DOCSLIB.ORG

Ocdpcn 616/2019

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ocdpcn 616/2019 DECRETO DEL C.D. n. 47 del 05 ottobre 2020 - ALLEGATO 1 O.C.D.P.C. N. 616/2019 - ECCEZIONALI EVENTI METEOROLOGICI VERIFICATISI A PARTIRE DAL GIORNO 12 NOVEMBRE 2019 NEL TERRITORIO DEL COMUNE DI VENEZIA Contributi per l’immediato sostegno alla popolazione – PRIVATI - art. 25, comma 2, lettera c), Decreto legislativo 2 gennaio 2018, n. 1 QUADRO RIEPILOGATIVO SOGGETTI AMMESSI AL CONTRIBUTO – TREDICESIMO STRALCIO – ELENCO DEI CONTRIBUTI LIQUIDABILI A FAVORE DI PRIVATI LEGENDA: Indennizzi assicurativi quantificati: N=non quantificato Liquidazione Totale o Parziale del contributo richiesto: P=parziale; T=totale. Rendicontato Liquidazione ammissibile al netto Totale o CONTRIBUTO GENERALITÀ RENDICONTAZIONE Parziale del degli indennizzi contributo EROGABILE (A-B) richiesto Costi effettivamente sostenuti, Indennizzi assicurativi Numeraz. Numero Protocollo Nominativo del dichiarante Indirizzo unità immobiliare interessata documentati, ammissibili alla data quantificati elenco domanda (COGNOME – NOME) dall’evento del Decreto (B) (A) DORSODURO 1011, DORSODURO, S. 1 40 SALVATORELLI LAURA POLO, S. CROCE, GIUDECCA, SACCA € 3.379,00 N € 3.379,00 T € 3.379,00 FISOLA DORSODURO 3364, DORSODURO, S. 2 49 ZAVAGNO MARINO POLO, S. CROCE, GIUDECCA, SACCA € 1.679,00 N € 1.679,00 T € 1.679,00 FISOLA SAN POLO 2297, DORSODURO, S. POLO, 3 51 BOATTO FIORENZA € 3.566,20 N € 3.566,20 P € 3.566,20 S. CROCE, GIUDECCA, SACCA FISOLA GIUDECCA 68, BURANO, MAZZORBO, 4 152 CALCHERA MAURIZIO € 4.357,00 N € 4.357,00 T € 4.357,00 TORCELLO SAN POLO 3085, DORSODURO, S. POLO, 5 514 VISENTIN CARLA € 915,00 N € 915,00 T € 915,00 S. CROCE, GIUDECCA, SACCA FISOLA SAN POLO 1952 (DORSODURO, S. POLO, 6 622 BHOGWADE HARISC € 3.966,00 N € 3.966,00 P € 3.966,00 S. CROCE, GIUDECCA, SACCA FISOLA) VIA JACOPO DE CAVALLI 5, LIDO, 7 636 SALVAGNO ANDREA € 3.245,00 N € 3.245,00 P € 3.245,00 MALAMOCCO, ALBERONI PELLESTRINA 388/G (PELLESTRINA, S. 8 761 SCARPA VANNI € 514,84 N € 514,84 T € 514,84 PIETRO IN VOLTA) VIA PAOLO ERIZZO 9/A, LIDO, 9 792 RUFFINI BRUNA € 834,05 N € 834,05 T € 834,05 MALAMOCCO, ALBERONI SAN POLO 2897, DORSODURO, S. POLO, 10 1034 ALDO POMARICI € 544,00 N € 544,00 P € 544,00 S. CROCE, GIUDECCA, SACCA FISOLA CANNAREGIO 4698, S. MARCO, 11 1091 FASOLATO JACOPO € 176,39 N € 176,39 T € 176,39 CASTELLO, S. ELENA, CANNAREGIO CANNAREGIO 4015, S. MARCO, 12 1113 BERTO ALESSANDRO € 1.950,00 N € 1.950,00 T € 1.950,00 CASTELLO, S. ELENA, CANNAREGIO PELLESTRINA 382, PELLESTRINA, S. 13 1399 VIANELLO GIUSEPPINA € 4.182,67 