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Howard Levy Full Bio
Howard Levy Full Bio The Early Years Howard Levy began playing piano at age 8. He started improvising after his 3rd piano lesson, and would often improvise for 30 minutes or more. His parents enrolled him in the prep division of the Manhattan School of Music, where he studied piano for 4 years with Jean Graham, and also studied music theory. When Howard was 11, The Manhattan School recommended that he study composition with Nadia Boulanger in Paris. A place for him was guaranteed, but neither he nor his parents wanted him to disrupt his life at age 11 and move to Europe for a year. Howard had a deep love for classical music, but around age 12 he started to become interested in many other styles of music - pop, folk, rock and roll, then Blues and Jazz. While in high school in New York City, Howard won his school’s “Lincoln Center Award”, given to the outstanding musician in the school. He also studied Bach on the pipe organ for 2 years. This was a major influence that has continued to this day. 4 years ago, Howard received his high school’s “Distinguished Alumni” Award. While in high school, he composed “Extension Chord”, an odd- time meter Jazz piece using Indian rhythmic formulas. He eventually recorded this in 2008, with German bass clarinetist Michael Riessler and French accordionist Jean-Louis Matinier on their Enja CD “Silver and Black”. Howard attended Northwestern University, where he played piano in the university’s Jazz Band, led by jazz musicians Bunky Green and Rufus Reid. -
CONGRESSIONAL RECORD— Extensions of Remarks E684 HON
E684 CONGRESSIONAL RECORD — Extensions of Remarks March 17, 2009 TRIBUTE TO KENT OLSON, EXECU- Not only will this initiative increase Internet Madam Speaker, I encourage my col- TIVE DIRECTOR OF THE PROFES- speed and accessibility for customers, but per- leagues to join me in wishing my brothers of SIONAL INSURANCE AGENTS OF haps more importantly it will create 3,000 new Omega Psi Phi Fraternity a successful political NORTH DAKOTA jobs. summit as these men continue to build a Over the next ten years, AT&T also plans to strong and effective force of men dedicated to HON. EARL POMEROY create or save an additional one thousand its Cardinal Principles of manhood, scholar- jobs through a plan to invest $565 million in OF NORTH DAKOTA ship, perseverance, and uplift. replacing its current fleet of vehicles with IN THE HOUSE OF REPRESENTATIVES f 15,000 domestically manufactured Com- Tuesday, March 17, 2009 pressed Natural Gas and alternative fuel vehi- REMEMBERING THE LIFE OF Mr. POMEROY. Madam Speaker, I rise to cles. MUSIC IMPRESARIO RALPH honor the distinguished career of Kent Olson. Research shows that this new fleet will save MERCADO I am pleased to have known Kent Olson for 49 million gallons of gasoline over the next ten the many years he served as the Executive years. It also will reduce carbon emissions by HON. CHARLES B. RANGEL Director of the Professional Insurance Agents 211,000 metric tons in this same time frame. OF NEW YORK of North Dakota working with him on important Madam Speaker, I applaud AT&T for its ini- IN THE HOUSE OF REPRESENTATIVES tiative in taking the lead in the movement to insurance issues for North Dakota farmers. -
Annual AT&T San Jose Jazz Summer Fest Friday, August 12
***For Immediate Release*** 22nd Annual AT&T San Jose Jazz Summer Fest Friday, August 12 - Sunday, August 14, 2011 Plaza de Cesar Chavez Park, Downtown San Jose, CA Ticket Info: www.jazzfest.sanjosejazz.org Tickets: $15 - $20, Children Under 12 Free "The annual San Jose Jazz [Summer Fest] has grown to become one of the premier music events in this country. San Jose Jazz has also created many educational programs that have helped over 100,000 students to learn about music, and to become better musicians and better people." -Quincy Jones "Folks from all around the Bay Area flock to this giant block party… There's something ritualesque about the San Jose Jazz [Summer Fest.]" -Richard Scheinan, San Jose Mercury News "San Jose Jazz deserves a good deal of credit for spotting some of the region's most exciting artists long before they're headliners." -Andy Gilbert, San