II IAML Annual Conference
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VOLUME THREE ISSUE TWO SUMMER 2003 EEDDiTiT TINKER TAILOR DOCTOR LAWYER EXCELLENCE PARTICIPATION WEALTH POVERTY INTELLIGENCE ADVANTAGE DISADVANTAGE EQUALITY LEADING THE WAY TO HIGHER EDUCATION Why wider access is essential for universities E D iTcontents The University of Edinburgh Magazine volume three issue two summer 2003 16 L 12 20 22 COVER STORIES 12 WIDENING PARTICIPATION Ruth Wishart’s forthright view of the debate 39 GENERAL COUNCIL The latest news in the Billet FEATURES 22 IMMACULATE COLLECTIONS Prof Duncan Macmillan looks at the University’s Special Collections 10 MAKING IT HAPPEN How a boy from Gorgie became Chairman of ICI REGULARS 04 EditEd News in and around the University publisher Communications & Public Affairs, 20 ExhibitEd Art at the Talbot Rice Gallery The University of Edinburgh Centre, 36 Letters As the new Rector is installed, a look at Rectors past 7-11 Nicolson Street, 27 InformEd Alumni interactions, past, present and future Edinburgh EH8 9BE World Service Alumni news from Auchtermuchty to Adelaide, or almost editor Clare Shaw 30 [email protected] design Neil Dalgleish at Hillside WELCOME TO the summer issue of EDiT. It’s an honour – and not a little daunting – to take over the editing of such [email protected] a successful magazine from Anne McKelvie, who founded the magazine, and Ray Footman, who ably took over the reins photography after Anne’s death. Tricia Malley, Ross Gillespie at broad dayligh 0131 477 9211 Enclosed with this issue you’ll find a brief survey. Please do take a couple of minutes to fill it in and return it. -
Adam Smith, Radical and Egalitarian in Memoriam John Anderson Mclean (1915-2001) Adam Smith, Radical and Egalitarian an Interpretation for the Twenty-First Century
Adam Smith, Radical and Egalitarian In memoriam John Anderson McLean (1915-2001) Adam Smith, Radical and Egalitarian An Interpretation for the Twenty-First Century lain McLean palgrave macmillan ADAM SMITH, RADICAL AND EGALITARIAN Copyright © lain McLean, 2006. Softcover reprint of the hardcover 1 st edition 2006 978-1-4039-7791-5 All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations * embodied in critical articles or reviews. First published 2006 by Edinburgh University Press Ltd. First Published in the United States in 2007 by PALGRAVE MACMILLANTM 175 Fifth Avenue, New York, N.Y. 10010 and Houndmills, Basingstoke, Hampshire, England RG21 6XS. Companies and representatives throughout the world. PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin's Press, LLC and of Palgrave Macmillan Ltd. Macmillan® is a registered trademark in the United States, United Kingdom and other countries. Palgrave is a registered trademark in the European Union and other countries. ISBN 978-1-349-73824-3 ISBN 978-1-349-73822-9 (eBook) DOI 10.1007/978-1-349-73822-9 Library of Congress Cataloging-in-Publication Data is available from the Library of Congress. A CIP record for this book is available from the British Library. Design by Servis Filmsetting Ltd, Manchester. First edition: July 2006 10 9 8 7 6 5 4 3 2 1 Transferred to Digital Printing 2011 Contents Foreword by Rt Hon. Gordon Brown Vlll A Note on Citations x Preface: A Scotsman Looks at the World xu 1. -
Guide to the Dowd Harpsichord Collection
Guide to the Dowd Harpsichord Collection NMAH.AC.0593 Alison Oswald January 2012 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: William Dowd (Boston Office), 1958-1993................................................ 4 Series 2 : General Files, 1949-1993........................................................................ 8 Series 3 : Drawings and Design Notes, 1952 - 1990............................................. 17 Series 4 : Suppliers/Services, 1958 - 1988........................................................... -
