Chick Corea, Piano Béla Fleck, Banjo Duets

Total Page:16

File Type:pdf, Size:1020Kb

Chick Corea, Piano Béla Fleck, Banjo Duets CAL PERFORMANCES PRESENTS ABOUT THE ARTISTS Saturday, January 18, 2014, 8pm An NEA Jazz Master, 18- his acoustic trio tour with Return to Forever Zellerbach Hall time Grammy winner, bandmates Stanley Clarke and Lenny White. brilliant American com- The two honors were, remarkably, Mr. Corea’s poser, and keyboard vir- 17th and 18th Grammy Awards. tuoso, Chick Corea has The same year, Mr. Corea undertook three attained living legend sta- world tours and released four new albums: Chick Corea, piano tus after five decades of the critically acclaimed Further Explorations unparalleled creativity and an artistic output (with Eddie Gomez and Paul Motian); The Béla Fleck, banjo that is simply staggering. Continents: Concerto for Jazz Quintet and From his 2012 Grammy win for Best Chamber Orchestra, an ambitious new clas- Improvised Jazz Solo, through his enormously sical release and a crowning achievement in prolific career, Mr. Corea has touched an as- his work as a master composer; Hot House, tonishing number of musical bases in his illus- a transcendent new set of standards in his trious career— from straight ahead to avant- Grammy-winning duo with Gary Burton; garde, bebop to fusion, children’s songs to and Return to Forever’s latest live album, The chamber music, along with some far-reaching Mothership Returns. forays into symphonic works—while main- In August 2013, Mr. Corea released his taining a standard of excellence that is awe- most recent album, The Vigil, featuring inspiring. A tirelessly creative spirit, Mr. Corea bassist Hadrien Feraud, drummer Marcus continues to forge ahead, continually reinvent- Gilmore, saxophonist Tim Garland, and ing himself in the process. guitarist Charles Altura, with guest appear- Mr. Corea began his career with appren- ances by Mr. Clarke, vocalist Gayle Moran ticeships with the likes of Stan Getz, Sarah Corea (Mr. Corea’s wife), percussionist Pernell Vaughan, and Miles Davis, with whom he Saturnino, and saxophonist Ravi Coltrane. participated in such landmark sessions as In a Silent Way and Bitches Brew. Embarking on a Just in case you aren’t fa- solo career in 1966, Mr. Corea has been at the miliar with Béla Fleck, forefront of jazz, both as a renowned pianist there are some who say he forging new ground with his acoustic jazz is the premier banjo player bands, and as an innovative electric keyboard- in the world. Others claim ist with Return to Forever and the Elektric that he has virtually rein- Duets Band. His extensive discography boasts nu- vented the image and the merous essential albums, beginning with his sound of the banjo through his remarkably di- 1968 classic, Now He Sings, Now He Sobs. verse performing and recording career. The Mr. Corea continues to make a signifi- recipient of multiple Grammy Awards going cant impact on the scene, as evidenced by back to 1998, Mr. Fleck has won a total of 14 2007’s Grammy-winning The Enchantment Grammys and has received 30 nominations. (duets with banjo virtuoso Béla Fleck), 2008’s He has been nominated in more different cat- Grammy-winning The New Crystal Silence egories than anyone in Grammy history. Jazz at Cal Performances is sponsored by Nadine Tang and Bruce Smith. (duets with longstanding collaborator Gary Born and raised in New York City, Burton), 2009’s Returns (documenting Return Mr. Fleck began his musical career playing the Cal Performances’ 2013–2014 season is sponsored by Wells Fargo. to Forever’s 2008 reunion tour) and 2009’s guitar. But in the early 1960s, while watching Grammy-winning Five Peace Band Live (with The Beverly Hillbillies, the bluegrass sounds of John McLaughlin, Christian McBride, Kenny Flatt & Scruggs flowed out of the TV set and Garrett, and Vinnie Colaiuta). into his young brain. Earl Scruggs’s banjo In 2012, Mr. Corea took home two style hooked Mr. Fleck’s interest immediately. Grammys, including Best Jazz Instrumental “It was like sparks going off in my head,” he Solo, for Forever, the two-CD set recorded on later said. 2 3 ABOUT THE ARTISTS When his grandfather bought him a banjo He also collaborated with Mr. Bush, Jerry in September 1973, it became his full-time pas- Douglas, Edgar Meyer, and Mark O’Connor sion. That week, Mr. Fleck entered New York in an acoustic super group called Strength in City’s High School of Music and Art. Living in Numbers, whose