Jose Mercury News "Over 1,000 artists and 100,000 music lovers converge on San Jose for a weekend of jazz, funk, fusion, blues, salsa, Latin, R&B, electronica and many other forms of contemporary music." -KQED "…the festival continues to up the ante with the roster of about 80 performers that encompasses everything from marquee names to unique up and comers, and both national and local acts...." -Heather Zimmerman, Silicon Valley Community Newspapers San Jose, CA - June 15, 2011 - San Jose Jazz continues its rich tradition of presenting some of today's most distinguished artists and hottest jazz upstarts at the 22nd San Jose Jazz Summer Fest from Friday, August 12 through Sunday, August 14, 2011 at Plaza de Cesar Chavez Park in downtown San Jose, CA. -
David Amram in Denver May 10 - 13
David Amram in Denver May 10 - 13 * David Amram has composed more than 100 orchestral and chamber music works, written many scores for Broadway theater and film, including the classic scores for the films Splendor in The Grass and The Manchurian Candidate; two operas, including the ground-breaking Holocaust opera The Final Ingredient; and the score for the landmark 1959 documentary Pull My Daisy, narrated by novelist Jack Kerouac. He is also the author of two books, Vibrations, an autobiography, and Offbeat: Collaborating With Kerouac, a memoir. A pioneer player of jazz French horn, he is also a virtuoso on piano, numerous flutes and whistles, percussion, and dozens of folkloric instruments from 25 countries, as well as an inventive, funny improvisational lyricist. He has collaborated with Leonard Bernstein, who chose him as The New York Philharmonic's first composer-in-residence in 1966, Langston Hughes, Dizzy Gillespie, Dustin Hoffman, Willie Nelson, Thelonious Monk, Odetta, Elia Kazan, Arthur Miller, Charles Mingus, Lionel Hampton, E. G. Marshall, and Tito Puente. Amram's most recent work Giants of the Night is a flute concerto dedicated to the memory Charlie Parker, Jack Kerouac and Dizzy Gillespie, three American artists Amram knew and worked with. It was commissioned and recently premiered by Sir James Galway, who also plans to record it. Today, as he has for over fifty years, Amram continues to compose music while traveling the world as a conductor, soloist, bandleader, visiting scholar, and narrator in five languages. He is also currently working with author Frank McCourt on a new setting of the Mass, Missa Manhattan, as well as on a symphony commissioned by the Guthrie Foundation, Symphonic Variations on a Theme by Woody Guthrie. -
The Brooklyn Delegation of the New York City Council for Its Vital Toric Visit to New York Gty
Cbail'lllln Asher B. Edelman Brooklyn Academy of Music Preside at Harvey Lichtenstein Board of Trustees Vice Ck1irmen Neil D. Chrisman Rita Hillman I. Stanley Kriegel Franklin R. Weissberg Mem~ers Francis M. Austin, Jt Jenne K. Britell SPECIA L FUNDIN G FOR T HI S ANNU AL REPORT HAS BEEN Kevin Burke PROVIDED THROUGH THE GENEROUS SU PPORT OF Joanne L. Cossullo Warren B. Coburn MANUFACT U RERS HANOVER C O RPORATION . Beth DeWoody PRINTED B Y HARD ING Be H ARD ING GRAPHICS, INC. Charles M. Diker Brendan Duggan Choim Edelstein Mallory Foetor Ronald E. Feiner Alan H. Fishman Robert L. Forbes Michael Fuchs Faith G. Golding Morton Gottlieb Stephen R. Greenwald Sidney Kantor Stanley H. Kaplan Andrew K. Klink Bettina Bancroft Klink Robert A. Krasnow lngo Kretzschmar Edgar A. Lampert Eugene H. luntey laurie Mollet Martin F. Mertz Evelyn Ortner David L. Ramsay Bruce (. Ratner Richard M. Roson Jonathon F. P. Rose Robert (. Rosenberg Pippa Scott Mikki Shepard Vaughn (. Williams Ho10r1ry Chlirmen David N. Dinkins Officers Howa rd Go Iden Harvey Lichtenstein, IIHonry Tr11tees President and Executive Producer Seth Faison Koren Brooks Hopkins, leonard Garment Executive Vice President & Managing Director Paul lepercq Douglas W. Allan, Arne Vennemo Vice President for Marfceting and Promotion Ex-officii Jacques Brunswick, Mary Schmidt Campbell Vice President for Administration During the post yeo~ public funding of the arts weathered not only Fuchs and the Recording Industry Council chaired by Elelctro Entertoin Amidst a year of uncertainty at the National Endowment lor the intense challenges, but ever declining appropriation levels in the menrs Robert Krasnow, the Golo Committee organized a roving, post Arts, and a sense of growing unease with the country's economy, face of budget reductions of all levels of government. -
