Download Download

Total Page:16

File Type:pdf, Size:1020Kb

Download Download III. NOTE DISCOVERIEN SO MAGNUT S N SI S CATHEDRAL, KIRKWALL. JOHy B N MOONEY, P.S.A.ScoT. When the restoration of St Magnus Cathedral was begun by Sheriff Thorns' Trustees, a hope was entertained that many relics would be e course founoperationsth th f n i deo . That expectatio t beeno ns nha full ye relic th realised f si t discoverebu ; d hav t beeno e n numerous, t i canno e saib t d thee uninterestinar y r unimportanto g f chieO .f cask oa e interesn containina s wa t g human bones foun 31sn o d t March 1919 in one of the pillars. Another interesting " find " was made in the first week of February this year by workmen engaged in excavating track r pipefo s connection si n wit e installatiohth organn a f no . Four skeletons burie rowa n di , e westheadth o , t swer e e choifounth rn i d betweelineo f tw pillarsso e nth ,maie righth n e church o t th axi f so ; and in one of the graves the upper portion of a crosier and what appearchalica e b pated o et an s n wer wels a e e lalsb oy foundma t I . o givt e particular f theso s e graves ane relicth d s mentioned before dealing with the bones in the wooden case, as the latter have been supposed to form part of the skeleton of St Magnus, and cannot be satisfactorily considered without special reference o bonet s s founn i d another pillar last century. It is necessary to keep in view the extension of the Cathedral eastward, which was not completed until probably at least 150 years after the death of the founder. The accompanying ground-plan of the choir (fig. 1) shows the termination of Rognvald's building about the 240 PROCEEDINGS OF THE SOCIETY, MAY 11, 1925. middle of piers D and L; but Dryden, Meyer, and Dietrichson give good reasons for believing thal t an apse extended from the original eastern portions of those piers. No certain trace of an apse was found during the restoration works. The original high altar would have stood CHOIR LID LZ3 r- PRq&YTERY 432 H ma/nurwi, i L K J H T VI So to 2O SO S 4O . PlaFig 1 t Magnus S Easter.f nf o o d n En Cathedral , Kirkwall. between piers B and L, and after the extension of the choir, between G and o, or between the farthest east bays. It will be^ seen that the four graves found last February were all in the oldest part of the Cathedral. The skeleton nearest the site of e firsth t high altad beeha rn buried wit e heath h d abou inche8 1 t s from a line flush with the western ends of piers D and L. The lettere 1Th s use Drydey db distinguishinr nfo pillare gth followee sar thin i do t s s plaa o ns facilitate references. NOTE DISCOVERIEN O S T MAGNUS N I S S CATHEDRAL1 24 . wood of the coffin was not greatly decayed; and, from the appearance of the bones, this grave, which may be called " No. 1," must have been the latest of the four, made undoubtedly at a date subsequent to the remova e higth hf o lalta r fro s originamit l position. Grave " No. 2" extended westwards from opposite the middle of pilla. K r The foot of grave " No. 3 " touched a point in line with the east side of the base of round pillars B and J. The wes e positio th thosf "o t4 o gravt . es "f nNo pillars o e wa . There were slight traces of what may have been coffins in graves 2, 3, and 4, a sort of black dust being visible. The distance between Nos. 1 and 2 feet0 betweed 1 an ,s e otherwa nth fees2 inches6 t . The western portioe choirth f o ,n where those skeletons layd ha , been outside the lines of excavations when the Government restoration and repairs were carried out in 1848; and so, too, during the alterations refittind e Heritore choian th th y Towb f d r go an s n Counci 1855-6n i l . In the eastern part of the choir the bones of bishops and earls had been removed wholesale at the time of the latter operations, but the four graves described abov beed eha n undisturbed. Nothing furthe call3 . sr No neet e recordebu b d , 4 d f Noso dan 2 . for special notice n thiI . s grave bottoe th , f whicmo s onl hwa feey2 t 3 inches belo e surfacewth e crosie th ,d othe