Directions to SGG6 from the Venice Airport
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Santa Fosca in Torcello and the Middle Byzantine Churches in Eastern Greece: Preliminary Comparison and Remarks on Common Features and Differences
Athens Journal of History January 2016 Santa Fosca in Torcello and the Middle Byzantine Churches in Eastern Greece: Preliminary Comparison and Remarks on Common Features and Differences By Antonella Manzo The main aim of this work is to critically examine Santa Fosca building period through the analysis of the similarities as well as the differences with some churches located in Greece and belonging to the so-called octagonal domed type. In fact, since the second half of the Nineteenth century a historiographical tradition has compared Santa Fosca with these Greek Middle-Byzantine churches, where eight supports, piers or columns, arranged in a regular or irregular octagon, receive the loads from the cupola. The comparison is based on the direct analysis of these buildings: the structural configuration, the constructive materials and techniques as well as the affinities in decoration, occurring both inside and outside, are under investigation. This contribution offers a new perspective, from which it could be possible to study the period of erection of the Venetian church, a topic that is still object of debate among the scientific community. Introduction Torcello is an island belonging to the Northern Venetian Laguna, which lives its golden age during the X-XI century AD: in his Administrando Imperio of 927 Constantine VII Porphyrogenitus defines Torcello as emporion mega, to testify the great importance of its intense trades with the Orient. The church of Santa Fosca is located on the island at the Southern side of the ancient Basilica of Santa Maria Assunta, whose origins date back to the inscription of 639 AD, discovered during the excavations of 1895. -
Programma Del Festival Delle Arti 2016
1 CAMPO VAPORETTO Fermata Sacca Fisola Spazi Derive e nuovi approdi 2 CENTRO XXV APRILE Calle del Teatro 1, Sacca Fisola 3 GIUDECCA 795 ART GALLERY In un contesto difficile e distratto, il tema della settima edizione del Fondamenta S. Biagio 795 Festival delle Arti vuole essere un invito a salpare verso destinazioni 4 FONDAMENTA S. BIAGIO sconosciute e imprevedibili, usando la “deriva” psicogeografica come 5 AREA “CASETTE” pratica estetica di lettura di un territorio urbano in continua 6 CAMPO S. COSMO trasformazione. 7 EX CONVENTO SS. COSMA E DAMIANO Abbiamo invitato gli artisti a rapportarsi con lo spazio pubblico di Campo S. Cosmo 620/A Giudecca e Sacca Fisola con percorsi sino ad ora inesplorati, per 8 ASS. IL CENTRO DELLA LUCE DORATA sorprendersi, avere nuove visioni, aggiungervi dimensione ed Corte Nova 633 emozione, capirne le peculiarità, lasciandosi ispirare per opere 9 FONDAMENTA S. EUFEMIA Come raggiungerci Porticato della Chiesa inedite. 10 XFRAME STUDIO I partecipanti potranno misurare le proprie gesta performative con Fermate dei mezzi di trasporto pubblico Actv: Sacca Fisola, Palanca, Redentore, Zitelle Fondamenta S. Eufemia 673 l'aperto di corti e fondamenta, il percorribile di calli e callette, il > linea 2 e 4.1 da Ferrovia e da P.le Roma (parcheggio auto) direz. S.Zaccaria 11 FONDAMENTA S. EUFEMIA e CALLE DEL PISTOR navigabile di canali e lagune, lo scavalcabile dei muri e l’elevabile > linea 2 da Tronchetto (parcheggio auto) direzione S. Zaccaria 12 PATRONATO DON BOSCO delle altane. > linea 2 da Zattere direzione S. Zaccaria Calle lunga de l’Accademia dei Nobili 618 > linea 2 e 4.2 da S. -
Do the Adaptations of Venice and Miami to Sea Level Rise Offer Lessons for Other Vulnerable Coastal Cities?
