Nothing Matters When We're Dancing« – November's New Albums
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Some Albums to Keep Your Toes Warm This October Pt 2
Some Albums To Keep Your Toes Warm This October Pt 2. Bittles‘ Magazine | Record Review I was arm-wrestling a tiger the other day (my editor told me I had to make the beginning of my articles more exciting) when I suddenly realised that I had no time for such frivolity as I had some great albums to review. Quickly admitting defeat, I retreated to my listening studio (bedroom) and immersed myself in some of the fantastic records that will be hitting the record store shelves this October. By JOHN BITTLES We have the UK house of Huxley, the indie bleakness of Grouper, the disco diva-isms of Munk, the techno bass of Distal and so much more. But really, in a month when there is, finally, a new album by Glaswegian duo Slam, there is only one place we can begin. Stuart McMillan and Orde Meikle have long been established as bona fide legends of the house and techno scene! Their record label Soma is over 400 releases old, their DJ sets at clubs like The Sub Club and The Arches in Glasgow are discussed with an air of awed reverence, and, as Slam, the duo have released some of the finest electronic music known to man. And now, in the year 2014 they give us their first album in seven years with the deep and moody brilliance of Reverse Proceed. The cinematic ambience of Tokyo Subway, Visual Capture and the title track open proceedings and are the perfect introduction to the deliciously deep sounds to come. In fact it’s not until the techno futurism of Synchronicity that we even get our very first sign of a beat. -
Cooked in the Lab Dark, Techy D&B Trio Ivy Lab Break Bad on LP P.108
MUSIC DECEMBER ON THE DANCEFLOOR This month’s tracks played out p. 92 GO LONG! The long-players listened to p. 108 WILD COMBINATION The most crucial compilations p. 113 Cooked In The Lab Dark, techy d&b trio Ivy Lab break bad on LP p.108 djmag.com 091 HOUSE REVIEWS BEN ARNOLD [email protected] melancholy pianos, ‘A Fading Glance’ is a lovely, swelling thing, QUICKIES gorgeously understated. ‘Mayflies’ is brimming with moody, building La Fleur Fred P atmospherics, minor chord pads Make A Move Modern Architect and Burial-esque snatches of vo- Watergate Energy Of Sound cal. ‘Whenever I Try To Leave’ winds 9.0 8.5 it up, a wash of echoing percus- The first lady of Berlin’s A most generous six sion, deep, unctuous vibrations Watergate unleashes tracks from the superb and gently soothing pianos chords. three tracks of Fred Peterkin. It’s all This could lead Sawyer somewhere unrivalled firmness. If great, but ‘Tokyo To special. ‘Make A Move’’s hoover Chiba’, ‘Don’t Be Afraid’, bass doesn’t get you, with Minako on vocals, Hexxy/Andy Butler ‘Result’’s emotive vibes and ‘Memory P’ stand Edging/Bewm Chawqk will. Lovely. out. Get involved. Mr. Intl 7. 5 Various Shift Work A statuesque release from Andy Hudd Traxx Now & Document II ‘Hercules & Love Affair’ Butler’s Mr. Then Houndstooth Intl label. Hexxy is his new project Hudd Traxx 7. 5 with DJ Nark, founder of the excel- 7. 5 Fine work in the lent ‘aural gallery’ site Bottom Part four of four in this hinterland between Forty and Nark magazine. -
Isf Sxsw 2014 Final
Press release 6 March 2014 PRS FOR MUSIC FOUNDATION HELPS OUTSTANDING ARTISTS TO SHOW- CASE AT SOUTH BY SOUTH WEST (SXSW) 2014 • 19 hotly-tipped artists receive funding to travel and perform at SXSW • British Music Abroad programme re-named as International Show- case Fund by partners PRS for Music Foundation, Arts Council Eng- land, UK Trade & Investment (UKTI), British Underground and Musi- cian ’s Union PRS for Music Foundation is delighted to reveal the talented artists to be funded through the International Showcase Fund – their music export programme, for- merly known as British Music Abroad – for this year ’s SXSW music festival and conference in Austin, Texas (March 11th-16th). They are: Alex Vargas, Anushka, Bo Ningen, Cloud Boat, Forest Swords, Glass Ani- mals, Kins, Petite Noir, PINS, Psychemagik, Slaves, SOPHIE, Teeth of the Sea, Fat White Family, The Heatwave, The Wytches, To Kill a King, Wolf Alice and Woman ’s Hour. The 19 artists, all invited to perform official SXSW showcases, were selected by panel of independent music industry advisors. The final list was chosen on the basis of musical talent and strength of business case for showcasing at what is one of the largest and most influential new talent marketplaces. It is estimated that more than 2,000 acts representing 55 countries will perform at this year ’s festival. By renaming the scheme as the International Showcase Fund, PRS for Music Foundation and the Fund’s partners - UKTI, Arts Council England, British Under- ground and the Musicians’ Union - are making clear their focus on industry facing showcases where “export ready” artists can make crucial first steps into new in- ternational markets. -
No Bounds 11——13.10.19 Event Programme Music, Art, Film Screen- Ings, Talks Workshops Introduction Joe Muggs