N € 4.182,67 P € 4.182,67 PIETRO IN VOLTA CASTELLO 895 (S. MARCO, CASTELLO, S. 14 1410 ALBANO ANNA MARIA € 2.654,85 N € 2.654,85 P € 2.654,85 ELENA, CANNAREGIO) SANTA CROCE 1941 (DORSODURO, S. 15 1716 FAGHERAZZI BRUNA POLO, S. CROCE, GIUDECCA, SACCA € 3.928,00 N € 3.928,00 P € 3.928,00 FISOLA) PELLESTRINA 1019 (PELLESTRINA, S. 16 2020 CINZIO GAVAGNIN € 1.969,00 N € 1.969,00 P € 1.969,00 PIETRO IN VOLTA) Commissario Delegato ex OCDPC n. 616/2019 Data: 05/10/2020, PG/2020/0002336 DECRETO DEL C.D. n. 47 del 05 ottobre 2020 - ALLEGATO 1 FONDAMENTA SEBASTIANO VENIER 23 17 2114 DALLA VENEZIA WILMA € 1.702,06 N € 1.702,06 T € 1.702,06 (MURANO, S. ERASMO) CANNAREGIO 5432 (S. MARCO, 18 2129 CONTE IRENE € 366,45 N € 366,45 P € 366,45 CASTELLO, S. ELENA, CANNAREGIO) CAMPO SAN BERNARDO 25 (MURANO, 19 2140 ALBERTI MANOLA € 1.341,00 N € 1.341,00 T € 1.341,00 S. ERASMO) SANTA CROCE 1771 (DORSODURO, S. 20 2279 PASINETTI ALESSANDRO POLO, S. CROCE, GIUDECCA, SACCA € 4.600,00 N € 4.600,00 T € 4.600,00 FISOLA) SAN PIETRO IN VOLTA 366 21 2280 BALLARIN ALESSANDRO € 3.346,32 N € 3.346,32 T € 3.346,32 (PELLESTRINA, S. PIETRO IN VOLTA) SAN POLO 1943 (DORSODURO, S. POLO, 22 2335 GARAY YAURI RUDY FERNANDO € 3.875,75 N € 3.875,75 P € 3.875,75 S. CROCE, GIUDECCA, SACCA FISOLA) CANNAREGIO 5998 (S. MARCO, 23 2478 DE PREZZO ELENA € 929,00 N € 929,00 T € 929,00 CASTELLO, S. ELENA, CANNAREGIO) PELLESTRINA 397/E (PELLESTRINA, S. 24 2571 ZENNARO GIOVANNI € 3.046,80 N € 3.046,80 T € 3.046,80 PIETRO IN VOLTA) PELLESTRINA 392 (PELLESTRINA, S. 25 2655 TOSETTO VINCENZO € 4.976,66 N € 4.976,66 T € 4.976,66 PIETRO IN VOLTA) SAN MARCO 3849 (S. MARCO, 26 2693 TORESIN PIETRO € 979,00 N € 979,00 T € 979,00 CASTELLO, S. ELENA, CANNAREGIO) DORSODURO 3707 (DORSODURO, S. 27 2739 ZANCHI CRISTINA POLO, S. CROCE, GIUDECCA, SACCA € 2.007,60 N € 2.007,60 T € 2.007,60 FISOLA) PELLESTRINA 251 (PELLESTRINA, S. 28 2742 VIANELLO LUCA € 3.393,00 N € 3.393,00 T € 3.393,00 PIETRO IN VOLTA) SANTA CROCE 594 (DORSODURO, S. 29 2890 GIUSTINIANI FRANCESCA POLO, S. CROCE, GIUDECCA, SACCA € 5.000,00 N € 5.000,00 T € 5.000,00 FISOLA) CANNAREGIO 3156 (S. MARCO, 30 2983 LANARO MARIA € 4.977,99 N € 4.977,99 T € 4.977,99 CASTELLO, S. ELENA, CANNAREGIO) DORSODURO 3738 (DORSODURO, S. 31 3050 RAKTHONGTHAI NIT POLO, S. CROCE, GIUDECCA, SACCA € 1.202,00 N € 1.202,00 T € 1.202,00 FISOLA) PELLESTRINA 254 (PELLESTRINA, S. 32 3093 VIANELLO FRANCESCO € 4.999,00 N € 4.999,00 T € 4.999,00 PIETRO IN VOLTA) DORSODURO 1850 (DORSODURO, S. 33 3100 ZUCCHETTA ALBA POLO, S. CROCE, GIUDECCA, SACCA € 2.113,39 N € 2.113,39 T € 2.113,39 FISOLA) CANNAREGIO 