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Cat Talogu E 59 Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN Tel: 020 7836 1979 Fax: 020 7379 6695 E-mail: grosvenorrpprints@btinternet.com www.grosvenorprints.com Dealers in Antique Prints & Books Catalogue 59 Item 152: Souvenir de Venice. Oblong 4to, printed boards with cloth spine; coloured lithographic title, and 12 plates in fine hand colour with gum arabic highlights All items listed are illustrated on our web site: www.grosvenorprints.com Registered in England No. 1305630 Registered Office: 2, Castle Business Villlage, Station Roaad, Hampton, Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Rayment. C.E. Elliis. E&OE VAT No. 217 6907 49 1. The Triumphal Entry of the Duke of 3. Lovenstein. [Battle of Loevenstein, 19th Wellington into Madrid. To His Royal December 1570.] Es seind gewest drey man Highness the Duke of York this Engraving allein / So ingenommen Louenstein [...] from a Picture in the Possession of His Majesty [Hogenburg.] Anno Dmi M.D. LXXI [...] Engraving. Sheet: 215 x 305mm, (8½ x 12"). Lower Painted by William Hilton R.A. Engraved by John left corner torn and reattached. £65 Bromley Pub.d by R. Bowyer Pall Mall March 1825. A battle scene showing the recapture of Loevenstein Mezzotint on india, proof; platemark 390 x 525mm Castle by Habsburg troops on 19th December 1570 (15¼ x 20¾") very large margins. India paper slight during the Eighty Years War. The castle had been lifting. £290 taken from the Spanish ten days earlier by the dutch The liberation of Madrid in 1812 following rebels led by Herman de Ruyter. The Dutch later Wellington's victory at the Battle of Salamanca, one of recaptured the castle in 1572. The image shows the his finest victories. Fine engraving after a painting by Spansh troops, flying the flag of the Seventeen William Hilton (1786-1839), who specialised in Provinces advancing on the castle while the Dutch dramatic historical, biblical and mythological subjects. fight furiously, Herman de Ruyter (labelled in image) Ex: collection of the Late Hon. C. Lennox-Boyd is shown defending a breach in the wall. Stock: 40378 Stock: 40311 2. [A Midsummer Night's Dream.] 4. The City Light Horse Volunteers [Painted by Sir Edwin Landseer R.A. Engraved by reviewed by Lord Harrington on Wimbledon Samuel Cousins, R.A.] [New York, Published by Common. M.Knoedler, Broadway, Jan.y. 1st 1858; and Entered [Printed & Sold by Edw.d Langley No 173 High Street, according to Act of Congress in the Clerk's Office of Borough and Champante & Whitrow Jewry Street, the District Court of the United States of the Southern Aldgate.] [n.d., c.1807.] District of New York. London; Published Jan.y 1, 1858 Rare finely coloured copper engraving, top section of a by Henry Graves & Comp.y Publishers to the Queen-6 writing sheet. Paper 140 x 370mm (5½ x 14½"). Pall Mall.] Mounted on album paper. £180 Mezzotint on india, proof before all letters. 630 x The header section of a broadsheet writing sheet. The 920mm (24¾ x 36¼). Small scuff on print surface. title "Sword Exercise of of the Cavalry" refers to £950 vignettes down the side, not present here. Bottom, with the head of an ass, with Titania nestled The Light Horse Volunteers, first formed by well-to-do against his shoulder. Around them Puck stands naked London merchants in 1779 and disbanded in 1783, and fairies ride white rabbits. Landseer's only were re-established in May 1794 as the Light Horse illustration to Shakespeare was commissioned by Volunteers of the Cities of London and Westminster. Isambard Kingdom Brunel in 1847; finished in 1851 it Their chief role was to suppress civil disobedience. is now in National Gallery of Victoria in Melbourne. However, as rich men with expensive gear, their Sir Edwin Henry Landseer, RA (1802-73) entered the reputation as soldiers was not good: the Cato Street Royal Academy Schools in 1816, but he had already Conspiritors planned to raid their stables as part of exhibited at the R.A. Summer Exhibition in the their plot in 1820. previous year. He was elected Associate of the Royal Stock: 40354 Academy in 1826, aged only twenty four, and full Academician in 1831 when not yet thirty. In the 1830s 5. [The Surrender of Two Sons of Tipu his work gained wide popularity and was bought both Sultan] Les Fils du Sultan Se Rendent. Le by the aristocracy and the newly important middle Major Général Baird ordonne que le Sultan class. He himself moved freely in aristocratic circles, paroisse [...] and after 1836 he enjoyed royal patronage, especially Peint par H. Singleton Gravé par F. dal Pedro [c.1800] in the 1840s when Victoria and Albert also discovered Engraving, sheet 300 x 395mm (11¾ x 15½"). Scotland. He paid his first visit to their home, Balmoral Trimmed inside platemark on three sides. £480 in 1850 to paint a large group portrait of