From the Collection of Jim Lowe [email protected]

Total Page：16

File Type：pdf, Size：1020Kb

From the Collection of Jim Lowe Rodsmith@Highcountryflyfisher.Com

From the collection of Jim Lowe [email protected] Shield 1 – Peurise Awe- Sumatra. Very Old, Rattan with bronze or brass bosses. - $450.00 Sword 1 - Hulu Meu Apet Pedang- Sumatra. Iron ore blade and hilt with intricate pattern. Rare - $350.00- Sale Pending Blade is 32inches long and 1/3 inch thick at hilt. Entire sword is 36 inches long. (Yellow “string” is fishing line used to hang sword.) Sword 2- Dua Ialan Toraja, Sulawesi. Iron Ore blade with Pamor. Ornate horn handle with bone inlay. Scabbard with rattan wraps. $150.00 Sword 3- Horn handle. Scabbard with intricate brass or bronze ferrules and bone tipping. Java, Indonesia. $125.00 Sword 5. Parang, Indonesia. Etched blade with horn handle and fine brass thread wrap. Scabbard has very fine and intricate rattan wraps. $225.00 Sword 6- Toraja, Indonesia- Iron Ore blade with pamor. Horn handle with fine rattan wraps. Wood scabbard with silver or Swiss Silver ferrules. $150.00 Sword 7- Pedang- Indonesia. Iron Ore blade with pamor. Horn handle with intricate carved pattern, silver ferrule. $225.00 Blade is 23 inches long. Entire sword is 28.75 inches long. Sword 10- Barong- Southern Philippines. Elaborate wood handle with silver ferrule and acid etched blade. Wood scabbard with intricate carving, fine rattan wraps and mother of pearl inlay. $350.00 Sword 11- Hulu Tapa Guda Klewang- Sumatra. Long blade with partial bevel along the top. Horn handle. $300.00 Blade is 23.5 inches long, 1.3 inch thick. Sword is 29.5 inches long. Sword 12- Kampilan- Mindanao, Philippines. Very large and old sword with wood handle. Crocodile handle adorned with blond horse hair and brass or copper ferrules. Ferrules have intricate design. $400.00 Blade is 31 inches long, entire sword 41.5 inches long, a very long Kampilan. Sword 16 Sword 17 Swords 16 and 17- Tenegre – Panay, Philippines. Stylized wood handles with carving also on guard. One with brass ferrule the other with iron ferrule. Beveled blade. $550.00 each Sword 16 Sale Pending Blade 20.5 inches long. Sword is 27.5 inches long. Sword 17 Sale Pending Blade is 20 inches long x over 1 /3 inch thick, sword is 25.5 inches long Swords 18, 19, 20, 21- Tenegre / Binangon - Panay, Philippines. Stylized wooden handles with brass, bronze or iron ferrule. Sword 19 has leather and wood scabbard with brass/ bronze ferrules. Swords 20 and 21 have brass/ bronze D guards. Sword 21 blade is 22.5 inches long, sword is 27.25 inches long. Sword 18- SOLD Sword 19- $225.00 Sword 20- Not Available Sword 21- SOLD Sword 21 Sword 23. Sewar- Aceh, Sumatra. Wood scabbard with bone or ivory tipping. $125.00 Blade is 11 inches long, entire sewar 13.75 inches long. Sword 27 - Matching Silver Sewars- Sumatra Indonesia. Silver sheaths and handle. Intricately carved scabbard and handle. Note that the carving on the handle and scabbard are hollow. Handle of larger knife is very solid and has amethyst gem. $425.00 for the pair. Terms of Sale: USPS Money Order is preferred. Pay Pal accepted with an additional charge to cover the Pay Pal fees. Buyer pays shipping. .

