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Some Albums to Keep Your Toes Warm This October Pt 2
Some Albums To Keep Your Toes Warm This October Pt 2. Bittles‘ Magazine | Record Review I was arm-wrestling a tiger the other day (my editor told me I had to make the beginning of my articles more exciting) when I suddenly realised that I had no time for such frivolity as I had some great albums to review. Quickly admitting defeat, I retreated to my listening studio (bedroom) and immersed myself in some of the fantastic records that will be hitting the record store shelves this October. By JOHN BITTLES We have the UK house of Huxley, the indie bleakness of Grouper, the disco diva-isms of Munk, the techno bass of Distal and so much more. But really, in a month when there is, finally, a new album by Glaswegian duo Slam, there is only one place we can begin. Stuart McMillan and Orde Meikle have long been established as bona fide legends of the house and techno scene! Their record label Soma is over 400 releases old, their DJ sets at clubs like The Sub Club and The Arches in Glasgow are discussed with an air of awed reverence, and, as Slam, the duo have released some of the finest electronic music known to man. And now, in the year 2014 they give us their first album in seven years with the deep and moody brilliance of Reverse Proceed. The cinematic ambience of Tokyo Subway, Visual Capture and the title track open proceedings and are the perfect introduction to the deliciously deep sounds to come. In fact it’s not until the techno futurism of Synchronicity that we even get our very first sign of a beat. -
Garage House Music Whats up with That
Garage House Music whats up with that Future funk is a sample-based advancement of Nu-disco which formed out of the Vaporwave scene and genre in the early 2010s. It tends to be more energetic than vaporwave, including elements of French Home, Synth Funk, and making use of Vaporwave modifying techniques. A style coming from the mid- 2010s, often explained as a blend of UK garage and deep home with other elements and strategies from EDM, popularized in late 2014 into 2015, typically mixes deep/metallic/sax hooks with heavy drops somewhat like the ones discovered in future garage. One of the very first house categories with origins embeded in New York and New Jersey. It was named after the Paradise Garage bar in New york city that operated from 1977 to 1987 under the prominent resident DJ Larry Levan. Garage house established along with Chicago home and the outcome was home music sharing its resemblances, affecting each other. One contrast from Chicago house was that the vocals in garage house drew stronger impacts from gospel. Noteworthy examples consist of Adeva and Tony Humphries. Kristine W is an example of a musician involved with garage house outside the genre's origin of birth. Also understood as G-house, it includes very little 808 and 909 drum machine-driven tracks and often sexually explicit lyrics. See likewise: ghettotech, juke house, footwork. It integrates components of Chicago's ghetto house with electro, Detroit techno, Miami bass and UK garage. It includes four-on-the-floor rhythms and is normally faster than a lot of other dance music categories, at approximately 145 to 160 BPM. -
Nothing Matters When We're Dancing« – November's New Albums
»Nothing Matters When We’re Dancing« – November’s new albums Bittles‘ Magazine | Record Review Ok, I admit it. I am addicted to music! Yet, you can hardly blame me, when there are so many great new albums out there all vying desperately for my time and love. Why, in November alone we have absolutely amazing new records by the likes of Recondite, Clark, Juju & Jordash, Frank & Tony, Biblo, The Twilight Sad and many, many more. Is it any wonder that I hardly ever leave the house anymore, my friends think I’m dead and that my girlfriend has dumped me because I insist on keeping my headphones on when we talk? But enough about me, these are the LPs that should be enriching your life right now. By JOHN BITTLES This month we’ll start with an album that is ideal for those looking for a rich, deep journey into the very heart of techno/house. The name Recondite should be familiar to anyone who has even a passing interest in electronic music after a career releasing beautifully textured music for labels like Ghostly International, Acid Test, and Hotflush. This November sees the arrival of his rather splendid new LP, Iffy on the ever wonderful Innervisions label. The album is a slow, sultry affair, and contains ten tracks of immaculately produced techno that are so lush and spacious sounding you will be left with goose-bumps for weeks. Opener Baro resembles a lost John Carpenter soundtrack, Levo has a slow, steady dance floor pulse, Garbo is so good I get an erection when it plays, while Jim Jams finishes things off with a warm, introspective air. -
Cooked in the Lab Dark, Techy D&B Trio Ivy Lab Break Bad on LP P.108