Page | 1 Funding for the Smithsonian Jazz Oral History Program NEA
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. WAYNE SHORTER NEA Jazz Master (1998) Interviewee: Wayne Shorter (August 25, 1933-) Interviewer: Larry Appelbaum and audio engineer Ken Kimery Dates: September 24, 2012 Depository: Archives Center, National Music of American History, Smithsonian Institution. Description: Transcript. 26 pp. Shorter: ...his first three months’ royalty on “Sunny”... It was something... He didn’t have to play the bass. He said, “I’m not playing the bass...” He played in this club, at a restaurant... They’d shot a long scene in there, and did the...well, the thing that was...the Billy Strayhorn thing...you know, that Duke Ellington recorded... “Something in Paris.” [SINGS REFRAIN] Appelbaum: From An American In Paris? Shorter: [CONTINUES TO SING REFRAIN] That song that a lot of singers find hard to sing. Appelbaum: “Lush Life.” Shorter: “Lush Life.” There was some stuff in there. And Shawna(?—0:54) was playing the piano... She was between takes and everything. She was playing...she’s... Appelbaum: She can play. Shorter: Yeah. And tap dancing and all that. But she was like sand-dancing, and waiting for things and all that. I said, “Hey, why don’t you put her in...” Appelbaum: Did Ben Tucker co-write “I’m Comin’ Home, Baby”? Shorter: Ok. He wrote it. For additional information contact the Archives Center at 202.633.3270 or [email protected] Page | 1 Appelbaum: Oh, yeah? Shorter: Do you remember the mechanicals, “Notice Of Use” thing... There was something about that. -
EASTMAN NOTES JUNE 2005 Draft: Web Date: July 5, 2005 INSIDE
NOTES JUNE 2005 A MAGAZINE FOR ALUMNI OF THE EASTMAN SCHOOL OF MUSIC FROM THE EDITOR Loss, love, and legacies Dear Eastman Alumni: More than any time since I began editing Eastman Notes, the winter and spring of 2004¬2005 was marked by a sense of loss, with the deaths of two inimitable NOTES figures in Eastman’s history: Frederick Fennell and Ruth Watanabe, who died in Volume 23, Number 2 December 2004 and February 2005 respectively. June 2005 It’s representative of their importance, not just to the School but to the musical world in general, that everyone reading this magazine, no matter when they at- Editor tended, knows who Frederick Fennell and Ruth Watanabe are. Both are indelibly David Raymond associated with two monuments of the School—the Wind Ensemble and the Sib- Assistant editor ley Library. Fennell built a new model for wind band playing—and a repertory— Juliet Grabowski pretty much from scratch; while Ruth Watanabe didn’t found the Sibley Library, Contributing writers she certainly developed it to its present eminence over a 40-year career. (See Martial Bednar Christine Corrado pages 6 and 8 for more Susan Hawkshaw on their remarkable ca- Contributing photographers reers.) Both continued Richard Baker to be generous with Kurt Brownell their time and talent Bob Klein well after retirement— Gelfand-Piper Photography Amy Vetter Fennell visiting Eastman numerous times to con- Photography coordinators Nathan Martel duct, Watanabe as the Amy Vetter School’s historian. Design These two people were Steve Boerner Typography & Design definitely respected as professionals, but they Frederick Fennell Ruth Watanabe Published twice a year by the Office of were also loved as people— Communications, Eastman School of Music, 26 Gibbs Street, Rochester, NY, see the brief tributes to Fennell by his successors Don Hunsberger and Mark 14604, (585) 274-1050. -
Lionel Hompton # Jozz Fes'tivol '"?Iæfy O '- C) O