4084 (S. MARCO, 34 3241 SEGALIN SERGIO € 3.134,00 N € 3.134,00 P € 3.134,00 CASTELLO, S. ELENA, CANNAREGIO) PELLESTRINA 1189 (PELLESTRINA, S. 35 3285 VIANELLO CRISTINA € 4.796,75 N € 4.796,75 T € 4.796,75 PIETRO IN VOLTA) PELLESTRINA 675 (PELLESTRINA, S. 36 3296 GIADA ADELINO € 1.310,40 N € 1.310,40 T € 1.310,40 PIETRO IN VOLTA) CANNAREGIO 100 (S. MARCO, CASTELLO, 37 3385 LIZZA GUGLIELMINA € 349,01 N € 349,01 T € 349,01 S. ELENA, CANNAREGIO) SANTA CROCE 638 (DORSODURO, S. 38 3650 GATTO PAOLO POLO, S. CROCE, GIUDECCA, SACCA € 5.000,00 N € 5.000,00 T € 5.000,00 FISOLA) PELLESTRINA 1024/C (PELLESTRINA, S. 39 3653 VIANELLO ISABELLA € 2.258,08 N € 2.258,08 P € 2.258,08 PIETRO IN VOLTA) 40 3661 LAMBERTI MILLI' FONDAMENTA DEI VETRAI 96/A € 5.000,00 N € 5.000,00 T € 5.000,00 Commissario Delegato ex OCDPC n. 616/2019 Data: 05/10/2020, PG/2020/0002336 DECRETO DEL C.D. n. 47 del 05 ottobre 2020 - ALLEGATO 1 (MURANO, S. ERASMO) DORSODURO 604 (DORSODURO, S. 41 3675 SPINA ARIANNA POLO, S. CROCE, GIUDECCA, SACCA € 2.738,37 N € 2.738,37 P € 2.738,37 FISOLA) DORSODURO 1899 (DORSODURO, S. 42 3757 BARETTA GIAMPIETRO POLO, S. CROCE, GIUDECCA, SACCA € 469,00 N € 469,00 T € 469,00 FISOLA) CASTELLO 3022 (S. MARCO, CASTELLO, S. 43 3885 STOLYAR PETRO € 1.612,50 N € 1.612,50 P € 1.612,50 ELENA, CANNAREGIO) CASTELLO 3765 (S. MARCO, CASTELLO, S. 44 3936 GRIEB STEFANO € 600,00 N € 600,00 T € 600,00 ELENA, CANNAREGIO) VIA LAZZARO MOCENIGO 4 (LIDO, 45 3952 ALLEGRI ELENA € 656,00 N € 656,00 T € 656,00 MALAMOCCO, ALBERONI) GIUDECCA 1 (DORSODURO, S. POLO, S. 46 4094 RIZZO FRANCESCA € 1.139,60 N € 1.139,60 P € 1.139,60 CROCE, GIUDECCA, SACCA FISOLA) SAN MAURO 17 (BURANO, MAZZORBO, 47 4096 GARBO SARA € 2.407,68 N € 2.407,68 P € 2.407,68 TORCELLO) PELLESTRINA 726 (PELLESTRINA, S. 48 4269 SCARPA VALERIO € 1.503,60 N € 1.503,60 T € 1.503,60 PIETRO IN VOLTA) CASTELLO 5313 (S. MARCO, CASTELLO, S. 49 4290 BELLATI MANFREDI € 4.391,00 N € 4.391,00 T € 4.391,00 ELENA, CANNAREGIO) DORSODURO 2629 (DORSODURO, S. 50 4308 PUPPA PAOLO POLO, S. CROCE, GIUDECCA, SACCA € 1.199,30 N € 1.199,30 T € 1.199,30 FISOLA) VIA JACOPO DE CAVALLI 12 (LIDO, 51 4331 SABBADIN FABIO € 4.977,71 N € 4.977,71 T € 4.977,71 MALAMOCCO, ALBERONI) PELLESTRINA 1 (PELLESTRINA, S. PIETRO 52 4347 BIGON GIOVANNA € 591,00 N € 591,00 T € 591,00 IN VOLTA) FONDAMENTA ANDREA NAVAGERO 47/ 53 4489 NORIO AGNESE € 1.959,76 N € 1.959,76 P € 1.959,76 C (MURANO, S. ERASMO) 54 4531 TRAMBAIOLI ENRICO VIA SERNAGLIA 10/A (MESTRE CENTRO) € 2.093,52 N € 2.093,52 T € 2.093,52 PELLESTRINA 611 (PELLESTRINA, S. 55 4562 VIANELLO VITTORIA € 5.000,00 N € 