MCA release, The Telluride New York City, Mr. Fleck was exposed to a wide Sessions, is also considered an evolutionary variety of musical experiences. Particularly statement by the acoustic music community. impressive was a concert by Return to Forever, In 1988, Dick Van Kleek, Artistic Director featuring Chick Corea and Stanley Clarke. for PBS’s Lonesome Pine series, offered Mr. This concert encouraged further experiment- Fleck a solo show, for which Mr. Fleck assem- ing with bebop and jazz on the banjo, signs of bled a band with harmonicist Howard Levy, things to come. bassist Victor Wooten, and percussionist Roy After high school, Mr. Fleck moved to Wooten. The resulting televised concert be- Boston to play with Jack Tottle’s Tasty Licks, and came the first performance of Béla Fleck and at 19 years old made his first solo banjo album, the Flecktones. Crossing the Tracks, on Rounder Records. After The Flecktones’ self-titled CD, released in the breakup of Tasty Licks, Mr. Fleck spent a 1990, was nominated for a Grammy, and the summer on the streets of Boston playing with band’s second recording, Flight of the Cosmic bassist Mark Schatz. He and Mr. Fleck moved to Hippo, followed suit. Over the years, the Lexington, Kentucky, to form Spectrum, which Flecktones have shared the stage with the Dave toured until 1981. While in Spectrum, he and Matthews Band, Sting, Bonnie Raitt, and the Mr. Schatz traveled to California and Nashville Grateful Dead, and their albums have featured to record his second album, Natural Bridge, guest contributions from artists as diverse with David Grisman, Mark O’Connor, Ricky as Chick Corea, Bruce Hornsby, Branford Skaggs, Darol Anger, Mike Marshall, and other Marsalis, John Medeski, Andy Statman, the great players. Alash Group, and Mr. Matthews. That same year, Mr. Fleck joined the pro- In 2006, the band released The Hidden gressive bluegrass band New Grass Revival, Land, which won the Grammy for Best lead by Sam Bush on mandolin, fiddle, and vo- Contemporary Jazz Album in 2007. In 2009, cals. With the addition of Pat Flynn on guitar Jingle All the Way, the band’s holiday album, and John Cowan on bass and vocals, New Grass won the Grammy for Pop Instrumental Album. Revival took bluegrass music to new limits, ex- Any world-class musician born with the citing audiences and critics alike. Through the names Béla (for Bartók), Anton (for Dvořák), course of five albums, they charted new terri- and Leoš (for Janáček) would seem destined tory with their blend of bluegrass, rock, and to play classical music, and in 2001 Mr. Fleck country music. made the classical connection with Perpetual During the 1980s, Mr. Fleck also recorded Motion, his acclaimed Sony Classical record- a series of solo albums for Rounder, includ- ing, which won a pair of Grammys, including ing the groundbreaking 1988 album Drive. Best Classical Crossover Album. 4.
Recommended publications
  • Ross Nickerson-Banjoroadshow
    Pinecastle Recording Artist Ross Nickerson Ross’s current release with Pin- ecastle, Blazing the West, was named as “One of the Top Ten CD’s of 2003” by Country Music Television, True West Magazine named it, “Best Bluegrass CD of 2003” and Blazing the West was among the top 15 in ballot voting for the IBMA Instrumental CD of the Year in 2003. Ross Nickerson was selected to perform at the 4th Annual Johnny Keenan Banjo Festival in Ireland this year headlined by Bela Fleck and Earl Scruggs last year. Ross has also appeared with the New Grass Revival, Hot Rize, Riders in the Sky, Del McCoury Band, The Oak Ridge Boys, Nitty Gritty Dirt Band and has also picked and appeared with some of the best banjo players in the world including Earl Scruggs, Bela Fleck, Bill Keith, Tony Trischka, Alan Munde, Doug Dillard, Pete Seeger and Ralph Stanley. Ross is a full time musician and on the road 10 to 15 days a month doing concerts , workshops and expanding his audience. Ross has most recently toured England, Ireland, Germany, Holland, Sweden and visited 31 states and Canada in 2005. Ross is hard at work writing new material for the band and planning a new CD of straight ahead bluegrass. Ross is the author of The Banjo Encyclopedia, just published by Mel Bay Publications in October 2003 which has already sold out it’s first printing. For booking information contact: Bullet Proof Productions 1-866-322-6567 www.rossnickerson.com www.banjoteacher.com [email protected] BLAZING THE WEST ROSS NICKERSON 1.
