Developers Want Downtown Building Completed Management and Actuarial Review of Our 19M/I9 1989/90 Increase Increase Rec
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Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David -
Le Sound Design 5
LAPORTE Loïc DPS 2 Année 2003-2004 Copyright - Enseignement des Métiers de la Communication Malakoff 92240 - Tous droits réservés. Site web : http://www.emc.fr Remerciements Tout d’abord, je remercie l’Ecole des Métiers de la Communication et tous ces professeurs qui m’ont permis de poursuivre ces études et de les mener à bien. Je tiens aussi à remercier Olivier Delevingne, Président de l’association SILENCE, et Alain Ganne qui m’ont permis d’effectuer des stages très intéressants et des plus instructifs, qui m’ont appris énormément, et éclairer des points que je n’aurais jamais compris Copyright - Enseignement des Métiers de la Communication 2 Malakoff 92240 - Tous droits réservés. Site web : http://www.emc.fr SOMMAIRE Introduction 4 I Qu’est ce que le sound design 5 1 Le sound design 6 2 Métier entre l’originalité et le réel 8 II Historique 9 1 Les débuts 10 2 Le retour de la musique classique 12 III Les piliers du sound design 13 1 Randy Thom 14 2 Ben Burtt 17 IV Interview de Olivier Delevingne 20 (Sound designer) V Outils mis à disposition 23 1 En hardware 24 2 Sur ordinateur 24 VI Petites précisions sur le numérique et l’analogique 30 Bibliographie 32 Copyright - Enseignement des Métiers de la Communication 3 Malakoff 92240 - Tous droits réservés. Site web : http://www.emc.fr Introduction « L'image de l’écran est à deux dimensions, et c'est la musique qui apporte la profondeur, la troisième dimension » Gréco Casadesus (Sound Designer) Le sound design englobe des univers parfois contradictoires et des styles qui ne pourraient jamais s'harmoniser si la musique de film n'existait pas. -
Houston LGBT History
THURSDAY, MARCH 17 ST. PATRICK'S DAY GREEN SPECIAL SO¢ GREEN _ PEPPERMINT~JL~ SCHNAPPS ~.,., I~ ;07 COLORADO • AUSTIN • 474-9667 COMING THURSDAY, MARCH 24 DOO-DAH-DAZ-DA Y THE BOATHOUSE AND DIRTY SALLY'S TURN-AROUND SWITCH NIGHT TWT MARCH 11- 17. 1983 TWT MARCH 11- 17. 1983 PAGE 3 PAGE 2 ~ __ (ONTENTS~_ IT'S OUR BIRTHDAY ... Volume 8,Number 51 March 11-17, 1983 AND YOU GET THE PRESENT!!! INFORMATION ENTERTAINMENT FEATURES In celebration of our 4th anniversary in HOUSTON and our 3rd in DALLAS 11 TWT NEWS 29 BOOKS HILL COUNTRY IT COULD HAPPEN 49 HIGHLIGHT DON BAKER'S ENDORSEMENTS .. TO YOU ... COMMUNITY REVIEWED BY JOIN NOW AND GET $100 OFF!!! 57 HOT TEA PRODUCTIONS DAVID FIELDS At the :fITNESS EXCHANGE we've just DOUBLED OUR :fREE WEIGHTS ANNIVERSARY MONTH ... and added two abdominal machines to our DOUBLE LINES O:f 91 CALENDAR 35 MOVIES 64 PHOTO NAUTILUS EQUIPMENT. 93 AUSTIN MAP LIANNA ESSAY 95 THE GUIDE REVIEWED BY Available also are Suntana, jacuzzi, sauna, juices, great music and more. ART TOMASZEWSKI & COVER 38 SHOWBIZ BOBBY RAYE WE'RE NOT GETTING OLDER, WE'RE GETTING BETTERI DEPARTMENTS PHOTOS BY JUMPING THE GUN JIM HAMILTON 21 COMMENT BY JACK VARSI PUBLIC FORUM 41 OSCAR CONTEST 25 PERSPECTIVE WIN $100! "HOUSTON STYLE" IS DUMB! BY GEORGE BARNHART 44 ENTERTAINMENT 63 SPORTS VOLLEYBALL DAY ... -TEXAS HOUSTON FESTIVAL, BY CHERYL CHAMBERLAIN THE STRAND ... 70 STARSCOPE BY ROB CLARK NEW MOON 77 CLASSIFIED ~ HOURS: MON-FRI 6AM-lOPM SAT IOAM-8PM SUN NOON-6PM Memberships reciprocal between Dallas and Houston. -
10700990.Pdf
