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Coleridge Family
Coleridge Family: An Inventory of Their Literary File Photography Collection at the Harry Ransom Center Descriptive Summary Creator: Coleridge Family Title: Coleridge Family Literary File Photography Collection Dates: undated Extent: 32 items Abstract: Thirty-two photographs that are primarily portraits of members of the Coleridge family, which includes the Romantic poet, Samuel Taylor Coleridge (British, 1772-1834). Call Number: Photography Collection PH-02899 Language: English Access: Open for research. To make an appointment or to reserve photography materials, please email Visual Materials Reference staff. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. Use Policies: Ransom Center collections may contain material with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in the collections without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the Ransom Center and The University of Texas at Austin assume no responsibility. Restrictions on Authorization for publication is given on behalf of the University of Use: Texas as the owner of the collection and is not intended to include or imply permission of the copyright holder which must be obtained by the researcher. For more information please see the Ransom Center's Open Access and Use Policies. -
Lyrical Ballads
LYRICAL BALLADS Also available from Routledge: A SHORT HISTORY OF ENGLISH LITERATURE Second Edition Harry Blamires ELEVEN BRITISH POETS* An Anthology Edited by Michael Schmidt WILLIAM WORDSWORTH Selected Poetry and Prose Edited by Jennifer Breen SHELLEY Selected Poetry and Prose Edited by Alasdair Macrae * Not available from Routledge in the USA Lyrical Ballads WORDSWORTH AND COLERIDGE The text of the 1798 edition with the additional 1800 poems and the Prefaces edited with introduction, notes and appendices by R.L.BRETT and A.R.JONES LONDON and NEW YORK First published as a University Paperback 1968 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” Second edition published 1991 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Introduction and Notes © 1963, 1991 R.L.Brett and A.R.Jones All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data Wordsworth, William 1770–1850 Lyrical ballads: the text of the 1978 edition with the additional 1800 poems and the prefaces. -
South View Guest House, 23 Lee Road, Lynton, North
HIGHLY REFURBISHED 6 / 7 BEDROOMED BED & BREAKFAST, WITH PRIVATE OWNERS ACCOMMODATION, GARDENS AND CAR PARKING KNOWN AS SOUTH VIEW GUEST HOUSE, 23 LEE ROAD, LYNTON, NORTH DEVON, EX35 6BP For Sale By Private Treaty Subject to Contract Currently operating as 5 refurbished en-suite letting bedrooms / suites Trading B&B only, husband and wife operated with no staffing Owners 1 / 2 bedroomed accommodation with private lounge Front and rear gardens Private car parking to rear 5 star Trip Advisor rating and 4 star Visit England Silver award Exmoor village location close to Tourist Information and Cliff Railway PRICE: Offers are invited in the region of £485,000 Freehold to include trade fixtures, fittings and equipment, goodwill of the business plus SAV LOCATION three storey stone construction under a pitched slate These quite unique towns – Lynmouth on the harbour roof. In more recent times a two storey extension was at the bottom of the cliff and Lynton overlooking at the added to the rear of the property which houses the top – are set in a stunning coastal location on the edge kitchen, owners lounge and two bedroomed owners of Exmoor. Linked by the historic Lynton and accommodation. The premises is currently configured Lynmouth Cliff Railway, the towns attract a steady as 5 en-suite letting bedrooms with 1 / 2 bedroomed stream of visitors all year round. Lynton and owners accommodation and private lounge. Lynmouth and the wider rural area also have a settled, Considerable upgrading and refurbishment has been self-reliant, living and working community that undertaken by our clients including refurbishment of supports the development and growth of the local windows, replacement guttering and fascias, stonework economy and makes use of the local shops, cafes, repointed, installation of central heating, new fire services and restaurants. -
1 in Search of Robert Lovell: Poet and Pantisocrat I. Introduction 'At The
