The Phonetic Structures of Hadza *
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How to Edit IPA 1 How to Use SAMPA for Editing IPA 2 How to Use X
version July 19 How to edit IPA When you want to enter the International Phonetic Association (IPA) character set with a computer keyboard, you need to know how to enter each IPA character with a sequence of keyboard strokes. This document describes a number of techniques. The complete SAMPA and RTR mapping can be found in the attached html documents. The main html document (ipa96.html) comes in a pdf-version (ipa96.pdf) too. 1 How to use SAMPA for editing IPA The Speech Assessment Method (SAM) Phonetic Alphabet has been developed by John Wells (http://www.phon.ucl.ac.uk/home/sampa). The goal was to map 176 IPA characters into the range of 7-bit ASCII, which is a set of 96 characters. The principle is to represent a single IPA character by a single ASCII character. This table is an example for five vowels: Description IPA SAMPA script a ɑ A ae ligature æ { turned a ɐ 6 epsilon ɛ E schwa ə @ A visual represenation of a keyboard shows the mapping on screen. The source for the SAMPA mapping used is "Handbook of multimodal an spoken dialogue systems", D Gibbon, Kluwer Academic Publishers 2000. 2 How to use X-SAMPA for editing IPA The multi-character extension to SAMPA has also been developed by John Wells (http://www.phon.ucl.ac.uk/home/sampa/x-sampa.htm). The basic principle used is to form chains of ASCII characters, that represent a single IPA character, e.g. This table lists some examples Description IPA X-SAMPA beta β B small capital B ʙ B\ lower-case B b b lower-case P p p Phi ɸ p\ The X-SAMPA mapping is in preparation and will be included in the next release. -
Building a Universal Phonetic Model for Zero-Resource Languages
Building a Universal Phonetic Model for Zero-Resource Languages Paul Moore MInf Project (Part 2) Interim Report Master of Informatics School of Informatics University of Edinburgh 2020 3 Abstract Being able to predict phones from speech is a challenge in and of itself, but what about unseen phones from different languages? In this project, work was done towards building precisely this kind of universal phonetic model. Using the GlobalPhone language corpus, phones’ articulatory features, a recurrent neu- ral network, open-source libraries, and an innovative prediction system, a model was created to predict phones based on their features alone. The results show promise, especially for using these models on languages within the same family. 4 Acknowledgements Once again, a huge thank you to Steve Renals, my supervisor, for all his assistance. I greatly appreciated his practical advice and reasoning when I got stuck, or things seemed overwhelming, and I’m very thankful that he endorsed this project. I’m immensely grateful for the support my family and friends have provided in the good times and bad throughout my studies at university. A big shout-out to my flatmates Hamish, Mark, Stephen and Iain for the fun and laugh- ter they contributed this year. I’m especially grateful to Hamish for being around dur- ing the isolation from Coronavirus and for helping me out in so many practical ways when I needed time to work on this project. Lastly, I wish to thank Jesus Christ, my Saviour and my Lord, who keeps all these things in their proper perspective, and gives me strength each day. -
Developments of the Lateral in Occitan Dialects and Their Romance and Cross-Linguistic Context Daniela Müller
Developments of the lateral in occitan dialects and their romance and cross-linguistic context Daniela Müller To cite this version: Daniela Müller. Developments of the lateral in occitan dialects and their romance and cross- linguistic context. Linguistics. Université Toulouse le Mirail - Toulouse II, 2011. English. NNT : 2011TOU20122. tel-00674530 HAL Id: tel-00674530 https://tel.archives-ouvertes.fr/tel-00674530 Submitted on 27 Feb 2012 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. en vue de l’obtention du DOCTORATDEL’UNIVERSITÉDETOULOUSE délivré par l’université de toulouse 2 - le mirail discipline: sciences du langage zur erlangung der doktorwürde DERNEUPHILOLOGISCHENFAKULTÄT DERRUPRECHT-KARLS-UNIVERSITÄTHEIDELBERG présentée et soutenue par vorgelegt von DANIELAMÜLLER DEVELOPMENTS OF THE LATERAL IN OCCITAN DIALECTS ANDTHEIRROMANCEANDCROSS-LINGUISTICCONTEXT JURY Jonathan Harrington (Professor, Ludwig-Maximilians-Universität München) Francesc Xavier Lamuela (Catedràtic, Universitat de Girona) Jean-Léonard Léonard (Maître de conférences HDR, Paris -
