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341 BC the THIRD PHILIPPIC Demosthenes Translated By
1 341 BC THE THIRD PHILIPPIC Demosthenes translated by Thomas Leland, D.D. Notes and Introduction by Thomas Leland, D.D. 2 Demosthenes (383-322 BC) - Athenian statesman and the most famous of Greek orators. He was leader of a patriotic party opposing Philip of Macedon. The Third Philippic (341 BC) - The third in a series of speeches in which Demosthenes attacks Philip of Macedon. Demosthenes urged the Athenians to oppose Philip’s conquests of independent Greek states. Cicero later used the name “Philippic” to label his bitter speeches against Mark Antony; the word has since come to stand for any harsh invective. 3 THE THIRD PHILIPPIC INTRODUCTION To the Third Philippic THE former oration (The Oration on the State of the Chersonesus) has its effect: for, instead of punishing Diopithes, the Athenians supplied him with money, in order to put him in a condition of continuing his expeditions. In the mean time Philip pursued his Thracian conquests, and made himself master of several places, which, though of little importance in themselves, yet opened him a way to the cities of the Propontis, and, above all, to Byzantium, which he had always intended to annex to his dominions. He at first tried the way of negotiation, in order to gain the Byzantines into the number of his allies; but this proving ineffectual, he resolved to proceed in another manner. He had a party in the city at whose head was the orator Python, that engaged to deliver him up one of the gates: but while he was on his march towards the city the conspiracy was discovered, which immediately determined him to take another route. -
Negotiating Julio-Claudian Memory: the Vespasianic Building Program and the Representation of Imperial Power in Ancient Rome Joseph V
Macalester College DigitalCommons@Macalester College Classics Honors Projects Classics Department Spring 5-2-2014 Negotiating Julio-Claudian Memory: The Vespasianic Building Program and the Representation of Imperial Power in Ancient Rome Joseph V. Frankl Macalester College, [email protected] Follow this and additional works at: http://digitalcommons.macalester.edu/classics_honors Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, and the Classics Commons Recommended Citation Frankl, Joseph V., "Negotiating Julio-Claudian Memory: The eV spasianic Building Program and the Representation of Imperial Power in Ancient Rome" (2014). Classics Honors Projects. Paper 19. http://digitalcommons.macalester.edu/classics_honors/19 This Honors Project is brought to you for free and open access by the Classics Department at DigitalCommons@Macalester College. It has been accepted for inclusion in Classics Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Negotiating Julio-Claudian Memory: The Vespasianic Building Program and the Representation of Imperial Power in Ancient Rome By Joseph Frankl Advised by Professor Beth Severy-Hoven Macalester College Classics Department Submitted May 2, 2014 INTRODUCTION In 68 C.E., the Roman Emperor Nero died, marking the end of the Julio-Claudian imperial dynasty established by Augustus in 27 B.C.E (Suetonius, Nero 57.1). A year-long civil war ensued, concluding with the general Titus Flavius Vespasianus seizing power. Upon his succession, Vespasian faced several challenges to his legitimacy as emperor. Most importantly, Vespasian was not a member of the Julio-Claudian family, nor any noble Roman gens (Suetonius, Vespasian 1.1). -
The Olynthiacs and the Phillippics of Demosthenes
The Olynthiacs and the Phillippics of Demosthenes Charles Rann Kennedy The Olynthiacs and the Phillippics of Demosthenes Table of Contents The Olynthiacs and the Phillippics of Demosthenes..............................................................................................1 Charles Rann Kennedy...................................................................................................................................1 THE FIRST OLYNTHIAC............................................................................................................................1 THE SECOND OLYNTHIAC.......................................................................................................................6 THE THIRD OLYNTHIAC........................................................................................................................10 THE FIRST PHILIPPIC..............................................................................................................................14 THE SECOND PHILIPPIC.........................................................................................................................21 THE THIRD PHILIPPIC.............................................................................................................................25 THE FOURTH PHILIPPIC.........................................................................................................................34 i The Olynthiacs and the Phillippics of Demosthenes Charles Rann Kennedy This page copyright © 2002 Blackmask Online. -
