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USMA the War with Japan.Pt.1 1941-12 1942.08.Pdf
THE COMMAND AND GENERAL STAFF COLLEGE LIBRARY 940.542 U57w 1950 Call Number CGSC Form 154 (Rev) 22 Oct 52 USACGSC—PO-3396—1 Apr 60—5M RCftfRICTED THE WAR WITH JAPAN PART 1 (December 1941 to August 1942) mnn urn mt BY TAG m mmu DEPARTMENT OP MILITARY ART AND ENGINEERING UNITED STATES MILITARY ACADEMY WEST POINT, NEW YORK 195O REQTIUOTHD THE WAR WITH JAPAN PART 1 (December 1941 to August 1942) DEPARTMENT OF MILITARY ART AND ENGINEERING UNITED STATES MILITARY ACADEMY WEST POINT, NEW YORK 195O %\ (\ \! REOTRIOTBD PREFACE This account of the war with Japan has been written for use in the instruction of cadets at the United States Military Academy. It is based for the most part on material furnished by the Historical Division, Department of the Army. Much valuable information has been obtained from the publications of the United States Stra tegic Bombing Survey and the Office of Naval Intelligence. How ever, in acknowledging indebtedness to others it is not desired to place on them the responsibility for any factual errors or for any conclusions drawn. This and other pamphlets on World War II are constantly being revised as additional information becomes available. It will be ap preciated if military personnel who note any apparent errors or dis crepancies, or who have comments or suggestions for the improve ment of the subject matter, will communicate them to: The Professor of Military Art and Engineering U. S. Military Academy West Point, N. Y. August 1947 ARMY-USMA. WEST PDINT. N.Y. 225O 4-3-5O CONTENTS PAGE INTRODUCTION 1 STRATEGIC CONSIDERATIONS 2 JAPANESE WAR PLAN 8 JAPANESE STRATEGIC OFFENSIVE y 10 InitiaLPlaris and Preparations 10 Central Pacific Operations 14 Pearl. -
This Document Is the Interim Report for IDB Contract No
Development of the Industrial Park Model to Improve Trade Opportunities for Haiti – HA-T1074-SN2 FINAL REPORT submitted to September 20, 2010 99 Nagog Hill Road, Acton, Massachusetts 01720 USA Tel: +1-978-263-7738 e-mail: [email protected] Web site: www.koiosllc.com Table of Contents Executive Summary i I. Introduction 1 A. Background and History 1 B. Haiti’s Current Economic Situation 2 C. Purpose and Objectives of this Study 3 II. Overview of Garment Industry Trends 5 A. The Levelling Playing Field 5 B. Competitive Advantages in the Post-MFA World 7 III. Haiti’s Place in the Post-MFA World 11 A. The Structure of Haiti’s Garment Production 11 B. The Way Forward for Hait’s Garment Industry 14 1. Trade Preference Levels 14 2. How Will Haiti Fit Into Global Supply Chains? 22 3. Beyond HELP 24 C. The Competitive Case for Haiti and the North 27 1. A New Vision for Haiti – Moving on from CMT 27 2. Why the North? 30 D. Garment Manufacturers’ Requirements in North Haiti 32 1. Land 32 2. Pre-built Factory Sheds 33 3. Water and Water Treatment 34 4. Electricity 36 5. Road Transport 37 6. Business Facilitation and Services 37 E. Park Development Guidelines 37 IV. Site Identification, Evaluation, and Selection 43 A. Site Selection Factors and Methodology 43 B. Site Selection 47 1. Regional Context Summary 47 2. Infrastructure Constraints 48 3. Evaluation and Selection Process 50 4. Site Selection Methodology 52 5. Site Ranking and Descriptions 54 C. Development Costs 59 1. -
Aware: Royal Academy of the Arts Art Fashion Identity
London College of Fashion Aware: Royal Academy of the Arts Art Fashion Identity International Symposium London College of Fashion is delighted London College of Fashion is committed This two-day symposium is exemplary to be a partner in this exciting and to extending the influence of fashion, of the relationship that the college challenging exhibition, and to be able be it economically, socially or politically, continuously strives to develop between to provide contributions from some of and we explore fashion in many its own internally mandated activities the college’s leading researchers, artists contexts. This exhibition encapsulates and programs with broader discourses and designers. vital characteristics of today’s fashion and practices within the fields of art and education, and it supports my belief that design. With the recent appointment The relationship between art and fashion has the potential to bring about of London College of Fashion Curator, fashion, through conceptual and practical social change when considered in contexts Magdalene Keaney, and significant expression, is at the London College of of identity, individuality, technology and developments to the Fashion Space Fashion’s core. We were immensely proud the environment. Gallery at London College of Fashion to endorse the development of ‘Aware’ we now intend to increase public from its original concept by Lucy Orta, We see this in the work of Professor awareness of how fashion has, is, and London College of Fashion Professor of Helen Storey, whose ‘Wonderland’ project will continue to permeate new territories. Art, Fashion and Environment, together brings together art and science to find real The opportunity to work with the Royal with curator Gabi Scardi. -