The Dolby era: Sound in Hollywood cinema 1970-1995. SERGI, Gianluca. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20344/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20344/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University jj Learning and IT Services j O U x r- U u II I Adsetts Centre City Campus j Sheffield Hallam 1 Sheffield si-iwe Author: ‘3£fsC j> / j Title: ^ D o ltiu £ r a ' o UJTvd 4 c\ ^ £5ori CuCN^YTNCa IQ IO - Degree: p p / D - Year: Q^OO2- Copyright Declaration I recognise that the copyright in this thesis belongs to the author. I undertake not to publish either the whole or any part of it, or make a copy of the whole or any substantial part of it, without the consent of the author. I also undertake not to quote or make use of any information from this thesis without making acknowledgement to the author. Readers consulting this thesis are required to sign their name below to show they recognise the copyright declaration. They are also required to give their permanent address and date. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
HP0221 Teddy Darvas
BECTU History Project - Interview No. 221 [Copyright BECTU] Transcription Date: Interview Dates: 8 November 1991 Interviewer: John Legard Interviewee: Teddy Darvas, Editor Tape 1 Side A (Side 1) John Legard: Teddy, let us start with your early days. Can you tell us where you were born and who your parents were and perhaps a little about that part of your life? The beginning. Teddy Darvas: My father was a very poor Jewish boy who was the oldest of, I have forgotten how many brothers and sisters. His father, my grandfather, was a shoemaker or a cobbler who, I think, preferred being in the cafe having a drink and seeing friends. So he never had much money and my father was the one brilliant person who went to school and eventually to university. He won all the prizes at Gymnasium, which is the secondary school, like a grammar school. John Legard: Now, tell me, what part or the world are we talking about? Teddy Darvas: This is Budapest. He was born in Budapest and whenever he won any prizes which were gold sovereigns, all that money went on clothes and things for brothers and sisters. And it was in this Gymnasium that he met Alexander Korda who was in a parallel form. My father was standing for Student's Union and he found somebody was working against him and that turned out to be Alexander Korda, of course the family name was Kelner. They became the very, very greatest of friends. Alex was always known as Laci which is Ladislav really - I don't know why. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
THTR 363 Syl-Fall
THTR 363: Introduction to Sound Design INSTRUCTOR: Richard K. Thomas, 494-8050 [email protected] OFFICE HOURS: Tuesday: 2:30 – 3:30 p.m., Thursday, 1:30 – 2:30 p.m. PAO 2184 CLASS SCHEDULE: Fall 2011 August 23 Intro to Course (Music As a Foundation, pp. 1 - 6) 25 Lecture: Music Language and Theatre (Music As a Foundation, pp. 6 - 25) 30 Music as a Foundation of Theatre: Origins September 1 Lecture: Primal Elements of Music (Music As a Foundation, pp. 25 – 45) 6 Lecture: Primal Elements of Music (Cont.) 8 Lecture: Primal Elements of Music (Cont.) 13 Lecture: Dramatic Time and Space 17 Lecture: The Function of the Soundscape 20 Group Presentations: General Overview of Design Elements 22 Group Presentations: General Overview of Design Elements (cont.) 27 Watch “More to Live For” in studio (No Rick) 29 No Class: Rick at IRT October 4 Color DVDʼs DUE 6 Color Projects DUE 11 Color (Cont) 13 Octoberbreak 18 Color Composition DUE 20. Time DVDʼs Due 25 Time Projects DUE 27 Time (Cont.) November 1 Time Composition DUE 3 Mass DVDʼs DUE 8 Mass Projects DUE 10 Mass (Cont.) 15 Mass Composition DUE THTR 363 Syllabus: Fall, 2011 Page 2 17 Space DVDʼs DUE 22 Space Projects DUE 24 THANKSGIVING BREAK 29 Space Compositions DUE December 1 Line DVDʼs DUE 6 Line Projects DUE 8 Line (Cont) Final Exam Period: Sonnet Projects Due NOTE: THIS SYLLABUS SUBJECT TO CHANGE!! Course Objectives: The purpose of this course is to introduce students to an aesthetic vocabulary of design elements that is useful in both visual and auditory design. -
