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A Sheffield Hallam University Thesis
Reluctant Heroes, Ambivalent Patriots : Eric Ambler, Graham Greene and Middlebrow Leftist Thrillers 1932-1945 DOYLE, Christopher Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/25601/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/25601/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Reluctant Heroes, Ambivalent Patriots : Eric Ambler, Graham Greene and Middlebrow Leftist Thrillers 1932-1945 Christopher Doyle A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy April 2018 1 Table of Contents Introduction....................................................................................................................5 The Evolution of Popular Genres..........................................................................8 Defining the Espionage Novel.............................................................................14 The Pre-History of the Ambler-Greene Story.......................................................21 Chapter 1: ‘a little mild mental recreation from the stern realities -
Third Round Third Round
Sapper COMPLETE CLASSICS UNABRIDGED THE THIRD ROUND Read by Roy McMillan A Bulldog drummond Adventure • 3 1 Chapter 1: In Which The Metropolitan Diamond Syndicate… 6:49 2 He replaced the receiver and stood for a moment… 6:18 3 The three men strolled into the balcony… 6:09 4 ‘As you probably know Mr Blackton…’ 6:03 5 He beamed at us and then he commenced. 6:46 6 Mr Blackton said nothing. It was not his business… 4:02 7 ‘You heard?’ he said, as he replaced the book. 7:13 8 Chapter 2: In Which Professor Goodman Realises… 6:13 9 ‘You know he made it,’ said Algy quietly… 7:01 10 Hugh Drummond laid no claim to being brilliant. 6:18 11 The Professor leaned forward… 7:00 12 Hugh watched him cross the room… 8:13 13 Drummond watched the taxi swing round into King Street… 5:02 14 Chapter 3: In Which Strange Things Happen… 5:58 15 He started nervously as he heard the sound of voices… 6:53 16 He rose as if to leave… 5:07 17 He realised suddenly that he had reached his destination… 6:16 18 It was three-quarters of an hour before the door opened… 6:11 19 Which was a kindly thought on the part of the parlourmaid. 5:24 20 An hour later Edward Blackton was seated at his desk… 6:34 2 21 Chapter 4: In Which Mr William Robinson Arrives… 7:10 22 The whole thing had come with such startling suddenness… 6:01 23 He opened the door of his room, and Algy looked up… 6:24 24 Drummond swung round in time to see… 7:27 25 To be exact, he was just putting the last final touch… 4:43 26 ‘One moment Mr Blackton,’ cried Sir Raymond… 4:58 27 Chapter 5: In Which Mr William Robinson Loses… 7:28 28 Professor Goodman’s face went grey… 6:26 29 And it was a full minute before Mr Robinson… 7:06 30 Whatever may have been his thoughts… 6:40 31 Chapter 6: In Which Hugh Drummond Loses… 5:54 32 He rambled on while Drummond, having read the letter… 7:31 33 ‘Seems a bona-fide show, Algy,’ he remarked… 4:08 34 And so it is unnecessary to emphasise the fact… 5:16 35 But Drummond wasn’t even listening. -
Male Sleuths Bibliography
Male Sleuths Bibliography Edition 1 April 2020 Brown Deer Public Library 5600 W. Bradley Road Brown Deer, WI 53223 This is not a comprehensive bibliography, but rather a compilation of classic and current series, which feature a male sleuth. Most of the titles in this bibliography can be found arranged alphabetically by author at the Brown Deer Public Library. ___ We have added lines in front of each title, so you can keep track of the books and authors you read. We have also included author website addresses and unique features found on the sites. In the future, this symbol will indicate a series new to the edition. But this time they’re all new! Jeffrey Allen Deuce Winters is a stay-at-home dad. Between raising his three-year–old daughter, Carly, and dodging slights on his manhood for being “unemployed”, Deuce seems to stumble into murder and mystery in little Rose Petal, Texas. But Deuce is able to sort it all out in the Stay At Home Dad Mysteries. ___ Stay At Home Dead – 2012 ___ Father Knows Death - 2013 ___ Popped Off – 2012 M. C. Beaton (Marion Chesney) Follow the adventures of Lochdubh constable Hamish Macbeth, set in Scotland. ___ Death of a Gossip – 1985 ___ Death of a Village – 2003 ___ Death of a Cad – 1987 ___ Death of a Poison Pen – 2004 ___ Death of an Outsider – 1988 ___ Death of a Bore – 2005 ___ Death of a Perfect Wife – 1989 ___ Death of a Dreamer – 2006 ___ Death of a Hussy – 1991 ___ Death of a Maid – 2007 ___ Death of a Snob – 1992 ___ Death of a Gentle Lady – 2008 ___ Death of a Prankster – 1992 ___ Death of a Witch -
A Holmes and Doyle Bibliography