In Search of Robert Lovell: Poet and Pantisocrat I. Introduction ‘At the close of the year 1794, a clever young man, of the Society of Friends, of the name of Robert Lovell, who had married a Miss Fricker, informed me that a few friends of his from Oxford and Cambridge, with himself, were about to sail to America, and, on the banks of the Susquehannah, to form a Social Colony, in which there was to be a community of property, and where all that was selfish was to be proscribed.’1 Thus wrote Bristol publisher Joseph Cottle in his Reminiscences published in 1847. As any serious student of Romanticism knows, the most important of those ‘few friends’ mentioned by Cottle were Robert Southey and Samuel Taylor Coleridge, who were then gathering support for a small-scale transatlantic emigration scheme founded on radical egalitarian or so-called ‘Pantisocratic’ principles. It is chiefly in connection with this utopian venture that the ‘clever young man’ described by Cottle has, until now, typically featured in Romantic criticism, very much in a supporting if not peripheral role. But how much do we know about Robert Lovell? What kind of person was he? Why did Southey, and subsequently Coleridge, embrace him enthusiastically on first acquaintance and later downgrade their estimate of his qualities? What was Lovell’s achievement as a poet, and what was his place in the early history of Romanticism in the South West? In this essay I attempt to answer these questions by re- examining established ‘facts’, gathering fresh evidence, and treating Lovell and his poetry as valid subjects in their own right rather than as a footnote to the budding careers of Coleridge and Southey. -
Towards a Poetics of Becoming: Samuel Taylor Coleridge's and John Keats's Aesthetics Between Idealism and Deconstruction
Towards a Poetics of Becoming: Samuel Taylor Coleridge’s and John Keats’s Aesthetics Between Idealism and Deconstruction Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät IV (Sprach- und Literaturwissenschaften) der Universität Regensburg eingereicht von Charles NGIEWIH TEKE Alfons-Auer-Str. 4 93053 Regensburg Februar 2004 Erstgutachter: Prof. Dr. Rainer EMIG Zweitgutachter: Prof. Dr. Dieter A. BERGER 1 TABLE OF CONTENTS PAGE DEDICATION .............................................................................................................. I ACKNOWLEDGMENTS ........................................................................................... II ABSTRACT ............................................................................................................... VI English........................................................................................................................ VI German...................................................................................................................... VII French...................................................................................................................... VIII INTRODUCTION Aims of the Study......................................................................................................... 1 On the Relationship Between S. T. Coleridge and J. Keats.......................................... 5 Certain Critical Terms................................................................................................ -
(Electoral Changes) Order 1999
STATUTORY INSTRUMENTS 1999 No. 2469 LOCAL GOVERNMENT, ENGLAND The District of North Devon (Electoral Changes) Order 1999 Made ---- 6th September 1999 Coming into force in accordance with article 1(2) Whereas the Local Government Commission for England, acting pursuant to section 15(4) of the Local Government Act 1992(a), has submitted to the Secretary of State a report dated January 1999 on its review of the district of North Devon together with its recommendations: And whereas the Secretary of State has decided to give effect, with one modification, to those recommendations: Now, therefore, the Secretary of State, in exercise of the powers conferred on him by sections 17(b) and 26 of the Local Government Act 1992, and of all other powers enabling him in that behalf, hereby makes the following Order: Citation, commencement and interpretation 1.—(1) This Order may be cited as the District of North Devon (Electoral Changes) Order 1999. (2) This Order shall come into force– (a) for the purpose of all proceedings preliminary or relating to any election to be held on 1st May 2003, on 10th October 2002; (b) for all other purposes, on 1st May 2003. (3) In this Order– “the district” means the district of North Devon; “existing”, in relation to a ward, means the ward as it exists on the date this Order is made; any reference to the map is a reference to the map prepared by the Department of the Environment, Transport and the Regions marked “Map of the District of North Devon (Electoral Changes) Order 1999”, and deposited in accordance with regulation 27 of the Local Government Changes for England Regulations 1994(c); and any reference to a number sheet is a reference to the sheet of the map which bears that number. -
Netanel Coleridge Draft 3
