100K Crowdfund
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
This Document Is the Interim Report for IDB Contract No
Development of the Industrial Park Model to Improve Trade Opportunities for Haiti – HA-T1074-SN2 FINAL REPORT submitted to September 20, 2010 99 Nagog Hill Road, Acton, Massachusetts 01720 USA Tel: +1-978-263-7738 e-mail: [email protected] Web site: www.koiosllc.com Table of Contents Executive Summary i I. Introduction 1 A. Background and History 1 B. Haiti’s Current Economic Situation 2 C. Purpose and Objectives of this Study 3 II. Overview of Garment Industry Trends 5 A. The Levelling Playing Field 5 B. Competitive Advantages in the Post-MFA World 7 III. Haiti’s Place in the Post-MFA World 11 A. The Structure of Haiti’s Garment Production 11 B. The Way Forward for Hait’s Garment Industry 14 1. Trade Preference Levels 14 2. How Will Haiti Fit Into Global Supply Chains? 22 3. Beyond HELP 24 C. The Competitive Case for Haiti and the North 27 1. A New Vision for Haiti – Moving on from CMT 27 2. Why the North? 30 D. Garment Manufacturers’ Requirements in North Haiti 32 1. Land 32 2. Pre-built Factory Sheds 33 3. Water and Water Treatment 34 4. Electricity 36 5. Road Transport 37 6. Business Facilitation and Services 37 E. Park Development Guidelines 37 IV. Site Identification, Evaluation, and Selection 43 A. Site Selection Factors and Methodology 43 B. Site Selection 47 1. Regional Context Summary 47 2. Infrastructure Constraints 48 3. Evaluation and Selection Process 50 4. Site Selection Methodology 52 5. Site Ranking and Descriptions 54 C. Development Costs 59 1. -
GRADUATE LEARNING PLAN for Pamela Vanderlinde
DePaul University School for New Learning Graduate Programs MASTER OF ARTS PROGRAM IN APPLIED PROFESSIONAL STUDIES (MAAPS) 1 E. Jackson Blvd., Chicago, IL 60604 [email protected] (312-362-8448) GRADUATE LEARNING PLAN for Pamela Vanderlinde •ADDRESS: •PHONE: •EMAIL: DOCUMENT DATE: January 18, 2011 FOCUS - Applying study of historical and contemporary AREA: bespoke fashion to my design practice, philosophy and teaching. Prof. - Ms. XXX XXXX Advisor: •PA Position/Title: _Instructor, Illinois Institute of Art-Chicago •PA Address: _____________________________________ •PA Phone: ______ •PA Email: Faculty - Michelle Navarre Cleary, PhD •Position/Title: Resident Faculty, School for New Learning, DePaul University Mentor: •Address: DePaul University, 1 E. Jackson Blvd., Chicago, IL 60604 •Phone: 312-362-7301______ •Email: [email protected] Cluster: - 86_______ - __1/21/11_____ (date approved by Student’s Academic Committee) Approval: - ___2/18/11________ (date approved by Graduate Student Program Review Committee) - 1 - PART I: Personal/Professional Background & Goals Directions: In Part I, the student provides a context for the Graduate Learning Plan and a rationale for both his/her career direction and choice of the MAAPS Program of study as a vehicle to assist movement in that direction. Specifically, Part I is to include three sections: A. a brief description of the student’s personal and professional history (including education, past/current positions, key interests, etc.); B. an explanation of the three or more years of experience (or equivalent) offered in support of the Graduate Focus Area; C. a brief description/explanation of the student’s personal and professional goals. A. Description of My Personal/Professional History: I have many passions in this world; fashion, teaching, travel, reading, yoga to name a few. -
The Influence of Clothing on First Impressions: Rapid and Positive Responses
The influence of clothing on first impressions: Rapid and positive responses to minor changes in male attire Keywords: Clothing, first impressions, bespoke, influence, communication The influence of clothing on first impressions: Rapid and positive responses to minor changes in male attire. In a world that is becoming dominated by multimedia, the likelihood of people being judged on snapshots of their appearance is increasing. Social networking, dating websites and online profiles all feature people’s photographs, and subsequently convey a visual message to an audience. Whilst the salience of facial features is well documented, other factors, such as clothing, will also play a role in impression formation. Clothing can communicate an extensive and complex array of information about a person, without the observer having to meet or talk to the wearer. A person’s attire has been shown to convey qualities such as character, sociability, competence and intelligence (Damhorst, 1990), with first impressions being formed in a fraction of a second (Todorov, Pakrashi, and Oosterhof, 2009). This study empirically investigates how the manipulation of small details in clothing gives rise to different first impressions, even those formed very quickly. Damhorst (1990) states that ‘dress is a systematic means of transmission of information about the wearer’ (p. 1). A person’s choice of clothing can heavily influence the impression they transmit and is therefore a powerful communication tool. McCracken (1988) suggests that clothing carries cultural meaning and that this information is passed from the ‘culturally constructed world’ to clothing, through advertising and fashion. Clothes designers can, through branding and marketing, associate a new product or certain designs with an established cultural norm (McCracken, 1988). -