an r r relics referreo t d wer e e skeletonbreas th th foun crosiee f n o o tt Th dI y . (fig. la r 2) . s madi sockea f pewte eo s ha r leadt o rd (part brokeni an ,e f o tth f o ) same material. The diameter of the circular head is 5£ inches, and not over T\ inch thick. Round the edge are two concentric parallel lines less than ^ inch apart. About f inch from the inner of those lines are another pair of parallel lines, within which is a curvilinear • Maltese cross, having the inter-arms cut out. Parallel lines also run along both sides of each arm of the cross. It was not unusual to place in the grave of a bishop a rude imitation of his pastoral staff. Nea e foo f thith ro t s grave were found what canno othee b t r than a chalice and paten, made of metal similar to that of the crosier. Small portions of the chalice have been broken off. Its diameter at e dept inches4 th s i d h p an abou, to inche 1 t renth A . t runs froe mth broken part to the centre. On the lower side are indications that it beed ha n fixe standa o dt . The paten measure inche5 s diametern si bordea , toos It .f ha ,o r double parallel lines simila circula e thoso t th r n eo rcrosiere heath f do . The inner pair of lines enclose a circle in which are inscribed four small circles, separated by straight lines intersecting each other at right angles portio A edge . bees th ef ha n o n broken off. VOL. LIX. 16 242 PROCEEDING E , SOCIETY192511 TH Y .F O S MA , addition I chalice th pated o nt ean n some gold threads were found e graveinth , nea e e breasskeletonth th r f o te golth ;d threads were, doubto n , remain f vestmentso s crosiere Th .gole th , d threads, chalice, and paten can lead to only one conclusion—that the skeleton is that oa bishop f e positio e grave—iTh th . f o ne oldesth n e t th par f o t Fig. 2. Head of Crosier, Chalice, and Paten of Lead or Pewter from Kirkwall Cathedral. Cathedral, which was untouched by the alterations and excavations in 1848 and 1855—suggests that these are remains of a bishop who died befor e higth e h altas shiftewa r d fro s originamit l place. Bishop William the Old would have been buried close to the first high altar, knowe w but s skeletos hi a , beed nha n exhume re-interred dan d near the new high altar. There is no record where William II., Bjarni, Jofreyr, Henry—the first four bishop o succeedeswh d him—were laid. If, as Meyer suggests, it was Henry who built the extension to the NOTE DISCOVERIEN O S T MAGNUS N I S S CATHEDRAL3 24 . choir, he also may have been buried near the later high altar. As to whether the skeleton in grave No. 3 was one of the others, no proof is available. The crosier head and the lines of ornamentation of the paten indicate, however, a period long prior to the Reformation, possibly e thirteentth h century. Of pre-Reformation bishops buried in the Cathedral evidence is altogether lacking, excep regards a t s two—Willia Thomad an d Ol s e mth de Tulloch. Robert Maxwell apparently die Orkneyn di t therbu , s ei no record of his burial. It is known that Robert Honeyman and Fig . Plat3 . Leaf eo d from Kirkwall Cathedral. <}.) Murdoch Mackenzie—post-Reformation bishops—found a resting-place there, the former near bay M and N, the latter in the south transept chapel. The Government repairs on the Cathedral in 1848 led to the discovery of the remains of William the Old in a stone cist between pillars E and P. Among the drawings by Sir Henry Dryden, now in the possessio f Thornso n ' Trustees o slabe thostw ar , s f o ewhic h covered tha s founte cis graveth e leadewa t th dn I .n plate (fig ) describe3 . d in the Proceedings of this Society, vol. v. p. 217, with the inscription H. REQVIESCIT: WILIAMVS: SENEX FELICIS MEMORIE on the front and PMVS EPIS on the back. The plate and a relic of bone 244 PROCEEDINGS OF THE SOCIETY, MAY 11, 1925. and iron, supposed to be the head of a staff,1 were presented to the Society on 8th February 1864 by the Lords of H.M. Treasury. The Society received from the same source, on the same date, the crosier of oak (fig. 4), with chalice (fig.