    [Show full text]
  • THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
    COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography……………………………………………………………………………….
    [Show full text]
  • The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
    04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS
    [Show full text]
  • Béla Fleck & Abigail Washburn
    BÉLA FLECK & ABIGAIL WASHBURN ADELAIDE TOWN HALL 12 AUGUST 8PM USA ADELAIDE PREMIERE 16 - time Grammy winner Béla Fleck and his critically lauded partner Abigail Washburn bring together, in a seemingly mystical union, Fleck’s revered modern compositions for banjo with Washburn’s equally respected old-school take on the instrument. Their 2014 debut duo album revealed new musical possibilities found in their combined styles, heralded by Washburn’s angelic voice. The triumph of their collaboration was recognised when the record won the 2016 Grammy Award for Best Folk Album. “A stunning collection of eloquent duets” – THE NEW YORKER “the couple has mined various intimate intricacies of the banjo duet, using an aesthetic of front-porch minimalism to play an eclectic mix of country blues, Appalachian mountain songs and expansive chamber folk…. The duo's eponymous debut is filled with understated force” – WASHINGTON POST “two monsters of the banjo” – NPR All Things Considered BÉLA FLECK & ABIGAIL WASHBURN Sure, in the abstract, a banjo duo might seem like a musical concept beset by limitations. But when the banjo players cast in those roles are Abigail Washburn and Béla Fleck—she with the earthy sophistication of a postmodern, old-time singer-songwriter, he with the virtuosic, jazz-to-classical ingenuity of an iconic instrumentalist and composer with bluegrass roots— it’s a different matter entirely. There’s no denying that theirs is a one-of-a-kind pairing, with one-of- a-kind possibilities. Fleck and Washburn have collaborated in the past, most visibly in their Sparrow Quartet with Casey Driessen and Ben Sollee.
    [Show full text]
  • Howard Levy Full Bio
    Howard Levy Full Bio The Early Years Howard Levy began playing piano at age 8. He started improvising after his 3rd piano lesson, and would often improvise for 30 minutes or more. His parents enrolled him in the prep division of the Manhattan School of Music, where he studied piano for 4 years with Jean Graham, and also studied music theory. When Howard was 11, The Manhattan School recommended that he study composition with Nadia Boulanger in Paris. A place for him was guaranteed, but neither he nor his parents wanted him to disrupt his life at age 11 and move to Europe for a year. Howard had a deep love for classical music, but around age 12 he started to become interested in many other styles of music - pop, folk, rock and roll, then Blues and Jazz. While in high school in New York City, Howard won his school’s “Lincoln Center Award”, given to the outstanding musician in the school. He also studied Bach on the pipe organ for 2 years. This was a major influence that has continued to this day. 4 years ago, Howard received his high school’s “Distinguished Alumni” Award. While in high school, he composed “Extension Chord”, an odd- time meter Jazz piece using Indian rhythmic formulas. He eventually recorded this in 2008, with German bass clarinetist Michael Riessler and French accordionist Jean-Louis Matinier on their Enja CD “Silver and Black”. Howard attended Northwestern University, where he played piano in the university’s Jazz Band, led by jazz musicians Bunky Green and Rufus Reid.
    [Show full text]
  • CHICK COREA INTERVIEW by Eric Myers
    CHICK COREA INTERVIEW by Eric Myers _____________________________________________________________ [This article appeared in the Sydney Morning Herald on February 24, 1982] espite all the talk about jazz becoming increasingly popular over the last ten years or so, the music has produced few superstars with a D genuine mass following. One of those few, however, is the American composer and pianist Chick Corea, who will perform two concerts with his quintet tonight at the Regent Theatre. US pianist/composer Chick Corea, one of the few jazz superstars with a genuine mass following: freedom to write his own tab… PHOTO CREDIT ALAN PURCELL SYDNEY MORNING HERALD 1 Corea served his apprenticeship during the 1960s with various bands, including the essential finishing-school for great modern jazz musicians, the Miles Davis group, which he joined in 1968. With ideas of incorporating rock rhythms into jazz, Corea formed his electronic ensemble, Return To Forever, in 1972, playing the kind of high-decibel jazz rock fusion music which had tremendous appeal to young people throughout the world. One version of Chick Corea’s group Return To Forever, L-R, Lenny White (drums), Corea (keyboards), Al Di Meola (guitar), Stanley Clarke (bass)… By 1976, when the group disbanded, Chick Corea had become one of the biggest drawcards in jazz. Some people see overwhelming popular acceptance as inimical to the spirit of jazz. Has Chick Corea's huge commercial success (including five Grammy awards) hindered his development as an artist? "So far as recognition by the public is concerned, it has certainly provided me with a channel through which I can communicate with humanity, which is actually one of my goals in life," he says.
