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Rule of Law in the Western Balkans: ASPEN 5 Exploring the New EU Enlargement Strategy and Necessary Steps Ahead POLICY PROGRAM
RULE OF LAW IN THE WESTERN BALKANS: EXPLORING THE NEW EU ENLARGEMENT STRATEGY AND NECESSARY STEPS AHEAD April 16-19, 2018 | Alt Madlitz In cooperation with: The Aspen Institute Germany wishes to thank the German Federal Foreign Office for its sponsorship of the Aspen Southeast Europe Program 2018 through the Stability Pact for South Eastern Europe. The mission of the Aspen Institute Germany is to improve the quality of leadership through dialog about the values and ideals essential to meeting the challenges facing organizations and governments at all levels. Over its forty-year history, Aspen Germany has been devoted to advancing values-based leadership – to creating a safe, neutral space in which leaders can meet in order to discuss the complex challenges facing modern societies confidentially and in depth, with respect for differing points of view, in a search for common ground. This reader includes conference papers and proceedings of Aspen Germany’s Western Balkans conference in 2018. The Aspen Institute’s role is limited to that of an organizer and convener. Aspen takes no institutional position on policy issues and has no affiliation with the U.S. or German governments. All statements of fact and expressions of opinion contained in all Aspen publications are the sole responsibility of the author or authors. For further information about the Aspen Institute Germany, please write to Aspen Institute Deutschland e.V. Friedrichstraße 60 10117 Berlin Germany or call at +49 30 80 48 90 0. Visit us at www.aspeninstitute.de www.facebook.com/AspenDeutschland www.twitter.com/AspenGermany Copyright © 2018 by The Aspen Institute Deutschland e.V. -
Domaće Pesme
SPISAK KARAOKE PESAMA Domaće pesme Sanja - Sindy 064 / 11 55 735 www.facebook.com/SindyKaraoke www.sindykaraoke.com [email protected] DOMAĆE PESME SINDY KARAOKE Sanja 064/11-55-735 najveći izbor domaćih i stranih karaoke pesama (engleskih, italijanskih, francuskih, španskih, ruskih) IZVOĐAČ PESMA IZVOĐAČ PESMA 187 Nikada nećeš znati Aleksandra Radović Ako nikada Aca i Mira Vrati nam se, druže Aleksandra Radović Čuvaj moje srce * Aca Ilić Lepe oči zelene Aleksandra Radović Jesam te pustila Aca Lukas Bele ruže Aleksandra Radović Još danas Aca Lukas Burbon Aleksandra Radović Kao so u moru Aca Lukas Čaše moje polomljene Aleksandra Radović Karta za jug Aca Lukas Dijabolik Aleksandra Radović Nisi moj Aca Lukas Hiljadu puta Aleksandra Radović Zažmuri Aca Lukas Imate li dušu tamburaši Aleksandra Ristanović Dočekaj me sa osmehom Aca Lukas Ista kao ja Alen Islamović Ispod kaputa Aca Lukas Ja živim sam Alen Slavica Dao sam ti dušu Aca Lukas Jagnje moje Alen Vitasović Bura Aca Lukas Koma Alisa Sanja Aca Lukas Kuda idu ljudi kao ja Alka i Džej Da si sada tu Aca Lukas Lična karta Alka i Stavros Zrak, zemlja, zrak Aca Lukas Na žalost Alka i Vuco Kad bi opet Aca Lukas Ne pitaj Alka Vuica Bolje bi ti bilo Aca Lukas Nešto protiv bolova Alka Vuica Ej, šta mi radiš Aca Lukas Niko jedan, dva i tri Alka Vuica Kriva Aca Lukas Otrov sipala Alka Vuica Laži me Aca Lukas Pao sam na dno Alka Vuica Nek’ ti jutro miriše na mene Aca Lukas Pesma od bola Alka Vuica Od kad te nema Aca Lukas Poljem se širi miris tamjana Alka Vuica Profesionalka Aca Lukas Pustinja -
Gouvernance, Pouvoirs Et Démocratie
