Howard Levy Full Bio
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Biography-George-ROBERT.Pdf
George ROBERT Born on September 15, 1960 in Chambésy (Geneva), Switzerland, George Robert is internationally reCognized as one of the leading alto saxophonists in jazz today. He started piano at a very early age and at age 10 he began Clarinet lessons at the Geneva Conservatory with LuC Hoffmann. In 1980 he moved to Boston and studied alto saxophone with Joe Viola at the Berklee College of MusiC. In 1984 he earned a Bachelor of Arts in Jazz Composition & Arranging and moved to New York where he enrolled at the Manhattan SChool of MusiC. He studied with Bob Mintzer and earned a Master’s Degree in Jazz PerformanCe in 1987. He played lead alto in the Manhattan SChool of MusiC Big Band for 2 years, whiCh earned in 1985 the 1st Prize in the College Big Band Category in the Down Beat Magazine Jazz Awards In July 1984 he performed on the main stage of the Montreux Jazz Festival and earned an Outstanding PerformanCe Award from Down Beat Magazine. In 1985 & 1986 he toured Europe extensively. In 1987 he met Tom Harrell and together they founded the George Robert-Tom Harrell Quintet (with Dado Moroni, Reggie Johnson & Bill Goodwin). The group Completed 125 ConCerts worldwide between 1987 & 1992, and reCorded 5 albums. He remained in New York City and free-lanCed for 7 years, playing with Billy Hart, Buster Williams, the Lionel Hampton Big Band, the Toshiko Akiyoshi-Lew Tabackin Jazz OrChestra, Joe Lovano, and many others. He met Clark Terry and started touring with him extensively, Completing a 16- week, 65-ConCert world tour in 1991. -
CONGRESSIONAL RECORD— Extensions of Remarks E684 HON
E684 CONGRESSIONAL RECORD — Extensions of Remarks March 17, 2009 TRIBUTE TO KENT OLSON, EXECU- Not only will this initiative increase Internet Madam Speaker, I encourage my col- TIVE DIRECTOR OF THE PROFES- speed and accessibility for customers, but per- leagues to join me in wishing my brothers of SIONAL INSURANCE AGENTS OF haps more importantly it will create 3,000 new Omega Psi Phi Fraternity a successful political NORTH DAKOTA jobs. summit as these men continue to build a Over the next ten years, AT&T also plans to strong and effective force of men dedicated to HON. EARL POMEROY create or save an additional one thousand its Cardinal Principles of manhood, scholar- jobs through a plan to invest $565 million in OF NORTH DAKOTA ship, perseverance, and uplift. replacing its current fleet of vehicles with IN THE HOUSE OF REPRESENTATIVES f 15,000 domestically manufactured Com- Tuesday, March 17, 2009 pressed Natural Gas and alternative fuel vehi- REMEMBERING THE LIFE OF Mr. POMEROY. Madam Speaker, I rise to cles. MUSIC IMPRESARIO RALPH honor the distinguished career of Kent Olson. Research shows that this new fleet will save MERCADO I am pleased to have known Kent Olson for 49 million gallons of gasoline over the next ten the many years he served as the Executive years. It also will reduce carbon emissions by HON. CHARLES B. RANGEL Director of the Professional Insurance Agents 211,000 metric tons in this same time frame. OF NEW YORK of North Dakota working with him on important Madam Speaker, I applaud AT&T for its ini- IN THE HOUSE OF REPRESENTATIVES tiative in taking the lead in the movement to insurance issues for North Dakota farmers. -
Annual AT&T San Jose Jazz Summer Fest Friday, August 12
