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Some Albums to Keep Your Toes Warm This October Pt 2
Some Albums To Keep Your Toes Warm This October Pt 2. Bittles‘ Magazine | Record Review I was arm-wrestling a tiger the other day (my editor told me I had to make the beginning of my articles more exciting) when I suddenly realised that I had no time for such frivolity as I had some great albums to review. Quickly admitting defeat, I retreated to my listening studio (bedroom) and immersed myself in some of the fantastic records that will be hitting the record store shelves this October. By JOHN BITTLES We have the UK house of Huxley, the indie bleakness of Grouper, the disco diva-isms of Munk, the techno bass of Distal and so much more. But really, in a month when there is, finally, a new album by Glaswegian duo Slam, there is only one place we can begin. Stuart McMillan and Orde Meikle have long been established as bona fide legends of the house and techno scene! Their record label Soma is over 400 releases old, their DJ sets at clubs like The Sub Club and The Arches in Glasgow are discussed with an air of awed reverence, and, as Slam, the duo have released some of the finest electronic music known to man. And now, in the year 2014 they give us their first album in seven years with the deep and moody brilliance of Reverse Proceed. The cinematic ambience of Tokyo Subway, Visual Capture and the title track open proceedings and are the perfect introduction to the deliciously deep sounds to come. In fact it’s not until the techno futurism of Synchronicity that we even get our very first sign of a beat. -
Issue No. 39 September/October 2016 3 Videogames Have Become Bonafide EYE Entertainment Franchises
Press Play LÉON Lewis Del Mar Luna Aura Marshmello NAO and more THE STORM ISSUE NO. 39 REPORT SEPTEMBER/OCTOBER 2016 TABLE OF CONTENTS 4 EYE OF THE STORM Press Play: How videogames could save the music industry 5 STORM TRACKER Roadies Roll Call, Kiira Is Killing It, The Best and the Brightest 6 STORM FORECAST What to look forward to this month. Award Shows, Concert Tours, Album Releases, and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. 19 SOURCES & FOOTNOTES On the Cover: Martin Garrix. Photo provided by management ABOUT A LETTER THE STORM FROM THE REPORT EDITOR STORM = STRATEGIC TRACKING OF RELEVANT MEDIA Hello STORM Readers! The STORM Report is a compilation of up-and-coming bands and Videogames have become a lucrative channel artists who are worth watching. Only those showing the most for musicians seeking incremental revenue promising potential for future commercial success make it onto our as well as exposure to a captive and highly monthly list. engaged audience. Soundtracks for games include a varied combination of original How do we know? music scores, sound effects and licensed tracks. Artists from Journey (yes, Journey) Through correspondence with industry insiders and our own ravenous to Linkin Park have created gamified music media consumption, we spend our month gathering names of artists experiences to bring their songs to visual who are “bubbling under”. We then extensively vet this information, life. In the wake of Spotify announcing an analyzing an artist’s print & digital media coverage, social media entire section of its streaming platform growth, sales chart statistics, and various other checks and balances to dedicated to videogame music, we’ve used ensure that our list represents the cream of the crop. -
Bass House Sample Pack Free
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Nothing Matters When We're Dancing« – November's New Albums
»Nothing Matters When We’re Dancing« – November’s new albums Bittles‘ Magazine | Record Review Ok, I admit it. I am addicted to music! Yet, you can hardly blame me, when there are so many great new albums out there all vying desperately for my time and love. Why, in November alone we have absolutely amazing new records by the likes of Recondite, Clark, Juju & Jordash, Frank & Tony, Biblo, The Twilight Sad and many, many more. Is it any wonder that I hardly ever leave the house anymore, my friends think I’m dead and that my girlfriend has dumped me because I insist on keeping my headphones on when we talk? But enough about me, these are the LPs that should be enriching your life right now. By JOHN BITTLES This month we’ll start with an album that is ideal for those looking for a rich, deep journey into the very heart of techno/house. The name Recondite should be familiar to anyone who has even a passing interest in electronic music after a career releasing beautifully textured music for labels like Ghostly International, Acid Test, and Hotflush. This November sees the arrival of his rather splendid new LP, Iffy on the ever wonderful Innervisions label. The album is a slow, sultry affair, and contains ten tracks of immaculately produced techno that are so lush and spacious sounding you will be left with goose-bumps for weeks. Opener Baro resembles a lost John Carpenter soundtrack, Levo has a slow, steady dance floor pulse, Garbo is so good I get an erection when it plays, while Jim Jams finishes things off with a warm, introspective air. -
Cooked in the Lab Dark, Techy D&B Trio Ivy Lab Break Bad on LP P.108