Recommended publications
  • LITURGICAL INSTRUCTIONS When the BISHOP CELEBRATES MASS GENERAL LITURGICAL INSTRUCTIONS for EMCEES Before Mass: 1
    DIOCESE OF BATON ROUGE LITURGICAL INSTRUCTIONS when the BISHOP CELEBRATES MASS GENERAL LITURGICAL INSTRUCTIONS FOR EMCEES Before Mass: 1. The pastor or his designate is responsible for setting up for the ceremony. The bishop must approve any changes from what is listed below. 2. Be certain all is prepared in the church, making sure all needed vessels and books are in place and correctly marked. Prepare sufficient hosts and wine so that the entire congregation will be able to receive Holy Communion consecrated at that Mass. The lectionary is placed on the ambo open to the first reading. Check the microphones and batteries! 3. Seats for concelebrating priests and servers are not to flank the bishop’s presidential chair, but instead be off to the side; the bishop’s presidential chair is to be arranged by itself. (Exception: one deacon, if present, sits on the bishop’s right; a second deacon if present may sit to the bishop’s left.) 4. The altar should be bare at the beginning of the celebration (excepting only the required altar cloth, and candles, which may be placed upon the altar). Corporals, purificators, books and other items are not placed on the altar until the Prepa- ration of the Gifts. 5. If incense is used, refer to note no. 2 in the “Liturgical Instructions for the Sacrament of Confirmation.” 6. Getting started on time is very important. Sometimes it is necessary to be assertive in order to get people moving. 7. Give the following directions to all concelebrating priests: a. During the Eucharistic Prayer, stand well behind and to the left and to the right of the bishop.
    [Show full text]
  • The Shuttle Nov 2020
    THE SHUTTLE November 2020 MARCHMONT ST GILES’ PARISH CHURCH AT THE HEART OF THE COMMUNITY 1a Kilgraston Road, Edinburgh, EH9 2DW Phone: 0131 447 4359 www.marchmontstgiles.org.uk Meeting Matters Tuesday 8pm Book Club Wednesday 12.30pm Butterflies Plus is not on at present Saturday 10am - 12noon Morning Coffee is not on at present November 2020 8 9.30 Junior Church on Zoom 10.30 Remembrance Sunday Morning Worship in church and on Facebook Live / YouTube 15 9.30 Junior Church on Zoom 10.30 Sunday Morning Worship in church and on Facebook Live / YouTube 22 9.30 Junior Church on Zoom 10.30 Sunday Morning Worship in church and on Facebook Live / YouTube 19.00 Kirk Session on Zoom 29 9.30 Junior Church on Zoom 10.30 Sunday Morning Worship in church and on Facebook Live / YouTube December 2020 6 9.30 Junior Church on Zoom 10.30 Sunday Morning Worship in church and on Facebook Live / YouTube 7 19.00 Kirk Session on Zoom 13 9.30 Junior Church on Zoom 10.30 Sunday Morning Worship in church and on Facebook Live / YouTube Front cover: Poppy at Scone Palace Walled Garden 2 Reflection Dear Friends, In this Season of Remembrance we give thanks for the living and the dead. I was in the graveyard this morning filming some of the graves of the boys and men who died in the First and Second World War. These local people, most of whom are buried overseas were loved by those in this parish and we can only imagine the grief and ongoing sadness their fam- ilies lived with at the time.
    [Show full text]
  • (Church of Scotland), SC005322 Data Protection Policy
    Kirkwall St Magnus Cathedral (Church of Scotland), SC005322 Data Protection Policy CONTENTS 1. Overview 2. Data Protection Principles 3. Personal Data 4. Special Category Data 5. Processing 6. How personal data should be processed 7. Privacy Notice 8. Consent 9. Security 10. Sharing personal data 11. Data security breaches 12. Subject access requests 13. Data subject rights 14. Contracts 15. Review 2 Data Protection Policy 1 Overview 1.1 The congregation takes the security and privacy of personal information seriously. As part of our activities we need to gather and use personal information about a variety of people including members, former members, adherents, employees, office-holders and generally people who are in contact with us. The Data Protection Act 2018 (the "2018 Act") and the EU General Data Protection Regulation ("GDPR") regulate the way in which personal information about living individuals is collected, processed, stored or transferred. 1.2 This policy explains the provisions that we will adhere to when any personal data belonging to or provided by data subjects, is collected, processed, stored or transferred on behalf of the congregation. We expect everyone processing personal data on behalf of the congregation (see paragraph 5 for a definition of "processing") to comply with this policy in all respects. 1.3 The congregation has a separate Privacy Notice which outlines the way in which we use personal information provided to us. A copy can be obtained from the Session Clerk at [email protected]. 1.4 All personal data must be held in accordance with the congregation's Data Retention Policy, which must be read alongside this policy.