Environmental Management https://doi.org/10.1007/s00267-019-01198-z Do the Adaptations of Venice and Miami to Sea Level Rise Offer Lessons for Other Vulnerable Coastal Cities? 1 2 3 Emanuela Molinaroli ● Stefano Guerzoni ● Daniel Suman Received: 5 February 2019 / Accepted: 29 July 2019 © Springer Science+Business Media, LLC, part of Springer Nature 2019 Abstract Both Venice and Miami are high-density coastal cities that are extremely vulnerable to rising sea levels and climate change. Aside from their sea-level location, they are both characterized by large populations, valuable infrastructure and real estate, and economic dependence on tourism, as well as the availability of advanced scientific data and technological expertize. Yet their responses have been quite different. We examine the biophysical environments of the two cities, as well as their socio- economic features, administrative arrangements vulnerabilities, and responses to sea level rise and flooding. Our study uses a qualitative approach to illustrate how adaptation policies have emerged in these two coastal cities. Based on this information, we critically compare the different adaptive responses of Venice and Miami and suggest what each city may learn from the 1234567890();,: 1234567890();,: other, as well as offer lessons for other vulnerable coastal cities. In the two cases presented here it would seem that adaptation to SLR has not yet led to a reformulation of the problem or a structural transformation of the relevant institutions. Decision-makers must address the complex issue of rising seas with a combination of scientific knowledge, socio-economic expertize, and good governance. In this regard, the “hi-tech” approach of Venice has generated problems of its own (as did the flood control projects in South Florida over half a century ago), while the increasing public mobilization in Miami appears more promising. -
ART HISTORY of VENICE HA-590I (Sec
Gentile Bellini, Procession in Saint Mark’s Square, oil on canvas, 1496. Gallerie dell’Accademia, Venice ART HISTORY OF VENICE HA-590I (sec. 01– undergraduate; sec. 02– graduate) 3 credits, Summer 2016 Pratt in Venice––Pratt Institute INSTRUCTOR Joseph Kopta, [email protected] (preferred); [email protected] Direct phone in Italy: (+39) 339 16 11 818 Office hours: on-site in Venice immediately before or after class, or by appointment COURSE DESCRIPTION On-site study of mosaics, painting, architecture, and sculpture of Venice is the primary purpose of this course. Classes held on site alternate with lectures and discussions that place material in its art historical context. Students explore Byzantine, Gothic, Renaissance, Baroque examples at many locations that show in one place the rich visual materials of all these periods, as well as materials and works acquired through conquest or collection. Students will carry out visually- and historically-based assignments in Venice. Upon return, undergraduates complete a paper based on site study, and graduate students submit a paper researched in Venice. The Marciana and Querini Stampalia libraries are available to all students, and those doing graduate work also have access to the Cini Foundation Library. Class meetings (refer to calendar) include lectures at the Università Internazionale dell’ Arte (UIA) and on-site visits to churches, architectural landmarks, and museums of Venice. TEXTS • Deborah Howard, Architectural History of Venice, reprint (New Haven and London: Yale University Press, 2003). [Recommended for purchase prior to departure as this book is generally unavailable in Venice; several copies are available in the Pratt in Venice Library at UIA] • David Chambers and Brian Pullan, with Jennifer Fletcher, eds., Venice: A Documentary History, 1450– 1630 (Toronto: University of Toronto Press, 2001). -
Guide to Places of Interest