Savile-Row-Inside-Out.Pdf
Savile Row: Inside Out 1 Savile Row BeSpoke aSSociation he Savile Row Bespoke Association is dedicated to protecting and promoting Tthe practices and traditions that have made Savile Row the acknowledged home of the best bespoke tailoring and a byword for unequalled quality around the world. The SRBA comprises of fifteen member and associate houses, who work together to protect and champion the understanding of bespoke tailoring and to promote the ingenious craftsmen that comprise the community of Savile Row. The SRBA sets the standards that define a Savile Row bespoke tailor, and all members of the Association must conform to the key agreed definitions of a bespoke suit and much more besides. A Master Cutter must oversee the work of every tailor employed by a member house and all garments must be constructed within a one hundred yard radius of Savile Row. Likewise, every member must offer the customer a choice of at least 2,000 cloths and rigorous technical requirements are expected. For example, jacket foreparts must be entirely hand canvassed, buttonholes sewn, sleeves attached and linings felled all by hand. It takes an average 50 plus hours to produce a suit in our Savile Row cutting rooms and workshops. #savilerowbespoke www.savilerowbespoke.com 2 1 Savile Row: inSide out Savile Row: Inside Out looks inside the extraordinary world of bespoke tailoring; an exclusive opportunity to step behind the scenes and celebrate the tailor’s art, the finest cloth and the unequalled expertise that is British Bespoke. A real cutter will be making a real suit in our pop-up cutting room in front of a collection of the work – both ‘before’ and ‘after’ to show the astonishing level of craftsmanship you can expect to find at Savile Row’s leading houses. -
London Home of Menswear
LONDON IS THE HOME OF MENSWEAR TEN ICONIC STYLES BRITAIN GAVE THE WORLD TEN ICONIC STYLES BRITAIN GAVE THE WORLD The home of the world’s oldest milliner and the birthplace of THE THREE PIECE SUIT DANDY the brogue shoe; London has evolved into the leading centre of innovation and craftsmanship in men’s fashion. We have given the In October 1666, Charles II introduced a ‘new At the beginning of the 19th century George world the three-piece suit, the trench coat and the bowler hat. fashion’. He adopted a long waistcoat to be worn (Beau) Brummell established a new mode of with a knee-length coat and similar-length shirt. dress for men that observed a sartorial code Since 1666, the areas of Mayfair, Piccadilly and St. James have Samuel Pepys, the son of a tailor recorded in his that advocated a simplified form of tailcoat, a become synonymous with quality, refinement and craftsmanship diary that Charles had adopted ‘a long cassocke linen shirt, an elaborately knotted cravat and full after being colonised by generations of hatters, shoemakers, shirt- close to the body, of black cloth, and pinked with length ‘pantaloons’ rather than knee breeches and makers, jewellers and perfumers. white silk under it, and a coat over it’. This marked stockings. An arbiter of fashion and a close friend the birth of the English suiting tradition and over of the Prince Regent, Brummell had high standards Today the influence of this exclusive enclave of quality menswear time the waistcoat lost its sleeves and got shorter of cleanliness and it is claimed that he took five has spread across London and beyond. -
9789814828185 (.Pdf)
R O M EN For Review B only O S SINGO AP RE AT E SINGAPORE WAR SING O For the first time, three of Romen Bose’s groundbreaking works have been brought together in one volume, providing a panoramic account of Singapore’s experience in World War II. SECRETS OF THE BATTLEBOX Sealed off and forgotten until the late 1980s, the Battlebox beneath Fort Canning served as the British Command HQ in A the last days before the fall. What actually happened in this underground nerve centre of the Malayan Campaign? Drawing on first-hand investigation, P accounts of survivors, and top-secret documents, the author reveals the AT WAR fascinating inner workings of the Battlebox. R SECRETS FROM THE FaLL, THE END OF THE WAR Having lost their “Impregnable Fortress” of Singapore, the British were largely diverted to the European theatre of war. But what E went on behind the scenes as they prepared to return to the region and, when LIBEratION & AFTErmatH the Japanese surrendered, to re-establish