The Harpsichord: a Research and Information Guide
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository THE HARPSICHORD: A RESEARCH AND INFORMATION GUIDE BY SONIA M. LEE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Performance and Literature in the Graduate College of the University of Illinois at Urbana-Champaign, 2012 Urbana, Illinois Doctoral Committee: Professor Charlotte Mattax Moersch, Chair and Co-Director of Research Professor Emeritus Donald W. Krummel, Co-Director of Research Professor Emeritus John W. Hill Associate Professor Emerita Heidi Von Gunden ABSTRACT This study is an annotated bibliography of selected literature on harpsichord studies published before 2011. It is intended to serve as a guide and as a reference manual for anyone researching the harpsichord or harpsichord related topics, including harpsichord making and maintenance, historical and contemporary harpsichord repertoire, as well as performance practice. This guide is not meant to be comprehensive, but rather to provide a user-friendly resource on the subject. ii ACKNOWLEDGEMENTS I would like to express my deepest gratitude to my dissertation advisers Professor Charlotte Mattax Moersch and Professor Donald W. Krummel for their tremendous help on this project. My gratitude also goes to the other members of my committee, Professor John W. Hill and Professor Heidi Von Gunden, who shared with me their knowledge and wisdom. I am extremely thankful to the librarians and staff of the University of Illinois Library System for assisting me in obtaining obscure and rare publications from numerous libraries and archives throughout the United States and abroad. -
THE UNIVERSITY of EDINBURGH
THE UNIVERSITY of EDINBURGH Postgraduate Prospectus 2011 Entry www.ed.ac.uk PGP COVER 2011 19/7/10 16:43 Page 3 PGP INTRO 2011 19/7/10 16:31 Page 1 PGP INTRO 2011 19/7/10 16:31 Page 2 Welcome The University of Edinburgh is globally recognised for its research, development and innovation. We’ve been providing our students with world-class teaching for more than 425 years. Joining the University as a postgraduate student provides you with a truly unique opportunity to work with some of the most influential academics in your chosen field. At Edinburgh you will develop your specialist skills, deepen your understanding and gain new insights and perspectives to equip you for your career ahead. Whether your plans are for employment or further study, in the UK or abroad, you’ll find the highest quality research and learning opportunities here. Welcome to the University of Edinburgh. PGP INTRO 2011 19/7/10 16:31 Page 3 The University of Edinburgh Postgraduate Prospectus 2011 Entry Welcome www.ed.ac.uk 3 Welcome Welcome Contents Contents Humanities & Why choose the University of Edinburgh? 4 Social Science Edinburgh Global 6 pages 26–137 Resources 8 Career enhancement 10 Support services 12 Medicine & Accommodation 13 Veterinary Medicine Learning at the heart of the city 14 Choosing your postgraduate degree 16 pagespages 138 126-141–169 How to apply 17 Tuition fees, scholarships & funding 18 Science & Visiting the University 21 Engineering Our programmes 22 Our research areas 25 pages 170–213 Humanities & Social Science 26 Medicine & Veterinary Medicine 138 Science & Engineering 170 Tuition fees: further information 214 Campus maps 216 Terms & conditions 219 Useful contacts 221 Index 222 PGP INTRO 2011 19/7/10 16:31 Page 4 4 Why choose the University of Edinburgh? The University of Edinburgh is one review by the Quality Assurance Agency universities in the UK to actively develop of the largest universities in the UK, for Higher Education (QAA). -
University of Edinburgh Museums & Galleries