{ I !t i ; I I I i 1 I l Ë I I i I I i I Lionel Hompton # Jozz Fes'tivol '"?iÆFY o '- c) o =o- o ! p o C f ol o-- (I) Dr. lionel Hampton, producer *rJ assisted by Dr. lynn J. Skinner Welcome to the 3lst University of Idaho Lionel HamptonJazzÏestival! The Lionel HárirptonJazzEestivalhas become one of the greatest jzzzfestivals in the world. join Pleæe us in celebratin g a clæsically American art form - Iazz. At the Lionel HamptonJazzEestivalwe seek to enrich the lives of young people with this music - year after year. "GAtes" Keeps on Swingin' Lionel Hampton started his musicalcareer æ a drummer. Hamp wæ playing drums with Louie Armstrong and one night at the gig, Louie turned to Hamp and said, "Swing it Gates, Swing!" Hamp asked Louie what he meantand he said, "l'm calling you Gates because you swing like a gatel" From that point in time until this very day Hamp is known as "Gates" because of his incredible ability to "swing". The story came to Dr. Skinner directly from Hamp. 1 I Welcome to the 1998 Jazz Festival atthe University of Idaho - Moscow, Idaho! Page For more informoÌion concerning the Concert Schedule Lionel Homplon Jozz Feslivol, contoct: 5 Lionel Hampton School of MusicJøz Ensembles 11 Dr. Lynn J. Skinner, Execulive Direclor Welcome Letters 13 Lionel Homplon Jozz Feslivol Clinic Schedule t5 Lionel Hompton School of Music Lionel Hampton - Biography 17 Universify of ldoho Guest futist Biographies .......... 23 Moscow, ldoho 83844-4014 Adjudicator Biog*pfri.r .................. 53 (208)885-ó513 l208l88 5-67 65 Fox: Lionel HamptonJazz Festival Staff ,.. -
My Story, My Dance: Robert Battle's Journey to Alvin Ailey by Lesa Cline-Ransome
. Photo by Paul Kolnik Paul by . Photo Revelations The Company in Alvin Ailey’s in Alvin Company The For further information, visit pressroom.alvinailey.org On March 30, 1958, Alvin Ailey led a group of young African-American as his successor, and over the next 21 years, she brought the Company modern dancers in a now-fabled performance at the 92nd Street Y in to unprecedented success. Ms. Jamison, in turn, personally selected New York City that forever changed the perception of American dance. Robert Battle to succeed her in 2011. In announcing his appointment, she Mr. Ailey was a pioneer in establishing a multi-racial repertory company stated, “Combining an intimate knowledge of the Ailey company with an that presented important works by both dance masters and emerging independent perspective, Robert Battle is without question the creative choreographers. Regarded as one of the world’s premiere dance force of the future.” Through the remarkable artistry of 32 extraordinary companies, Alvin Ailey American Dance Theater is a recipient of the National dancers, Alvin Ailey American Dance Theater continues to celebrate the Medal of Arts and is recognized by a U.S. Congressional resolution as a African-American cultural experience and to preserve and enrich the vital American “Cultural Ambassador to the World.” Having performed in 71 American modern dance tradition. With a repertory of over 200 works by countries on 6 continents for an estimated 25 million people worldwide—as more than 70 choreographers and a permanent home at The Joan Weill well as millions more through television broadcasts, film screenings, and Center for Dance in New York City—the largest building dedicated to dance online platforms—Alvin Ailey American Dance Theater continues to inspire in New York City, the dance capital of the world—the Ailey legacy flourishes, and unite people of all backgrounds around the globe. -
ORLANDO URDANETA (SAG Member)
ORLANDO URDANETA (SAG Member) www.orlandourdaneta.com (hair: light brown/white ht: 5'6" wt: 153 lbs. eyes: blue) WORKED IN: VENEZUELA – ARGENTINA - DOMINICAN REPUBLIC – COLOMBIA – CUBA – PTO RICO – PANAMA – SPAIN – MEXICO – ITALY - FRANCE – RUSSIA – ENGLAND – USA. FILMS JUEGOS BAJO LA LUNA El Ministro (lead) Dir. Mauricio Walerstein CIEN AÑOS DE PERDON Horacio (lead) Dir. Alejandro Saderman PANDEMONIUM Adonais (lead & co-writer) Dir. Roman Chalbaud THE RAFT Funcionario (lead) Dir. Emmanuel Boeck EL LIMITE DEL CRIMEN El capitan (lead) Dir. Norberto Vieyra BAMBINO MIO Doctor Lopez (principal) Dir. Eduard Benett (BBC) CARLITO'S WAY Bartender (principal) Dir. Brian De Palma MOVIL PASIONAL Yula (lead) Dir. Mauricio Walerstein VIDAS PARALELAS Andy (lead) Dir. Pastor Vega MACHO Y HEMBRA Daniel (lead) Dir. Mauricio Walerstein LA HORA TEXACO Junior (lead) Dir. Eduardo Barberena EL SECRETO Gaspar (lead) Dir. Luis Armando Roche PROFUNDO Manganzón (lead) Dir. Antonio Llerandi GUYANA The Crime