Stephen Andriano-Moore
The Rise of the Sound Designer: Northern California Film Sound in the 1960s and 1970s Stephen Andriano-Moore School of International Communications, University of Nottingham Ningbo China, Ningbo, China School of International Communications, University of Nottingham Ningbo China, 199 Taikang East Road, University Park, Ningbo, 315100, Zhejiang Province, China. Email: [email protected] Telephone: +86 (0) 574 8818 0271 ORCID ID: 0000-0001-9686-6578 Notes on contributor Stephen Andriano-Moore teaches media and cultural studies in the School of International Communications at the University of Nottingham Ningbo China. His research explores production cultures of the film and television industries with particular focus in the area of Hollywood film sound. Correspondence to: Stephen Andriano-Moore, School of International Communications, University of Nottingham Ningbo China, 199 Taikang East Road, Ningbo, China, 315100. Email: [email protected] 1 THE RISE OF THE SOUND DESIGNER: Northern California Film Sound In The 1960s And 1970s Northern California based filmmakers in the late 1960s and 1970s pushed the traditional boundaries of filmmaking practices in ways that have been adopted and reworked into contemporary Hollywood filmmaking practices. The article examines labour issues and conditions and politics of film sound work during this era, some of which continue to be applicable today. The development of new production practices pushed filmmakers including George Lucas, Francis Ford Coppola, and Walter Murch to produce films outside the traditional Hollywood studio production paradigm. This new generation of filmmakers held sound with a higher status and popularized non- traditional ways of working with sound. They created the new job title of sound designer to signify a person who supervises and collaborates with the director, department heads, and screenwriter on the use and function of sound through all of the filmmaking phases from the writing stage through the final mix. -
Premiererne Mairesse (Pauline Armontel, »Pomme«), Thérese Liotard (Suzanne), Gisele Halimi (Sig Selv), Do- 1.4
Ass: Francoise Thevenot. P-tegn: Frankie Diago, Marguerite Yazdanparazt. Rekvis: Gerard Sey- bald. Kost: Frankie Diago. Makeup: Tamani Ber- kani. Koreo: Grazielle Martinez. Musik: Francois Wertheimer, Micou Papineau, Joelle Papineau, Doudou Greffier. Sange: Agnes Varda. Tone: Henri Morelle, Paul Bertault, Jacques Maumont, Jesus Navarro, Jacques Bissieres. Medv: Valérie Premiererne Mairesse (Pauline Armontel, »Pomme«), Thérese Liotard (Suzanne), Gisele Halimi (Sig selv), Do- 1.4. - 30.6.78/ved Claus Hesselberg minique Dueros (Marie, 13 år), Ali Raffi (Darius), Jean-Pierre Pellegrin (Dr. Pierre Aubernel), Lau rent Plagne (Mathieu), Joelle Papineau, Micou Papineau, Doudou Greffier (Les Orchidees), Ro- salie Varda (Marie, 17 år), Robert Dadiers (Jé- rome), Mona Mairesse (Pommes mor), Francis Courbin (Mathieu, 9 mdr.), Francis Lemaire (Pom mes far), Salome Wimille (Marie, 3 år), Nicole Clement (Filosofilærerinde), Sapho (Sanger), Francoise Bette (Portnerske). Længde: 120 min. Censur: Fb.u.16. Udi: Biografen i huset. Prem: 2.5.78 Biografen i Huset. Indspillet i Iran og Am sterdam. Kvindefilm. DISCO-FEBER Saturday Night Fever. USA 1977. Dist: Paramount. P-selskab: Paramount. P: Robert Stigwood. Ex- Anvendte forkortelser: P: Kevin McCormick. As-P: M ilt Feisen. P-leder: John Nicolella. l-leder: Lloyd Kaufman. P-sam- Adapt: = Adaption Komp: = Komponist ordner: Arlene Albertson. Instr: John Badham. Ark: = Filmarkitekt Kost: = Kostumer Instr-ass: Allan Wertheim, Joseph Ray. Stunt- Arr: = Musikarrangør Medv: = Medvirkende skuespillere instr: Paul Nuckles. Manus: Norman Wexler. Ef As-P: = Associate Producer P: Producere ter: Artiklen »Tribal Rites of The New Saturday Night« af Nik Cohn. Teknisk kons.: James Gam- Ass: = Assistent P-leder: = Produktionsleder bina. Foto: Ralph D. Bode. Farve: Movielab. -