A Holmes and Doyle Bibliography Volume 7 Audio/Visual Materials Alphabetical Listing Compiled by Timothy J. Johnson Minneapolis High Coffee Press 2018 A Holmes & Doyle Bibliography Vol. 7, Audio/Visual Materials, Alphabetical Listing INTRODUCTION This bibliography is a work in progress. It attempts to update Ronald B. De Waal’s comprehensive bibliography, The Universal Sherlock Holmes, but does not claim to be exhaustive in content. New works are continually discovered and added to this bibliography. Readers and researchers are invited to suggest additional content. This volume contains an alphabetical listing of audio-visual materials. Coverage of this material begins around 1994, the final year covered by De Waal's bibliography, but may not yet be totally up-to-date (given the ongoing nature of this bibliography). It is hoped that other titles will be added at a later date. The first volume in this supplement focuses on monographic and serial titles, arranged alphabetically by author or main entry. The second volume presents the exact same information arranged by subject. The third volume focuses on the periodical literature of Doyle and Holmes, listing individual articles alphabetically. The fourth volume includes "core" or "primary" citations from the periodical literature. The fifth volume includes "passing" or "secondary" references to Doyle or Holmes in the periodical literature. The sixth volume organizes the periodical literature according to De Waal's original categories. As the bibliography expands, additional annotations will be provided in order to give the researcher a better idea on the exact Holmesian or Doylean reference contained in each article. The compiler wishes to thank Peter E. -
Mass Media and Western Pop Culture
POPULAR IMAGES AND COSMOPOLITAN MEDIATIONS: MASS MEDIA AND WESTERN POP CULTURE IN THE ANGLOPHONE SOUTH ASIAN NOVEL by ELIZABETH TARYN SIRKIN Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. Kurt M. Koenigsberger Department of English CASE WESTERN RESERVE UNIVERSITY May, 2007 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of ______________________________________________________ candidate for the Ph.D. degree *. (signed)_______________________________________________ (chair of the committee) ________________________________________________ ________________________________________________ ________________________________________________ ________________________________________________ ________________________________________________ (date) _______________________ *We also certify that written approval has been obtained for any proprietary material contained therein. DEDICATION For all of the doctoral candidates who are still hard at work on their dissertations and for my husband, Jeremy Richard Mason, who waited so patiently while I completed mine. 1 TABLE OF CONTENTS Acknowledgments.…………………………………………………………………… 3 Abstract……………………………………………………………………………….. 4 Chapter I: How Media Speak; What the Postcolonial Novel Says…………………… 6 Chapter II: “Written on the Brow of Some”: Inscription and Erasure in R. K. Narayan’s The Guide…………………………………………………………. 44 Chapter III: The Trivial, the Historically Significant, and the Ideologically Impoverished -
Sapper, Hodder & Stoughton, and the Popular Literature of the Great
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Loughborough University Institutional Repository Sapper, Hodder & Stoughton, and the Popular Literature of the Great War ! Lise Jaillant The late 1920s saw a boom in so-called disillusioned narratives that fo- cused on the most horrific aspects of the First World War.1 This publishing trend, sparked by the international success of Eric Maria Remarque’s All Quiet on the Western Front, provoked a mixed reaction. Many reviewers saw the antiwar narratives as pacifist propaganda, untruthful to the war they had fought and won.2 Herman Cyril McNeile shared this distrust of the debunking war books. In the preface of the 1930 reprint of his war sto- ries, he wrote: “It is the fashion now . to speak of the horrors of war; to form societies for the abolition of soldiers; generally, in fact, to say ‘Never again.’”3 Written during the conflict, the stories were first published in the Daily Mail under the penname of Sapper—a reference to McNeile’s battal- ion, the Royal Engineers. Like Siegfried Sassoon and Robert Graves, Mc- Neile was a former public schoolboy and a subaltern officer. Unlike Sassoon and Graves, McNeile had been trained as a professional soldier (he joined the army in 1907 and retired in 1919).4 Whereas his account of the war is realistic, to the point of being shocking to some contemporary readers, he never came to share the disenchanted framework so common in the late 1920s. Fighting was a duty, and it was better to laugh at it than to dwell on its sinister aspects. -
Newcastle University Eprints