Copy Link

Recommended publications

The European Bronze Age Sword……………………………………………….21
48-JLS-0069 The Virtual Armory Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by _____________________________ ____________________________ Patrick Feeney Jennifer Baulier _____________________________ Ian Fite February 18th 2013 Professor Jeffrey L. Forgeng. Major Advisor Keywords: Higgins Armory, Arms and Armor, QR Code 1 Abstract This project explored the potential of QR technology to provide interactive experiences at museums. The team developed content for selected objects at the Higgins Armory Museum. QR codes installed next to these artifacts allow visitors to access a variety of minigames and fact pages using their mobile devices. Facts for the object are selected randomly from a pool, making the experience different each time the code is scanned, and the pool adapts based on artifacts visited, personalizing the experience. 2 Contents Contents........................................................................................................................... 3 Figures..............................................................................................................................6 Introduction ……………………………………………......................................................... 9 Double Edged Swords In Europe………………………………………………………...21 The European Bronze Age Sword……………………………………………….21 Ancient edged weapons prior to the Bronze Age………………………..21 Uses of European Bronze Age swords, general trends, and common innovations
[Show full text]
Custom Welded Katana by Request
Custom Welded Katana By Request Two-a-penny Bobbie never season so unreflectingly or permeate any Yoko evil. Rhett retreading obviously as formable deciduate.Melvyn dishallows her reviewer snowball corruptibly. Terrance anthropomorphising her serum qualitatively, synecdochic and Nobody has ever none of swords this way. Battling Blades designs and sells swords, machetes, axes and knives. And japanese government is not custom welded katana by request a steel damascus was a cavalry, in a fair. Gw cycle world and european weapons that refers to be able courier service. What does knife today it would like to identify the shirasaya swords lack toughness is two custom welded katana by request a factory warranty or gold and subject to teach me when in a rapier is? Every item we sell is handmade and we hold some in stock. Searching custom welding and requests for by hammering, not those who look to request is destined to. Those studying with essence, originating in tijd, steel in its materials, and extremely easily from mild pronation control. The custom welded katana by request, by a request information! Thank you dear friend Daniel of Nebraska. Please note free time ask could you drill further questions. Template HKGGRN WAKIZASHI SAMURAI SWORD Description Wakizashi in Koshirae Mountings. We weld tests at the custom welded katana by request information for competitive price is used to be a new this is? The cost is irrelevant. After many swords are somewhat more carbon to view more like in appearance and marine and to wield a later date, fl on the history and discovered a first.
[Show full text]
Rules and Options
Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.).
[Show full text]
THE HISTORY of the RAPIER the Culture and Construction of the Renaissance Weapon
THE HISTORY OF THE RAPIER The Culture and Construction of the Renaissance Weapon An Interactive Qualifying Project Report Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science By Robert Correa Andrew Daudelin Mark Fitzgibbon Eric Ostrom 15 October 2013 Submitted to: Professor Diana A. Lados Mr. Tom H. Thomsen Abstract At the end of the Middle Ages, weapons began to be used not only on the battlefield, but for civilian use as well. The rapier became the essential self-defense weapon of the “Renaissance man.” This project explores the evolution and manufacture of the rapier through history. This cut-and-thrust sword was manufactured by artisans who had to develop new methods of crafting metal in order to make the thin, light blade both durable and ductile. To study this process, a rapier was constructed using classical methods. Upon the completion of the replica, its material properties were studied using a surface microscope. The project also included contributing to the WPI Arms and Armor website. ii Acknowledgements The authors would like to thank Professor Diana Lados and Mr. Tom Thomsen for creating the Evolution of Arms and Armor Interactive Qualifying Project. Their guidance and assistance were invaluable throughout the project experience. A huge thanks also to Josh Swalec and Ferromorphics Blacksmithing. The expertise of Mr. Swalec and others at Ferromorphics was key to learning smithing techniques and using them to construct a replica of a rapier in the Renaissance style. Mr. Swalec opened the doors of his shop to us and was welcoming every step of the way.