5.000,00 T € 5.000,00 PIETRO IN VOLTA) PELLESTRINA 1175 (PELLESTRINA, S. 56 4579 VIANELLO ANTONIA € 2.000,00 N € 2.000,00 T € 2.000,00 PIETRO IN VOLTA) SANTA CROCE 1976 (DORSODURO, S. 57 4653 ROSSI VALENTINA POLO, S. CROCE, GIUDECCA, SACCA € 4.708,00 N € 4.708,00 T € 4.708,00 FISOLA) CANNAREGIO 1076/E (S. MARCO, 58 4655 VIO FABIO € 2.354,00 N € 2.354,00 T € 2.354,00 CASTELLO, S. ELENA, CANNAREGIO) PELLESTRINA 746 (PELLESTRINA, S. 59 4688 COLLA ANNALISA € 4.031,00 N € 4.031,00 T € 4.031,00 PIETRO IN VOLTA) PELLESTRINA 283 (PELLESTRINA, S. 60 4810 BUSETTO NATALINA € 4.039,00 N € 4.039,00 T € 4.039,00 PIETRO IN VOLTA) DORSODURO 70 (DORSODURO, S. POLO, 61 4839 BONAVENTURA PAOLA € 3.558,60 N € 3.558,60 T € 3.558,60 S. CROCE, GIUDECCA, SACCA FISOLA) PELLESTRINA 222 (PELLESTRINA, S. 62 4842 VIANELLO MIRCO € 1.188,00 N € 1.188,00 T € 1.188,00 PIETRO IN VOLTA) CANNAREGIO 5580 (S.
Load more

Recommended publications
  • Programma Del Festival Delle Arti 2016
    1 CAMPO VAPORETTO Fermata Sacca Fisola Spazi Derive e nuovi approdi 2 CENTRO XXV APRILE Calle del Teatro 1, Sacca Fisola 3 GIUDECCA 795 ART GALLERY In un contesto difficile e distratto, il tema della settima edizione del Fondamenta S. Biagio 795 Festival delle Arti vuole essere un invito a salpare verso destinazioni 4 FONDAMENTA S. BIAGIO sconosciute e imprevedibili, usando la “deriva” psicogeografica come 5 AREA “CASETTE” pratica estetica di lettura di un territorio urbano in continua 6 CAMPO S. COSMO trasformazione. 7 EX CONVENTO SS. COSMA E DAMIANO Abbiamo invitato gli artisti a rapportarsi con lo spazio pubblico di Campo S. Cosmo 620/A Giudecca e Sacca Fisola con percorsi sino ad ora inesplorati, per 8 ASS. IL CENTRO DELLA LUCE DORATA sorprendersi, avere nuove visioni, aggiungervi dimensione ed Corte Nova 633 emozione, capirne le peculiarità, lasciandosi ispirare per opere 9 FONDAMENTA S. EUFEMIA Come raggiungerci Porticato della Chiesa inedite. 10 XFRAME STUDIO I partecipanti potranno misurare le proprie gesta performative con Fermate dei mezzi di trasporto pubblico Actv: Sacca Fisola, Palanca, Redentore, Zitelle Fondamenta S. Eufemia 673 l'aperto di corti e fondamenta, il percorribile di calli e callette, il > linea 2 e 4.1 da Ferrovia e da P.le Roma (parcheggio auto) direz. S.Zaccaria 11 FONDAMENTA S. EUFEMIA e CALLE DEL PISTOR navigabile di canali e lagune, lo scavalcabile dei muri e l’elevabile > linea 2 da Tronchetto (parcheggio auto) direzione S. Zaccaria 12 PATRONATO DON BOSCO delle altane. > linea 2 da Zattere direzione S. Zaccaria Calle lunga de l’Accademia dei Nobili 618 > linea 2 e 4.2 da S.