No Bounds 11——13.10.19 Event Programme Music, Art, Film screen- ings, Talks Workshops Introduction Joe Muggs Optimism isn’t really in fashion, and understandably so. We’re overwhelmed by populists, scammers, liars, Fascists, fools of the worst sort, and earnest attempts to counter this takeover are themselves all too often taken over by further Fascists, fools and saviours with feet of clay. The world is burning and melting around us, and we seem to be volunteering to put in hours of labour for free and live under constant surveillance – indeed we even seem to be willing to pay for the privilege. Debt is normality, the lie of austerity is normality, slaughter and torture being beamed into our personal timelines is normality, withering irony and pompous righteousness as cloaks for the worst and most hateful views are normality. Meanwhile in the cultural sphere, recorded music is so devalued that any of the big four tech giants could buy the entire global music industry with the loose change down the back of their sofas, and the only reason they don’t is that it’s not worth the hassle. But – and it’s a big but [“big butt” – Beavis & Butthead cackle] – somehow there’s a lot going on that is pumped full of hope. Not hope in the save-the-world sense, mind. OK there’s some of that around, but even Greta Thunberg’s rhetoric is shot through with a huge amount of bleakness. But small scale, human level stuff where little things that people do in themselves make looking a week, a month, a year forward seem not just bearable but – in the moment at least – exciting. -
New Bass Genres Press Release
FOR IMMEDIATE RELEASE BEATPORT IS EXPANDING ITS BASS GENRES Beatport introduces 140 / Deep Dubstep / Grime, Bass / Club, and Breaks / Breakbeat / UK Bass to its genre pages. BERLIN, DE - February 4th, 2021 - Beatport, the world's number one destination for electronic music, has just announced that it will be introducing two new genres to the store — 140 / Deep Dubstep / Grime and Bass / Club, while also updating its current Breaks sections to Breaks / Breakbeat / UK Bass. By launching these three new and remodeled genre pages on the store, Beatport will give artists, distributors, and labels a new home where their distinct sounds can thrive amongst more like-minded tunes with their own genre page, Top 100 charts, dedicated playlists, store spotlights, a dedicated section in Beatport LINK, and more. To make this expansion possible and help further improve Beatport’s user experience, its Leftfield House / Techno and Leftfield Bass sections will cease to exist. Releases on the Leftfield pages will be recategorized amongst these three new genre sections. We are confident that this change will bring a clearer classification of sounds and greater representation to bass music communities. Represented by labels like DUPLOC, White Peach, Deep Medi Musik, and acts such as Sicaria Sound, Hypho, and Teffa, the new 140 / Deep Dubstep / Grime categorization will host the sonic creations that call back the origins of the Dubstep genre and continue to innovate 140 BPM sound system culture worldwide. Speaking on the importance of distinguishing the two sides of dubstep, DUPLOC's label owner Pieter Grauwels said: "It is fair to say that after the 2010 era, the 'heavy' and 'deep' sides of dubstep have been strongly separated, especially in terms of the communities surrounding the two sides. -
Xiami Music Genre 文档
xiami music genre douban 2021 年 02 月 14 日 Contents: 1 目录 3 2 23 3 流行 Pop 25 3.1 1. 国语流行 Mandarin Pop ........................................ 26 3.2 2. 粤语流行 Cantopop .......................................... 26 3.3 3. 欧美流行 Western Pop ........................................ 26 3.4 4. 电音流行 Electropop ......................................... 27 3.5 5. 日本流行 J-Pop ............................................ 27 3.6 6. 韩国流行 K-Pop ............................................ 27 3.7 7. 梦幻流行 Dream Pop ......................................... 28 3.8 8. 流行舞曲 Dance-Pop ......................................... 29 3.9 9. 成人时代 Adult Contemporary .................................... 29 3.10 10. 网络流行 Cyber Hit ......................................... 30 3.11 11. 独立流行 Indie Pop ......................................... 30 3.12 12. 女子团体 Girl Group ......................................... 31 3.13 13. 男孩团体 Boy Band ......................................... 32 3.14 14. 青少年流行 Teen Pop ........................................ 32 3.15 15. 迷幻流行 Psychedelic Pop ...................................... 33 3.16 16. 氛围流行 Ambient Pop ....................................... 33 3.17 17. 阳光流行 Sunshine Pop ....................................... 34 3.18 18. 韩国抒情歌曲 Korean Ballad .................................... 34 3.19 19. 台湾民歌运动 Taiwan Folk Scene .................................. 34 3.20 20. 无伴奏合唱 A cappella ....................................... 36 3.21 21. 噪音流行 Noise Pop ......................................... 37 3.22 22. 都市流行 City Pop ......................................... -
Lev-Matadero-Programa.Pdf