***For Immediate Release*** 22nd Annual AT&T San Jose Jazz Summer Fest Friday, August 12 - Sunday, August 14, 2011 Plaza de Cesar Chavez Park, Downtown San Jose, CA Ticket Info: www.jazzfest.sanjosejazz.org Tickets: $15 - $20, Children Under 12 Free "The annual San Jose Jazz [Summer Fest] has grown to become one of the premier music events in this country. San Jose Jazz has also created many educational programs that have helped over 100,000 students to learn about music, and to become better musicians and better people." -Quincy Jones "Folks from all around the Bay Area flock to this giant block party… There's something ritualesque about the San Jose Jazz [Summer Fest.]" -Richard Scheinan, San Jose Mercury News "San Jose Jazz deserves a good deal of credit for spotting some of the region's most exciting artists long before they're headliners." -Andy Gilbert, San Jose Mercury News "Over 1,000 artists and 100,000 music lovers converge on San Jose for a weekend of jazz, funk, fusion, blues, salsa, Latin, R&B, electronica and many other forms of contemporary music." -KQED "…the festival continues to up the ante with the roster of about 80 performers that encompasses everything from marquee names to unique up and comers, and both national and local acts...." -Heather Zimmerman, Silicon Valley Community Newspapers San Jose, CA - June 15, 2011 - San Jose Jazz continues its rich tradition of presenting some of today's most distinguished artists and hottest jazz upstarts at the 22nd San Jose Jazz Summer Fest from Friday, August 12 through Sunday, August 14, 2011 at Plaza de Cesar Chavez Park in downtown San Jose, CA. -
David Amram in Denver May 10 - 13
David Amram in Denver May 10 - 13 * David Amram has composed more than 100 orchestral and chamber music works, written many scores for Broadway theater and film, including the classic scores for the films Splendor in The Grass and The Manchurian Candidate; two operas, including the ground-breaking Holocaust opera The Final Ingredient; and the score for the landmark 1959 documentary Pull My Daisy, narrated by novelist Jack Kerouac. He is also the author of two books, Vibrations, an autobiography, and Offbeat: Collaborating With Kerouac, a memoir. A pioneer player of jazz French horn, he is also a virtuoso on piano, numerous flutes and whistles, percussion, and dozens of folkloric instruments from 25 countries, as well as an inventive, funny improvisational lyricist. He has collaborated with Leonard Bernstein, who chose him as The New York Philharmonic's first composer-in-residence in 1966, Langston Hughes, Dizzy Gillespie, Dustin Hoffman, Willie Nelson, Thelonious Monk, Odetta, Elia Kazan, Arthur Miller, Charles Mingus, Lionel Hampton, E. G. Marshall, and Tito Puente. Amram's most recent work Giants of the Night is a flute concerto dedicated to the memory Charlie Parker, Jack Kerouac and Dizzy Gillespie, three American artists Amram knew and worked with. It was commissioned and recently premiered by Sir James Galway, who also plans to record it. Today, as he has for over fifty years, Amram continues to compose music while traveling the world as a conductor, soloist, bandleader, visiting scholar, and narrator in five languages. He is also currently working with author Frank McCourt on a new setting of the Mass, Missa Manhattan, as well as on a symphony commissioned by the Guthrie Foundation, Symphonic Variations on a Theme by Woody Guthrie. -
Mariposa Re-Welcomes Steve Goodman
For immediate release More info: 206-935-7515, 206-484-8008 E-mail: [email protected], www.clayeals.com Mariposa re-welcomes Steve Goodman Updated third printing in hand, biographer Clay Eals brings music/literary workshops to festival that Goodman once played The inspiring musical story of the late singer/songwriter Steve Goodman – who played the Mariposa Folk Festival in 1973, 1974, 1976 and 1978 – will be brought to life during the 2012 festival. Veteran Seattle journalist Clay Eals, the author of the celebrity-filled “Steve Goodman: Facing the Music,” will take part in two Mariposa workshops about the career of Goodman, one of the most mesmerizing entertainers of the 1970s and early 1980s. An updated third printing of Eals’ 800-page biography, published by ECW Press of Toronto, will be released this month and will debut at Mariposa. Eals will lead a reading/music workshop at 1 p.m. Sunday, July 8, 2012, featuring Goodman and Goodman-related songs performed by Canadian musicians James Keelaghan, Rob Lutes, Steph Dunn, Paul Court and Mike Hill. He also will take part in a literary workshop at 2:30 p.m. Saturday, July 7, 2012, with author/musician Dave Bidini, whose “Writing Gordon Lightfoot: The Man, the Music and the World in 1972” was published in 2011. Eals’ biography of Goodman — who is best known for writing “City of New Orleans,” “Banana Republics,” “You Never Even Call Me by My Name” (a co-write), “A Dying Cub Fan’s Last Request” and “Go, Cubs, Go” and who was a familiar presence in concert halls, festivals and clubs and on radio and television — will be available for purchase throughout the festival. -