CONSEIL DE L’EUROPE Troisième Université d’été de la démocratie 29 juin-4 juillet 2008 Gouvernance, pouvoirs et démocratie SYNTHÈSE DES SESSIONS PLÉNIÈRES ET DES CONFÉRENCES Direction générale de la démocratie et des affaires politiques Conseil de l’Europe, Strasbourg Les vues exprimées dans cet ouvrage sont de la responsabilité de l’auteur et ne reflètent pas nécessairement la ligne officielle du Conseil de l’Europe. Toute demande de reproduction ou de traduction de tout ou d’une partie du document doit être adressée à la Division de l’information publique et des publications, Direction de la communication (F-67075 Strasbourg Cedex ou [email protected]). Toute autre correspondance relative à cette publication doit être adressée à la Direction générale de la démocratie et des affaires politiques. Contacts au Conseil de l’Europe : Jean-Louis Laurens Directeur général de la démocratie et des affaires politiques Courriel : [email protected] Tél. : + 33 (0)3 88 41 20 73 François Friederich Coordinateur des Ecoles d’Etudes Politiques Courriel : [email protected] Tél. : + 33 (03) 90 21 53 02 Claude Bernard Gestionnaire de programme Courriel : [email protected] Tél. : + 33 (03) 88 41 22 75 Site web : www.coe.int www.coe.int/Schools-Politics/fr © Conseil de l’Europe, janvier 2009 Sommaire Introduction : De l’Université d’été au « Davos de la démocratie » ............5 Chapitre I. Démocratie et enjeux de la gouvernance ....................................7 1. Gouvernance, réflexions autour du concept ..........................................................7 2. Composantes de la bonne gouvernance ..............................................................10 3. Les défis de la bonne gouvernance ......................................................................12 Chapitre II. -
Rule of Law Reforms in the Western Balkans (2018)
RULE OF LAW REFORMS IN THE WESTERN BALKANS Valeska Esch Olga van Zijverden (eds.) In cooperation with: The Aspen Institute Germany wishes to thank the German Federal Foreign Office for its sponsorship of the “Aspen Regional Dialogue Western Balkans 2018“ through the Stability Pact for South Eastern Europe. The mission of the Aspen Institute Germany is to im- prove the quality of leadership through dialog about the values and ideals essential to meeting the challenges fac- ing organizations and governments at all levels. Over its forty-five-year history, Aspen Germany has been de- voted to advancing values-based leadership – to creating a safe, neutral space in which leaders can meet in order to discuss the complex challenges facing modern socie- ties confidentially and in depth, with respect for differing points of view, in a search for common ground. This publication includes conference papers and pro- ceedings of Aspen Germany’s Western Balkans confer- ence in 2018. The Aspen Institute’s role is limited to that of an organ- izer and convener. Aspen takes no institutional position on policy issues and has no affiliation with the U.S. or German governments. All statements of fact and expres- sions of opinion contained in all Aspen publications are the sole responsibility of the author or authors. For further information about the Aspen Institute Germany, please write to Aspen Institute Deutschland e.V. Friedrichstraße 60 10117 Berlin Germany or call at +49 30 80 48 90 0 Visit us at www.aspeninstitute.de www.facebook.com/AspenDeutschland www.twitter.com/AspenGermany Copyright © 2018 by The Aspen Institute Deutschland e.V., all rights reserved. -
The Balkans of the Balkans: the Meaning of Autobalkanism in Regional Popular Music