Designing for the Plus-Size Men: Towards a Better Fitting: a Case of Harare, Zimbabwe
Journal of Textile Engineering & Fashion Technology Research Article Open Access Designing for the plus-size men: towards a better fitting: a case of Harare, Zimbabwe Abstract Volume 6 Issue 3 - 2020 This study endeavours to foster an understanding and encourage manufacturers to Denford Fadzai Chisosa, Verity Muzenda incorporate the plus sizes in their production to combat the fitting challenges connected to Department, of Clothing and Textile Technology, Chinhoyi plus-sized men in Harare. The plus sized men were facing challenges in finding some fitting University of Technology, Zimbabwe and ready- to-wear clothes on the market because of size restriction in a market. The clothing manufacturing companies was mass producing these ready-to-wear clothes ostensibly for Correspondence: Fadzai Denford Chisosa, Department, all men, ironically leaving the plus-sized men disgruntled due to misfitting clothes and of Clothing and Textile Technology, Chinhoyi University of size restrictions. The study used critical postmodernism and the concurrent triangulation Technology, P. Bag 7724 Chinhoyi, Zimbabwe, approaches to determine scope for either any convergence, differences or combination. Email Data was collected using questionnaires, interviews, observations and documentary analysis from the twenty-four (24) purposively sampled participants. Recommendations Received: May 28, 2020 | Published: June 24, 2020 were made for the clothing companies to integrate the extreme and in-between sizes. This study offers insights on better sizing for different body types eliminating the emotional psychology disturbances. Keywords: plus-size, clothing, ready- made, read-to wear Background fashionable, and non-favored bodies. In today’s extremely competitive clothing manufacturing business, Anthrotech (2002) posits that competitiveness increases when local clothing companies are faced with the dilemma of mass- clothes are customized, where more accurate clothes are made producing fast-selling clothes where size and fit are not a priority. -
Aware: Royal Academy of the Arts Art Fashion Identity
London College of Fashion Aware: Royal Academy of the Arts Art Fashion Identity International Symposium London College of Fashion is delighted London College of Fashion is committed This two-day symposium is exemplary to be a partner in this exciting and to extending the influence of fashion, of the relationship that the college challenging exhibition, and to be able be it economically, socially or politically, continuously strives to develop between to provide contributions from some of and we explore fashion in many its own internally mandated activities the college’s leading researchers, artists contexts. This exhibition encapsulates and programs with broader discourses and designers. vital characteristics of today’s fashion and practices within the fields of art and education, and it supports my belief that design. With the recent appointment The relationship between art and fashion has the potential to bring about of London College of Fashion Curator, fashion, through conceptual and practical social change when considered in contexts Magdalene Keaney, and significant expression, is at the London College of of identity, individuality, technology and developments to the Fashion Space Fashion’s core. We were immensely proud the environment. Gallery at London College of Fashion to endorse the development of ‘Aware’ we now intend to increase public from its original concept by Lucy Orta, We see this in the work of Professor awareness of how fashion has, is, and London College of Fashion Professor of Helen Storey, whose ‘Wonderland’ project will continue to permeate new territories. Art, Fashion and Environment, together brings together art and science to find real The opportunity to work with the Royal with curator Gabi Scardi. -
Basque Soccer Madness a Dissertation Submitted in Partial