The Brooklyn Delegation of the New York City Council for Its Vital Toric Visit to New York Gty
Cbail'lllln Asher B. Edelman Brooklyn Academy of Music Preside at Harvey Lichtenstein Board of Trustees Vice Ck1irmen Neil D. Chrisman Rita Hillman I. Stanley Kriegel Franklin R. Weissberg Mem~ers Francis M. Austin, Jt Jenne K. Britell SPECIA L FUNDIN G FOR T HI S ANNU AL REPORT HAS BEEN Kevin Burke PROVIDED THROUGH THE GENEROUS SU PPORT OF Joanne L. Cossullo Warren B. Coburn MANUFACT U RERS HANOVER C O RPORATION . Beth DeWoody PRINTED B Y HARD ING Be H ARD ING GRAPHICS, INC. Charles M. Diker Brendan Duggan Choim Edelstein Mallory Foetor Ronald E. Feiner Alan H. Fishman Robert L. Forbes Michael Fuchs Faith G. Golding Morton Gottlieb Stephen R. Greenwald Sidney Kantor Stanley H. Kaplan Andrew K. Klink Bettina Bancroft Klink Robert A. Krasnow lngo Kretzschmar Edgar A. Lampert Eugene H. luntey laurie Mollet Martin F. Mertz Evelyn Ortner David L. Ramsay Bruce (. Ratner Richard M. Roson Jonathon F. P. Rose Robert (. Rosenberg Pippa Scott Mikki Shepard Vaughn (. Williams Ho10r1ry Chlirmen David N. Dinkins Officers Howa rd Go Iden Harvey Lichtenstein, IIHonry Tr11tees President and Executive Producer Seth Faison Koren Brooks Hopkins, leonard Garment Executive Vice President & Managing Director Paul lepercq Douglas W. Allan, Arne Vennemo Vice President for Marfceting and Promotion Ex-officii Jacques Brunswick, Mary Schmidt Campbell Vice President for Administration During the post yeo~ public funding of the arts weathered not only Fuchs and the Recording Industry Council chaired by Elelctro Entertoin Amidst a year of uncertainty at the National Endowment lor the intense challenges, but ever declining appropriation levels in the menrs Robert Krasnow, the Golo Committee organized a roving, post Arts, and a sense of growing unease with the country's economy, face of budget reductions of all levels of government. -
Download Press
Sumi Tonooka Pianist & Composer Biography n his liner notes to pianist, composer and Ieducator Sumi Tonooka’s fifth and latest CD, Long Ago Today, journalist Russ Musto restates his praise from thirty years ago: “. it has been a pleasure to hear her blos- som into one of the most talented musicians of her generation.” Today, Tonooka (pro- nounced To-NO-ka) reignites her successes as an architect at the keyboard with Long Ago Today (Artists Recording Collective), released nationwide on March 25, 2008. She’s joined by bassist Rufus Reid (who has appeared on all of her releases) and the late drummer Bob Braye. Nine of the ten tunes are penned by her. Born on October 3, 1956 in Philadelphia, a city that has few rivals in terms of its rich music history — jazz, gospel, punk, R&B, The Philly Soul Sound — Tonooka experienced unfettered freedom at the piano as a young child. She started piano and music instruction at the age of seven at the Settlement Music School in Philly with Ester Cinberg and then Gary Goldschneider. Tonooka, who grew up in a multicultural household, was introduced to the extramundane con- cepts and executions of pianist Thelonious Monk at the age of 13. “My parents took me to see Thelonious Monk ‘live’ at the Aqua Lounge for my thirteenth birthday and it was then and there . that’s when I decided to be a jazz musician.” He, along with pianist/composer Duke Ellington and close associate and admirer pianist Kenny Barron, have been her torches in the night as she’s glanced through and past many ideologies and perceptions of performance and tunesmithing. -