MUSIC DECEMBER ON THE DANCEFLOOR This month’s tracks played out p. 92 GO LONG! The long-players listened to p. 108 WILD COMBINATION The most crucial compilations p. 113 Cooked In The Lab Dark, techy d&b trio Ivy Lab break bad on LP p.108 djmag.com 091 HOUSE REVIEWS BEN ARNOLD [email protected] melancholy pianos, ‘A Fading Glance’ is a lovely, swelling thing, QUICKIES gorgeously understated. ‘Mayflies’ is brimming with moody, building La Fleur Fred P atmospherics, minor chord pads Make A Move Modern Architect and Burial-esque snatches of vo- Watergate Energy Of Sound cal. ‘Whenever I Try To Leave’ winds 9.0 8.5 it up, a wash of echoing percus- The first lady of Berlin’s A most generous six sion, deep, unctuous vibrations Watergate unleashes tracks from the superb and gently soothing pianos chords. three tracks of Fred Peterkin. It’s all This could lead Sawyer somewhere unrivalled firmness. If great, but ‘Tokyo To special. ‘Make A Move’’s hoover Chiba’, ‘Don’t Be Afraid’, bass doesn’t get you, with Minako on vocals, Hexxy/Andy Butler ‘Result’’s emotive vibes and ‘Memory P’ stand Edging/Bewm Chawqk will. Lovely. out. Get involved. Mr. Intl 7. 5 Various Shift Work A statuesque release from Andy Hudd Traxx Now & Document II ‘Hercules & Love Affair’ Butler’s Mr. Then Houndstooth Intl label. Hexxy is his new project Hudd Traxx 7. 5 with DJ Nark, founder of the excel- 7. 5 Fine work in the lent ‘aural gallery’ site Bottom Part four of four in this hinterland between Forty and Nark magazine. -
Isf Sxsw 2014 Final
Press release 6 March 2014 PRS FOR MUSIC FOUNDATION HELPS OUTSTANDING ARTISTS TO SHOW- CASE AT SOUTH BY SOUTH WEST (SXSW) 2014 • 19 hotly-tipped artists receive funding to travel and perform at SXSW • British Music Abroad programme re-named as International Show- case Fund by partners PRS for Music Foundation, Arts Council Eng- land, UK Trade & Investment (UKTI), British Underground and Musi- cian ’s Union PRS for Music Foundation is delighted to reveal the talented artists to be funded through the International Showcase Fund – their music export programme, for- merly known as British Music Abroad – for this year ’s SXSW music festival and conference in Austin, Texas (March 11th-16th). They are: Alex Vargas, Anushka, Bo Ningen, Cloud Boat, Forest Swords, Glass Ani- mals, Kins, Petite Noir, PINS, Psychemagik, Slaves, SOPHIE, Teeth of the Sea, Fat White Family, The Heatwave, The Wytches, To Kill a King, Wolf Alice and Woman ’s Hour. The 19 artists, all invited to perform official SXSW showcases, were selected by panel of independent music industry advisors. The final list was chosen on the basis of musical talent and strength of business case for showcasing at what is one of the largest and most influential new talent marketplaces. It is estimated that more than 2,000 acts representing 55 countries will perform at this year ’s festival. By renaming the scheme as the International Showcase Fund, PRS for Music Foundation and the Fund’s partners - UKTI, Arts Council England, British Under- ground and the Musicians’ Union - are making clear their focus on industry facing showcases where “export ready” artists can make crucial first steps into new in- ternational markets. -
No Bounds 11——13.10.19 Event Programme Music, Art, Film Screen- Ings, Talks Workshops Introduction Joe Muggs
No Bounds 11——13.10.19 Event Programme Music, Art, Film screen- ings, Talks Workshops Introduction Joe Muggs Optimism isn’t really in fashion, and understandably so. We’re overwhelmed by populists, scammers, liars, Fascists, fools of the worst sort, and earnest attempts to counter this takeover are themselves all too often taken over by further Fascists, fools and saviours with feet of clay. The world is burning and melting around us, and we seem to be volunteering to put in hours of labour for free and live under constant surveillance – indeed we even seem to be willing to pay for the privilege. Debt is normality, the lie of austerity is normality, slaughter and torture being beamed into our personal timelines is normality, withering irony and pompous righteousness as cloaks for the worst and most hateful views are normality. Meanwhile in the cultural sphere, recorded music is so devalued that any of the big four tech giants could buy the entire global music industry with the loose change down the back of their sofas, and the only reason they don’t is that it’s not worth the hassle. But – and it’s a big but [“big butt” – Beavis & Butthead cackle] – somehow there’s a lot going on that is pumped full of hope. Not hope in the save-the-world sense, mind. OK there’s some of that around, but even Greta Thunberg’s rhetoric is shot through with a huge amount of bleakness. But small scale, human level stuff where little things that people do in themselves make looking a week, a month, a year forward seem not just bearable but – in the moment at least – exciting. -
New Bass Genres Press Release