The Brill Typeface User Guide & Complete List of Characters
The Brill Typeface User Guide & Complete List of Characters Version 2.06, October 31, 2014 Pim Rietbroek Preamble Few typefaces – if any – allow the user to access every Latin character, every IPA character, every diacritic, and to have these combine in a typographically satisfactory manner, in a range of styles (roman, italic, and more); even fewer add full support for Greek, both modern and ancient, with specialised characters that papyrologists and epigraphers need; not to mention coverage of the Slavic languages in the Cyrillic range. The Brill typeface aims to do just that, and to be a tool for all scholars in the humanities; for Brill’s authors and editors; for Brill’s staff and service providers; and finally, for anyone in need of this tool, as long as it is not used for any commercial gain.* There are several fonts in different styles, each of which has the same set of characters as all the others. The Unicode Standard is rigorously adhered to: there is no dependence on the Private Use Area (PUA), as it happens frequently in other fonts with regard to characters carrying rare diacritics or combinations of diacritics. Instead, all alphabetic characters can carry any diacritic or combination of diacritics, even stacked, with automatic correct positioning. This is made possible by the inclusion of all of Unicode’s combining characters and by the application of extensive OpenType Glyph Positioning programming. Credits The Brill fonts are an original design by John Hudson of Tiro Typeworks. Alice Savoie contributed to Brill bold and bold italic. The black-letter (‘Fraktur’) range of characters was made by Karsten Lücke. -
Uu Clicks Correlate with Phonotactic Patterns Amanda L. Miller
Tongue body and tongue root shape differences in N|uu clicks correlate with phonotactic patterns Amanda L. Miller 1. Introduction There is a phonological constraint, known as the Back Vowel Constraint (BVC), found in most Khoesan languages, which provides information as to the phonological patterning of clicks. BVC patterns found in N|uu, the last remaining member of the !Ui branch of the Tuu family spoken in South Africa, have never been described, as the language only had very preliminary documentation undertaken by Doke (1936) and Westphal (1953–1957). In this paper, I provide a description of the BVC in N|uu, based on lexico-statistical patterns found in a database that I developed. I also provide results of an ultrasound study designed to investigate posterior place of articulation differences among clicks. Click consonants have two constrictions, one anterior, and one posterior. Thus, they have two places of articulation. Phoneticians since Doke (1923) and Beach (1938) have described the posterior place of articulation of plain clicks as velar, and the airstream involved in their production as velaric. Thus, the anterior place of articulation was thought to be the only phonetic property that differed among the various clicks. The ultrasound results reported here and in Miller, Brugman et al. (2009) show that there are differences in the posterior constrictions as well. Namely, tongue body and tongue root shape differences are found among clicks. I propose that differences in tongue body and tongue root shape may be the phonetic bases of the BVC. The airstream involved in click production is described as velaric airstream by earlier researchers. -
IPA Consonant Trap Rules