UNIVERSITY OF EDINBURGH MUSEUMS & GALLERIES COLLECTIONS POLICIES DOCUMENT 2010-2015 _______________________________________________________________________ APPROVED BY UNIVERSITY COURT XX XXXX 2010 INDEX 1 INTRODUCTION 1.1 Introduction 1.2 Museums & Galleries Collections 1.3 Director of University Collections Office and Museums Development 2 EXTERNAL VALIDATION 2.1 Accreditation with the Council for Museums, Libraries & Archives 2.2 Recognised Collections of National Significance to Scotland 3 MANAGEMENT & GOVERNANCE 3.1 Management 3.2 The Governing Body 3.3 University Collections Advisory Committee (UCAC) 3.4 Committee of Curators of University Committees (CCUC) 3.5 The Talbot Rice Advisory Board (TRGAB) 3.6 Financial Management 3.7 Workforce Development 4 POLICIES APPENDICIES A University Collections Strategic Development Plan 2010-2015 A1 Edinburgh University Collection of Historic Musical Instruments A2 Fine Art Collections A3 Natural History Collections A4 Cockburn Museum A5 Talbot Rice Gallery Business Plan 2011/2013 B Museums & Galleries General Acquisitions & Disposal Policy 2010-2015 B1 Policy Statement – Edinburgh University Collection of Historic Musical Instruments B2 Policy Statement – Natural History Collections B3 Guidelines for deciding on requests for the repatriation of items from the University Collections C Access Policy D Collections Management & Preservation Policy E Forward Plans for the University of Edinburgh Collections 09/10 E1 Edinburgh University Collection of Historic Musical Instruments E2 Fine Art Collections F Committee Membership & Remits 1 UNIVERSITY OF EDINBURGH MUSEUMS & GALLERIES COLLECTIONS POLICIES DOCUMENT 2010-2015 _________________________________________________________________ 1. INTRODUCTION 1.1 The University of Edinburgh has a 400 year history of collecting and maintaining culturally and scientifically significant objects, samples and artefacts in a number of fields. This document outlines the context for the policies governing the University’s museums and galleries collections. -
Scotland Malawi Partnership (SMP)
Scottish Government Scotland Malawi Partnership End of Year Report This narrative report should be submitted together with your updated logframe and completed budget spreadsheet. PLEASE READ ATTACHED GUIDELINES BEFORE COMPLETING THE FOR 1. Basic Information Complete the information below for management purposes. Please indicate in the relevant section whether any changes to your basic information (e.g. budget) have occurred during this reporting year. Explanations should be provided in section 3. 1.1 Reporting Year From: April 2017 To: March 2018 1.2 Grant Year (e.g. Year 1) Year 1 1.3 Total Budget £251,131 for 2017/18 1.4 Total Funding from ID £251,131 for 2017/18; £236,861 for 2018/19; £242,536 for 2019/20. A total three-year grant of £730,528 1.5 Supporting Documentation Proposed Revised Logical Framework/business Check box to confirm key plan, if applicable documents have been submitted with this report Please list any further Other, please detail: supporting documentation (1) 2017-18 Member Impact Statements that has been submitted (2) Membership Needs and Impact Survey 2018 Summary of Results (3) Buy Malawian 2018 Campaign Report final (4) Summary of 2017 AGM Feedback (5) 2018 Scotland-Malawi Partnership Youth Congress Report (6) Report on 2017 Malawi Development Programme SMP strand meetings (7) 2017 Strand Meetings WhatsApp Q&A Consolidated (8) Lobbying and Advocacy Report 2017-18 (9) Agriculture 2017-18 Progress and Impact report (10) BITT 2017 18 Progress and Impact report (11) Youth and Schools 2017 18 Progress and Impact report 1.6 Response to Previous Scottish Government’s Action taken since the Progress Reviews comments on previous last report: reports (state which report) 1.7 Date report produced 15th May 2018 (two week extension agreed) 1.8 Name and position of [redacted]. -
Tenth Anniversary Issue Celebrating the Founding of the BHS