arts Article The Balkans of the Balkans: The Meaning of Autobalkanism in Regional Popular Music Marija Dumni´cVilotijevi´c Institute of Musicology, Serbian Academy of Sciences and Arts, 11000 Belgrade, Serbia; [email protected] Received: 1 April 2020; Accepted: 1 June 2020; Published: 16 June 2020 Abstract: In this article, I discuss the use of the term “Balkan” in the regional popular music. In this context, Balkan popular music is contemporary popular folk music produced in the countries of the Balkans and intended for the Balkan markets (specifically, the people in the Western Balkans and diaspora communities). After the global success of “Balkan music” in the world music scene, this term influenced the cultures in the Balkans itself; however, interestingly, in the Balkans themselves “Balkan music” does not only refer to the musical characteristics of this genre—namely, it can also be applied music that derives from the genre of the “newly-composed folk music”, which is well known in the Western Balkans. The most important legacy of “Balkan” world music is the discourse on Balkan stereotypes, hence this article will reveal new aspects of autobalkanism in music. This research starts from several questions: where is “the Balkans” which is mentioned in these songs actually situated; what is the meaning of the term “Balkan” used for the audience from the Balkans; and, what are musical characteristics of the genre called trepfolk? Special focus will be on the post-Yugoslav market in the twenty-first century, with particular examples in Serbian language (as well as Bosnian and Croatian). Keywords: Balkan; popular folk music; trepfolk; autobalkanism 1. -
Dehexing Postwar West Balkan Masculinities: the Case of Bosnia, Croatia, and Serbia, 1998 to 2015 Marko Dumancic, Western Kentucky University
Western Kentucky University From the SelectedWorks of Marko Dumančić January 12, 2016 Dehexing Postwar West Balkan Masculinities: The Case of Bosnia, Croatia, and Serbia, 1998 to 2015 Marko Dumancic, Western Kentucky University Available at: https://works.bepress.com/marko-dumancic/3/ The analysis of post-Yugoslav and West Balkan masculinities remains, perhaps unsurprisingly, tethered to the study of interethnic warfare, postconflict reconciliation, and radical right-wing politics (Milojevic´ 2012; Pavlovic´ 1999; Irvine and Lilly 2007; Bracewell 2000; Hayden 2000; Munn 2008).1 Although recent scholarship has explored more fully the position of men who do not benefit from the so-called patriarchal dividend (Milicevic´ 2006; Zarkov 2001), West Balkan men are by and large studied as participants (whether active or passive) in a range of oppressive sociopolitical structures (Capriqi 2012; Rosic´ 2012). Although the scholarship analyzing the correlation between violence and West Balkan masculinity adds a unique and relevant nuance to the study of globalized violence, scholars too often study and depict traditional Balkan masculinities as an exclusively conservative bulwark against modernization writ large without advancing alternative understandings of West Balkan masculinity.2 For the local intelligentsia and urban media outlets too, Balkan masculinity represents forces of isolationism and exclusivist ethno-nationalism, especially in the context of European integration. If one were to judge by current Bosnian, Croatian, or Serbian media commentary, the West Balkans are, no less than they were a hundred years ago, at the crossroads between traditionalization and modernization, with the patriarchal system actively sabotaging modernity’s successful evolution in the region. Thus in both Western scholarship and West Balkan media outlets, masculine identities stand in for antimodern forces: backwardness, parochialism, and (neo-) traditionalism. -