IPA Consonant Trap rules Basic rules: Begin the initial set up of the game by moving the IPA symbols (white squares) to six grid spaces, with 10 symbols per space (they are randomized, so just move them in order): The goal is to “trap” all of the IPA symbols in all six grid spaces using the coloured phonetic descrip- tions to match the symbols. All matching symbols within the same grid space count as trapped, so for example, the palatal description in the upper left grid space traps all of the palatal consonants (including labial-palatal, but not alveolopalatal): 1 When the game is over, the board will look something like the following: You want to try to trap symbols as efficiently as possible, such as how fricative traps five symbols in the second grid at the top and in the grid in the lower left. Phonetic descriptions in grey are singletons; there is only one flap/tap, click, etc., so these need to be used wisely. There are two special dark grey descriptions, voiced and voiceless, which should only be used as a last resort because they are so powerful. When you get the end of the game, try to rework the solution to avoid having to use voiced and voiceless. As you’ll see here, the way the symbols were trapped in the upper left changed by the end of the game, in order to make better use of the remaining descriptions, and without having to use voiced and voiceless. Special notes: Lateral approximants are matched by either lateral or approximant; you don’t need both. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographicaily in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI* GROUNDING JUl’HOANSI ROOT PHONOTACTICS: THE PHONETICS OF THE GUTTURAL OCP AND OTHER ACOUSTIC MODULATIONS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Amanda Miller-Ockhuizen, M.A. The Ohio State University 2001 Dissertation Committee: Approved by Mary. -
Phonetic Analysis of Clicks, Plosives and Implosives of Isixhosa: a Preliminary Report
Phonetic Analysis of Clicks, Plosives and Implosives of IsiXhosa: A Preliminary Report MIHOKO WHEELER University of Florida and University of Central Florida [email protected] Abstract: This pilot study examined the effectiveness of locus equations in differentiating places of articulation among stop consonants (clicks, plosives and implosives) in IsiXhosa in the context of the vowel /a/. The results obtained showed that the slope values for the dental and the postalveolar clicks are similar and shallower than that of the lateral click. Velar stops (plosives, implosives and ejectives) exhibited a steeper slope than either the bilabial or the dental stops. These results suggest that locus equations may be effective at distinguishing places of articulation for a variety of stop consonants. 1. Introduction IsiXhosa is a language spoken in South Africa that uses 18 clicks (three places and six manners of articulation). This paper is a pilot study of the acoustic properties differentiating place or articulation of clicks and plosives in isiXhosa in the context of the following low vowel: /a/. 2. Literature Review 2.1. Background of isiXhosa IsiXhosa is a member of the Nguni languages, which belong to a large family of languages called Bantu, named by the German linguist, Wilhelm Bleek, from the word for ‘people’ (Niesler et al. 2005: 460, Pinnock 1998: 5). The language is one of the few Bantu languages that use clicks, and clicks are viewed as the features of earlier languages (Herbert 1990). According to the 2011 census (Statistics South Africa, 2012), it is a statutory national language of South Africa, and there are over 8.15 million native speakers. -
Click Variation and Reacquisition in Two South African Ndebele Varieties
CLICK VARIATION AND REACQUISITION IN TWO SOUTH AFRICAN NDEBELE VARIETIES Stephan Schulz, Antti Olavi Laine, Lotta Aunio & Nailya Philippova This article deals with click consonants in two Nguni varieties of South Africa, namely isiNdebele, or Southern Ndebele, as it is better known outside of South Africa; and Sindebele, or Northern Transvaal Ndebele. We review previous research on the topic, in which isiNdebele been described as having a some- what reduced click inventory compared to better described Nguni languages, and Sindebele has been claimed to have lost clicks completely. We also review previous research on click loss, variation, and acquisition. We then describe the current situation of both language varieties regarding clicks. For Sindebele, we observe that while clicks indeed