Newcastle University ePrints Jaillant L. Sapper, Hodder & Stoughton, and the Popular Literature of the Great War . Book History 2011, 14, 137-166. Copyright: The definitive version of this article, published by Johns Hopkins University Press, 2011, is available at: DOI link to article: http://dx.doi.org/10.1353/bh.2011.0011 Always use the definitive version when citing. Further information on publisher website: https://www.press.jhu.edu/ Date deposited: 19th May 2014 Version of file: Published This work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License ePrints – Newcastle University ePrints http://eprint.ncl.ac.uk Sapper, Hodder & Stoughton, and the Popular Literature of the Great War Lise Jaillant The late 1920s saw a boom in so-called disillusioned narratives that fo- cused on the most horrific aspects of the First World War. 1 This publishing trend, sparked by the international success of Eric Maria Remarque’s All Quiet on the Western Front, provoked a mixed reaction. Many reviewers saw the antiwar narratives as pacifist propaganda, untruthful to the war they had fought and won.2 Herman Cyril McNeile shared this distrust of the debunking war books. In the preface of the 1930 reprint of his war sto- ries, he wrote: “It is the fashion now . to speak of the horrors of war; to form societies for the abolition of soldiers; generally, in fact, to say ‘Never again.’”3 Written during the conflict, the stories were first published in the Daily Mail under the penname of Sapper—a reference to McNeile’s battal- ion, the Royal Engineers. -
Aviation Paperbacks 1985 About Russia
Aviation Paperbacks 1985 about Russia. Reviews: [G.J. Christopher Paul. Air Pic., July 1985 1968, p.264] First published in 1920, and republished in 1930, this new edition 85/arw.1 Arrow Books [Blackwood, 25s.] has a foreword and Spitfire, A Test Pilot’s Story, Jeffrey Quill, supplementary notes by Group Capt. F.D. OBE AFC FRAeS, Foreword by Sir George Tredrey, whose own writing itself has the same Edwards OM CBE FRS FEng, Arrow Books sort of charm as Maurice Baring’s. Flying First published by John Murray (Publishers) Corps Headquarters should be read as an Ltd 1983. Arrow edition 1985; reprinted 1986 aperitif to those massive tomes, the Official (twice). Arrow Books an imprint of Century History of the War in the Air by H.A. Jones – Hutchinson Ltd. pp. [vii] viii [ix] x-xi [xii-xiii] that is Volumes II and on. Volume I, written xiv [xv-xvi] [1] 2-316 [317] advert. + 24 by Raleigh, is something quite different, and it plates. Index is interesting that Trenchard actually tried to Printers: The Guernsey Press Co Ltd, get Maurice Baring to write the Official Guernsey History. Raleigh and Baring have much in Price: £3.50 common, not least a profound understanding ISBN: 0 09 937020 4 of the spirit which animated the first Front cover: col. photo of Spitfire. The commanders of the R.F.C. and which, because amazing personal story of a Spitfire test pilot they were great men, they were able to instill and RAF fighter into the Service which they created. Rear cover: synopsis and extracts from Maurice Baring, diplomat, linguist, journalist reviews. -
1 INTRODUCTION Charteris and His Work Every Year the UK Crime
1 INTRODUCTION Charteris and His Work Every year the UK Crime Writers' Association holds its prestigious “Diamond Dagger” ceremony. The Diamond Dagger is awarded annually to crime writers whose careers have been marked by sustained excellence, and who have made a significant contribution to crime fiction published in the English language. Winners have included Ian Rankin, Eric Ambler, John le Carré and Ruth Rendell. On 7 May 1992 the Chairman of the Association presented the Diamond Dagger to the 84-year old Leslie Charteris, whose fiction featuring the gentleman warrior, vigilante adventurer and modern knight-errant Simon Templar, known as the Saint, first appeared in 1928 and is still being published today. Outperforming both heroes and villains and a destroyer of society's enemies for decades, the central protagonist of Charteris’ twelve novels, thirty-four novellas and twelve volumes of short stories excelled in popularity. As Clive Bloom has warned, figures relating to book sales, at least in Britain, “must always be approached with considerable caution,”1 but based on known editions and reprints, publishers’ remarks and information from Charteris’ letters, it has been estimated that Charteris’ sales have topped forty million.2 While small in relation to the huge output and marketing of authors like the early twentieth-century thriller writer Edgar Wallace, or the famous Agatha Christie whose sales run into billions, Charteris’ sales record for his more modest output remains very substantial. Publication of his fiction tailed off in the 1980s, but from December 2012 Mulholland Books at Hodder and Stoughton commenced republication of thirty-five Saint titles. -
The Crime Thriller in Context Kate Watson