Guide to places of interest Lido di Jesolo - Venezia Cortina Oderzo Portogruaro Noventa di Piave Treviso San Donà di Piave Caorle Altino Eraclea Vicenza Jesolo Eraclea Mare Burano Cortellazzo Lido di Jesolo Dolo Venezia Verona Padova Cavallino Mira Cà Savio Chioggia Jesolo and the hinterland. 3 Cathedrals and Roman Abbeys . 10 Visits to markets Concordia Sagittaria, Summaga and San Donà di Piave Venice . 4 From the sea to Venice’s Lagoon . 11 St Mark’s Square, the Palazzo Ducale (Doge’s Palace) and the Caorle, Cortellazzo, Treporti and Lio Piccolo Rialto Bridge The Marchland of Treviso The Islands of the Lagoon . 5 and the city of Treviso . 12 Murano, Burano and Torcello Oderzo, Piazza dei Signori and the Shrine of the Madonna of Motta Verona and Lake Garda. 6 Padua . 13 Sirmione and the Grottoes of Catullo Scrovegni Chapel and Piazza delle Erbe (Square of Herbs) The Arena of Verona and Opera . 7 Vicenza . 14 Operatic music The Olympic Theatre and the Ponte Vecchio (Old Bridge) of Bas- sano del Grappa Cortina and the Dolomites . 8 The three peaks of Lavaredo and Lake Misurina Riviera del Brenta . 15 Villas and gardens The Coastlines . 9 Malamocco, Pellestrina, Chioggia 2 Noventa di Piave Treviso San Donà di Piave Eraclea Caorle Jesolo Eraclea Mare Lido di Jesolo Cortellazzo Cavallino Jesolo and the hinterland The lagoon with its northern appendage wends its way into the area of Jesolo between the river and the cultivated countryside. The large fishing valleys of the northern lagoon extend over an area that is waiting to be explored. Whatever your requirements, please discuss these with our staff who will be more than happy to help. -
Artist Melissa Mcgill Launches Large-Scale Public Art Project On
Artist Melissa McGill Launches Large-Scale Public Art Project on Venice’s Lagoon and Canals Choreographing Fleet of Historic Sailboats in Series of Regattas from May through November Created with the Associazione Vela al Terzo Venezia and Magazzino Italian Art Foundation, Red Regatta Celebrates Local Maritime History and Calls Attention to the Fragile Balance Between City of Venice and the Sea Project Commences with Artist Talk and Community Open House (May 8) and Preview Regatta (May 11), with Additional Performances Coinciding with Annual Regata Storica and Regata di Burano Venice, Italy – May 6, 2019 – From May through November, artist Melissa McGill is choreographing a series of large-scale regattas across Venice’s lagoon and canals in a major public art project that celebrates the city’s maritime history and calls attention to the forces of climate change and mass tourism that threaten its future. Unfolding in multiple parts, Red Regatta fills Venice’s waterways with 52 traditional vela al terzo sailboats, hoisted with hand-painted red sails. Bringing together over 250 local partners, Red Regatta is co-organized by Magazzino Italian Art Foundation, presented in collaboration with Associazione Vela al Terzo Venezia, and curated by Chiara Spangaro and project manager Marcella Ferrari. Red Regatta commences on May 8 with an artist talk and community open house at Ocean Space and a preview regatta on May 11 on the northern lagoon at Fondamente Nove. Additional regattas will sail at various points throughout the duration of Venice’s Biennale until November, including during the annual Regata Storica in the Bacino di San Marco and the Regata di Burano in September. -
1 Abbonamento Per Tutti I Mezzi, Tutti I Vantaggi Per Te
1 ABBONAMENTO PER TUTTI I MEZZI, TUTTI I VANTAGGI PER TE L’ABBONAMENTO MENSILE INTEGRATO (ORDINARIO E STUDENTE) PER TRENO, TRAM, BUS, PEOPLE MOVER E VAPORETTO È ACQUISTABILE SOLO SU AVM VENEZIA OFFICIAL APP RETE URBANA INTEGRATA RETE EXTRAURBANA COMUNE DI VENEZIA DIRETTRICE PADOVA - VENEZIA Venezia Santa Lucia Venezia Santa Lucia Venezia Porto Marghera Venezia Mestre Venezia Mestre Mira-Mirano Venezia Carpenedo Dolo Venezia Mestre Ospedale Padova SOLO SU PER INFORMAZIONI call center Hellovenezia 041 2424 www.avmspa.it / www.actv.it @muoversivenezia ACQUISTABILE SOLO SU AVM VENEZIA OFFICIAL APP RETE O TRATTA PREZZO ABBONAMENTO MENSILE INTEGRATO Ordinario Studente RETE URBANA INTEGRATA COMUNE DI VENEZIA TRENO + RETE UNICA AVM/Actv Abbonamento mensile integrato Rete Unica AVM/Actv + tariffa 14/VE Trenitalia: consente di viaggiare nell’ambito della rete urbana AVM/Actv (Navigazione, bus Lido, Mestre + Aeroporto Marco Polo, Tram, People Mover) e di fruire del servizio ferroviario Trenitalia sui treni R e RV entro il territorio del comune di Venezia (Venezia S. Lucia, Venezia P.to Marghera, Venezia Mestre, Venezia Carpenedo, Venezia Mestre Ospedale) € 60,90 € 48,90 Rete Urbana Actv e treni Trenitalia € 47,00 € 35,00 RETE EXTRAURBANA DIRETTRICE PADOVA - VENEZIA TRENO + SERVIZIO “OMNIBUS” E RETE UNICA AVM/Actv Abbonamento mensile integrato Trenitalia + Omnibus + Rete Unica Urbana AVM/Actv (solo per abbonamenti con origine/destinazione Mestre o Venezia): consente di viaggiare nell’ambito della rete urbana AVM/Actv (Navigazione, bus Lido, Mestre -