    [Show full text]
  • Do the Adaptations of Venice and Miami to Sea Level Rise Offer Lessons for Other Vulnerable Coastal Cities?
    Environmental Management https://doi.org/10.1007/s00267-019-01198-z Do the Adaptations of Venice and Miami to Sea Level Rise Offer Lessons for Other Vulnerable Coastal Cities? 1 2 3 Emanuela Molinaroli ● Stefano Guerzoni ● Daniel Suman Received: 5 February 2019 / Accepted: 29 July 2019 © Springer Science+Business Media, LLC, part of Springer Nature 2019 Abstract Both Venice and Miami are high-density coastal cities that are extremely vulnerable to rising sea levels and climate change. Aside from their sea-level location, they are both characterized by large populations, valuable infrastructure and real estate, and economic dependence on tourism, as well as the availability of advanced scientific data and technological expertize. Yet their responses have been quite different. We examine the biophysical environments of the two cities, as well as their socio- economic features, administrative arrangements vulnerabilities, and responses to sea level rise and flooding. Our study uses a qualitative approach to illustrate how adaptation policies have emerged in these two coastal cities. Based on this information, we critically compare the different adaptive responses of Venice and Miami and suggest what each city may learn from the 1234567890();,: 1234567890();,: other, as well as offer lessons for other vulnerable coastal cities. In the two cases presented here it would seem that adaptation to SLR has not yet led to a reformulation of the problem or a structural transformation of the relevant institutions. Decision-makers must address the complex issue of rising seas with a combination of scientific knowledge, socio-economic expertize, and good governance. In this regard, the “hi-tech” approach of Venice has generated problems of its own (as did the flood control projects in South Florida over half a century ago), while the increasing public mobilization in Miami appears more promising.
    [Show full text]
  • ART HISTORY of VENICE HA-590I (Sec
    Gentile Bellini, Procession in Saint Mark’s Square, oil on canvas, 1496. Gallerie dell’Accademia, Venice ART HISTORY OF VENICE HA-590I (sec. 01– undergraduate; sec. 02– graduate) 3 credits, Summer 2016 Pratt in Venice––Pratt Institute INSTRUCTOR Joseph Kopta, [email protected] (preferred); [email protected] Direct phone in Italy: (+39) 339 16 11 818 Office hours: on-site in Venice immediately before or after class, or by appointment COURSE DESCRIPTION On-site study of mosaics, painting, architecture, and sculpture of Venice is the primary purpose of this course. Classes held on site alternate with lectures and discussions that place material in its art historical context. Students explore Byzantine, Gothic, Renaissance, Baroque examples at many locations that show in one place the rich visual materials of all these periods, as well as materials and works acquired through conquest or collection. Students will carry out visually- and historically-based assignments in Venice. Upon return, undergraduates complete a paper based on site study, and graduate students submit a paper researched in Venice. The Marciana and Querini Stampalia libraries are available to all students, and those doing graduate work also have access to the Cini Foundation Library. Class meetings (refer to calendar) include lectures at the Università Internazionale dell’ Arte (UIA) and on-site visits to churches, architectural landmarks, and museums of Venice. TEXTS • Deborah Howard, Architectural History of Venice, reprint (New Haven and London: Yale University Press, 2003). [Recommended for purchase prior to departure as this book is generally unavailable in Venice; several copies are available in the Pratt in Venice Library at UIA] • David Chambers and Brian Pullan, with Jennifer Fletcher, eds., Venice: A Documentary History, 1450– 1630 (Toronto: University of Toronto Press, 2001).