MUSIC DECEMBER ON THE DANCEFLOOR This month’s tracks played out p. 92 GO LONG! The long-players listened to p. 108 WILD COMBINATION The most crucial compilations p. 113 Cooked In The Lab Dark, techy d&b trio Ivy Lab break bad on LP p.108 djmag.com 091 HOUSE REVIEWS BEN ARNOLD [email protected] melancholy pianos, ‘A Fading Glance’ is a lovely, swelling thing, QUICKIES gorgeously understated. ‘Mayflies’ is brimming with moody, building La Fleur Fred P atmospherics, minor chord pads Make A Move Modern Architect and Burial-esque snatches of vo- Watergate Energy Of Sound cal. ‘Whenever I Try To Leave’ winds 9.0 8.5 it up, a wash of echoing percus- The first lady of Berlin’s A most generous six sion, deep, unctuous vibrations Watergate unleashes tracks from the superb and gently soothing pianos chords. three tracks of Fred Peterkin. It’s all This could lead Sawyer somewhere unrivalled firmness. If great, but ‘Tokyo To special. ‘Make A Move’’s hoover Chiba’, ‘Don’t Be Afraid’, bass doesn’t get you, with Minako on vocals, Hexxy/Andy Butler ‘Result’’s emotive vibes and ‘Memory P’ stand Edging/Bewm Chawqk will. Lovely. out. Get involved. Mr. Intl 7. 5 Various Shift Work A statuesque release from Andy Hudd Traxx Now & Document II ‘Hercules & Love Affair’ Butler’s Mr. Then Houndstooth Intl label. Hexxy is his new project Hudd Traxx 7. 5 with DJ Nark, founder of the excel- 7. 5 Fine work in the lent ‘aural gallery’ site Bottom Part four of four in this hinterland between Forty and Nark magazine. -
The Underrepresentation of Female Personalities in EDM
The Underrepresentation of Female Personalities in EDM A Closer Look into the “Boys Only”-Genre DANIEL LUND HANSEN SUPERVISOR Daniel Nordgård University of Agder, 2017 Faculty of Fine Art Department of Popular Music There’s no language for us to describe women’s experiences in electronic music because there’s so little experience to base it on. - Frankie Hutchinson, 2016. ABSTRACT EDM, or Electronic Dance Music for short, has become a big and lucrative genre. The once nerdy and uncool phenomenon has become quite the profitable business. Superstars along the lines of Calvin Harris, David Guetta, Avicii, and Tiësto have become the rock stars of today, and for many, the role models for tomorrow. This is though not the case for females. The British magazine DJ Mag has an annual contest, where listeners and fans of EDM can vote for their favorite DJs. In 2016, the top 100-list only featured three women; Australian twin duo NERVO and Ukrainian hardcore DJ Miss K8. Nor is it easy to find female DJs and acts on the big electronic festival-lineups like EDC, Tomorrowland, and the Ultra Music Festival, thus being heavily outnumbered by the go-go dancers on stage. Furthermore, the commercial music released are almost always by the male demographic, creating the myth of EDM being an industry by, and for, men. Also, controversies on the new phenomenon of ghost production are heavily rumored among female EDM producers. It has become quite clear that the EDM industry has a big problem with the gender imbalance. Based on past and current events and in-depth interviews with several DJs, both female and male, this paper discusses the ongoing problems women in EDM face. -
Isf Sxsw 2014 Final
Press release 6 March 2014 PRS FOR MUSIC FOUNDATION HELPS OUTSTANDING ARTISTS TO SHOW- CASE AT SOUTH BY SOUTH WEST (SXSW) 2014 • 19 hotly-tipped artists receive funding to travel and perform at SXSW • British Music Abroad programme re-named as International Show- case Fund by partners PRS for Music Foundation, Arts Council Eng- land, UK Trade & Investment (UKTI), British Underground and Musi- cian ’s Union PRS for Music Foundation is delighted to reveal the talented artists to be funded through the International Showcase Fund – their music export programme, for- merly known as British Music Abroad – for this year ’s SXSW music festival and conference in Austin, Texas (March 11th-16th). They are: Alex Vargas, Anushka, Bo Ningen, Cloud Boat, Forest Swords, Glass Ani- mals, Kins, Petite Noir, PINS, Psychemagik, Slaves, SOPHIE, Teeth of the Sea, Fat White Family, The Heatwave, The Wytches, To Kill a King, Wolf Alice and Woman ’s Hour. The 19 artists, all invited to perform official SXSW showcases, were selected by panel of independent music industry advisors. The final list was chosen on the basis of musical talent and strength of business case for showcasing at what is one of the largest and most influential new talent marketplaces. It is estimated that more than 2,000 acts representing 55 countries will perform at this year ’s festival. By renaming the scheme as the International Showcase Fund, PRS for Music Foundation and the Fund’s partners - UKTI, Arts Council England, British Under- ground and the Musicians’ Union - are making clear their focus on industry facing showcases where “export ready” artists can make crucial first steps into new in- ternational markets. -
No Bounds 11——13.10.19 Event Programme Music, Art, Film Screen- Ings, Talks Workshops Introduction Joe Muggs