The Crime Thriller in Context Kate Watson As this book collection attests, the thriller is a wide-ranging category. As this chapter will show (and summarize), the sub- genre of the crime thriller has a large corpus and different national traditions, and, consequently, it does not have a singular literary or national history. Crime thriller narratives can be found across many mediums, including literature, television, graphic novels, and film. Added to this, there are many sub-genres of the thriller that incorporate narratives of crime/s. These are: legal thrillers (and the earlier police procedural), spy thrillers, futuristic thrillers, psychological thrillers, political thrillers, racing thrillers, heist thrillers, cyberpunk thrillers, the ‘troubling’ thriller, and the faction thriller, among others (Scaggs 108). Martin Priestman groups these versions of the crime thriller into the noir thriller and the anti- conspiracy thriller (34).1 In fact, there is a continual revision and evolution of the crime thriller over time. To begin: what does it mean exactly to ‘thrill’? Typically, a thriller is connected with a visceral response and frisson. A ‘thrill’ is connected to emotion: it can incite excitement, be suspenseful, salacious, and sensational. It can also be pleasurable, chilling, and terrifying or invoke anxiety, ambiguity, and fear. For these reasons, the crime thriller is closely connected to and has a crossover with the psychological thriller. So, how can the popular sub-genre of the crime thriller be defined? This chapter will consider the definitions of the ‘crime novel/thriller’ and ‘detective fiction.’ Indeed, each of these terms are broad and encompass many sub-genres in each. -
Miscellaneous Material
Belknap Collection for the Performing Arts Cinema Miscellaneous Material MISCELLANEOUS MATERIAL The Belknap PHOTOGRAPH collection preserves thousands of shimmering PUBLICITY and PRODUCTION images dating back to the age of Victorian theatre and spanning 20th century vaudeville, Broadway, radio and television. The photos are filed alphabetically by performer name or show title. Performer Production Stills A treasure trove of eclectic information is available in the FLORIDA PERFORMING ARTS VERTICAL FILE highlighting the STATE OF FLORIDA ("Dance Associations", 'Story Tellers", "Theatre Conference", etc), individual CITIES AND TOWNS (from the Panhandle to the Keys in an alphabetical listing), and the city of GAINESVILLE (including the University of Florida) performing arts scene. Florida Vertical File Cities and Towns Vertical File Gainesville Vertical File Trevor "Tommy" Bale epitomized the versatile "circus man" who "did it all" in the center ring and behind the scenes. Noted as one of the world's greatest tiger trainers, Bale was also known as a gifted clown, acrobat, trick bicyclist, vaudevillian and ringmaster. Bale's unpublished and unedited autobiographical manuscript ( written under the guidance of famed ghostwriter and editor Walter B. Gibson - creator of THE SHADOW), paints an exciting picture of the early 20th century European vaudeville and circus circuits. Bale vividly describes the triumphs, glory, pain and agony of life on the road, culminating in Bale's headlining contract with the Ringling Brothers and Barnum and Bailey Circus in the mid 1950s. The TREVOR "TOMMY" BALE COLLECTION promises three rings (and more) full of circus lore. The John W. Lindell Collection includes cartoon, comic strip and animation art anthologies and histories collected by John W. -
'A Thoroughly English Movie Franchise' Spectre, the James Bond Films, And
‘A thoroughly English movie franchise’ Spectre, the James Bond films, and Genre JAMES CHAPMAN The James Bond films are genre films par excellence: they demonstrate both the industrial processes of popular film-making and the narrative patterns of repeti- tion and variation that underpin the idea of genre in popular cinema. Indeed the Bond films are such a uni ue and distinctive brand in their o!n right that the term "Bondian# has been coined to describe both the professional discourses of the film-makers on the one hand and the style and content of the films on the other. $s Janet %oolacott noted after observing the making of The Spy Who Loved Me '()**+ for an ,pen -niversity case study of media production: ".Bondian/ !as the phrase used by 01ubby2 Broccoli and other members of the production team to mean .in the spirit of James Bond/...To a certain extent the term .Bondian’ !as used to describe the Bond films, !hich !ere seen as a distinctive formula, a spe- cific genre of film# '()45, 6(7+. The emergence of ne! approaches to genre studies !hich extend beyond the reductive structuralism of the ()*7s and !hich understand film genres and cycles in relation to their !ider industrial and cultural contexts has seen the Bond films find their place on the agenda of academic film studies. This is amply demonstrated over the last decade or so by the gro!th of Bond scholarship that has seen the films analysed from a range of critical and theoretical perspectives, James Chapman is Professor of Film Studies at the Uni- versity of Leicester.