Zar Ne Jelena Karleusa Mp3 Download
Zar ne jelena karleusa mp3 download Buy Zar ne: Read Digital Music Reviews - jelena karleusa zar ne, beznadezan slucaj, nije ona, istina je da te lazem teatro size: MB - Duration: - Bitrate: Kbps - FileType: mp3. Watch the video, get the download or listen to Jelena Karleusa – Zar Ne for free. Zar Ne appears on the album JK Diamond Collection. Discover more music, gig. Jelena Karleusa - Zar Ne tekst lyrics: Zar ne, a rekao siodmah sutra zvaces mei dvesta puta ako trebasto da ne, sto da neRef. 2xSvi me zovu, mama, non stop. Streaming Jelena Karleusa - Zar Ne (Official Song Release - HQ) mp3 and download new album of Jelena Karleusa - Zar Ne (Official Song Release - HQ) for. Streaming Jelena Kareuša - Zar Ne TEKST mp3 and download new album of Jelena Kareuša download mp3 Jelena Karleuša - - Nisi U Pravu TEKST. Listen & Download jelena karleusa zar ne Mp3. Bitrate: kbps - File Type: MP3 - Source: Chords for Jelena Karleuša Zar Ne / Јелена Карлеуша Зар Не. Play along with guitar, ukulele, or piano with interactive chords and diagrams. Includes. Jelena Karleusa Lazes Bijelo Dugme LIVE AmiG Show. Jelena Karleusa The Diamond Collection 7 Downloads. 3 29 Karleusa Zar Ne kbps Mp3. Milena Ceranic - Devojke vole dijamante, Zar ne (Jelena Karleusa) UZIVO Ja se ne mogu. Artist: Jelena Karleusa, Song: So ft Nesh, Duration: , Size: MB, Download Jelena Karleusa - So ft Nesh № Jelena Karleusa Zar ne. JK - Zar ne - Duration: JKtheDIVA 3,, views · · Jelena Karleusa - Nije ona. Zar ne Lyrics: Zar ne, a rekao si / Odmah sutra zvaćeš me / I puta ako treba / Što da ne, što da ne / (x2) / Svi me zovu, mama, non-stop traže me / Svima reci. -
YUGO Folk MIDI Karaoke – 614 Datotek Aca Lukas
YUGO Folk MIDI Karaoke – 614 datotek Aca Lukas - Blamiras me-zoranco.kar Aca Lukas - Burbon.kar Aca Lukas - Crni Gavrane.Kar Aca Lukas - Dijabolik.kar Aca Lukas - Istina je da te lazem.kar Aca Lukas - Kuda Idu Ljudi Kao Ja.Kar Aca Lukas - Licna Karta..kar Aca Lukas - Neznanka..kar Aca Lukas - Nije ti ovo Amerika.kar Aca Lukas - Niko Jedan, Dva I Tri.Kar Aca Lukas - Pesma od bola.kar Aca Lukas - Poljem se siri miris tamjana.Kar Ado Gegaj - Okreni moj broj.kar Aleksandra Perovic - Opijum.KAR Aleksandra Radovic - Ako nikada.KAR Aleksandra Radovic - Jos Danas.kar Aleksandra Radovic - Karta za jug.KAR Amadeus - Kupi me.Kar Amadeus_-_Nju_Ne_Zaboravljam.kar Ana Bekuta - Kralj ponoci.kar Ana Bekuta i Keba - Treba vremena.kar ANA NIKOLIC - HOCU DA TE GLEDAM.kar ANA NIKOLIC - JANUAR .kar ANA NIKOLIC - ROMALE ROMALI.kar Ana Nikolic - Vatra.kar Baja - Bela ruzo..kar Baja - Devica...kar Baja - Doci Cu Ti Na Vencanje.Kar Baja - Ginem Ginem.Kar Baja - Helena Elena..kar Baja - Leptir...kar Baja - Ljubomorci..kar Baja - Luda, luda devojka..kar Baja - Napacena dusa..kar Baja - Nocna ptica..kar Baja - Od ruke do ruke..kar Baja - Pijan sam.kar Bane Bojanic - Navali narode...kar Bane Bojanic - Pola vino pola voda.kar Bane Bojanic - Zelene oci i crne kose...kar Bane Bojanic - Zlobnica...kar Beki Bekic - Zasto me ostavljas ti...kar Beki-Sasa-Knez - Giljam dade.kar Bele Ruze Nezne Ruze..kar Blek Panters - Kakvu zenu imam.kar Boban Zdravkovic - Hej moji drugovi...kar Boban Zdravkovic - Ne Dolazi U Moj San..kar Boban Zdravkovic - Otisla si jednog dana...kar Boban -