FOR IMMEDIATE RELEASE BEATPORT IS EXPANDING ITS BASS GENRES Beatport introduces 140 / Deep Dubstep / Grime, Bass / Club, and Breaks / Breakbeat / UK Bass to its genre pages. BERLIN, DE - February 4th, 2021 - Beatport, the world's number one destination for electronic music, has just announced that it will be introducing two new genres to the store — 140 / Deep Dubstep / Grime and Bass / Club, while also updating its current Breaks sections to Breaks / Breakbeat / UK Bass. By launching these three new and remodeled genre pages on the store, Beatport will give artists, distributors, and labels a new home where their distinct sounds can thrive amongst more like-minded tunes with their own genre page, Top 100 charts, dedicated playlists, store spotlights, a dedicated section in Beatport LINK, and more. To make this expansion possible and help further improve Beatport’s user experience, its Leftfield House / Techno and Leftfield Bass sections will cease to exist. Releases on the Leftfield pages will be recategorized amongst these three new genre sections. We are confident that this change will bring a clearer classification of sounds and greater representation to bass music communities. Represented by labels like DUPLOC, White Peach, Deep Medi Musik, and acts such as Sicaria Sound, Hypho, and Teffa, the new 140 / Deep Dubstep / Grime categorization will host the sonic creations that call back the origins of the Dubstep genre and continue to innovate 140 BPM sound system culture worldwide. Speaking on the importance of distinguishing the two sides of dubstep, DUPLOC's label owner Pieter Grauwels said: "It is fair to say that after the 2010 era, the 'heavy' and 'deep' sides of dubstep have been strongly separated, especially in terms of the communities surrounding the two sides. -
Xiami Music Genre 文档
xiami music genre douban 2021 年 02 月 14 日 Contents: 1 目录 3 2 23 3 流行 Pop 25 3.1 1. 国语流行 Mandarin Pop ........................................ 26 3.2 2. 粤语流行 Cantopop .......................................... 26 3.3 3. 欧美流行 Western Pop ........................................ 26 3.4 4. 电音流行 Electropop ......................................... 27 3.5 5. 日本流行 J-Pop ............................................ 27 3.6 6. 韩国流行 K-Pop ............................................ 27 3.7 7. 梦幻流行 Dream Pop ......................................... 28 3.8 8. 流行舞曲 Dance-Pop ......................................... 29 3.9 9. 成人时代 Adult Contemporary .................................... 29 3.10 10. 网络流行 Cyber Hit ......................................... 30 3.11 11. 独立流行 Indie Pop ......................................... 30 3.12 12. 女子团体 Girl Group ......................................... 31 3.13 13. 男孩团体 Boy Band ......................................... 32 3.14 14. 青少年流行 Teen Pop ........................................ 32 3.15 15. 迷幻流行 Psychedelic Pop ...................................... 33 3.16 16. 氛围流行 Ambient Pop ....................................... 33 3.17 17. 阳光流行 Sunshine Pop ....................................... 34 3.18 18. 韩国抒情歌曲 Korean Ballad .................................... 34 3.19 19. 台湾民歌运动 Taiwan Folk Scene .................................. 34 3.20 20. 无伴奏合唱 A cappella ....................................... 36 3.21 21. 噪音流行 Noise Pop ......................................... 37 3.22 22. 都市流行 City Pop ......................................... -
English PDF, 12.7 MB
UEBERSCHALL Professional Sample Libraries Founded 1987, Ueberschall crafts audio loops and sound effects for professional audio- und multimedia-productions. Their path led from first selling samples on floppy disks for the widespread Akai S1000 to audio CDs and CD ROMs in different formats such as WAV, AKAI or EXS 24 during the 90s, followed by DVDs with dedicated software-players to our current exclusive website-offer with digital downloads. Today, every customer has worldwide access to the extensive catalogue of Ueberschall products, being able to download his purchases anytime including reloads in case of data loss. Ueberschall’s samples are known for superior quality. We are constantly trying to outperform our own high standards. We regularly invest in latest technology and finest equipment to deliver productions that can truly be called state of the art. Another part of the equation is our careful and competent sound work including precise microphone selections, accurate placement as well as experiments with exotic gear. No product is produced “along the way” but always with dedicated focus. From preproduction to recording sessions, from precise edits to the final quality control, a product may need several months to be published. Currently, Ueberschall’s website offers more than 200 products for purchase as download covering over 40 different genres. This offer ranges from live recordings to programmed beats to sound effects, sounds of nature, scoring tools up to a broad range of dance music styles. In short, a complete range for professional use! It is self-evident that all Ueberschall samples are 100% royalty free and 100% copyright clean! Since 2001, Ueberschall focuses on loop-libraries and plug-ins. -
Label: Audiokult Recordings, Vienna, Austria Artist: Ben Neill Album: Horizonal Release Date: September 15, 2015 Contact: [email protected]