    [Show full text]
  • Artist Melissa Mcgill Launches Large-Scale Public Art Project On
    Artist Melissa McGill Launches Large-Scale Public Art Project on Venice’s Lagoon and Canals Choreographing Fleet of Historic Sailboats in Series of Regattas from May through November Created with the Associazione Vela al Terzo Venezia and Magazzino Italian Art Foundation, Red Regatta Celebrates Local Maritime History and Calls Attention to the Fragile Balance Between City of Venice and the Sea Project Commences with Artist Talk and Community Open House (May 8) and Preview Regatta (May 11), with Additional Performances Coinciding with Annual Regata Storica and Regata di Burano Venice, Italy – May 6, 2019 – From May through November, artist Melissa McGill is choreographing a series of large-scale regattas across Venice’s lagoon and canals in a major public art project that celebrates the city’s maritime history and calls attention to the forces of climate change and mass tourism that threaten its future. Unfolding in multiple parts, Red Regatta fills Venice’s waterways with 52 traditional vela al terzo sailboats, hoisted with hand-painted red sails. Bringing together over 250 local partners, Red Regatta is co-organized by Magazzino Italian Art Foundation, presented in collaboration with Associazione Vela al Terzo Venezia, and curated by Chiara Spangaro and project manager Marcella Ferrari. Red Regatta commences on May 8 with an artist talk and community open house at Ocean Space and a preview regatta on May 11 on the northern lagoon at Fondamente Nove. Additional regattas will sail at various points throughout the duration of Venice’s Biennale until November, including during the annual Regata Storica in the Bacino di San Marco and the Regata di Burano in September.
    [Show full text]
  • Project of Territorial Governance of Tourism in Venice
    Project of territorial governance of tourism in Venice Project of territorial governance of tourism in Venice 2 Project of territorial governance of tourism in Venice Table of Contents FOREWORD.............................................................................................................................................................7 FIRST PART:...........................................................................................................................................................11 THE START OF A PARTICIPATORY ROUTE.................................................................................................................11 1. The functions of tourism and the regulatory framework...............................................................................13 2. Tourism in Venice..........................................................................................................................................15 3. The resident population................................................................................................................................22 4. The stages of the participatory route.............................................................................................................25 5. Principal mission statements of the projects presented and adopted by the Technical Working Group..........27 SECOND PART:.......................................................................................................................................................43 OPERATIONAL
    [Show full text]
  • Local Attractions (PDF)
    Local Attractions Walking Tour of Giudecca Originally called “Spina Longa” due to its fishbone-like shape, the Giudecca is the largest and closest island to Venice, from which it is separated by the broad and deep Giudecca Canal, in ancient times known as Canale Vigano. You can follow Venice’s Official City Pass Walking Tour Guide for more information. Website: https://www.veneziaunica.it/en/content/island-giudecca Free Walking Tour of Venice (1-6 people maximum) Venice is one of the most crowded touristic cities, but only in some specific areas. With your pocket guide you risk to spend your day in masses of people, probably losing the best what the city has to offer. Participating in this tour will give you an opportunity to see Venice with the eyes of the insider including many useful tips about local life, food and drinks Website: http://venicefreewalkingtour.com/ Walking Tour of Piazza San Marco Piazza San Marco is the main square in Venice. This is a place that enriched the cultural, social and economic life of Venice in the course of its history. The square is the host of the famous Venice landmarks as the Doge's Palace, Basilica San Marco and the Procuratie. Piazza San Marco is always full of people and pigeons. Website: https://www.gpsmycity.com/tours/piazza-san-marco-walking-tour-1843.html Visit Saint Mark's Basilica Saint Mark's Basilica (Italian: Basilica di San Marco; Venetian: Baxéłega de San Marco), is the cathedral church of the Roman Catholic Archdiocese of Venice, northern Italy. It is the most famous of the city's churches and one of the best known examples of Italo-Byzantine architecture.
    [Show full text]
  • And Visualizing Venice: Scaling up Digital Art History Kristin Huffman Lanzoni Duke University, [email protected]
    Artl@s Bulletin Volume 4 Article 3 Issue 1 Spatial (Digital) Art History 2015 Wired! and Visualizing Venice: Scaling up Digital Art History Kristin Huffman Lanzoni Duke University, [email protected] Mark James-Vrooman Olson Duke University, [email protected] Victoria E. Szabo Duke University, [email protected] Follow this and additional works at: http://docs.lib.purdue.edu/artlas Part of the Architecture Commons, and the Arts and Humanities Commons Recommended Citation Lanzoni, Kristin Huffman; Mark James-Vrooman Olson; and Victoria E. Szabo. "Wired! and Visualizing Venice: Scaling up Digital Art History." Artl@s Bulletin 4, no. 1 (2015): Article 3. This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. This is an Open Access journal. This means that it uses a funding model that does not charge readers or their institutions for access. Readers may freely read, download, copy, distribute, print, search, or link to the full texts of articles. This journal is covered under the CC BY-NC-ND license. Wired! and Visualizing Venice: Scaling up Digital Art History Cover Page Footnote This paper represents one aspect of a larger collaborative initiative, Visualizing Venice. This multi-institutional project developed since 2010 by University Iuav of Venice, Duke University, University of Padua and Nesting scrl of Venice, shows how urban space evolves over time using a common repository of shared information and digital tools to visualize our research data. This article is available in Artl@s Bulletin: http://docs.lib.purdue.edu/artlas/vol4/iss1/3 Spatial (Digital) Art History Wired! and Visualizing Venice: Scaling up Digital Art History Kristin Huffman Lanzoni* Mark J.V.