[Show full text]
Latest Japanese Sword Catalogue
! Antique Japanese Swords For Sale As of December 23, 2012 Tokyo, Japan The following pages contain descriptions of genuine antique Japanese swords currently available for ownership. Each sword can be legally owned and exported outside of Japan. Descriptions and availability are subject to change without notice. Please enquire for additional images and information on swords of interest to [email protected]. We look forward to assisting you. Pablo Kuntz Founder, unique japan Unique Japan, Fine Art Dealer Antiques license issued by Meguro City Tokyo, Japan (No.303291102398) Feel the history.™ uniquejapan.com ! Upcoming Sword Shows & Sales Events Full details: http://new.uniquejapan.com/events/ 2013 YOKOSUKA NEX SPRING BAZAAR April 13th & 14th, 2013 kitchen knives for sale YOKOTA YOSC SPRING BAZAAR April 20th & 21st, 2013 Japanese swords & kitchen knives for sale OKINAWA SWORD SHOW V April 27th & 28th, 2013 THE MAJOR SWORD SHOW IN OKINAWA KAMAKURA “GOLDEN WEEKEND” SWORD SHOW VII May 4th & 5th, 2013 THE MAJOR SWORD SHOW IN KAMAKURA NEW EVENTS ARE BEING ADDED FREQUENTLY. PLEASE CHECK OUR EVENTS PAGE FOR UPDATES. WE LOOK FORWARD TO SERVING YOU. Feel the history.™ uniquejapan.com ! Index of Japanese Swords for Sale # SWORDSMITH & TYPE CM CERTIFICATE ERA / PERIOD PRICE 1 A SADAHIDE GUNTO 68.0 NTHK Kanteisho 12th Showa (1937) ¥510,000 2 A KANETSUGU KATANA 73.0 NTHK Kanteisho Gendaito (~1940) ¥495,000 3 A KOREKAZU KATANA 68.7 Tokubetsu Hozon Shoho (1644~1648) ¥3,200,000 4 A SUKESADA KATANA 63.3 Tokubetsu Kicho x 2 17th Eisho (1520) ¥2,400,000
[Show full text]
Seminar on Japanese Swords 7 February 2005
Tsurugi-Bashi Kendo Kai University of Cambridge Kendo Society Seminar on Japanese swords 7 February 2005 Revised proceedings Proceedings editor: Nicholas Taylor Copyright c Tsurugi Bashi 2005 http://www.cam.ac.uk/societies/kendo/ Table of Contents Preface FrankStajano....................................... ...............3 A visit to a sword polisher's workshop FrankStajano....................................... ...............4 The parts of the Japanese sword NeilHubbard........................................ ..............7 Katana and Kendo: Background and Reigi HyoWonKim.......................................... ...........9 Functional differences between European medieval and Japa- nese swords SabineBuchholz...................................... ............11 Manufacture of Japanese swords RichardBoothroyd..................................... ...........13 Zen and the Way of the Sword KristiinaJokinen................................... ...............15 Metallurgy and the Japanese Sword NicholasTaylor..................................... ..............17 2 Preface On a sunny morning in December 2004 I happened to pass by the British Museum and my attention was caught by an elegant black poster featuring a beautiful Japanese sword blade. I immediately went in and was delighted at the chance to admire a won- derful exhibition of the Museum’s magniﬁcent collection of about a hundred Japanese blades, all recently restored in Japan. Once back in Cambridge, I set out to organize a visit to the exhibition for members of our kendo dojo, Tsurugi-Bashi. Although, as one might expect, many of our kendoka have an interest in Japanese swords, none of us is really knowledgeable, let alone an expert or collector. We therefore needed some preparation and guidance in order fully to appreciate the visit. In the spirit of encouraging people to ﬁnd out more about the subject, I there- fore requested that members wishing to join the guided tour carry out a little research about some aspect of the Japanese sword, write it up as a short essay and present it to the others.
[Show full text]
UNRIVALED TURKISH SWORD with a UNIQUE DESIGN: “YATAGHAN” Prof
International Journal of Cultural Heritage Tarık Baykara http://iaras.org/iaras/journals/ijch UNRIVALED TURKISH SWORD WITH A UNIQUE DESIGN: “YATAGHAN” Prof. Dr. Tarık Baykara Dogus University Faculty of Engineering, Mechanical Engineering Department Istanbul-Türkiye [email protected] Abstract: “Yataghan”, a unique and unparalleled sword design with its inverse curved or concave shape blade could be traced through the history back to the kurgan culture of the Central Asian steppes dating to 2000-3000 BCE. Widely used during the Ottoman period in the Anatolian penninsula and in the Balkans, it was a traditional weapon used by janissaries-Ottoman infantry soldiers, levents-Ottoman marines and zeibecks-chivalrous gangs of the Aegean Region. The typical inverse curved shape was found in the Northern Ordos bronze blades of the Hunnic-Turkic heritage and evolution of the form can be traced through the ages into the final destination into the town of Yatagan located in southwest Turkey, greater city of Denizli and the town is still very famous for its blacksmithing. Therefore, the 5000 years old tradition could be followed for yataghans based on archeological excavations in the Northern Ordos Region, the Syberian steppes and the Inner Mongolia. A detailed investigation on the geometrical shapes and forms of both “yataghan” and “kinglu” blades (The Northern Ordos bronze blades) could reveal the evolutionary progress of these swords during the ages. Key Words: Yataghan, swords, yataghan blade, inverse blade, 1. Introduction yataghan sword as “Kulaklı (in Turkish)– Yatagan or Yataghan… “Yataghan” is Eared” (Figure 2). a widely known traditional Turkish sword with a unique and unparalleled design which is one Historically, curved shape swords are typical handed with an edge on concave/incurved blade Turkic invention dated back to years 400-500 and a short hilt without a guard.