Tres Bajistas De Leyenda
TRES BAJISTAS DE LEYENDA —THE THUNDER TOUR“ 29 DE OCTUBRE: Sala Razzmatazz, 21 ho as (Ba celona) 30 DE OCTUBRE: Discoteca Joy Eslava, 21 ho as (,ad id) 31 DE OCTUBRE: A.dito io ,aest o Padilla, 21 ho as (Alme 0a) ,a c.s ,ille , Stanley Cla 1e y 20cto 3ooten (S,2) 2enta de ent adas: www.telentrada.com TRES BAJISTAS DE LEYENDA SMV: M.MIller + S.Clarke+ V.Wooten —The Thunder Tour“ el 29 de octubre en Barcelona Sala Razzmatazz; en Madrid el d%a 30 de octubre Sala (oy Esla,a y el 31 de octubre en .lmer%a en el .uditorio Maestro Padilla en su 0esti,al de (azz. Estamos ante .no de los p oyectos m5s impo tantes del a6o, 3 gene aciones de m8sicos y los t es m5s g andes ba:istas del momento e.nidos en lo q.e ya es, seg8n los c 0ticos y el p8blico, .n acontecimiento 8nico. Stanley Cla 1e a tocado con Stan Getz, Joe Hende son, Ho ace Silve , Geo ge D.1e, Keith Richa ds, Pa.l ,cCa tney, Chic1 Co ea con el q.e gan? 1 G ammy@ en 10A2 con , Ret. n To Fo eve :.nto a Aldi ,eola y Lenny 3hite. ,a c.s ,ille a t aba:ado con Robe ta Flac1, A etha F an1lin, Cha1a Khan, 3ayne Sho te , Al Ja ea., Pa.l Simon, David Sanbo n, L.the 2and oss, con el q.e gan? .n G ammy el en a6o 1991, a ,iles Davis le p od.:o y comp.so el alb.m —T.t.“ .no de los alb.mes m5s p emiados de la histo ia del :azz En el a6o 2001 volv0o a gana .n G ammy po el alb.m ,2. -
Page | 1 Funding for the Smithsonian Jazz Oral History Program NEA
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. WAYNE SHORTER NEA Jazz Master (1998) Interviewee: Wayne Shorter (August 25, 1933-) Interviewer: Larry Appelbaum and audio engineer Ken Kimery Dates: September 24, 2012 Depository: Archives Center, National Music of American History, Smithsonian Institution. Description: Transcript. 26 pp. Shorter: ...his first three months’ royalty on “Sunny”... It was something... He didn’t have to play the bass. He said, “I’m not playing the bass...” He played in this club, at a restaurant... They’d shot a long scene in there, and did the...well, the thing that was...the Billy Strayhorn thing...you know, that Duke Ellington recorded... “Something in Paris.” [SINGS REFRAIN] Appelbaum: From An American In Paris? Shorter: [CONTINUES TO SING REFRAIN] That song that a lot of singers find hard to sing. Appelbaum: “Lush Life.” Shorter: “Lush Life.” There was some stuff in there. And Shawna(?—0:54) was playing the piano... She was between takes and everything. She was playing...she’s... Appelbaum: She can play. Shorter: Yeah. And tap dancing and all that. But she was like sand-dancing, and waiting for things and all that. I said, “Hey, why don’t you put her in...” Appelbaum: Did Ben Tucker co-write “I’m Comin’ Home, Baby”? Shorter: Ok. He wrote it. For additional information contact the Archives Center at 202.633.3270 or [email protected] Page | 1 Appelbaum: Oh, yeah? Shorter: Do you remember the mechanicals, “Notice Of Use” thing... There was something about that. -
Tribute Times Two Anthems of Activism: Pete Seeger and Steve Goodman
FOR IMMEDIATE RELEASE More info: Dinah Brein-McClellan, director of entertainment and promotions Admiral Theater, 2243 California Ave. S.W. Seattle, WA 98116 206-938-0360 (office), 206-755-3585 (cell) E-mail: [email protected] Website: http://www.farawayentertainment.com/admiral.html Tribute Times Two Anthems of Activism: Pete Seeger and Steve Goodman Two shows! Sunday, Oct. 14, 2012, at the Historic Admiral Theater in West Seattle benefiting Northwest Folklife “PETE: The Songs and Times of Pete Seeger,” led by Peter McKee: 4 p.m. and “Steve Goodman: Facing the Music,” led by Clay Eals: 7 p.m. SEATTLE, Wash. – “Tribute Times Two,” an energetic afternoon and evening of live music focusing on the songs and inspiring lives of two folk-music masters, is on tap Sunday, Oct. 14, 2012, at the Historic Admiral Theater in West Seattle. This extraordinary experience, coming just three weeks before the Nov. 6 general election, will emphasize the themes of peace and justice in song. It will take the form of a double bill: 4 p.m.: “PETE: The Songs and Times of Pete Seeger,” a one-man, multimedia performance led by Seattle banjo player Peter McKee, honors the songs, the times and commitment of the legendary musician. 7 p.m.: “Steve Goodman: Facing the Music,” a concert featuring the music and story of the late singer/songwriter, performed by Tom Colwell, Bruce Hanson, Mark Myers and special musical guests and led by Seattle author Clay Eals, Goodman’s biographer. Between these two shows, other brief presentations, videos and exhibits will bolster the themes of the day. -