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin Text, Study Aids with Vocabulary, and Commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119 Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary Ingo Gildenhard https://www.openbookpublishers.com © 2018 Ingo Gildenhard The text of this work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the author(s), but not in any way that suggests that they endorse you or your use of the work. Attribution should include the following information: Ingo Gildenhard, Cicero, Philippic 2, 44–50, 78–92, 100–119. Latin Text, Study Aids with Vocabulary, and Commentary. Cambridge, UK: Open Book Publishers, 2018. https://doi. org/10.11647/OBP.0156 Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/product/845#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www. -
Ancient Rome
Ancient Rome William E. Dunstan ROWMAN & LITTLEFIELD PUBLISHERS, INC. Lanham • Boulder • New York • Toronto • Plymouth, UK ................. 17856$ $$FM 09-09-10 09:17:21 PS PAGE iii Published by Rowman & Littlefield Publishers, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.rowmanlittlefield.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright ᭧ 2011 by Rowman & Littlefield Publishers, Inc. All maps by Bill Nelson. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. The cover image shows a marble bust of the nymph Clytie; for more information, see figure 22.17 on p. 370. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Dunstan, William E. Ancient Rome / William E. Dunstan. p. cm. Includes bibliographical references and index. ISBN 978-0-7425-6832-7 (cloth : alk. paper) ISBN 978-0-7425-6833-4 (pbk. : alk. paper) ISBN 978-0-7425-6834-1 (electronic) 1. Rome—Civilization. 2. Rome—History—Empire, 30 B.C.–476 A.D. 3. Rome—Politics and government—30 B.C.–476 A.D. I. Title. DG77.D86 2010 937Ј.06—dc22 2010016225 ⅜ϱ ீThe paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/ NISO Z39.48–1992. Printed in the United States of America ................ -
Performance and Rhetoric in Cicero's Philippics * in Recent Years, the Idea Of
Performance and Rhetoric in Cicero's Philippics * In recent years, the idea of 'performance' has become a more and more important concept for the analysis of literary texts, even if the notion of 'performance' in literary criticism still does not denote a single agreed theory, but is a collective term referring to a number of different aspects and methods. The performance approach seems obvious for some literary genres, like drama and also oratory, for which performance is an essential char acteristic. In the case of orations, in antiquity already a detailed doctrine of the perfect performance was established, both in theory and practice. Building on this knowledge and trying to recover the quintessential context of a speech, people have successfully attempted to explore a Roman orator's potential and to contexrualize Roman orations by reconstructing the delivery of sample speeches.' However, there are further levels of performance to be looked at in a Roman speech if the term 'performance' is understood in a more specific way: there is not only the actio that determines the performance of a complete speech; the texts of transmitted speeches also exhibit passages where the wording shows that the orator bases his argument on the performance situation, particularly by making use of the active participation of the audience. Reactions from the audience are deliberately elicited by the orator, for instance by taking on certain roles; these techniques stem from his rhetorical training (for example, ethopoiia); however, considering and commenting on these reactions subsequently yield a performative dialogue with the audience, mirrored in the text. That opens up the opportunity to reconstruct a performance situation which goes beyond identifying how rhetorical techniques have been realized by the orator. -
The Reception of Agrippina, Mother of Nero, in Handel's Opera Agrippina
In die Skriflig / In Luce Verbi ISSN: (Online) 2305-0853, (Print) 1018-6441 Page 1 of 6 Original Research Agrippina as prima donna: The reception of Agrippina, mother of Nero, in Handel’s opera Agrippina Author: This article examines the way in which Agrippina, the mother of the emperor Nero, is depicted 1 Betine van Zyl Smit in Handel’s opera Agrippina. The opera’s libretto, written by Cardinal Vincenzo Grimani, Affiliation: draws upon the historical information in Suetonius’ biography of Claudius and upon the 1Department of Classics and events described in books 12 to 14 of Tacitus’ Annals. The article shows how Grimani juggled Archaeology, University of the chronology, events and relationships among the characters to omit the tragic and gruesome Nottingham, Nottingham, details, and to create a satirical comedy of succession. United Kingdom Keywords: Georg Friedrich Handel; Vincenzo Grimani; Agrippina Opera; Emperor Nero; Corresponding author: Betine Smit, Emperor Claudius; Empress Agrippina; Suetonius’ Biography of Claudius; Tacitus Annals [email protected] 12–14; Opera Libretto; Poppaea Sabina; Otho. Dates: Received: 07 June 2019 Accepted: 25 July 2019 Introduction Published: 31 Oct. 2019 The relationships and events at the heart of the Roman Empire in the middle years of the 1st century AD1 contain plenty of drama and intrigue. The accounts of Tacitus in his Annals and in the How to cite this article: Van Zyl Smit, B., 2019, biographies of the emperors Claudius and Nero by Suetonius, depict a series of marriages and ‘Agrippina as prima donna: murders that would make material for the most lurid fiction. Such events occurred at the courts The reception of Agrippina, of Claudius (41–54) and Nero (54–64). -