the royal The surrender of Tipu Sultan's sons following the family. He was knighted that year even though the storming of his palace at Seringapatam in 1799. Tipu's painting was never finished. Landseer had a sons descend the palace steps led by Major Alexander permanent fight against depression and ill health, Allen, while their father's troops (including two although he continued to paint brilliantly almost until European, presumably French soldiers) look on lower the end of his life. In the 1860s he modelled the lions at right. British troops (including a group of Sepoys) on the base of Nelson's Column in Trafalgar Square and left, with General Baird extending a hand towards these were unveiled in 1867. In 1866 he declined the them. Catherine E. Anderson notes that Baird presidency of the Royal Academy, and after 1870 sank displayed 'Alexander-like qualities' of clemency, slowly into madness. Whitman: 201. Ex: collection of insisting upon the safety of Tipu's sons. the Hon. Christopher Lennox Boyd. One of the more unusual of several prints made after Stock: 40405 the painting by Henry Singleton (1766-1839). For Baird see ref. 35838; Anderson, 'Tipu Sultan's Sons '. Stock: 40357 6. Bonaparte. 11. George Anson Esq. Commander in Chief [Anon., c.1810.] of the Late Expedition to the South Seas. Stipple with hand-colouring, sheet 130 x 90 (5 x 3½"). Ar. Pond pinx. C. Grignion Sculp. Publish'd by Ar. £65 Pond Sep.r 15th 1744 Unusual stipple of the young Napoleon. Engraving. Very scarce. Platemark: 450 x 290mm Stock: 40364 (17¾ x 11¼") large margins. £420 A portrait of Admiral George Anson (1697-1762) 7. [Birth of Napoleon.] Naissance de published at the end of his voyage around the world Bonaparte [in ms below]. (1740-4) during which he attacked the Spanish in the [Anon., c.1810] Pacific, burnt Payta in Peru and captured the Manila Etching with hand-colouring, 80 x 80mm (3 x 3"). galleon with its treasure of half a million pounds. Trimmed to image and glued to backing sheet. £60 Stock: 40047 Stock: 40365 12. [Pierre Séguier, Chancellor of France] 8. [Marriage of Napoleon] Mariage de Petrus Seguier Fraciae Cancellarius [...] Bonaparte [in ms below] [after Charles Le Brun?] [1660] [Anon., c.1810] Engraving with accompanying letterpress sheet, each Etching with hand-colouring, 80 x 80mm (3 x 3"). 470 x 350mm (18½ x 13¾"). Repaired tear to both Trimmed to image and glued to backing sheet. £60 sheets. Small margins. £190 Stock: 40366 Pierre Séguier (1588-1672), chancellor of France from 1635, and a bibliophile whose library was amongst the 9. [Review of the Imperial Guard at most valuable of its day. Schönbrunn, 2 July 1809.] Revue de la Garde From 'Les Portraits des Hommes Illustres Francois qui Imperiale dans la plaine de Schönbrunn le 2 sont Peints dans la Galerie du Palais Cardinal de juillet 1809. Richelieu' (1660), which was dedicated to Séguier. The book reproduces the portraits of great men hanging in Zix del Piringer sculp. Queverdo fils aq. [c.1820.] Richelieu's 'Galerie des hommes illustres' by Simon Aquatint with hand-colouring and letterpress, text Vouet and Philippe de Champaigne. verso; sheet 250 x 350mm (9¾ x 13¾") with large Stock: 39872 margins. £180 Napoleon's army assembled near the Imperial palace of Schönbrunn in Vienna, showing Vienna in background, 13. [Organ of Sint-Bavokerk, Haarlem] Het shortly after the decisive French victory in the Battle of Gezicht, van't groote Orgel, en een gedeelte der Wagram (5-6 July 1809). The battle resulted in the grote Kerk te Haerlem, wel-eer St. Bavo Treaty of Schönbrunn later that year, in which Austria toegeweyt [...] ceded territories and one sixth of the Austrian Empire's G. Toorenburgh ad viv. del. 1762 J.C. Philips sculpsit subjects to France. 1763 Te Amsteldam by Jan Ten Houten Boekverkoper Stock: 40360 op den Dam Engraving, platemark 455 x 325mm (18 x 12¾") very 10. Anna D.G. Angliae, Scotiae, Franciae et large margins. £260 Hiberniae Regina. The organ of the Sint-Bavokerk (Grote Kerk) in G. Kneller S.R. Imp. et Angl. Eques. Aur. pinx. Petrus Haarlem, Netherlands, one of the world's most a Gunst sculps et excudit tot Amsterdam, op de binnen historically important organs. Built between 1735 and Amstel, op de hoek van de Kyfen graft [c.1700] 1738 by Amsterdam organ builder Christiaan Müller, Rare engraving, sheet 355 x 270mm (14 x 10½"). those who have played it include Mendelssohn, Handel Trimmed inside platemark and glued to backing sheet. and Mozart. Herman Melville, describing the inside of £160 a whale's mouth in 'Moby-Dick', wrote: 'seeing all Portrait of Queen Anne (1665-1714), half-length in an these colonnades of bone so methodically ranged oval, wearing small crown, pearl necklace, ermine- about, would you not think you were inside of the great lined robes with jewels.
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