Stevie Ray Vaughan
An the Bullcrafe news US~ that's tH paldpennlt to pitch no. 2419 C' PITCtI KCMO February '1986 Kansas City's ffee music and entertainment newspaper Issue 62 A Texas tidal wave Blues, rock, rarb, ballads, you name it from the latest- Hammond discovery the Chantones, Blackbird and Nightcrawlers. by Roger Naber His senior year of high school, he dropped out He's been the most talked-about guitarist in and left his hometown of Dallas in the early 70s. blues and rock circles for the last three years. He followed his brother Jimmie to AUstin, which He dominated reader's and critic's polls in has been his home base ever since. various magazines. For the last two years he has From 1975-77 Stevie played with Austin's been the recipient of "Best Blues Instrumentalist" most popular r&b club band, the Cobras. He at the W.C. Handy Awards in Memphis. And then formed his own r&b revue, Triple Threat, there is no indication that the crest Stevie Ray which featured vocaUst Lu Ann Barton. In ear ~ Vaughan is riding is ready to level off. ly '81 Lu Ann quit the band in the middle of I first met the guitar genius four-and-a-half a tour, and that forced Vaughan to take over years ago. After spending several weeks trying lead vocals. He regrouped the band and named to locate him, I hired Vaughan and his band it Double Trouble pr an Otis Rush song. The Double Trouble to perform at HarUng's. The group consisted of Tommy Shannon on elec man who urged me to book him was his older tric bass and Chris Layton on drums. -
Rufus Reid a Top Jazz Bassist and Teacher Takes the Blindfold Test Live
33rd Annual Where to Study Jazz 2011 Rufus Reid A Top Jazz Bassist and Teacher Takes The Blindfold Test Live JEN Artists Roundtable Don Braden, Stefon harris, Gerald Clayton and DJ Trentino Oberlin Conservatory’s serious Commitment to Jazz Education More Than 160 Schools listed! OCTOBER 2010 DOWNBEAT 65 stuDent music guiDe // WheRe to stuDy jazz 2011 Jazz School In Session Wayne State university The colleges and universities included in this comprehen- Features sive educational supplement can help guide you down the 84 Rufus Reid path to becoming a complete jazz musician. Jazz programs Bassist/Educator Takes The range widely in size and focus, and each has its own appeal, Blindfold Test Live at JEN By Frank Alkyer whether you seek a career as a professional player, educator, 98 Experiments & Experience producer or businessperson in the music industry. JEN Artists Roundtable with Great teachers and programs can be found all across the Don Braden, Stefon Harris, Gerald Clayton country and beyond, so it’s important to explore the full range and DJ Trentino of jazz education options out there. We’ve organized our list- By Frank Alkyer ings by region (East, Midwest, South, West and International) 112 Logan’s Legacy Oberlin Conservatory’s to help you find exactly what you’re looking for in your higher Expanded Jazz education. Check them out here, read more about them on- Offerings Testify to One Man’s Life Work line and take the time to visit as many campuses as you can By Aaron COhen before deciding where to apply. With school back in session for the season, DownBeat School LisTings encourages you to get started on your jazz education journey 68 East 100 south now, while there’s still plenty of time to research colleges and 114 Midwest 132 West universities with jazz programs available to you in 2011.