University of Nevada, Reno Sport, Nation, Gender: Basque Soccer Madness A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Basque Studies (Anthropology) by Mariann Vaczi Dr. Joseba Zulaika/Dissertation Advisor May, 2013 Copyright by Mariann Vaczi All Rights Reserved THE GRADUATE SCHOOL We recommend that the dissertation prepared under our supervision by Mariann Vaczi entitled Sport, Nation, Gender: Basque Soccer Madness be accepted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Joseba Zulaika, Advisor Sandra Ott, Committee Member Pello Salaburu, Committee Member Robert Winzeler, Committee Member Eleanor Nevins, Graduate School Representative Marsha H. Read, Ph. D., Dean, Graduate School May, 2013 i Abstract A centenarian Basque soccer club, Athletic Club (Bilbao) is the ethnographic locus of this dissertation. From a center of the Industrial Revolution, a major European port of capitalism and the birthplace of Basque nationalism and political violence, Bilbao turned into a post-Fordist paradigm of globalization and gentrification. Beyond traditional axes of identification that create social divisions, what unites Basques in Bizkaia province is a soccer team with a philosophy unique in the world of professional sports: Athletic only recruits local Basque players. Playing local becomes an important source of subjectivization and collective identity in one of the best soccer leagues (Spanish) of the most globalized game of the world. This dissertation takes soccer for a cultural performance that reveals relevant anthropological and sociological information about Bilbao, the province of Bizkaia, and the Basques. Early in the twentieth century, soccer was established as the hegemonic sports culture in Spain and in the Basque Country; it has become a multi- billion business, and it serves as a powerful political apparatus and symbolic capital. -
Savile-Row-Inside-Out.Pdf
Savile Row: Inside Out 1 Savile Row BeSpoke aSSociation he Savile Row Bespoke Association is dedicated to protecting and promoting Tthe practices and traditions that have made Savile Row the acknowledged home of the best bespoke tailoring and a byword for unequalled quality around the world. The SRBA comprises of fifteen member and associate houses, who work together to protect and champion the understanding of bespoke tailoring and to promote the ingenious craftsmen that comprise the community of Savile Row. The SRBA sets the standards that define a Savile Row bespoke tailor, and all members of the Association must conform to the key agreed definitions of a bespoke suit and much more besides. A Master Cutter must oversee the work of every tailor employed by a member house and all garments must be constructed within a one hundred yard radius of Savile Row. Likewise, every member must offer the customer a choice of at least 2,000 cloths and rigorous technical requirements are expected. For example, jacket foreparts must be entirely hand canvassed, buttonholes sewn, sleeves attached and linings felled all by hand. It takes an average 50 plus hours to produce a suit in our Savile Row cutting rooms and workshops. #savilerowbespoke www.savilerowbespoke.com 2 1 Savile Row: inSide out Savile Row: Inside Out looks inside the extraordinary world of bespoke tailoring; an exclusive opportunity to step behind the scenes and celebrate the tailor’s art, the finest cloth and the unequalled expertise that is British Bespoke. A real cutter will be making a real suit in our pop-up cutting room in front of a collection of the work – both ‘before’ and ‘after’ to show the astonishing level of craftsmanship you can expect to find at Savile Row’s leading houses. -
A Dictionary of Men's Wear Works by Mr Baker
LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000 -
London Home of Menswear
LONDON IS THE HOME OF MENSWEAR TEN ICONIC STYLES BRITAIN GAVE THE WORLD TEN ICONIC STYLES BRITAIN GAVE THE WORLD The home of the world’s oldest milliner and the birthplace of THE THREE PIECE SUIT DANDY the brogue shoe; London has evolved into the leading centre of innovation and craftsmanship in men’s fashion. We have given the In October 1666, Charles II introduced a ‘new At the beginning of the 19th century George world the three-piece suit, the trench coat and the bowler hat. fashion’. He adopted a long waistcoat to be worn (Beau) Brummell established a new mode of with a knee-length coat and similar-length shirt. dress for men that observed a sartorial code Since 1666, the areas of Mayfair, Piccadilly and St. James have Samuel Pepys, the son of a tailor recorded in his that advocated a simplified form of tailcoat, a become synonymous with quality, refinement and craftsmanship diary that Charles had adopted ‘a long cassocke linen shirt, an elaborately knotted cravat and full after being colonised by generations of hatters, shoemakers, shirt- close to the body, of black cloth, and pinked with length ‘pantaloons’ rather than knee breeches and makers, jewellers and perfumers. white silk under it, and a coat over it’. This marked stockings. An arbiter of fashion and a close friend the birth of the English suiting tradition and over of the Prince Regent, Brummell had high standards Today the influence of this exclusive enclave of quality menswear time the waistcoat lost its sleeves and got shorter of cleanliness and it is claimed that he took five has spread across London and beyond. -
Branding the Iconic Ideals of Vivienne Westwood, Barack Obama, and Pope Francis