of The Century David (principal) Dir. Rene Cardona Jr. VERANO SALVAJE Ruben (lead) Dir. Enrique G. Badillo EL FASCISTA Y LA BEATA Raul (lead) Dir. Joaquin Coll Espona PANIC MAKERS Manuel (lead) Dir. Rene Cardona Jr. PERRO DE ALAMBRE El Niño (principal) Dir. Manolo Caño ELCRIMEN DEL PENALISTA Antonio (lead) Dir. Clemente De la Cerda EL ATENTADO Manuel (principal) Dir. Thaelman Urgelles SEAGULL FLY LOW Lt. PD Aldo Macor (principal) Dir. George Warner HISTORIAS DE AMOR Y BRUJERIAS Antonio (lead) Dir.Carlo Cosmi EL PEZ QUE FUMA Jairo (lead) Dir. Roman Chalbaud LOS TRACALEROS Musiquito(lead) Dir. Alfredo Lugo CANCION MANSA PARA UN PUEBLO BRAVO Gilberto (lead) Dir. Giancarlo Carrer COMPAÑERO AUGUSTO Augusto Cardenas (lead) Dir. -
Papo Vázquez Mighty Pirates Troubadours & Sofia
Courtesy Papo Vázquez Courtesy Papo Courtesy Sofia Rei Papo Vázquez Mighty Pirates Troubadours & Sofia Rei Papo Vázquez Mighty Pirates Troubadours Trombone, Leader Papo Vázquez Tenor Saxophone Willie Williams Piano Rick Germanson Bass Ariel Robles Drums Alvester Garnett Percussion Carlos Maldonado Percussion Gabriel Lugo Sofia Rei Vocals, Charango Sofia Rei Trumpet Josh Deutsch Guitar Eric Kurimski Guitar JC Maillard Upright bass Jorge Roeder Drums, Percussion Franco Pinna PROGRAM There will be an intermission. Saturday, December 5 @ 8 PM Zellerbach Theatre 15/16 Season 35 PROGRAM NOTES Papo Vázquez will be performing a selection of music including songs from his most recent album, Spirit Warrior. Sofia Rei will be performing original songs from her latest album De Tierra Y Oro, as well as new songs she has composed for her upcoming album. ABOUT THE ARTISTS Papo Vázquez (Trombonist, composer and arranger) has a 40-year career spanning jazz, Latin, Afro-Caribbean and classical music and recordings. He was born in 1958 in Philadelphia. After spending his early years in Puerto Rico, he grew up in the heart of North Philadelphia's Puerto Rican community. At the age of 15, Vázquez was performing with local Latin bands. At only 17, he moved to New York and was hired to play for trumpet player Chocolate Armenteros. Soon after, he began playing and recording with top artists in the salsa scene like The Fania All-Stars, Ray Barretto, Willie Colón, Larry Harlow and Hector La Voe. Vázquez became a key player in New York’s burgeoning Latin jazz scene of the late 1970s. He began studying with Slide Hampton, eventually recording and performing for Slide Hampton's World of Trombones. -
12-5-15 Jazz Ensemble
Williams Jazz Ensemble Kris Allen, Director Ray Vega, trumpet Program Set One That’s Earl Brother John Birks “Dizzy” Gillespie, Gil Fuller, and Raymond Brown arr. Fuller Lennie’s Pennies Lennie Tristano, arr. Clare Fisher In the Land of Oo-Bla-Dee Mary Lou Williams Round Midnight Thelonious Monk, arr. Dizzy Gillespie Manteca John Birks “Dizzy” Gillespie, Gil Fuller, and Chano Pozo arr. Fuller Set Two Good Bait Tadd Dameron Fountainbleau Tadd Dameron What is this thing/ Hot House Cole Porter/Tadd Dameron arr. by Myles Collins/Kris Allen Cubano Be John Birks “Dizzy” Gillespie, George Russell, arr. Russell Red Cross Charlie Parker, arr. Jimmy Heath Personnel Henry Hobbs ’18, alto saxophone Richard Whitney ’16, trumpet Richard Jin ’18, alto and soprano saxophone Jimmy Miotto ’18, trumpet David Azzarra ’19 tenor saxophone and vocals Jack Ferguson ’18, tenor saxophone and flute Ian Shen ’19, trumpet Sammi Jo Stone ’17, baritone saxophone Daniel Fisher ’18, trumpet Hartley Greenwald ’16, trombone Nathaniel Vilas ’17, piano Jeff Sload ’17, trombone Rob Morse, bass Sammy Rosofsky ’19, trombone Gabe Morosky ’17, drumset Ziev Dalshiem-Kahane ’19, trombone Brian Levine ’16, drumset Henry Lane ’18, trombone special guests: Ray Vega, trumpet Mano Sundaresan ’19, piano Sam Grunebaum ’19, piano Sophia Smith ’18, vocals Friday, December 5, 2015 8:00 p.m. Chapin Hall Williamstown, Massachusetts Please turn off cell phones. No photography or recording is permitted. Ray Vega A native of the South Bronx, Ray Vega is a veteran of the bands of Tito Puente, Ray Barretto, Mongo Santamaria, Mario Bauza, Luis “Perico” Ortiz, Hector LaVoe, Johnny Pacheco, Larry Harlow, Pete “El Conde” Rodriguez and Louie Ramirez to name a few.