    [Show full text]
  • Bass Guitar Magazine Nov 2009
    PASSION, FIRE AND GRACE DOMINIQUE DI PIAZZA Mike Flynn talks to a modern master of the electric bass about his journey into music and the highs and lows of his career so far. © Denis Barbier n the 30 years since Jaco Piazza’s name was now held among a landmark album with jazz legend players by the time they were 20 Pastorius fi rst turned the bass the modern greats of the bass; John McLaughlin, and his initial had already made great records – I guitar on its head and brought he was the name on everyone’s studies were intense to say the least. knew that [the drummer] Tony it from the back of the stage lips, and looked certain to have Coincidentally he was reminded Williams had done this at the age to the front, it almost seems a path set out ahead of him. But of this a short time ago: ‘It’s funny of 17, and Jaco made his solo album commonplace for bassists to then the unexpected happened: because someone recently gave me at the age of 23 or something, and Inow play lead melodies, pulsating he disappeared, the recordings a recording of a concert I did with Miles Davis at the age of 19. So for forthright basslines and explosive stopped and so did the live shows. a French guitarist in 1982 and I was me I was really in a hurry to get to solos. Yet in the intervening years Rumours began to surface that he’d amazed, because it sounded almost that level, to catch up.’ few bassists have built upon turned to religion and had quit like the way I play now! At the time While Dominique is a formidable Jaco’s founding techniques as playing altogether.
    [Show full text]
  • Mio Chris Thile Playlist
    MIO CHRIS THILE PLAYLIST Cazadero Chris Thile CD: How to Grow a Woman From the Ground Improvisation Chris Thile Live -- New Orleans Carolina Drama Jack White A Prairie Home Companion Gone for Good The Shins A Prairie Home Companion Youtube Older and Taller Regina Spektor A Prairie Home Companion Youtube Kashmir Chris Thile and the Prairie Home Companion Band Youtube My Oh My Chris Thile Live -- New Orleans Monologue Chris Thile A Prairie Home Companion Eureka! Chris Thile CD: Not All Who Wander Are Lost Girl From Ipanema Joao & Astrud Gilberto and Stan Getz Single Don’t Try This At Home Bluegrass, Etc. CD: Bluegrass Etc. Tarnation Edgar Meyer & Chris Thile CD: Bass & Mandolin Quarter Chicken Dark Stuart Duncan, Chris Thile, Edgar Meyer, Yo-Yo Ma CD: The Goat Rodeo Sessions Kid A Punch Brothers CD: Who’s Feeling Young Now? Reckoner Chris Thile LIVE -- New Orleans Reckoner Radiohead CD: In Rainbows Rite of Spring Part I The Adoration of the Earth: I. Introduction Igor Stravinsky and the Columbia Symphony Orchestra CD: Igor Stravinsky Conducts Le Sacre Du Printemps (The Rite of Spring) For Free (Interlude) Kendrick Lamar CD: To Pimp A Butterfly Toxic Brittany Spears CD: In the Zone Gut Bucket Blues Don Vappie and the Creole Serenaders CD: Blues Routes: Heroes and Tricksters — Blues and Jazz Work Songs and Street Music I Made This For You Chris Thile Live -- New Orleans Joy Ride in a Toy Car/Hey Ho Mike Marshall & Chris Thile CD: Live Duets .