    [Show full text]
  • Veneziaterreing.Pdf
    ACCESS SCORZÉ NOALE MARCO POLO AIRPORT - Tessera SALZANO S. MARIA DECUMANO QUARTO PORTEGRANDI DI SALA D'ALTINO SPINEA MIRANO MMEESSTTRREE Aeroporto Marco Polo SANTA LUCIA RAILWa AY STATION - Venice MARGHERA ezia TORCELLO Padova-Ven BURANO autostrada S.GIULIANO DOLO MIRA MURANO MALCONTENTA STRÀ i ORIAGO WATER-BUS STATION FIESSO TREPORTI CAVALLINO D'ARTICO FUSINA VTP. - M. 103 for Venice PUNTA SABBIONI RIVIERA DEL BRENTA VENEZIA LIDO WATER-BUS STATION MALAMOCCO VTP - San Basilio ALBERONI z S. PIETRO IN VOLTA WATER-BUS STATION Riva 7 Martiri - Venice PORTOSECCO PELLESTRINA P PIAZZALE ROMA CAe R PARK - Venice P TRONCHETTO CAR PARK - Venice P INDUSTRIAL AREA Cn AR PARK - Marghera P RAILWAY-STATION CAR PARK - Mestre e P FUSINA CAR PARK - Mestre + P SAN GIULIANO CAR PARK - Mestre V P PUNTA SABBIONI CAR PARK - Cavallino The changing face of Venice The architect Frank O. Gehry has been • The Fusina terminal has been designed entrusted with developing what has been by A. Cecchetto.This terminal will be of SAVE, the company that has been run- • defined as a project for the new airport strategic importance as the port of entry ning Venice airport since 1987 is exten- marina. It comprises a series of facilities from the mainland to the lagoon and ding facilities to easily cope with the con- that are vital for the future development historical Venice. stant increase in traffic at Venice airport. of the airport, such as a hotel and an The new airport is able to process 6 mil- The new water-bus station has been desi- administration centre with meeting and • lion passengers a year.
    [Show full text]
  • VENICE CITY GUIDE “The Floating City
    VENICE CITY GUIDE “The Floating City,, Massari Travel Srl Via Vittorio Veneto 169 – 00187 Roma Tel +39-06-4821873 Fax: +39-06-4456602 Email: [email protected] Web: www.massari-travel.com VENICE Venice, Italy, is known by several names, one of which is the ‘Floating City’. This is due to the fact that the city of Venice consists of 118 small islands connected by numerous canals and bridges. Yet, the buildings in Venice were not built directly on the islands. Instead, they were built upon wooden platforms that were supported by wooden stakes driven into the ground. Tourist office & information In Venice there are plenty of tourist information offices visitors can turn to in order to learn about the tourist essentials of the city. The 7 offices run by the tourist authority of the province of Venice (namely, APT Venezia) are located both in Venice (the lagoon) and in its mainland surroundings, in key areas like San Marco, the airport or Piazzale Roma.Tourist Information Office at Piazza San Marco 041-5226356/5298730 . Tourist Information Office at the Santa Lucia Train Station in Venice 041-719078. Tourist Information Office on the Lido, at Viale Santa Maria Elisabetta, Gran Viale S.M. Elisabetta, 6/a, 041-5265721/5298720 Transportation If you are staying in Venice and the weather is nice, tour Venice on foot. Being located on a collection of islands in the middle of a lagoon, there are times where you will need to use water transportation to get from one place to another. Venice has a very efficient public transportation service run by the public company ACTV, based mainly on various sized "vaporetto" boats.