Le Isole Minori Elisabetta Vulcano 2009
CITTA’ DI VENEZIA Assessorato Ambiente - Osservatorio Naturalistico della Laguna Centro Studi Riviera del Brenta In collaborazione con: Coop. Hyla – CAI – Uff. Educazione Ambientale – Istituzione Parco Laguna Corso didattico formativo LA LAGUNA DI VENEZIA: genesi, evoluzione, naturalità e salvaguardia - Anno 2008/2009 - LE ISOLE MINORI: UN PATRIMONIO DELLA STORIA ALLA DERIVA DEL PRESENTE Elisabetta Vulcano (Architetto) La struttura topografica della città nelle sue linee generali è già formata nella prima metà del XIII secolo. La pianta di Venezia disegnata da Paolino da Venezia (1270-1344), e inserita nel suo “Compendium” detto anche “Chronologia magna” (1346), restituisce la forma della città secondo un aspetto cronologico: come doveva presentarsi Venezia nel IX secolo (ma con alcuni particolari riferiti addirittura all'VIII secolo) e come doveva essere nel XII secolo, con aggiunte relative alla sua configurazione coeva all'autore. Dopo la morte di Fra' Paolino la pianta pergamenacea rimase nascosta a tutti per quattrocento anni. Solo nel 1730 Tomaso Temanza scoprì la pergamena e nel 1781 realizzò una incisone su rame nella quale riportò con una calligrafia più chiara il disegno e le scritte, incisione che diede alle stampe. La Pianta di Venezia di Paolino da Venezia (Biblioteca Marciana, Venezia) Il Chronicon marciano 1. Porto del Lido 2. San Pietro 3. Arsenale 4. Isola di San Giorgio 5. Piazza San Marco 6. Rialto 7. Murano 8. Cannaregio 9. Giudecca 10 . San Nicolò L’incisione di Benedetto Bordone del 1528 è la più antica pianta prospettica della laguna. In questa, sono pochi i toponimi della città, molti delle isole e dei lembi di terraferma. È la prima mappa che, oltre alla città, comprende anche la laguna. -
Venetian Special Occasion Getaway
For Expert Advice Call A unique occasion deserves 01722 445900 a unique experience. https://italian-short-breaks.co.uk/city/luxury-venice/short/retreat/ Venetian Special Occasion Getaway Break available: March - November 4 days Highlights Most people have been to Venice before, but if you want to return and celebrate a special occasion in style, escaping from the ● Staying in 5 Star San Clemente Palace Kempinski, located crowds has to be high on your priority list. San Clemente Palace on its own Venetian island, away from the crowds Kempinski is the perfect blend of being away from the hustle and ● Thrilling Helicopter Ride over Venice and the nearby islands bustle of Venice, but also only 5 minutes away from St Mark's ● Complimentary Watertaxi from the hotel to St Mark's Square Square by complimentary watertaxi. Venice has something for as required everyone, whether it is a romantic gondola ride for 2, a trip to the ● Flexibility to tailor your break how you want nearby islands of Murano and Burano, or an opera experience. ● Flights from many UK regional airports Venice is fortunate in being able to offer not one but two very different opera experiences; the first is a night at the stunningly beautiful La Fenice opera house, the second taking place in a palace with no stage between you and the performers! Day by Day Itinerary DAY 1 Fly to Venice, Private transfer to your hotel and Dinner page 1/11 Fly to Venice and take your meet & greet private watertaxi transfer to your 5 star hotel. San Clemente Palace Kempinski is located on it’s own private island just below Venice, and is the perfect tranquil haven away from the crowds. -
Project of Territorial Governance of Tourism in Venice