Statement Is Issued in the Names of the Signatories and Not on Behalf of the ELN Organisation As a Whole
Tuesday 17 December 2013 European Leaders Call for a New Approach to Security Context: As members of the European Leadership Network (ELN), we have committed ourselves to working toward a world without nuclear weapons. Such a world will only come about as a result of a joint enterprise involving leaders and peoples from every continent. It will only be achievable if the practical steps required to reach this goal are seen as contributing to every country’s national security as well as to global security. And it will only come about if leaders in every country and region take their share of the responsibility to act. The Euro-Atlantic region, which includes the United States, all the countries of Europe, and Russia is home to more than 95 percent of all the nuclear weapons on earth, four of the five declared nuclear weapon states in the NPT, and nine of the fourteen states in the world with nuclear weapons on their territory (namely the US, Russia, UK, France, Germany, Italy, Turkey, Belgium and the Netherlands). While the likelihood of a devastating conventional or nuclear conflict in the Euro- Atlantic region has dramatically declined, it is a region still scarred by the experience of 20th century conflict and by a deep and persisting legacy of Cold War mistrust. Cold War–era security concepts and many of their associated weapons and military postures continue to dominate. In particular, the currency of nuclear deterrence and mutual assured destruction continues in circulation. Large strategic nuclear forces remain deployed on prompt launch, ready to be fired in minutes; thousands of tactical nuclear weapons are still stockpiled in Europe; and a decades-old missile defence debate remains stuck in neutral. -
R E P E R T O a R
R E P E R T O A R *Napomena: Pesme označene crvenom bojom ne Narodna muzika sviramo u standardnom programskom delu ali ih možemo odsvirati u dogovoru sa mladencima. Ana Bekuta Haris Džinović Bekrija Dajte vina hoću lom Crven konac Hladno je ugrij me Imam jedan zivot I tebe sam sit kafano Ja nisam rodjena da zivim sama Ja ne pijem Kralj ponoci Jesu l` dunje procvale Ne žalim ja Laže mjesec Veseljak Nek mi bude zadnja čaša Oluja Ođila Uspomene Poznaćeš me Zavoleh te Ostariću neću znati Zlatiborske zore Kako mi nedostaješ Ne živim sama Ostavljena ja Toma Zdravković Treba vremena Da l` je moguce Ti mi trebaš rode Danka Što je moje to je samo moje Ej Branka, Branka Brojanica Kafana je moja sudbina Sanja Ceca Ljiljana Mašina Tamburaši, tamburaši Beograd Pesme moje Brat Navik’o sam ja na noćni život Devojko veštice Umoran sam od života Pogrešan broj Dotak’o sam dno života Bruka Dva smo sveta različita Doktor Svirajte noćas samo za nju Idi dok si mlad Noćas mi srce pati Ime i prezime Tužno leto Kad bi bio ranjen Kažem da te volim Miroslav Ilić Lepi grome moj Božanstvena ženo Lepotan Još te nešto čini izuzetnom Majica Lažu da vreme leči sve Maskarada Luckasta si ti Mesec nebo zvezdice Ova noć Mrtvo more Pozdravi je pozdravi Nevaljala Joj rado joj radmila Popij me kao lek Naljutićeš me ti Poziv Of Jano Pustite me da ga vidim Tebi Nevaljala Polomiću čaše od kristala Tačno je Zoveš me na vino Tražio si sve Smej se smej Turbulentno Šta sam ja u tvom zivotu Volim te Hiljadu suza majko Ljubav fatalna Devojka iz grada Pusti me da raskinem s njom Nije -