1 Atheistic Implications and Innuendos in Coleridge’s 1797 Poetry Proposal for an M.A. Thesis in English Literature Department of English Literature and Linguis;cs Netanel Kleinman 332713288 Advisor: Dr. Daniel Feldman רמזים לאתאיזם וכפירה בשירות בשנת 1797 של סמואל טיילור קולרידג' הצעת מחקר לתואר שני בספרות אנגלית המחלקה לבלשנות וספרות אנגלית נתנאל קליינמן 332713288 שם המנחה: ד"ר דניאל פלדמן 2 Table of Contents Introduc;on 3 Aims and General Descrip;on 4 Methodology 5 Scholarly and Cri;cal Background 5 Chapter Outline 8 Works Cited 11 3 Introduction “I have too much Vanity to be altogether a Christian – too much tenderness of Nature to be utterly an Infidel” (Letters of Samuel Taylor Coleridge Volume 1, Letter XXIX, Sunday night, March 30, 1794) This brief statement by Samuel Taylor Coleridge in a private letter to his brother, Reverend George Coleridge, is reflective of the poet’s complex relationship with traditional Christian theologies. Although Coleridge returned to the Anglican Church of England in 1814, during the writing of the Lyrical Ballads in 1797 and 1798 he was working as a Unitarian preacher and had given evidence at the 1793 Cambridge trial of William Frend, who stood accused of heresies and breaking university and national law. Coleridge’s exploration of religious views is an important aspect of his poetry that has often been overlooked in scholarship of his early work. Whilst the poetry Coleridge wrote in his latter years has been extensively analysed, primarily by Christian theologians and academics attempting to show that Coleridge’s thoughts were ultimately orthodox, critic Owen Barfield notes in the introduction to What Coleridge Thought that more attention has been “paid to Coleridge as a thinker than to Coleridge as a poet and a critic” (3). -
Sara Coleridge and the Oxford Movement Selected Religious Writings by Robin Schofield
ANTHEM PRESS INFORMATION SHEET Sara Coleridge and the Oxford Movement Selected Religious Writings By Robin Schofield Pub Date: 30 January 2020 BISAC CATEGORY: RELIGION / Christian Church / Binding: Hardback History LITERARY COLLECTIONS / Women Authors Price: £120.00 / $200.00 BISAC CODE: REL108020 ISBN: 9781785272394 BIC CODE: HRCC2 Extent: 232 pages RIGHTS Size: 153 x 229 mm / Exclusive: WORLD 6 x 9 inches Series: Anthem Nineteenth-Century Series The first scholarly edition of Sara Coleridge’s religious writings ‘The volume carefully maps Coleridge’s imaginative and spiritual development through the influence of Wordsworth and Southey, Tractarianism and her eventual critique of Anglo-Catholicism, and her Kantian embrace of a practical rather than mystical Christianity. An outstanding scholarly edition of a profoundly influential but much neglected theological voice.’ —Emma Mason, Professor, Department of English and Comparative Literary Studies, University of Warwick, UK ‘This magnificent edition sheds new light on the controversies surrounding the Oxford Movement. Sara Coleridge’s literary gifts as well as philosophical erudition appear in her probing critique of the Tractarians and defence of her father, S. T. Coleridge. Her hitherto unpublished Dialogues on Regeneration, finely annotated in this book, is a major addition to the Victorian canon.’ —James Vigus, Senior Lecturer in English, Queen Mary University of London, UK ‘This excellent volume continues the retrieval of an important Victorian voice. Robin Schofield has gathered Sara Coleridge’s fugitive religious writings and a selection from her major unpublished manuscripts.’ —Peter Swaab, Professor of English Literature, UCL, UK ‘Sara Coleridge and the Oxford Movement’ reveals a significant body of virtually unknown religious works by a woman writer. -
Ndfestival Prog 03
R P N E O A PLEASE E F O PASS THIS S M V E L E BROCHURE ID D S A ON OR IV H IN T T RECYCLE S R IT E O F N F O 4-27 JUNE 2004 Project Part financed by the European Union SPONSORS OF SUPPORTERS OF THE NORTH DEVON THE NORTH DEVON FESTIVAL FESTIVAL City Plumbing Supplies Ltd; Green Lanes Shopping Centre; Holiday Home Hunter; Ilfracombe District Tourist Association; J & A Cameras Ltd; North Devon College; North Devon Journal; North Devon Marketing Bureau; Pall Corporation; Philip J Milton & Company plc; Primary Times in Devon; Pro Drive - The Driver Trainers; Sainsbury’s; South West Highways Signs; Stephen Brown & Co Estate and Residential Letting Agents The North Devon Festival is very grateful to all the businesses that have made a donation to make this Festival possible. k u . 120 MAJOR EVENTS o BE PART OF IT c . s c i h 40 TOWNS AND VILLAGES p a r g n e 24 DAYS IN JUNE k i a . w w w y b n g i s e d 3 s e m l E n o i r a M date page date page date page date page Spanning the Festival The ND Festival incorporates scores 4 Caroline Nin , 7 13 Ilfracombe Town Criers 22 19-20 Kitesurfing , 26 23 Schools’ Day , 10 Breakdance Project , of events happening Broomhill Art Hotel Competition GoldCoast Oceanfest 2004 Broomhill Art Hotel GoldCoast Oceanfest & throughout 24 days in 5-13 Ilfracombe Victorian 22 13 Avva Laff Productions 13 19-20 Beach Volleyball , 26 23 Ballet Boyz , 6 Barnstaple Live! T June. -
Nervous Sympathy in the Familial Collaborations of the Wordsworth