[Show full text]
Slavery and Social Change in Early Modern Southeast Asia
215 Journal of Southeast Asian Studies, 38(2), pp 215–245 June 2007. Printed in the United Kingdom. E 2007 The National University of Singapore doi:10.1017/S0022463407000021 Fugitive women: Slavery and social change in early modern Southeast Asia Eric A. Jones Female slaves in VOC-controlled Southeast Asia did not fare well under a legal code which erected a firm partition between free and slave status. This codification imposed a rigid dichotomy for what had been fluid, abstract conceptions of social hierarchy, in effect silting up the flow of underclass mobility. At the same time, conventional relationships between master and slave shifted in the context of a changing economic climate. This article closely narrates the lives of several eighteenth-century female slaves who, left with increasingly fewer options in this new order, resorted to running away. One day in the early months of 1793 authorities in the Dutch colonial capital became suspicious when they noticed a man carrying what appeared to be a bloody axe (golok). When they approached him about the axe (which turned out only to have rust on the blade) they discovered that he was in fact a fugitive slave. The runaway, named Augusto van Sumbauwa, was apprehended and revealed to them a complex of safe houses and runaway accomplices. Augusto had been on the run with his girlfriend, Sapia van Sumbauwa, moving from safe house to safe house. These slaves were given Dutch- style ‘last names’ with ‘van’ implying their ethnicity or geographical origin. They had first rented a back room in the home of a ‘free non-Christian woman’ called Ma or Nyai Sauwa, partially in exchange for repairing her roof, and then moved to a large plantation mansion with other runaways.
[Show full text]
The Lhota Nagas
Ktljaca. 33eui ^ork BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND THE GIFT OF HENRY W. SAGE ..1891 T3*f; Cornell University Library DS 432.N3M63 ^ The Lhota Nagas / 3 1924 024 053 534 Cornell University Library The original of tliis bool< is in tlie Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924024053534 THE LHOTA NAGAS c*- MACMILLAN AND CO., Limitbd LONDON * BOMBAT - CALCUTTA ltiDRA3 • MELBOUENB THE MACMILLAN COMPANY H£W TORE • BOSTON • CHICAGO ' DALLAS SAN FRANCISCO THE MACMILLAN CO. OF CANADA, Ltd. TORONTO ^^^^^^^^^^ 1 THE LHOTA NAGAS BY J. P. MILLS, LC.S. WITH AN INTRODUCTION AND SUPPLEMENTARY NOTES BY J. H. HUTTON, CLE. HON, DIRECTOR OF ETHNOGRAPHY, ASSAM Published hy direction of the Government of Assam MACMILLAN AND CO., LIMITED ST. MARTIN'S STREET, LONDON 1922 p/5-^ COPYRIGHT tri..K FEINTED IN GEEAT BHITAIN PREFACE I HAVE attempted in this monograph to give some account of the Lhota Nagas, a tribe whose dour attitude towards inquirers has caused them to be somewhat neglected in the past. Boasting no great knowledge of anthropology, I have avoided theories and confined myself to facts. During some three years' residence at Mokokchung as Assistant Com- missioner I have had considerable opportunity of becoming acquainted with the habits and customs of this tribe, many individual members of which are now my personal friends. The generosity of the Assam Government has made the publication of this monograph possible, and my thanks are due to my many friends who have assisted me in the preparation of it.