    [Show full text]
  • Catalogue Description and Inventory
    = CATALOGUE DESCRIPTION AND INVENTORY Adv.MSS.30.5.22-3 Hutton Drawings National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © 2003 Trustees of the National Library of Scotland = Adv.MSS.30.5.22-23 HUTTON DRAWINGS. A collection consisting of sketches and drawings by Lieut.-General G.H. Hutton, supplemented by a large number of finished drawings (some in colour), a few maps, and some architectural plans and elevations, professionally drawn for him by others, or done as favours by some of his correspondents, together with a number of separately acquired prints, and engraved views cut out from contemporary printed books. The collection, which was previously bound in two large volumes, was subsequently dismounted and the items individually attached to sheets of thick cartridge paper. They are arranged by county in alphabetical order (of the old manner), followed by Orkney and Shetland, and more or less alphabetically within each county. Most of the items depict, whether in whole or in part, medieval churches and other ecclesiastical buildings, but a minority depict castles or other secular dwellings. Most are dated between 1781 and 1792 and between 1811 and 1820, with a few of earlier or later date which Hutton acquired from other sources, and a somewhat larger minority dated 1796, 1801-2, 1805 and 1807. Many, especially the engravings, are undated. For Hutton’s notebooks and sketchbooks, see Adv.MSS.30.5.1-21, 24-26 and 28. For his correspondence and associated papers, see Adv.MSS.29.4.2(i)-(xiii).
    [Show full text]
  • Crosier Generalate Canons Regular of the Order of the Holy Cross Via Del Velabro 19, 00186 Rome, Italy
    Crosier Generalate Canons Regular of the Order of the Holy Cross Via del Velabro 19, 00186 Rome, Italy Letter of the Master General to present the Crosier Priesthood Profile A common question often asked by people is: “What is the distinctiveness of a Crosier priest as compared to other religious and secular priests?” It is a reasonable question. It flows from what people sense as the fundamental commonality shared among all religious and secular priests: sharing in Christ’s priesthood which then also demands a commitment to serving God and the People of God. There are differences and distinctions among priestly charisms exercised in the Church even all are founded on the one priesthood of Jesus Christ. Crosiers consequently should understand that religious priesthood (the identity as ordained ministers) is to be lived out in concert with the vows and the common life. We need to realize that the charism of the Order must be understood, internalized, and externalized in daily life. The values of our Crosier charism characterize our distinct way of being and serving within the concert of charisms in the Church and the Order of Presbyters. Our Crosier priesthood in an Order of Canons Regular should be colored by the elements of our Crosier religious life identity. This includes our lifelong commitment to fraternal community life, dedication to common liturgical prayer, and pastoral ministries that are energized by our religious life. For this reason, Crosiers commit to living out these living elements of our tradition; a heritage emphasized beginning in the years of novitiate and formation (see: Cons.
    [Show full text]
  • ST MAGNUS: an EXPLORATION of HIS SAINTHOOD William P
    ST MAGNUS: AN EXPLORATION OF HIS SAINTHOOD William P. L. Thomson When the editors of New Dictionary of National Biography were recently discussing ways in which the new edition is different from the old, they re­ marked that one of the changes is in the treatment of saints: The lives [of saints] are no longer viewed as straightforward stories with an unfor­ tunate, but easily discounted, tendency to exaggeration, but may now be valued more for what they reveal about their authors, or about the milieu in which they were written, than for any information they contain about their ostensible subjects (DNB 1998). This is a good note on which to begin the exploration of Magnus's saint­ hood. We need to concern ourselves with the historical Magnus - and Magnus has a better historical basis than many saints - but equally we need to explore the ways people have perceived his sainthood and often manipulated it for their own purposes. The Divided Earldom The great Earl Thorfinn was dead by I 066 and his earldom was shared by his two sons (fig. I). It was a weakness of the earldom that it was divisible among heirs, and the joint rule of Paul and Erlend gave rise to a split which resulted not just in THOR FINN PAUL I ERLEND Kali I I HAKON MAGNUS Gunnhild m Kol I ,- I Maddad m Margaret HARALD PAUL II ROGNVALD E. of Atholl I HARALD MADDADSSON Ingirid I Harald the Younger Fig. 1. The Earls of Orkney. 46 the martyrdom of Magnus, but in feuds which still continued three and four generations later when Orkneyinga Saga was written (c.1200).