The Mediated Self: Nervous Sympathy in the Familial Collaborations of the Wordsworth- Lamb-Coleridge Circle, 1799-1852 Katherine Olivia Ingle MA (University of Edinburgh) MScR (University of Edinburgh) English & Creative Writing Lancaster University November 2018 This thesis is submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Literature. Katherine Olivia Ingle ii I declare that this thesis was composed by myself, that the work contained herein is my own except where explicitly stated otherwise in the text, and that this work has not been submitted for any other degree or professional qualification. November 2018 Katherine Olivia Ingle iii This thesis is dedicated with love to my grandmothers, Cynthia Ingle and Doreen France & in loving memory of my grandfathers, Thomas Ian Ingle, 1925-2014 & Joseph Lees France, 1929-2017 There is a comfort in the strength of love; ‘Twill make a thing endurable, which else Would overset the brain, or break the heart. Wordsworth, “Michael” Katherine Olivia Ingle iv Acknowledgements This thesis could not have taken shape without the attention, patience and encouragement of my supervisor Sally Bushell. I am deeply grateful to her for helping me to clarify ideas and for teaching me that problems are good things. I thank Sally in her numerous capacities as a Wordsworthian scholar, reader, teacher and friend. I am grateful to the Department of English & Creative Writing at Lancaster for a bursary towards an archival visit to the Jerwood Centre at The Wordsworth Trust. I thank the Curator, Jeff Cowton, for his generosity, insights and valuable suggestions. -
Saving Sarah Fricker: Accurately Representing the Realities of the Coleridges’ Marriage
Saving Sarah Fricker: Accurately Representing the Realities of the Coleridges’ Marriage Saving Sarah Fricker: Accurately Representing the Realities of the Coleridges’ Marriage Cori Mathis Abstract The Lake Poets circle was prolific; they wrote letters to each other constantly, leaving a clear picture of the beginning and eventual decline of the marriage between Samuel Taylor Coleridge and Sarah Fricker Coleridge. Coleridge also was fond of chronicling his personal life in his work. Coleridge’s poetry and prose clearly show that, though he may have come to regret it, he originally married Sarah Fricker for love and was very happy in the beginning of their relationship. The problem with their marriage was that they were just fundamentally incompatible, something that was not Sarah Fricker’s fault—she was a product of her society and simply unprepared to be a wife to someone like Coleridge. Unfortunately, scholars have taken Coleridge’s letters as pure truth and seem to have forgotten that every marriage has two partners, both with their own perspectives. This reflects a deliberate ignorance of Coleridge’s tendency to see situations quite differently from how they actually were. Because of this tradition, Sarah Fricker Coleridge is often portrayed as difficult at best and a harridan at worst. It does not help that she attempted to help her husband’s reputation by the majority of their letters that she possessed—one cannot see her side as clearly. In this essay, I hope to prove that she was simply an unhappy wife, married to a poetic genius who had decided she was the impediment to his happiness while she only wanted to keep their family together and safe. -
The Lost Boy: Hartley Coleridge As a Symbol of Romantic Division
Halsall, Martyn (2009) The Lost Boy: Hartley Coleridge as a Symbol of Romantic Division. In: Research FEST 2009, July 2009, University of Cumbria. Downloaded from: http://insight.cumbria.ac.uk/id/eprint/840/ Usage of any items from the University of Cumbria’s institutional repository ‘Insight’ must conform to the following fair usage guidelines. Any item and its associated metadata held in the University of Cumbria’s institutional repository Insight (unless stated otherwise on the metadata record) may be copied, displayed or performed, and stored in line with the JISC fair dealing guidelines (available here) for educational and not-for-profit activities provided that • the authors, title and full bibliographic details of the item are cited clearly when any part of the work is referred to verbally or in the written form • a hyperlink/URL to the original Insight record of that item is included in any citations of the work • the content is not changed in any way • all files required for usage of the item are kept together with the main item file. You may not • sell any part of an item • refer to any part of an item without citation • amend any item or contextualise it in a way that will impugn the creator’s reputation • remove or alter the copyright statement on an item. The full policy can be found here. Alternatively contact the University of Cumbria Repository Editor by emailing [email protected]. The Lost Boy: Hartley Coleridge as a Symbol of Romantic Division. Dr Martyn Halsall Late one freezing evening in 1798 the writer Samuel Taylor Coleridge was completing a poem.