    [Show full text]
  • Cruise Planners
    Claire Maguire [email protected] www.islandgirltravelandvacations.com 570-209-7191 VENICE, ITALY OVERVIEW Introduction Venice, Italy, is romance: a bridge arching over a canal, a gondola gliding by, the moon reflecting off water. Venice is history: the Palazzo Ducale (Doge's Palace), Piazza San Marco, the Grand Canal, great art and great museums. Venice is modern: the headline names and paparazzi of the Venice Film Festival, the buzzing excitement of Carnival in the 10 days before Lent begins. Venice has a plethora of world-famous museums and artistic treasures. The Basilica di San Marco, with its spectacular Golden Altar; the Bridge of Sighs, where prisoners could enjoy one last glimpse of the beautiful city before entering the dark jail; the Gallerie dell'Accademia, with its collection of art of the 14th-18th centuries; the Peggy Guggenheim Collection of 20th-century art—the list is long. Pick and choose which places you'll visit in-depth, or just skim the surface and soak up the atmosphere. Venice is set on islands connected by bridges, with the Grand Canal as its main thoroughfare, and traffic moves by boats that range from the traditional gondolas to refuse barges. The absence of automobile noise means you can hear the laughter of children from your window, as well as footsteps seemingly just around the corner. But what makes Venice so unique also challenges its existence. The rising sea levels of global climate change threaten the city, and now, more often than in the past, high tides from the Adriatic Sea can flood whole sections of the city.
    [Show full text]
  • Palladio's Religious Architecture in Venice Katherine Fresina Louisiana State University and Agricultural and Mechanical College, [email protected]
    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2012 Palladio's religious architecture in Venice Katherine Fresina Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Fresina, Katherine, "Palladio's religious architecture in Venice" (2012). LSU Master's Theses. 3335. https://digitalcommons.lsu.edu/gradschool_theses/3335 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. PALLADIO’S RELIGIOUS ARCHITECTURE IN VENICE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts In The School of Art by Katherine Fresina B.ID. Louisiana State University, 2009 May 2012 Table of Contents ABSTRACT……………………………………………………………………………………………………………..iii CHAPTER 1 INTRODUCTION…………………………………………………………………………………………1 2 VENETIAN ARCHITECTURE………………………………………………………………………..5 3 PALLADIO’S LIFE……………………………………………………………………………………...18 4 SAN FRANCESCO DELLA VIGNA………………………………………………………………...30 5 SAN GIORGIO MAGGIORE…………………………………………………………………………..40 6 IL REDENTORE …………………………………………………………………………………………52 BIBLIOGRAPHY……………………………………………………………….………………………………..…….67
    [Show full text]
  • Stones of Venice: Targeting the Island Advantage in the Topological Representation of the City
    (Corner)stones of Venice: Targeting the Island Advantage in the Topological Representation of the City Roberto Casati1, 2, Magda Stanová2,3 , Stéphanie Roisin2 1Institut Jean Nicod CNRS EHESS-ENS, Paris, 2Università IUAV, Venice, 3San Francisco Art Institute, San Francisco Abstract: We investigate the spatial structure of Venice from the viewpoint of the pedestrian, distinguishing and taxonomizing various types of blocks, and contrasting blocks with islands. Pedestrians’ Venice has a shape that differs in interesting ways from that of Venice for the sailor. The duality of islands and blocks is introduced and discussed. An “island advantage” may bias the spatial representation of the structure of the city. We provide a tentative large scale block map of downtown Venice that points to some inferential advantages of a block representation. Keywords: maps, Venice, space representation, topology, island advantage 1 1. Islands and blocks The complexity of cities is a challenge for any modelling endeavour. There exist attempts at providing formal analyses (Blanchard and Volchenkov, 2009). Here we are interested in the interface between the underlying topological structure and the cognitive representation that could lead improving existing orientation artefacts. Our case study is Venice, which superpose a network of canals and a network of pedestrian paths. The complex spatial network of Venice is somewhat hard to master and represent, as many a non-native discovers when visiting the town; repeated visits provide some comfort, by improving both the mental representation and the ability to navigate, but a sense of disorientation remains. Graphical representations of the city (Guerra and Scarso, 1999), such as maps, are typically hard to decipher, and many are not even accurate at a level that matters for pedestrian navigation.
    [Show full text]