Label: Audiokult Recordings, Vienna, Austria Artist: Ben Neill Album: Horizonal Release date: September 15, 2015 Contact: [email protected] Horizonal is a new album by electronic music innovator Ben Neill featuring his self-designed computer interactive mutantrumpet. The recording is an ambient journey that blends Neill’s richly timbral melodies and textures with glitchy, minimal beats and deep sub bass lines. Using the unique palette of sounds generated by his instrument, Neill incorporates elements of future garage and deep house while keeping an ambient, reflective vibe with jazzy overtones. Guest artists appearing on the record are guitar wizard Gary Lucas, (Future Sound of London, Captain Beefheart) and saxophonist/sonic ecologist David RotHenberg. In addition to 5 original songs, the album includes a cover version of Sweetness and Light, written and recorded by the 1990’s shoegaze band Lush. Neill has been active as a composer/performer in New York City since the mid 1980’s when he worked with synthesizer pioneer Robert Moog to develop the first version of his instrument. He has previously released 9 albums on labels including Astralwerks, Verve, Six Degrees and THirsty Ear. Horizonal is his first release since the 2011 Songs for Persephone, a collaboration with vocalist Mimi Goese released on Ramseur Records. Neill has performed his music in wide ranging venues, from concert halls and jazz festivals to experimental art spaces and dance clubs. He has been called “a creative composer and genius performer” (Time Out NY),"the mad scientist of dancefloor jazz" (CMJ), and "a musical powerhouse, a serious and individual talent" (Time Out London). -
Dubstep - Wikipedia, the Free Encyclopedia Dubstep from Wikipedia, the Free Encyclopedia
6/18/2014 Dubstep - Wikipedia, the free encyclopedia Dubstep From Wikipedia, the free encyclopedia Dubstep /ˈdʌbstɛp/ is a genre of electronic dance music that originated in South London, England. It emerged in the late Dubstep 1990s as a development within a lineage of related styles Stylistic Reggae, dub, grime, 2-step garage, such as 2-step garage, broken beat, drum and bass, jungle, origins drum and bass, breakstep dub and reggae.[1] In the UK the origins of the genre can be Cultural Late 1990s — early 2000s, traced back to the growth of the Jamaican sound system origins London, England, United Kingdom party scene in the early 1980s.[1][2] The music generally features syncopated drum and percussion patterns with bass Typical Sequencer, turntables, sampler, drum lines that contain prominent sub bass frequencies. instruments machine, synthesiser, keyboard, personal computer The earliest dubstep releases date back to 1998, and were Derivative Future garage, post-dubstep, brostep, usually featured as B-sides of 2-step garage single releases. forms trap These tracks were darker, more experimental remixes with less emphasis on vocals, and attempted to incorporate Other topics elements of breakbeat and drum and bass into 2-step. In List of musicians, Drumstep, Dubstyle 2001, this and other strains of dark garage music began to be showcased and promoted at London's night club Plastic People, at the "Forward" night (sometimes stylised as FWD>>), which went on to be considerably influential to the development of dubstep. The term "dubstep" in reference to a genre of music began to be used by around 2002 by labels such as Big Apple, Ammunition, and Tempa, by which time stylistic trends used in creating these remixes started to become more noticeable and distinct from 2-step and grime.[3] A very early supporter of the sound was BBC Radio 1 DJ John Peel, who started playing it from 2003 onwards. -
Roundhouse Turning Point Festival, Announced for 17-19 September 2010
27 May 2010 For immediate release Roundhouse Turning Point Festival, announced for 17-19 September 2010 – First round of artist announcements for Roundhouse Turning Point Festival – Highlights include Ms. Dynamite, Professor Green and Toddla T – Tickets on sale 27 May: 0844 482 8008 or www.myspace.com/turningpointfestival Multi-award winning Ms. Dynamite and breakthrough hip-hop star Professor Green are the first acts to be announced for this year’s Turning Point Festival at Camden’s Roundhouse, 17-19 September. The only London music festival to be completely created and controlled by young people aged 25 and under, Turning Point brings the best in live music, dance, comedy and theatre. After a sell-out debut in 2009 – boasting performances from the likes of Noisettes, Kano and Zane Lowe –- Turning Point returns with a bang to round off the 2010 UK summer festival season. Friday night opens with the cream of UK bass music, bringing you the best sub-heavy rave through the night. Rising stars, including Toddla T (Radio 1) and Breakage, will be hitting you with dirty bass beats. Saturday will be an epic all-day urban takeover hosted by 1xtra’s Mista Jam, with a comeback performance from the first lady of UK garage, Ms. Dynamite. The Mercury and multiple MOBO award winning artist will take over the main stage with the inimitable musical creativity and lyrical talent which brought the UK garage movement into the mainstream. Also performing is UK hip-hop firebrand Professor Green, who last month hijacked the UK charts with INXS sampled hip-hop/pop crossover track I Need You Tonight .