No Bounds 11——13.10.19 Event Programme Music, Art, Film screen- ings, Talks Workshops Introduction Joe Muggs Optimism isn’t really in fashion, and understandably so. We’re overwhelmed by populists, scammers, liars, Fascists, fools of the worst sort, and earnest attempts to counter this takeover are themselves all too often taken over by further Fascists, fools and saviours with feet of clay. The world is burning and melting around us, and we seem to be volunteering to put in hours of labour for free and live under constant surveillance – indeed we even seem to be willing to pay for the privilege. Debt is normality, the lie of austerity is normality, slaughter and torture being beamed into our personal timelines is normality, withering irony and pompous righteousness as cloaks for the worst and most hateful views are normality. Meanwhile in the cultural sphere, recorded music is so devalued that any of the big four tech giants could buy the entire global music industry with the loose change down the back of their sofas, and the only reason they don’t is that it’s not worth the hassle. But – and it’s a big but [“big butt” – Beavis & Butthead cackle] – somehow there’s a lot going on that is pumped full of hope. Not hope in the save-the-world sense, mind. OK there’s some of that around, but even Greta Thunberg’s rhetoric is shot through with a huge amount of bleakness. But small scale, human level stuff where little things that people do in themselves make looking a week, a month, a year forward seem not just bearable but – in the moment at least – exciting. -
New Bass Genres Press Release
FOR IMMEDIATE RELEASE BEATPORT IS EXPANDING ITS BASS GENRES Beatport introduces 140 / Deep Dubstep / Grime, Bass / Club, and Breaks / Breakbeat / UK Bass to its genre pages. BERLIN, DE - February 4th, 2021 - Beatport, the world's number one destination for electronic music, has just announced that it will be introducing two new genres to the store — 140 / Deep Dubstep / Grime and Bass / Club, while also updating its current Breaks sections to Breaks / Breakbeat / UK Bass. By launching these three new and remodeled genre pages on the store, Beatport will give artists, distributors, and labels a new home where their distinct sounds can thrive amongst more like-minded tunes with their own genre page, Top 100 charts, dedicated playlists, store spotlights, a dedicated section in Beatport LINK, and more. To make this expansion possible and help further improve Beatport’s user experience, its Leftfield House / Techno and Leftfield Bass sections will cease to exist. Releases on the Leftfield pages will be recategorized amongst these three new genre sections. We are confident that this change will bring a clearer classification of sounds and greater representation to bass music communities. Represented by labels like DUPLOC, White Peach, Deep Medi Musik, and acts such as Sicaria Sound, Hypho, and Teffa, the new 140 / Deep Dubstep / Grime categorization will host the sonic creations that call back the origins of the Dubstep genre and continue to innovate 140 BPM sound system culture worldwide. Speaking on the importance of distinguishing the two sides of dubstep, DUPLOC's label owner Pieter Grauwels said: "It is fair to say that after the 2010 era, the 'heavy' and 'deep' sides of dubstep have been strongly separated, especially in terms of the communities surrounding the two sides. -
USER MANUAL VERSION 1.8.0 RAPID SYNTHESIZER Version 1.8.0 July 25, 2020
SOFTWARE USER MANUAL VERSION 1.8.0 RAPID SYNTHESIZER Version 1.8.0 July 25, 2020 Developed by René Sander Mirko Ruta Manual by ManualBenjamin last updated Beggs on July 25, 2020 Document Version 197 ©2020 Parwave Audiodesign. All rights reserved. TABLE OF CONTENTS Introduction․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․ 4 Layer Synthesis Features․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․ 5 Installation․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․ 9 Activation․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․ 11 Connect with Us․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․ 14 Overview․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․ 15 Interface․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․ 16 Head Row․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․ 22 Presets․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․ -
Xiami Music Genre 文档
xiami music genre douban 2021 年 02 月 14 日 Contents: 1 目录 3 2 23 3 流行 Pop 25 3.1 1. 国语流行 Mandarin Pop ........................................ 26 3.2 2. 粤语流行 Cantopop .......................................... 26 3.3 3. 欧美流行 Western Pop ........................................ 26 3.4 4. 电音流行 Electropop ......................................... 27 3.5 5. 日本流行 J-Pop ............................................ 27 3.6 6. 韩国流行 K-Pop ............................................ 27 3.7 7. 梦幻流行 Dream Pop ......................................... 28 3.8 8. 流行舞曲 Dance-Pop ......................................... 29 3.9 9. 成人时代 Adult Contemporary .................................... 29 3.10 10. 网络流行 Cyber Hit ......................................... 30 3.11 11. 独立流行 Indie Pop ......................................... 30 3.12 12. 女子团体 Girl Group ......................................... 31 3.13 13. 男孩团体 Boy Band ......................................... 32 3.14 14. 青少年流行 Teen Pop ........................................ 32 3.15 15. 迷幻流行 Psychedelic Pop ...................................... 33 3.16 16. 氛围流行 Ambient Pop ....................................... 33 3.17 17. 阳光流行 Sunshine Pop ....................................... 34 3.18 18. 韩国抒情歌曲 Korean Ballad .................................... 34 3.19 19. 台湾民歌运动 Taiwan Folk Scene .................................. 34 3.20 20. 无伴奏合唱 A cappella ....................................... 36 3.21 21. 噪音流行 Noise Pop ......................................... 37 3.22 22. 都市流行 City Pop ......................................... -
Bass Guitar One Shot Samples
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