University of Pretoria an INVESTIGATION for POSSIBLE PARALLELS of the ROMAN IMPERIAL CULT (CAESAR-NERO) in the NEW TESTAMENT B
University of Pretoria AN INVESTIGATION FOR POSSIBLE PARALLELS OF THE ROMAN IMPERIAL CULT (CAESAR-NERO) IN THE NEW TESTAMENT BOOK OF HEBREWS Masters Thesis Presented in Partial Fulfillment of the Requirements for the degree of Masters of Theology New Testament Studies by Ryan D. Chivington October 2006 Summary This thesis is an investigation of possible significant parallels of the Roman imperial cult (Caesar-Nero) in the book of Hebrews. The book of Hebrews was no doubt greatly impacted by Jewish influence, context, and background. Yet there may be other significant influences that have formed the New Testament book of Hebrews. One such possible influence to the book of Hebrews is the Roman Empire, and more specifically, the Roman imperial cult, the worship of living Roman emperors in god- like terms and the deification of dead emperors. The writer of Hebrews may have used language, forms, and images of the Roman ruler cult to contrast, compare, or clarify their theology and interpretation of Jesus and God. There is the possibility of correspondences between worship of the Roman emperors and the book of Hebrews. Are there significant parallels of the worship of the Caesars to God in the book of Hebrews? Did the writer of Hebrews use illusions, motifs, and images of the Roman emperor cult in parallel to Jesus Christ? Is the Roman imperial cult influence portrayed in the book of Hebrews? If yes, how and to what degree are they portrayed? If no, what are some of the divergences? This thesis attempts to answer these questions in an investigation for possible parallels of the Roman imperial cult (Caesar-Nero) in the New Testament book of Hebrews. -
Let's Review Text Structure!
Grade 6 Day 18 ELA q I Grade 6 Day 18 ELA Grade 6 Day 18 ELA W o Grade 6 Bearcat Day 18 Math pl Grade 6 Bearcat Day 18 Math P2 Grade 6 Bearcat Day 18 Math 173 Grade 6 Bearcat Day 18 Math 104 Grade 6 Day 18 Science pl Grade 6 Day 18 Science P2 Grade 6 Day 18 Science 123 Question for you to turn in. Describe how processes were used to form a landform. Use vocabulary and evidence from the passage to support your answer. RACE. Grade 6 Day 18 Social Studies Grade 6 Day 18 Social Studies to . I ] l n n t t e o o r n n m i i i t r r t t a a p t t h e e a a . r r m h h 1 o o m m t t E r r 0 p p O O e o o n s f f m m r n a i i i l n n o i i r m e e o m p i R t / l m ? ? d d e l l a l l E e e h a a , ci s s T f f s e u u n n n a a m o sp w w o i C C r o o s/ f t t ct t n D D a a e n a s h h s s e i i t m e W W h h n o h r t / co s o t e d r i n n s s p o a i e e e e t i i m s v v n e p r r m m / e i l t e e e e g t c r s s n n a e e o o l E E R R e s. -
Vespasian's Apotheosis
VESPASIAN’S APOTHEOSIS Andrew B. Gallia* In the study of the divinization of Roman emperors, a great deal depends upon the sequence of events. According to the model of consecratio proposed by Bickermann, apotheosis was supposed to be accomplished during the deceased emperor’s public funeral, after which the senate acknowledged what had transpired by decreeing appropriate honours for the new divus.1 Contradictory evidence has turned up in the Fasti Ostienses, however, which seem to indicate that both Marciana and Faustina were declared divae before their funerals took place.2 This suggests a shift * Published in The Classical Quarterly 69.1 (2019). 1 E. Bickermann, ‘Die römische Kaiserapotheosie’, in A. Wlosok (ed.), Römischer Kaiserkult (Darmstadt, 1978), 82-121, at 100-106 (= Archiv für ReligionswissenschaftW 27 [1929], 1-31, at 15-19); id., ‘Consecratio’, in W. den Boer (ed.), Le culte des souverains dans l’empire romain. Entretiens Hardt 19 (Geneva, 1973), 1-37, at 13-25. 2 L. Vidman, Fasti Ostienses (Prague, 19822), 48 J 39-43: IIII k. Septembr. | [Marciana Aug]usta excessit divaq(ue) cognominata. | [Eodem die Mati]dia Augusta cognominata. III | [non. Sept. Marc]iana Augusta funere censorio | [elata est.], 49 O 11-14: X[— k. Nov. Fausti]na Aug[usta excessit eodemq(ue) die a] | senatu diva app[ellata et s(enatus) c(onsultum) fact]um fun[ere censorio eam efferendam.] | Ludi et circenses [delati sunt. — i]dus N[ov. Faustina Augusta funere] | censorio elata e[st]. Against this interpretation of the Marciana fragment (as published by A. Degrassi, Inscr. It. 13.1 [1947], 201) see E. -
Why Does Theology Matter?