01 Uvodne Strane.Indd
Naučni časopis za ekonomiju - 02/15 Milorad Telebak Kr(i)tički osvrt Bata je pendrečio Nekada su mediji bili otvoreni za najveće pisce i naučnike, vrhun- sevima za manekene i glumu, te sa gimnazijom, jedva je završila ske intelektualce. – Danas, međutim, živimo pod okupacijom me- trgovačku školu. dija (televizija, tabloida) koji su otvoreni za samozvane voditeljke, Vera Matović je učiteljica. – Vesna Vukelić Vendi završila je eko- pjevačice, manekenke, starlete, koje promovišu prostakluk, vulgar- nomsku školu i, navodno, jednu godinu na pravu. – Ceca Ražna- nost (dovoljno je da uključite televizor i da vam prostitutke dođu u tović je završila srednju veterinarsku školu – smjer svinjarstvo! kuću), nudeći nam najnižu zabavu u vidu raznih rijalitija („Veliki – Mile Kitić ima diplomu saobraćajne tehničke škole. – Željko Sa- brat“, „Farma“, „Parovi“; neki to zovu parenjem!). Neshvatljivo je, mardžić je upravni tehničar, a upisao se i u srednju muzičku školu. međutim, kako smo svi tako brzo svikli i srasli sa tom vrstom or- velovske zabave i moralnog posrnuća. Svi smo postali jedan veliki Gimnaziju su završile Ana Bekuta, Goca Tržan, Nataša Bekvalac, rijaliti! Marina Tucaković i Dragan Kojić Keba. – Željko Šašić je završio mašinsku školu i upisao se na DIF. Istina, i u bivšem sistemu su na estradnoj sceni vršljali polupisme- ni folk umjetnici, ali su oni bili obučeni, pjevali su stojeći i licem Lepa Brena i Gordana Lazarević završile su višu turističku školu. okrenuti publici. Umjetnost je božji dar, ali on mora biti nadograđen Nekada velika zvijezda Olivera Katarina samo se upisala na Fa- obrazovanjem. Osim toga, teško da uzori mogu biti oni od kojih kultet dramskih umetnosti u Beogradu. -
Conference Agenda
Conference Agenda “New Serbia, new NATO – Future Vision for the 21st Century” Hotel "M", Bulevar oslobođenja 56a Friday, 3rd December 19.00 Welcoming Reception Mr. Dušan Janjić, Director, Forum for Ethnic Relations Ms. Mirjana Kosić, Executive Director, TransConflict Serbia Guest Speakers: Mr. Konstantin Samofalov, MP, Democratic Party, Member of the Defence and Security Committee of the National Assembly H.E. Hana Hubáčková, Ambassador of the Czech Republic to Serbia Ambassador Lawrence G. Rossin, Deputy Assistant Secretary General for Operations, NATO Saturday, 4thDecember 9.00-9.30 Registration of Participants 9.30-9.45 Opening Remarks Mr. Predrag Simić, Faculty of Political Science, Belgrade Mr. Ian Bancroft, Co-founder of TransConflict Serbia 9.45-11.15 “NATO's new Strategic Concept and the System of Global Security” Chair: Mr. Predrag Simić, Faculty of Political Science Panelists: Ambassador Lawrence G. Rossin, Deputy Assistant Secretary General for Operations, NATO H.E. Hana Hubáčková, Ambassador of the Czech Republic to Serbia Mr. Julian Harston, Former Assistant Secretary General, United Nations, and Representative of the Secretary General in Belgrade Mr. Matthew Rhodes, Professor of National Security Studies, Marshall Center's College of International and Security Studies 11.15-11.30 Coffee 11.30-13.00 “Security and Defence Policies of the EU and NATO” Chair: Mr. Milan Karagaća, Former Defense Attaché and the Chief of the Department for International Military Cooperation, Ministry of Defence Panelists: Mr. Nathan Koeshall, Balkan Trust for Democracy, Belgrade Mr. Milan Jovanović, Forum for Security and Diplomacy, Belgrade Ms. Jasminka Simić, Radio-Television of Serbia Mr. Aleksandar Fatić, Centre for Security Studies, Belgrade Mr.