their authority? In unprecedented AT detail, this book captures the circumstances, events, and unforgettable cast of characters – from swaggering generals to clandestine resistance fighters – OF ROMEN BOSE that attended the end of World War II. WAR KRANJI A picture of serenity today, the war cemetery at Kranji is the final WWII resting place of those who fought and died in the war. But it has been no smooth journey getting here. How are the war dead remembered in post-war Singapore – these men and women who gave their lives, heroes heralded and unheralded, and, till this day amidst them, a traitor? Romen Bose has written and researched extensively on World War II and the military history of Singapore and the region. -
Branding the Iconic Ideals of Vivienne Westwood, Barack Obama, and Pope Francis
PUNK, OBAMACARE, AND A JESUIT: BRANDING THE ICONIC IDEALS OF VIVIENNE WESTWOOD, BARACK OBAMA, AND POPE FRANCIS AIDAN MOIR A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN COMMUNICATION & CULTURE YORK UNIVERSITY TORONTO, ONTARIO April 2021 © Aidan Moir, 2021 Abstract Practices of branding, promotion, and persona have become dominant influences structuring identity formation in popular culture. Creating an iconic brand identity is now an essential practice required for politicians, celebrities, global leaders, and other public figures to establish their image within a competitive media landscape shaped by consumer society. This dissertation analyzes the construction and circulation of Vivienne Westwood, Barack Obama, and Pope Francis as iconic brand identities in contemporary media and consumer culture. The content analysis and close textual analysis of select media coverage and other relevant material on key moments, events, and cultural texts associated with each figure deconstructs the media representation of Westwood, Obama, and Pope Francis. The brand identities of Westwood, Pope Francis, and Obama ultimately exhibit a unique form of iconic symbolic power, and exploring the complex dynamics shaping their public image demonstrates how they have achieved and maintained positions of authority. Although Westwood, Obama, and Pope Francis initially were each positioned as outsiders to the institutions of fashion, politics, and religion that they now represent, the media played a key role in mainstreaming their image for public consumption. Their iconic brand identities symbolize the influence of consumption in shaping how issues of public good circulate within public discourse, particularly in regard to the economy, health care, social inequality, and the environment. -
FORBES GREATEST INVESTING STORIES First Time Nor the Last
Forbes ® Greatest Investing Stories Forbes ® Greatest Investing Stories Richard Phalon John Wiley & Sons, Inc. New York • Chichester • Weinheim • Brisbane • Singapore • Toronto Copyright © 2001 by Forbes Inc. All rights reserved. Forbes is a registered trademark of Forbes Inc. Its use is pursuant to a license agreement with Forbes Inc. Published by John Wiley & Sons, Inc. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permis- sion of the Publisher, or authorization through payment of the appropriate per- copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 750-4744. Requests to the Publisher for permis- sion should be addressed to the Permissions Department, John Wiley & Sons, Inc., 605 Third Avenue, New York, NY 10158-0012, (212) 850-6011, fax (212) 850-6008, E-Mail: [email protected]. This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold with the understanding that the publisher is not engaged in rendering professional services. If professional advice or other expert assistance is required, the services of a competent professional per- son should be sought. PICTURE CREDITS: Page xiv: ©Bettman/Corbis; Page 26: Courtesy Third Avenue Funds, New York, NY; Page 50: T. Rowe Price, Baltimore, MD; Page 74: Courtesy Janus, Denver, CO; Page 96: ©Bettman/Corbis; Page 126: ©John Abbott; Page 148: Brown Brothers, Sterling, PA; Page 174: Courtesy Muriel Siebert & Co., Inc.; Page 190: Courtesy Baker Library, Harvard Business School, Boston, MA; Page 206: ©Jim Bush This title is also available in print as ISBN 0-471-35624-7. -
Copyright © and Moral Rights for This Thesis Are Retained by the Author And/Or Other Copyright Owners. a Copy Can Be Downloa