Why Does Theology Matter? 1. Theology: You’re Already Doing It! Julian A. Davies The University Church Toledo, Ohio 43615 Theology: You’re Already Doing It! Theos – God Logia – utterances [c.f. Logos – word] Theologia - Utterances about God The Greek, theologia, becomes, in English, theology Theology: You’re Already Doing It! Augustine of Hippo described theology as: “de divinitate rationem sive sermonem” “reasoning or discussion concerning the Deity” Augustine, City of God, 8.1 “reasoning or discussion concerning the Deity” … is going on all around us! Theology as … A conversation that helps to shape and guide a way of life … A component of the lens through which we see, experience, and understand the world … Communicated through words, symbols and praxis … Worldview Questions that shape our worldview • Who – Who are we? • Where – Where are we? • What – What’s wrong? • How – How do we get out of this mess? • When – What time is it? • Why – Why do we think this way? N. T. Wright Questions that shape our worldview Rudyard Kipling – I Keep Six Honest Serving Men I keep six honest serving-men (They taught me all I knew); Their names are: What and Why and When and How and Where and Who. I send them over land and sea, I send them east and west; But after they have worked for me, I give them all a rest. Questions that shape our worldview Rudyard Kipling – I Keep Six Honest Serving Men I let them rest from nine till five, For I am busy then, As well as breakfast, lunch, and tea, For they are hungry men. -
Suetonius on Augustus: a New Commentary
Histos 11 (2017) lxii–lxvi REVIEW SUETONIUS ON AUGUSTUS: A NEW COMMENTARY D. Wardle, Suetonius: Life of Augustus. Translated with Introduction and Historical Commentary. Clarendon Ancient History Series. Oxford: Oxford University Press, 2014. Pp. 616. Hardback, £100.00/Paperback, £35.00. ISBN 978-0-19- 968646-9. n so far as Greek and Roman history has been traditionally studied through the accounts of the ‘great’ historians, Herodotus, Thucydides, IPolybius, Livy, or Tacitus, the ‘historical commentary’ has been and remains one of the principal aids to the study of ancient history. But paradoxically, one of the periods of history regarded as most central to the understanding of the Roman world, the reign of Augustus, has to be approach- ed without the guidance of a historian regarded as ‘great’: Tacitus deliberately started his Annales with the death of Augustus, the useful narrative of Cassius Dio is separated from its subject matter by nearly two centuries and has suffered at the hands of epitomators, and Suetonius as a biographer had an agenda different from that of writing ‘history’. If that for long has been an excuse for taking Suetonius less than seriously as a historical source, this prejudice cannot survive Wardle’s admirable commentary. Commentaries on this Life there have been before, from Shuckburgh in 1896 to Louis in 2010, including Carter’s helpful edition for the Bristol Classical Press of 1981.1 But all of these have been brief and light-touch, offering the basic steering necessary for a student. What Wardle offers is at a wholly different scale, with nearly 500 pages of commentary, as well as forty pages of introduction, to thirty-seven pages of text (in translation).