Superman Ii the Richard Donner Cut Mp4 Download Please Enable Your VPN When Downloading Torrents
superman ii the richard donner cut mp4 download Please enable your VPN when downloading torrents. If you torrent without a VPN, your ISP can see that you're torrenting and may throttle your connection and get fined by legal action! Loading, please wait. Synopsis. Picking up where "Superman: The Movie" left off, three criminals, General Zod (Terence Stamp), Ursa, (Sarah Douglas), and Non (Jack O'Halloran) from the planet Krypton are released from the Phantom Zone by a nuclear explosion in space. They descend upon Earth where they could finally rule. Superman, meanwhile, is in love with Lois Lane (Margot Kidder), who finds out who he really is. Lex Luthor (Gene Hackman) escapes from prison and is determined to destroy Superman by joining forces with the three criminals. —Keith Howley. Picking up where "Superman: The Movie" left off, three criminals, General Zod (Terence Stamp), Ursa, (Sarah Douglas), and Non (Jack O'Halloran) from the planet Krypton are released from the Phantom Zone by a nuclear explosion in space. They descend upon Earth where they could finally rule. Superman, meanwhile, is in love with Lois Lane (Margot Kidder), who finds out who he really is. Lex Luthor (Gene Hackman) escapes from prison and is determined to destroy Superman by joining forces with the three criminals. —Keith Howley. Uploaded By: OTTO April 04, 2019 at 04:21 AM. Director. Tech specs. Movie Reviews. Great film. Simply put, Superman II is one of the best action/comic-oriented films of all time. I'd rank it second only to the original Superman: The Movie and only X-Men is right up there. -
Oak Ridge Boys
NEWSPAPER MARCH 6, 1982 $2.75 Oak Ridge Boys Hits of the Week SINGLES SLEEPERS ALBUMS A TASTE OF HONEY. "I'LL TRY SOM NG ;IAN MORRISON. 'CLEANING WINDOWS ALABAMA. "MOUNTAIN MUSIC." NEW" (prod McKay) (writer Robihl (prod Morrison) (writerMorrisoni Wi anunshakeable iu-IDEr one coun- son) (Jobete. ASCAP) (3 45) Janiqd (Essential. BMI) 1418) Vans inimi- try LP (and huge crossover success) Marie Johnson s breathy. Enticing table vocal style is always a welcome berind them. this should create vocal is adorned with exotic :. sound for tired AOR-pop ears Cn heivy retail traffic with *h s release -he and percussion on this go -g this initial release from his newtitle cut is a rolltckirg to of the hE to Srnokey Robinson -penned Beautiful Vision LP he s at his best. bluegrass. and Creederce sG-een from the forthcomingLadies of -the backed by a crack rhythm sectiol River'is covered a:A AHL1-4229 Eighties LP Capitol 5099 Warner Bros 50031 E.-..8) RICK SPRINGFIELD. "DON'T TALK TO LAURA BRANIGAN, "ALL NIGHT WITH ME" BL:KNER & GARCIA, -PAC-MAN STRANGERS" I a Olsen) (prod White-Mathieson) {write-. FEvER." Instead oorxrying abDut (writerSpringfiel Super Ron Montan) (Special Old Sock. ASCAP)yids.) games sapping recxd sales why Roble Porter. BMI) ( 0) Equipped (3 50) From :he forthcomingBrari-not capitalize on the :re -d? That bt of with a snappy rockeat anct sharp gan LP this powerful ballad revea swisdom has yielded = 03 -Lie title sin; le chorus hook. Spnnield is ready to Laura s stunning vocal talents The and-ributes to populEr gE Tes like Cen continue his hot streak with tnis cut hook s lusty passion is sure to open tipE and "Mouser ac- (with fait- fu tfrom the newSuccess Hasn t pop and A C radio earsAtlanticele:-ronic sounds) nildelight N..