[Show full text]
FILIPINO MARTIAL ARTS the Filipino Martial Arts
Ronald A. Harris, Ph.D. FILIPINO MARTIAL ARTS The Filipino martial arts (FMA) can be called Filipino fencing, because they are methods of personal armed combat that emphasize skills in weaponry over skills in empty hands. Unarmed combat is practiced in FMA, but is traditionally studied after weaponry. This training sequence sets FMA apart from other martial arts that initiate with empty hands. Armed combat is known as Arnis, Eskrima (fencing, Spanish), and Kali. Arnis derives from the Spanish arnes meaning armor. It also comes from “harness,” referring to the battle harness worn by Filipino soldiers under Spanish command. Arnis-de-mano means “harness of hand”, referring to deft hand movements of Filipino grooms for Spanish officers. These lightning fast hand movements were native martial arts techniques in disguise. Forbidden by the Spanish to practice martial arts, defiant Filipinos retained their fighting skills in secret by hiding them in dance forms called Santikan, Sayaw, and Moro-Moro. Other etymologies have been suggested for the names of the various Filipino arts. Dueling an opponent is “to skirmish”. The Spanish term Esgrima is in the Pilipino language. Kali might be named after the Hindu Goddess of c:\mars\clio\fma 1 Ronald A. Harris, Ph.D. Destruction. Dan Inosanto says Kali is the conjunction of the first syllables of two words from the Philippine Islands Visayan language--kamot meaning “hand” and lihok meaning “motion”. Thus, Kali means “hand motion”. An etymology of the Pilipino language indicates otherwise. In the Hiligaynon dialect of the Western Visayas, the term kali means “to dig”, as with a shovel (pala).
[Show full text]
Sample File Gladius: Double-Edged Sword of Roman Design Between 65 and 70 Cm Long
he sword has been an iconic weapon in role-playing games from the earliest days. Who Thasn’t played a game where at least one player played a character wielding a mighty sword — be it a simple longsword, heavy bastard sword, versatile short sword, massive two-handed sword, or dextrous rapier? Swords, in their many flavors and varieties have filled the pages of role-playing games, fantasy books, and other writings for generations. But when you play your games, whether set in far off fantasy lands or in Norman England, do your swords all look alike? What sets one longsword apart from another? Sure, they all do the same amount of damage, but what makes them special? Swords have been around in human history since the Bronze Age, or maybe even earlier. They reached their height of variety and versatility in the European Middle Ages and have found a place among the armies of the world, stretching across Europe, Africa, and Asia. In basic terms, a sword is a bladed (edged) weapon used for cutting and thrusting. The exact definition, style, and name depends on which age of history you are examining and the culture that created the weapon. From saifs, daos, khopesh, katanas, spatha, talwar, and Viking swords to Norman Longswords, Zweihanders, scimitars, rapiers, epee, and cavalry sabers, swords have found a place in our history. These weapons were all designed to meet a specific need for the wielder - whether functional or emotional or both. From purely utilitarian functionality to great works of art, swords run the gamut of form and function, which is probably why they are so important in role-playing games.
[Show full text]
Traditional Slingshot Weapon
Page 1 Page 2 Nopriyasman and Syafrizal: The History of Traditional Weapons Slingshot in Minangkabau ii ` Page 3 Nopriyasman and Syafrizal: The History of Traditional Weapons Slingshot in Minangkabau FOREWORD Alhamdulillah, praise and thanks to Allah SWT for the successful completion of research and book writing this, which was entitled “History of Traditional Weapons Umban Rope in Minangkabau". Honestly, a lot of obstacles that the authors face in conducting research on the existence of the sling in a past life Minangkabau people in West Sumatra. Difficulty The first is related to the search for written sources about use of the sling in society, very few books a book that alludes to talk of the sling, even if there is, the discussion is only about one paragraph. The source of the writing was obtained from Dutch writers and writers Indonesia, which is generally related to history war, especially traditional war traditions or nagari wars, and priest war. The second difficulty relates to oral sources, it turns out that there are very few people in West Sumatra today who knows about the traditional slingshot weapon. There have been enough people the writer/researcher has met for conducted an interview about the sling, but at the beginning their conversation immediately admitted that they did not know about sling. The informants who were successfully interviewed by the writer were people who can use traditional weapons slingshot, but most of them can't make it. Information about the use of the sling they put forward related to agricultural interests. The sling became a weapon for farmers to repel monkeys, pigs, and humans disturbing the farm site they.
[Show full text]