    [Show full text]
  • Downbeat.Com December 2014 U.K. £3.50
    £3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman,
    [Show full text]
  • Than 700 Students Leave High School Behind
    C M Y K www.newssun.com Do you know plant what this is? News-Sun CHRISTO- EWS UN photo by PHER NHighlands County’s Hometown-S Newspaper Since 1927 Pure power Pool Paradise hits four straight It’s not what you think, and it could be the homers on way to rout future of Highlands County agriculture SPORTS, 1B LIVING, 14B PAGE 2A Sunday, June 5, 2011 www.newssun.com Volume 92/Number 66 | 75 cents Forecast Missing woman’s Intervals of clouds and sun remains High Low 92 68 located Complete Forecast News-Sun photo by KATARA SIMMONS Vanished in 2009; PAGE 14A Zackery Bullock flexes his muscles Saturday morning after receiving his diploma during Sebring High School’s gradua- apparently died in Online tion ceremony. car accident then By ED BALDRIDGE [email protected] LAKE PLACID — The remains of a woman reported Question: missing almost two years ago were discovered Saturday in Will you be able to Martin County. afford a vacation trip Gayle Moran, 69, was last this summer? seen on at her home at 125 Lime Road N.E. in the Placid Lakes Lake. Yes According to the website, www.helpfindgaylemoran.co 28.3% m, Moran was in bed when her unidentified daughter checked on her at approxi- mately 2:30 a.m. on July 30. Moran, whose nickname No was “Clarkie,” was described as being disoriented, accord- ing to the web- 71.7% site, and her daughter asked if she wanted Total votes: 92 medical atten- News-Sun photo by ED BALDRIDGE tion.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 2000
    DALE CH I HU LY INSTALLATIONS AND SCULPTURE ;.,^AU(((^ HOLSTE N GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 41 3.298.3044 www.holstengalleries.com Outlet shopping never looked so eood up to 70% off regular retail prices CVCry Q3.y GIORGIO ARMANI BROOKS (general Otore BROTHERS VERSACE COMPANY STORE ^accoAat CCX^CH ) Polo lr Ralph Lauren Calvin Klein :OLE-HAAN JJ.CREWFACTORY STORE MICK HILTON Men COLLECTION The Cosmetics Edmonds Company Store Company Shoe Store ® MOVADO. ESCADA COMPANY STORE GODIVA THE HICKEY-FREEMAN FACTORY STORE limberiand^ kipliNqVr JE3J3 OyiLe* DANSK TSE JQAN QshKosh IrOvfi TOD Outlet SEIKO COMPANY STORE JONES NEW YORK CRABTREE & E V E L Y N maidenforrrr PERUVIAN CONNECTION Garnet Hill JOHNSTON SWVlURPHY CATALOG OUTLET Manchester Designer Outlets Style has a country home routes 7A and 11/30 manchestervermont.com 1-800-955-SHOP OfllGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship, fullyfunded in perpetuity Bernard Haitink, Principal Guest Conductor One Hundred and Nineteenth Season, 1999-2000 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairmn Ray Stata, Vice-Chairman Harlan E. Anderson William F Connell George Krupp Robert P. O'Block, Diane M. Austin, Nancy J. Fitzpatrick R. Willis Leith, Jr.
    [Show full text]
  • Jazz Quartess Songlist Pop, Motown & Blues
    JAZZ QUARTESS SONGLIST POP, MOTOWN & BLUES One Hundred Years A Thousand Years Overjoyed Ain't No Mountain High Enough Runaround Ain’t That Peculiar Same Old Song Ain’t Too Proud To Beg Sexual Healing B.B. King Medley Signed, Sealed, Delivered Boogie On Reggae Woman Soul Man Build Me Up Buttercup Stop In The Name Of Love Chasing Cars Stormy Monday Clocks Summer In The City Could It Be I’m Fallin’ In Love? Superstition Cruisin’ Sweet Home Chicago Dancing In The Streets Tears Of A Clown Everlasting Love (This Will Be) Time After Time Get Ready Saturday in the Park Gimme One Reason Signed, Sealed, Delivered Green Onions The Scientist Groovin' Up On The Roof Heard It Through The Grapevine Under The Boardwalk Hey, Bartender The Way You Do The Things You Do Hold On, I'm Coming Viva La Vida How Sweet It Is Waste Hungry Like the Wolf What's Going On? Count on Me When Love Comes To Town Dancing in the Moonlight Workin’ My Way Back To You Every Breath You Take You’re All I Need . Every Little Thing She Does Is Magic You’ve Got a Friend Everything Fire and Rain CONTEMPORARY BALLADS Get Lucky A Simple Song Hey, Soul Sister After All How Sweet It Is All I Do Human Nature All My Life I Believe All In Love Is Fair I Can’t Help It All The Man I Need I Can't Help Myself Always & Forever I Feel Good Amazed I Was Made To Love Her And I Love Her I Saw Her Standing There Baby, Come To Me I Wish Back To One If I Ain’t Got You Beautiful In My Eyes If You Really Love Me Beauty And The Beast I’ll Be Around Because You Love Me I’ll Take You There Betcha By Golly
    [Show full text]