McCrum, Ronald. (2014) The role and consequences of the part played by the civilian authorities in the fall of Singapore, February 1942. PhD thesis. SOAS University of London. http://eprints.soas.ac.uk/20319/ Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. THE ROLE AND CONSEQUENCES OF THE PART PLAYED BY THE CIVILIAN AUTHORITIES IN THE FALL OF SINGAPORE, FEBRUARY 1942. Ronald McCrum Thesis submitted for the degree MPhil in History 2014 Department of History SOAS, University of London 1 CONTENTS PAGE ABSTRACT 3 ABBREVIATIONS 4 INTRODUCTION 6 CHAPTER ONE. BACKGROUND. 18 CHAPTER TWO. A COLONIAL ADMINISTRATION. 44 CHAPTER THREE. THE IMPRECISE BATTLE PLAN. 70 CHAPTER FOUR. CIVIL DEFENCE IN DISARRAY. 95 CHAPTER FIVE. RESPONDING TO THE CAMPAIGN. 117 CHAPTER SIX. THE CIVIL AUTHORITIES DURING THE SEIGE OF SINGAPORE. 150 CHAPTER SEVEN. THE CONSEQUENCES. 176 CHAPTER EIGHT. CONCLUSION. 192 ANNEX A. MAP OF SINGAPORE. ANNEX. B. MAP OF MALAYA. -
Is a Close-Fitting Sleeveless Garment Originally Designe
69134-ECF-W_409-450.qxd 8/24/2004 6:20 AM Page 409 W WAFFLE-WEAVE. See Weave, Jacquard. Double-breasted waistcoats were the most popular style during the first few decades of the eighteenth cen- tury and featured small pockets with flaps. By the mid- dle of the century, rather than following the older style WAISTCOAT The waistcoat, or vest (as it is known of having cuff-length sleeves, the majority of waistcoats in the United States), is a close-fitting sleeveless garment were sleeveless; skirts were much shorter and by 1790 originally designed for men that buttons (or occasionally were cut square to the waist. Toward 1800, decorated zips) down the front to the waist. Produced in either sin- single-breasted waistcoats with small lapels became fash- gle or double-breasted styles, the waistcoat is designed to ionable; fabrics with horizontal or vertical stripes were be worn underneath a suit or jacket, although it does not particularly favored, especially if the waistcoat was fin- necessarily have to match. Similar garments are worn by ished with a silk trim. women. By 1800, the waistcoat had become an increasingly decorative and flamboyant addition to the male wardrobe. History Through various style trends at the time, the overriding Originating in Persia, waistcoats first became fashionable principle was that as long as a waistcoat was highly con- in the middle of the seventeenth century. The new style spicuous, ostentatious, and embroidered, it was deemed was noticed by Samuel Pepys in 1666: “The King hath fashionable. Single-breasted, double-breasted, waist- … declared his resolution of setting a fashion for clothes length, square-cut, roll-collared, low stand-collared and which he will never alter,” he wrote in his diary. -
View Annual Report
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 Form 10-K (Mark One) ¥ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended March 29, 2008 or n TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Commission File Number: 001-13057 POLO RALPH LAUREN CORPORATION (Exact name of registrant as specified in its charter) Delaware 13-2622036 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 650 Madison Avenue, New York, New York 10022 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (212) 318-7000 Securities registered pursuant to Section 12(b) of the Act: Title of Each Class Name of Each Exchange on Which Registered Class A Common Stock, $.01 par value New York Stock Exchange Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ¥ No n Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934. Yes n No ¥ Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. -
10 Secrets Other Tailors May Not Tell You
10 Secrets other tailors may not tell you • Hand Made = Better Made? • Far East – Why You Should Be Very Careful • Savile Row • Tradition or Technology? • The Myth of The Final Fitting • Bespoke or Made-to- Measure? • Value for Money • Being Ethical – Why You Should Care • The Designer Brand • The Extra Trouser 1 10 secrets other tailors may not tell you Made-to-measure tailoring is now very popular with more providers entering the market. Unfortunately, there are many ‘tailors’ who either lack any technical knowledge or use misleading terminology to describe their products. Anyone with a tape measure can call themselves a ‘tailor’; regrettably there are no professional trade standards to determine if an individual has any qualification apart from the City & Guilds examinations. “I made a suit for a client who had also bought a suit from another company. He told me that their jacket was too tight across the shoulders and the back seam was splitting. When he complained to the tailor he was told that he wasn’t used to the feel of a bespoke suit. I measured the jacket and it was 2” tighter across the back than our suit which fitted perfectly.” To get the best fitting suit, you have to trust your tailor to give you the best possible advice, but it will always help if you have a better understanding of which product options to ask for before you de- cide to purchase a new suit. Harold Rose – Chairman Alexander Rose Clothing 0113 4 688 588 www.alexander-rose.clothing 2 10 secrets other tailors may not tell you 1.