ISSUE No. 7. Published by The British Harpsichord Society SUMMER 2013 Tenth Anniversary Issue celebrating the founding of the BHS INTRODUCTIONS Our Guest Editor JANE CHAPMAN and our Founder WILLIAM VINE p1 NEWS ICHKM The 2nd International Conference in Edinburgh, Dartington p6 International Summer School, The BHS Composition Competition Prize Winners Concert, & ‘Roots of Revival’ Horniman Museum Conference. FEATURES The 10th Anniversary Composition Competition‐ PAMELA NASH p9 The Harpsichord music of Sister Caecile‐ ANDREW WOOLLEY p15 Painting Music‐ CATHERINE PECK p17 An Introduction to the ‘Oriental Miscellany’‐ JANE CHAPMAN p25 Lateral thinking for Harpsichordists- JANE CLARK p32 The Museum of Instruments at the RCM- JENNY NEX p37 Learning the harpsichord in France, part 2- HÉLÈNE DIOT p50 Michael Thomas & the Bate Collection- DAVID MILLARD p55 REPORT A BHS visit to Cambridge- NICHOLAS NEWTON p13 REVIEWS Sound and Visionary- Louis Bertrand Castel.- DEREK CONNON p34 Celebrating the 85th birthday of Zuzana Růžičková- PAMELA NASH p47 YOUR LETTERS Anthony Fox, Colin Booth p63 OBITUARIES MARY MOBBS, STEPHEN DODGSON and RAFAEL PUYANA p65 Please send your comments & your contributions to [email protected] 1 INTRODUCTION Greetings! This issue marks the 10th anniversary of the British Harpsichord Society, so has something of a celebratory feel. Regular readers already know the score – but for those new to us, the magazine has for each issue a different Guest Editor who selects, searches out and often writes the main features. This time around it has been a pleasure to have harpsichordist Jane Chapman, who has done more to raise the profile of the contemporary instrument than anyone else in the UK; indeed The Independent dubs her ‘the hippest harpsichordist in the UK’. -
The City of Edinburgh Council
Notice of meeting and agenda The City of Edinburgh Council 10.00 am, Thursday, 16 March 2017 Council Chamber, City Chambers, High Street, Edinburgh This is a public meeting and members of the public are welcome to attend Contact E-mail: [email protected] Tel: 0131 529 4246 1. Order of business 1.1 Including any notices of motion and any other items of business submitted as urgent for consideration at the meeting. 2. Declaration of interests 2.1 Members should declare any financial and non-financial interests they have in the items of business for consideration, identifying the relevant agenda item and the nature of their interest. 3. Deputations 3.1 If any 4. Minutes 4.1 The City of Edinburgh Council of 26 January 2017 (circulated) – submitted for approval as a correct record 4.2 The City of Edinburgh Council of 9 February 2017 (circulated) – submitted for approval as a correct record 5. Questions 5.1 By Councillor Corbett – Participatory Budgeting – for answer by the Convener of the Finance and Resources Committee 5.2 By Councillor Main – Schools Meals - for answer by the Convener of the Education, Children and Families Committee 5.3 By Councillor Main – Edinburgh College – Skilled Labour Force - for answer by the Convener of the Education, Children and Families Committee 5.4 By Councillor Burgess – Eviction of Council Tenants – for answer by the Convener of the Health, Social Care and Housing Committee 5.5 By Councillor Burgess – Rent Pressure Zones – for answer by the Convener of the Health, Social Care and Housing Committee -
Cooper2016 Vol1.Pdf (11.89Mb)