    [Show full text]
  • Dinghy Courses Kirkwall
    WORSHIP AT THE CATHEDRAL THIS SUMMER Services are held in St. Magnus Cathedral every Sunday at 11.15 am. Sunday 22nd June. Festival service: music by the Cathedral choir and the Scottish Chamber Orchestra Sunday 3rd August. Celebration of the Sacrament of Holy Communion Sunday 24th August Anniversary service to mark the 850th anniversary of the death of St. Rognvald Sunday 7th September Sacrament of Holy Communion: Science Festival service GRAPEVINE The magazine of St Magnus Cathedral Summer Edition 2008 Minister: Revd. Fraser Macnaughton Tel: 873312 Associate Minister: Revd. Christine Farrington Tel: 871859 Grapevine Editor: Sally Heddle Tel: 731285 EDITORIAL In this year, when we celebrate 850 years since the death of St Rognvald, founder of the Cathedral in which we are privileged to worship, it seems right that this edition of the Grapevine should focus on him, the Cathedral and the St Magnus Centre. Not one of us was around when the Cathedral was built, new members join us each year, and we welcome hundreds of visitors annually to the Cathedral and the Centre. This Grapevine tells some of the story of Rognvald and his building of the Cathedral. It also tells the story of a much later vision - the St Magnus Centre - an enterprise that needed the support of the whole community. I hope, for those of you who have the heard the first story so often and lived the second; that this magazine will still hold something new. For all who come to Orkney to worship with us and marvel at the beauty of our great Cathedral, I hope it offers a glimpse of more than just a marvellous building.
    [Show full text]
  • St Magnus Cathedral
    St Magnus Cathedral St Magnus cathedral was founded in 1137 by Earl Rognvald who, in order to gain support for his political ambition to become earl of Orkney, made a vow to build a church of stone in Kirkwall more magnificent than any other in the land and to dedicate it to St Magnus, his uncle. At the time of foundation, Kirkwall was already an established settlement but the shift of the central seats of ecclesiastical and secular power along with the cult of saints ensured that Kirkwall developed into Orkney’s principal urban centre. Built of local red and yellow flagstone the cathedral has been assigned to masons of the Durham school. It is likely that enough of the building was complete to allow the transfer of Magnus’s remains there by the 1150s, although the building was not finished until three hundred years later. The cathedral was built to house Magnus’s remains, serve as a dynastic mausoleum for the Earls of Orkney and to be the new episcopal seat of the Earldom. Now standing in relative isolation, it once formed the central part of the cathedral precinct of which the nearby Bishop’s Palace was also part, and as such was a dominant feature in the growing town of Kirkwall. Knowledge of medieval Kirkwall is limited by the extent of later developments, in particular the redesign of the town by the Stewart Earls in the Renaissance period. The Cathedral would have originally stood on the edge of the shore of the Peedie Sea, which is now a small boating pond, but once extended much further into the town, thus affording a grand and defendable approach.
    [Show full text]
  • Symbols of the Bishop
    SYMBOLS OF THE BISHOP THE BISHOP'S CHAIR The cathedral houses the bishop's throne, or cathedra, (which is the Latin word for "seat" or "chair"). In the ancient world, the chair was not only the symbol of a teacher but also of a magistrate. Thus, the cathedra symbolizes the bishop’s role as teacher and as the governing authority of the diocese. CROSIER The crosier is a pastoral staff that is conferred on bishops (and abbots). The top of the staff is curved to remind the bishop of the shepherd’s crook and of his pastoral care of the people entrusted to him. It symbolizes the bishop’s duty to keep watch over his whole flock, sustaining the weak and wavering, solidifying the faith, and leading those gone astray back into the true fold. ZUCCHETTO The zucchetto is a skullcap worn as part of the liturgical and choir dress of the pope, cardinals, bishops, abbots and priests. During the 13th century, it was developed to cover the tonsure (portion of hair that is shaved when a man entered into the clerical state.) The pope wears a white zucchetto; cardinals, a red zucchetto; and bishops, a purple zucchetto. Black is reserved for all others. PECTORAL CROSS The pectoral cross is worn by the pope, cardinals, bishops and abbots. Tradition holds that reliquaries of the True Cross were worn over the heart; hence, the modern day custom of it being worn over the breast (pectus). The pectoral cross reflects the dignity of the office of bishop or abbot. The cross is either worn suspended from a ceremonial cord at liturgical services or on a chain with his clerical suit.
