche ed archivi Comunicato stampa Venerdì 29 aprile Sala Giunta – Palazzo San Giacomo Napoli Maggio dei Monumenti 2016 XXII edizione 1° maggio – 2 giugno *Maggio... Senti nell'aria Napoli Capitale* L'Assessore alla Cultura e al Turismo del Comune di Napoli Nino Daniele ha presentato questa mattina nella Sala Giunta di Palazzo San Giacomo il programma della XXII edizione del Maggio dei Monumenti 2016. Dedicato al trecentenario della nascita di re Carlo di Borbone e al Settecento musicale artistico e culturale con focus su Giovanni Paisiello a duecento anni dalla morte, il programma di quest'anno è stato costruito con gli enti di alta cultura cittadina che hanno lavorato insieme al Comune. L'Accademia di Belle Arti ha curato come di consueto la campagna visiva e ancora le collaborazioni sono state con il Teatro di San Carlo, il Polo Museale della Campania, il Museo di Capodimonte, il Conservatorio di Napoli San Pietro a Majella, la Biblioteca Nazionale e alcune importanti realtà culturali cittadine come il Centro Studi Interdisciplinari Gaiola Onlus, la Fondazione Centro di Musica Antica Pietà dei Turchini, l'Associazione Progetto Museo, l'Associazione Domenico Scarlatti, l'Associazione musicale Golfo Mistico tra le altre. Anche per questa edizione, cardine del programma, si confermano le centinaia di visite guidate tematiche a cura delle associazioni, delle cooperative e delle guide turistiche che vedremo passeggiare in lungo e in largo per la città omaggiando i luoghi di Carlo e quelli della musica del '700 nonché le bellezze infinite che Napoli offre tradizionalmente. Di fondamentale importanza per il programma lo storico e meritevole progetto La scuola adotta un monumento curato dalla Fondazione Napoli 99 con gli studenti delle scuole che moltiplicheranno esponenzialmente l'offerta delle visite guidate, con l'entusiasmo e lo stupore che solo i giovanissimi ci sanno regalare. -
Biografia Camerata Strumentale Di Prato & Luigi Piovano, Direttore
L’Orchestra Camerata Strumentale di Prato è nata nel gennaio del 1998 da un’idea di Riccardo Muti, che l’ha diretta in diverse occasioni. Fin dalla fondazione ha in Alberto Batisti il suo direttore artistico. Dal 1998 al 2014 ha avuto in Alessandro Pinzauti il suo direttore musicale, col quale l’Orchestra si è fatta conoscere e ha costruito il suo ampio repertorio. Dal 2014 il direttore musicale è Jonathan Webb. Per molti anni l’Orchestra ha avuto in Piero Bellugi una figura di riferimento artistico: l’ultimo concerto del grande direttore è stato proprio con la Camerata strumentale nel gennaio del 2012. Un particolare rapporto di affetto è stato costruito negli anni con Bruno Bartoletti, che è salito in più occasioni sul podio della Camerata. Il repertorio dell’Orchestra spazia dal Barocco al Novecento. Fra gli altri direttori con cui ha collaborato, figurano i nomi di Roberto Abbado, Antonello Allemandi, Antonio Ballista, Filippo Maria Bressan, Enrico Bronzi, Marzio Conti, Lorenzo Fratini, Gary Graden, Michael Güttler, Murray Perahia, Luca Pfaff, Günter Pichler, Gabor Takács-Nágy e Franco Rossi, che scelse la giovane Orchestra pratese per il suo acclamatissimo debutto direttoriale. Questi musicisti hanno avuto per la Camerata parole di autentico entusiasmo. Fra gli altri, hanno suonato con la Camerata in veste di solisti ospiti Philip Glass, Murray Perahia, Andrea Lucchesini, Pietro De Maria, Louis Lortie, Pascal Rogé, Alessio Bax, Jin Ju, Herbert Schuch, Mariangela Vacatello, Shai Wosner, Jian Wang, David Geringas, Mario Brunello, Enrico Bronzi, Boris Belkin, Guido Rimonda, Andrea Tacchi, Cristiano Rossi, Gian Paolo Pretto, Daniele Damiano, Paolo Carlini, Karl-Heinz Steffens, Martin Fröst, Walter Seyfarth, Radek Baborak, Chiara Taigi, Monica Bacelli, Fabrizio Gifuni, Tetraktis, Alessandro Lanzoni, Enrico Rava e Gino Paoli.