PUNK, OBAMACARE, AND A JESUIT: BRANDING THE ICONIC IDEALS OF VIVIENNE WESTWOOD, BARACK OBAMA, AND POPE FRANCIS AIDAN MOIR A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN COMMUNICATION & CULTURE YORK UNIVERSITY TORONTO, ONTARIO April 2021 © Aidan Moir, 2021 Abstract Practices of branding, promotion, and persona have become dominant influences structuring identity formation in popular culture. Creating an iconic brand identity is now an essential practice required for politicians, celebrities, global leaders, and other public figures to establish their image within a competitive media landscape shaped by consumer society. This dissertation analyzes the construction and circulation of Vivienne Westwood, Barack Obama, and Pope Francis as iconic brand identities in contemporary media and consumer culture. The content analysis and close textual analysis of select media coverage and other relevant material on key moments, events, and cultural texts associated with each figure deconstructs the media representation of Westwood, Obama, and Pope Francis. The brand identities of Westwood, Pope Francis, and Obama ultimately exhibit a unique form of iconic symbolic power, and exploring the complex dynamics shaping their public image demonstrates how they have achieved and maintained positions of authority. Although Westwood, Obama, and Pope Francis initially were each positioned as outsiders to the institutions of fashion, politics, and religion that they now represent, the media played a key role in mainstreaming their image for public consumption. Their iconic brand identities symbolize the influence of consumption in shaping how issues of public good circulate within public discourse, particularly in regard to the economy, health care, social inequality, and the environment. -
FORBES GREATEST INVESTING STORIES First Time Nor the Last
Forbes ® Greatest Investing Stories Forbes ® Greatest Investing Stories Richard Phalon John Wiley & Sons, Inc. New York • Chichester • Weinheim • Brisbane • Singapore • Toronto Copyright © 2001 by Forbes Inc. All rights reserved. Forbes is a registered trademark of Forbes Inc. Its use is pursuant to a license agreement with Forbes Inc. Published by John Wiley & Sons, Inc. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permis- sion of the Publisher, or authorization through payment of the appropriate per- copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 750-4744. Requests to the Publisher for permis- sion should be addressed to the Permissions Department, John Wiley & Sons, Inc., 605 Third Avenue, New York, NY 10158-0012, (212) 850-6011, fax (212) 850-6008, E-Mail: [email protected]. This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold with the understanding that the publisher is not engaged in rendering professional services. If professional advice or other expert assistance is required, the services of a competent professional per- son should be sought. PICTURE CREDITS: Page xiv: ©Bettman/Corbis; Page 26: Courtesy Third Avenue Funds, New York, NY; Page 50: T. Rowe Price, Baltimore, MD; Page 74: Courtesy Janus, Denver, CO; Page 96: ©Bettman/Corbis; Page 126: ©John Abbott; Page 148: Brown Brothers, Sterling, PA; Page 174: Courtesy Muriel Siebert & Co., Inc.; Page 190: Courtesy Baker Library, Harvard Business School, Boston, MA; Page 206: ©Jim Bush This title is also available in print as ISBN 0-471-35624-7. -
Profile Employment History
Kerys Bagg CV 9 Galatias St, Kamma Park, Port Elizabeth, 6070 +27 (0) 72 321 3466 [email protected] http://kerysbagg.daportfolio.com PROFILE I have recently completed my degree in Fashion Design at Nelson Mandela Metropolitan University. I am looking for a full time position in the industry and aspire to the highest standards of excellence. I am hard working, punctual and an enthusiastic person. I am a clear communicator, willing to both give and receive direction. I enjoy dealing with people and working in a team. I love literature, art, music, film and fashion; everything from street- wear to avant-garde works of art. EMPLOYMENT HISTORY Assisting pattern making (part-time) March 2009- Present, Walkabout Clothing, Port Elizabeth Responsibilities include: Pattern development and making Grading Creative development of new designs Communicating with the factory manager, head Designers and sales representatives Assistant pattern maker Internship March 2008- April 2008, Walkabout Clothing, Port Elizabeth Responsibilities include: Pattern development and making Grading Creative development of new designs for a new collection, including a children’s wear range. Communicating with the factory manager, head designers and sales representatives Assistant Junior Designer February 2008- March 2008 Internship with renowned South African designer Craig Native, including a special project of working at the 2008 Design Indaba in Cape Town. Responsibilities included: Pattern development and making Sample construction Creative development of designs for a new collection. Collecting stock and supplies Liaising with suppliers and contractors such as graphic designers, screen printers, fabric suppliers and buyers. Assisting Craig Native in everyday business, including preparation for a collection release.