    [Show full text]
  • George Washington Wilson (1823-1893)
    George Washington Wilson (1823-1893) Photographically innovative and entrepreneurial in business, Wilson was the most notable, successful and prolific stereo-photographer in Scotland and perhaps the entire UK. Having trained in Edinburgh as an artist, he worked as a miniature portrait painter and art teacher in Aberdeen from 1848. He started experimenting with photography in 1852, probably realising that it could potentially supplant his previous profession. In a short-lived partnership with Hay, he first exhibited stereoviews in 1853 at the Aberdeen Mechanics' Institution. A commission to photograph the construction of Balmoral Castle in 1854-55 led to a long royal association. His photos were used in the form of engravings for Queen Victoria's popular book “My Highland Journal”. His best-selling carte-de-visite of her on a pony held by Brown (judiciously cropped to remove other superfluous retainers) fuelled the gossip surrounding this relationship. His portrait studio in Aberdeen provided steady cashflow and in 1857, to promote his studio, he produced a print grouping together famous Aberdonians, one of the earliest ever examples of a photo-collage. He soon recognised that stereoviews were the key to prosperity and by 1863 had a catalogue of over 400 views from all across the UK, selling them in a wide variety of outlets including railway kiosks and inside cathedrals. His artistic training helped him compose picturesque and beautiful images, but he was also an innovative technician, experimenting on improving photographic techniques, chemistry and apparatus, working closely with camera and lens manufacturers. He was among the very first to publish “instantaneous” views, ranging from a bustling Princes Street, Edinburgh to a charming view of children paddling in the sea, both dating from 1859.
    [Show full text]
  • Saint Pius V Altar Server Dictionary Promulgated During the Pontificate of Francis, 266Th Successor to the Apostle Peter
    1 Saint Pius V Altar Server Dictionary Promulgated during the Pontificate of Francis, 266th successor to the Apostle Peter. 1. The main areas of the church with which you should be concerned: ​ ​ ​ 1. The sanctuary is the area in the center and toward the front of the church ​ ​ where the altar, the ambo, and the priest’s and altar server’s chairs are located. 2. The sacristy is the room where the priest, deacon and altar servers vest ​ ​ and prepare for Mass. Many of the items used in the celebration of the Mass are stored there. 3. Other areas include the baptistry, where the baptismal font is located and ​ ​ where baptisms may be celebrated; the vestibule, the entrance to our ​ ​ church; and our four confessionals, where the sacrament of penance is ​ ​ celebrated. 2. Books used at Holy Mass: ​ ​ 1. The Lectionary is the large book containing the Bible readings. There ​ ​ may be a separate Book of the Gospels, called the evangeliary. ​ ​ ​ ​ 2. The Roman Missal is the large book used by the priest when standing at ​ ​ his chair and at the altar during Mass. 3. Other books may be used too in the sanctuary, including a hymnal, a binder containing general intercessions, ritual books for the various sacraments, and a binder of announcements. Our binders are different colors, matching the liturgical color of the day/season. 3. Vessels used at Holy Mass: ​ ​ 1. The chalice is the cup that holds the wine for consecration and ​ ​ communion. 2. The paten is a plate that holds the hosts for consecration and ​ ​ communion.
    [Show full text]
  • Orkney in the Medieval Realm of Norway
    Island Studies Journal , Vol. 8, No. 2, 2013, pp. 255-268. From Asset in War to Asset in Diplomacy: Orkney in the Medieval Realm of Norway Ian Peter Grohse Norwegian University of Science and Technology Norway [email protected] Abstract : The island province of Orkney played a crucial role in Norway’s overseas expansion during the Early- and High-Middle Ages. Located just offshore from mainland Scotland, it provided a resort for westward-sailing fleets as well as a convenient springboard for military forays into Britain and down the Irish Sea. The establishment of a Norwegian-Scottish peace and the demarcation of fixed political boundaries in 1266 led to a revision of Orkney’s role in the Norwegian realm. From that point until the its pledging to the Scottish Crown in 1468, Norway depended on Orkney as a hub for diplomacy and foreign relations. This paper looks at how Orkney figured in Norwegian royal strategies in the west and presents key examples which show its transition from a tool of war to a forum for peace. Keywords : diplomacy, islands, medieval, Norway, Orkney, warfare © 2013 – Institute of Island Studies, University of Prince Edward Island, Canada Introduction For roughly seven centuries, from the late-eighth until the late-fifteenth centuries, the North Sea archipelago of Orkney was under varying degrees of influence and overlordship of the Kingdom of Norway. It was one of a string of North Sea and North Atlantic islands including Greenland, Iceland, the Faeroes, Shetland, and until 1266 the Hebrides and Man, known in contemporary texts as skattlondum (tributary countries) of the King of Norway.
    [Show full text]