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Gerard Baldwin Brown: Edinburgh and the Preservation Movement (1880-1930). Malcolm Ashton Cooper A thesis submitted for the degree of Doctor of Philosophy University of Edinburgh 2015 Abstract In 1880 Gerard Baldwin Brown (1849-1932) was appointed by Edinburgh University as its first Watson Gordon Professor of Fine Art. Over the fifty-year period that he held the professorship he was to become well-known as a scholar of Anglo-Saxon art and culture, preparing the first comprehensive study of Anglo-Saxon church architecture in England as part of a six volume study of the arts in early England. In 1905 he produced a monograph, The Care of Ancient Monuments (Cambridge, 1905) which provided a comprehensive assessment of the protective systems in place across Europe and America for the protection of ancient buildings and monuments and made strong recommendations for the strengthening of the protective measures in Britain. -
1000 Estonian–Scottish Business Seminar Reid Kerr College, Paisley
1000 Estonian–Scottish Business Seminar 1000 Estonian–Scottish Business Seminar 1100 Estonian-Dutch-Scottish Jewellery Edinburgh City Chambers Reid Kerr College, Paisley Symposium 1600 Estonian traditional music workshop 1930 Concert of the Estonian National Male Choir Edinburgh College of Art Royal Scottish Academy of Music and Drama, With the RSAMD Chamber Choir and traditional 1100 Panel Discussion: Culture, Communication Glasgow musicians (Estonian and Scottish traditional music) and Media in the New Europe 1830 Opening of Estonian Days in Scotland Royal Scottish Academy of Music and Drama, Glasgow University of Glasgow The Scottish Parliament, Holyrood, Edinburgh 1200 Estonian-Scottish Business Seminar Opening of Bird’s-eye Estonia Tayside, Next Generation Club, Monifieth, Exhibition of aerial photographs by Endel Angus Grensmann 1700 Opening of the Exhibition of Estonian Opening of At the Same Latitude jewellery Rare Leid Exhibition of historical and cultural links Curators: Kristi Paap and Maria Valdma between Scotland and Estonia Edinburgh College of Art 1930 Concert of the Estonian National Male Choir Estonian choral music Greyfriars Kirk, Edinburgh 2130 Session of Estonian traditional music Hootananny Cèilidh Bar, Inverness 1000 Estonian traditional music workshops 1500 Session of Estonian and Shetland 1100 Church concert of Estonian traditional music Inverness traditional music Methodist Church, Lerwick, Shetland 1900 Charity football match: The Tartan Army v Lounge Bar, Lerwick, Shetland 1400 Session of Estonian and Shetland -
John Kitchen Plays Handel Overtures on the 1755 Kirckman Harpsichord from the Raymond Russell Collection GEORGE FRIDERIC HANDEL (1685–1759): OVERTURES & SUITES
John Kitchen plays Handel Overtures on the 1755 Kirckman harpsichord from the Raymond Russell Collection GEORGE FRIDERIC HANDEL (1685–1759): OVERTURES & SUITES Overture to the Occasional Oratorio Suite in G (HWV 450) 1 [Largo] [1:14] 22 Preludio [2:27] 2 Allegro [2:35] 23 Allemande [2:21] 3 Adagio – [1:56] 24 Courante [1:52] 4 March [1:51] 25 Sarabande [3:23] 26 Gigue [0:58] Overture to Athalia 27 Menuet [1:05] 5 Allegro [2:35] 6 Grave – [0:47] Overture to Il Pastor Fido 7 Allegro [2:23] 28 Largo – [1:18] 29 Allegro [2:16] Overture to Radamisto 30 A tempo di Bourrée [1:59] 8 Largo – [1:11] 9 Allegro [2:01] Overture to Teseo 31 Largo – [1:30] Suite in A (HWV 454) 32 Allegro – [1:20] 10 Allemande [5:48] 33 Lentement – [0:35] 11 Courante [3:25] 34 Allegro [1:52] 12 Sarabande [2:22] 13 Gigue [2:55] Overture to Rinaldo 35 Largo – [1:10] Overture to Samson 36 Allegro [3:08] 14 Andante – [3:17] 37 Adagio – [0:55] 15 Adagio – [0:11] 38 Giga, presto [1:22] 16 Allegro [1:47] 17 Minuet [2:20] Total playing time [79:50] Overture to Saul 18 Allegro [4:27] Recorded on 17-18 December 2008 Image (p2): MS excerpt from William Babell’s Delphian Records – Edinburgh – UK 19 Larghetto [2:01] at St Cecilia’s Hall, Edinburgh transcription of Rinaldo www.delphianrecords.co.uk Producer/Engineer: Paul Baxter Photography: Raymond Parks 20 [2:54] Allegro 24-bit digital editing & mastering: Paul Baxter Design: Drew Padrutt With thanks to the University of Edinburgh 21 Andante larghetto [minuet] [1:59] Instrument preparation: John Raymond Booklet editor: John Fallas