La vanguardia de la creatividad digital contemporánea en L.E.V. MATADERO Matadero Madrid apuesta por la electrónica visual internacional con la primera edición del Festival L.E.V. Matadero. Con programación en sus diferentes naves, L.E.V. invade el Centro de creación contemporánea con conciertos, performances, espectáculos, experiencias sonoras y proyectos híbridos que darán vida a nuevas narrativas y formatos en el ámbito de la composición audiovisual. En la Nave 16 se presenta en primicia el novedoso sistema de sonido Soundscape, que permitirá escuchar y sentir de forma única los trabajos de artistas internacionales como Morton Subotnick (acompañado por Alec Empire y Lillevan), Francisco López, Aïsha Devi o Kelly Moran. James Ferraro estrena en L.E.V. su último proyecto. Y nombres imprescindibles como Ryoichi Kurokawa o Plaid completan el cartel de esta primera edición del Festival en la que se apuesta también por nuevos valores emergentes como Promising/Youngster, Rrucculla o BABii. L.E.V. Matadero apuesta por las experiencias únicas en la sección VORTEX, dedicada a exploraciones y experimentaciones relacionadas con la realidad virtual y las experiencias inmersivas. A través de un conjunto de piezas que orbitan entre el cine, el arte, la tecnología, el pensamiento, el videojuego y la realidad virtual, VORTEX propone una reflexión sobre nuestra identidad digital y las implicaciones reales de los mundos virtuales en los que habitamos. El Laboratorio de Electrónica Visual (L.E.V.) es una plataforma pionera en Europa, especializada en la producción y divulgación de la creación sonora electrónica y su relación con las artes visuales que, desde hace más de 13 años, hace converger la sinergia natural entre imagen y sonido. -
Roundhouse Turning Point Festival, Announced for 17-19 September 2010
27 May 2010 For immediate release Roundhouse Turning Point Festival, announced for 17-19 September 2010 – First round of artist announcements for Roundhouse Turning Point Festival – Highlights include Ms. Dynamite, Professor Green and Toddla T – Tickets on sale 27 May: 0844 482 8008 or www.myspace.com/turningpointfestival Multi-award winning Ms. Dynamite and breakthrough hip-hop star Professor Green are the first acts to be announced for this year’s Turning Point Festival at Camden’s Roundhouse, 17-19 September. The only London music festival to be completely created and controlled by young people aged 25 and under, Turning Point brings the best in live music, dance, comedy and theatre. After a sell-out debut in 2009 – boasting performances from the likes of Noisettes, Kano and Zane Lowe –- Turning Point returns with a bang to round off the 2010 UK summer festival season. Friday night opens with the cream of UK bass music, bringing you the best sub-heavy rave through the night. Rising stars, including Toddla T (Radio 1) and Breakage, will be hitting you with dirty bass beats. Saturday will be an epic all-day urban takeover hosted by 1xtra’s Mista Jam, with a comeback performance from the first lady of UK garage, Ms. Dynamite. The Mercury and multiple MOBO award winning artist will take over the main stage with the inimitable musical creativity and lyrical talent which brought the UK garage movement into the mainstream. Also performing is UK hip-hop firebrand Professor Green, who last month hijacked the UK charts with INXS sampled hip-hop/pop crossover track I Need You Tonight . -
Glass Animals Return! So Do Undersmile! Introducing Ideal Marriage! Plus All Your Oxford Music News, Reviews, Previews and Gigs for December
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 293 December Oxford’s Music Magazine 2019 AA HELLHELL OFOF AA YEARYEAR Inside this issue: Oxford’s tunes of the year! Glass Animals return! So do Undersmile! Introducing Ideal Marriage! plus All your Oxford music news, reviews, previews and gigs for December NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshiftmag.co.uk Parnell, went into hibernation shortly after the EP was released in 2009, releasing a brace of EPs and being one of Nightshift’s Introducing acts the same year. Announcing the digital release, Rebecca told Nightshift: “I guess we’re re-releasing the Greenhorn EP GLASS ANIMALS drummer Joe Seaward has been talking about the photo: Helen Messenger to remind people, possibly band’s return to action last month and his recovery from the horrific UNDERSMILE have reformed. ourselves, that we’re still alive accident that left him with brain injuries and threatened to derail the The local doom-metal favourites and perhaps even to celebrate this. Oxford quartet’s burgeoning career. went on indefinite hiatus in 2016 Hopefully we’ll put together several Glass Animals performed their first gig in almost 18 months on the st1 when singer/guitarist Hel Sterne albums’ worth of accumulated November – a sold-out show at The Bullingdon. began a university course, with material to form a distilled album in “All things considered I’m feeling very well,” Joe told Nightshift as the co-frontwoman Taz Corona-Brown another decade or so. -
Beatport Announces Launch of New Podcast Series