Project of territorial governance of tourism in Venice Project of territorial governance of tourism in Venice 2 Project of territorial governance of tourism in Venice Table of Contents FOREWORD.............................................................................................................................................................7 FIRST PART:...........................................................................................................................................................11 THE START OF A PARTICIPATORY ROUTE.................................................................................................................11 1. The functions of tourism and the regulatory framework...............................................................................13 2. Tourism in Venice..........................................................................................................................................15 3. The resident population................................................................................................................................22 4. The stages of the participatory route.............................................................................................................25 5. Principal mission statements of the projects presented and adopted by the Technical Working Group..........27 SECOND PART:.......................................................................................................................................................43 OPERATIONAL -
The Future of Venice's Past and the Archaeology of The
CHAPTER SEVEN THE FUTURE OF VENICE’S PAST AND THE ARCHAEOLOGY OF THE NORTHEASTERN ADRIATIC EMPORIA DURING THE EARLY MIDDLE AGES Sauro Gelichi1 Were there Italian Emporia in the Early Middle Ages? The debate about the archaeology of early medieval emporia has been, and essentially remains, entirely north-European, due to both its greater visibility in those regions and the intrinsic nature of archaeology in those countries.2 Of course, the development of these investigations has produced records that have been immediately used for a more general discussion of the economy in Europe and the Mediterranean from Late Antiquity to the Carolingian Age, following in the wake of a critical revision of the views of the well-known Belgian historian Pirenne.3 Developed during the first decade of the last century, the Pirenne thesis has been variously discussed and disputed over time.4 However, due to its overall persuasive nature, it continues to be one of the few examples that attempts to explain the developments and mechanisms of the economy in early medieval Europe in general terms. Lying in the background of this theory and linked to Pirenne’s view of Europe as a centre of the Carolingian economy is the ques- tion of towns and their function in the early medieval period. This is a question to which Pirenne had also made a particular contribution in terms of a reassessment of their role and function, at least before 1 Università Ca’ Foscari—Venezia. 2 R. Hodges, Dark Age Economics: the origins of towns and trade AD 600–1000 (London, 1982); M. -
San Giorgio Terrace Suite - Italy, Venice
SAN GIORGIO TERRACE SUITE - ITALY, VENICE 4 GUESTS, 2 BEDROOMS SAN GIORGIO TERRACE SUMMARY SUITE City & lagoon views Italy, Venice Historic property Terrace 4 Guests Outdoor living & dining 2 Bedrooms Wi-Fi LOCATION Stunning two-bedroom suite with spacious terrace and unbeatable views Italy, Venice The San Giorgio Terrace Suite is an incredible suite within the Baglioni Hotel Luna in the heart of Venice, which dates GUESTS back to the 12th century. up to 4 Guests can reach the hotel by gondola or water taxi thanks to the small private jetty situated at its entrance. BEDROOMS The spacious private terrace with outdoor lounge is the 2 perfect place to spend a relaxing evening with a glass of wine or celebrate special occasions whilst admiring the RENTAL PERIOD spectacular views over the lagoon to San Giorgio Island. Nightly Designed by Milanese architects Rebosio and Spagnulo, it comprises a dining and living area, a kitchenette, and two luxurious bedrooms. Ideal for a romantic stay, the suite has PRICE been carefully decorated using handmade wood panelling and handmade Versailles parquet to ensure the utmost From 3,800 EUR comfort for guests. MORE The master bedroom boasts walk-through wardrobes leading to an expansive en-suite bathroom with a bathtub Price per night, available on and a separate double bathtub. The second bedroom is request. Minimum stays well-appointed and also has an en-suite bathroom with a apply. shower. Both bathrooms are elegantly decorated with Carrara and Grey stone marble. The furnishings and decorations are of the highest quality, featuring Venetian and French precious fabrics and Fortuny- style lamps amongst other beautiful detailing.