FOR IMMEDIATE RELEASE BEATPORT ANNOUNCES LAUNCH OF NEW PODCAST SERIES ● Interview series uploaded each week with guests from across the house / techno and drum & bass / bass music genres ● New episodes available every Thursday on SoundCloud and YouTube, hosted by DJ/producers Tigerlight (house and techno) and High Class Filter (D&B and bass music) ● Episode One available now with Roska; upcoming guests include Jazzuelle, DJ Taye (Teklife), DJ Bone, Riva Starr and Spencer Parker BERLIN, DE - October 10, 2018 - Beatport, a division of LiveStyle, Inc., announced the launch of its new podcast series, showcasing some of the most creative names in dance music each week. The weekly interview series is set to cover house and techno in its many forms and the world of drum & bass and bass music. On each podcast, a leading artist from across the genre spectrum will join Beatport for an in-depth conversation, intercut with music that represents their sound. New episodes will be available every Thursday via Beatport’s SoundCloud and YouTube feeds. Beatport has enlisted two experienced tastemakers as podcast hosts: Tigerlight (house and techno) and High Class Filter (D&B and bass music). Producer, singer and DJ Tigerlight is a self-described “production geek” who composes music for film and TV alongside her dance releases. High Class Filter also juggles DJing and producing, while repping bass music via his Scuffed Recordings label and shows for South London’s Reprezent Radio. Episode One, available now via Beatport’s SoundCloud and YouTube feeds, features High Class Filter’s conversation with UK bass music trailblazer Roska, with DJ Taye of legendary footwork crew Teklife next in line. -
Journal – Leisure Studies Accepted 05 Jun 2017, Published Online: 26 Jun 2017
Journal – Leisure Studies Accepted 05 Jun 2017, Published online: 26 Jun 2017 http://dx.doi.org/10.1080/02614367.2017.1339731 Dr Dewi Jaimangal-Jones, WCTR – Event Studies Research Group, Cardiff Metropolitan University Analysing the media discourses surrounding DJs as authentic performers and artists within electronic dance music culture magazines Abstract This paper critically analyses how the media construct, consolidate and perpetuate discourses surrounding DJs as artists. It explores representations of their status and roles in a selection of dance music magazines (Mixmag and DJ Mag) and the links to wider ideologies concerning music and dance culture such as authenticity, originality, innovation, cultural progression and performance. It considers how the media bestow DJs with artistic credibility and authenticity in addition to the range and type of references used to position DJs within the cultural landscape and hierarchy of electronic dance music culture (EDMC). Furthermore, it discusses their sensationalist construction as powerful performers and the links between DJ performances and wider discourses surrounding event experiences. This paper concludes that not only do the discourses perpetuated serve to elevate and sustain the cultural status of DJs, they also validate and perpetuate a wider range of ideological notions within dance music culture. It also highlights the power relations between authors, audiences, DJs and promoters and the medias role in sustaining the social capital of different players, through projecting a vibrant and dynamic culture. Key words: DJs; EDMC; dance music culture; authenticity; media discourse; subcultural ideologies. Introduction Electronic dance music culture (EDMC) describes the musical genres and events which evolved from the warehouse scene of the mid 1980’s and rave scene of the early 1990’s. -
Nightshift Magazine
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 261 April Oxford’s Music Magazine 2017 The August List “The idea of disappearing or living in absolute isolation photo:Ian Wallman is a rejection of the world and I find that fascinating.” Oxford’s first couple of country on hermits and the power of drones. Also in this issue: Introducing LOWWS STORNOWAY bow out plus Oxford music news, reviews, previews, and seven pages of local gigs NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshiftmag.co.uk Barnabas Church; The Pitt Rivers Museum and St Aldates Tavern. The Folk Weekend line-up also features sets from Leverett; The Melrose Quartet; Ange Hardy; Jim Moray; Jackie Oates & Megan Henwood; John Spiers; Dan Walsh; Dipper Malkin; Jimmy Aldridge & Sid Goldsmith and The Emily Askew Band, while the local folk contingent is represented by Coldharbour; Edward Pope, White IDRIS ELBA is the latest star name added to the line-up for Truck Horse Whisperers and Shivelight, Festival. The star of The Wire and Luther will play a DJ set at the among others. As well as concerts festival over the weekend of the 21st-23rd July at Hill Farm in there will be the traditional round Steventon. The event, headlined by The Libertines, Franz Ferdinand of ceilidhs, dance displays, Morris KT TUNSTALL, JON BODEN and The Vaccines, is close to selling out in advance with no general dancers and workshops, while and ELIZA CARTHY head weekend camping tickets left.