seem to have been almost completely replaced by other consonants, some speakers still do produce clicks in isolated words, possibly as a result of recent contact with isiZulu. In isiNdebele, we find that the lateral click has been lost almost completely, while the distinction between dental and postalveolar has been lost for some speakers (with most of them preferring the dental click), whereas some speakers still maintain the distinc- tion. We propose a tentative correlation between increasing formal education in the isiNdebele language and the tendency to maintain the two clicks as distinct, but generally find the functional load of the distinction to be very low, at least on a lexical level. 1. INTRODUCTION The language varieties known as Ndebele belong to the Nguni branch of the Southern Bantu languages. All Nguni languages are spoken in South Africa, with the exception of Northern Ndebele (or Zimbabwean Ndebele), which is spoken in Zimbabwe. -
Index Next: Table 02 Submission 12-Mar-1998
Page: 1 Monday, March 16, 1998 Prev: Table FF Up: Index Next: Table 02 Submission 12-Mar-1998 ISO 10646 block 01 Unicode Glyph Class STIX Name Description Synonyms 010D A ccaron hachek c = caron c hacekc; CHacek 0110 A Dstrok Latin capital letter D with stroke cfd 0111 A dstrok Latin small letter d with stroke cfc 0111 A dstrok Latin small letter d with stroke pgd 0127 A hstrok voiceless pharyngeal fricative barh 0131 A inodot latin small letter dotless i \i; inodot; DotlessI 0131 A imath /imath - small i, no dot \imath; inodot; inodot; \imath; ScriptDotlessI 0141 A Lstrok L with stroke, uppercase (polish) \L; Lstrok; CapitalLSlash Page: 2 Monday, March 16, 1998 Unicode Glyph Class STIX Name Description Synonyms 0142 A lstrok l with stroke, lowercase (polish) \l; lstrok; LSlash 014B A eng velar nasal rhookn 0152 A OElig OE digraph, uppercase \OE; Celig 0153 A oelig oe digraph, lowercase \oe; oelig 0153 A half-open front rounded vowel oelig 0161 A scaron hacek s = caron s SHacek 0192 N florin Florin 019A A lowercase l with horizontal bar pbl Unicode Glyph Class STIX Name Description Synonyms 019B A Latin small letter lambda with \lambdabar; slgr stroke 019E A Japanese syllabic nasal pgn 01A5 A Latin small letter p with hook 01AA A labialized voiceless palato-alveolar hookoh fricative 01AB A Latin letter small t with palatal lhookt hook 01AD A t with right-hooked ascender pgt 01BA A labialized voiced palato-alveolar hookyog fricative 01BB A voiced alveolar affricate (obsolete) pb4 Page: 3 Monday, March 16, 1998 Unicode Glyph Class STIX Name Description Synonyms 01BE A voiceless alveolar affricate pb0 (obsolete) 01C0 A dental click verline 01C1 A lateral click dverline 01C2 A alveolar click dblplus 01C3 A retroflex click pd1 01F0 A Latin small letter j with hachek pbj Prev: Table FF Up: Index Next: Table 02 Submission 12-Mar-1998. -
Drytok: Tlok1
tr'.z*w. Dritok An Introduction to the Language of the Drushek Donald Boozer The Languages of Kryslan Volume 1 W5&^Y2-lt'.q'.=x:.=D5^Q5=D2; D2=!D3-z*.z*.n.=s'.s'.=hr:.zp.th.=D5^Q5=B5; There are many paths ahead of you. You choose and travel one of them. Literally, "MANY paths exist YONDER WITH-RESPECT-TO YOU. YOU choose and walk WITH-RESPECT-TO ONE." ~ A Drushek proverb. Verbalizations: lt'.q'. > thed.gi ("path, way, route to a goal") x:. > khaa (A generic word for "existence", can be used for one sense of "to be") z*.z*.n. > tik.tik.ni ("be confronted with several alternatives") s'.s'. > chi.chi (an all-purpose conjunction, in this case joining two verbs) hr:.zp.th. > herr.zhep.ta ("walk, travel, move along a path (by foot)") "Many paths exist for you. You choose one and walk it." What we cannot speak about we must pass over in silence ~ Ludwig Wittegenstein, Tractatus Logico-Philosophicus © December 2008, Donald Boozer Revised, April 2009 Revised, February 2010 Table of Contents Chapter 1 - Historical Background Chapter 2 - The "Sounds" of Dritok II.A. Audible Phonology II.B. Inaudible Phonology/Morphology Chapter 3 - Linguistic Characteristics III.A. Dritok: Ambiguous Syntax III.B. "Parts of Speech" III.C. Word Order Cultural Intermission: Shekstan Chapter 4 - Nominals and Nominal-Phrase Operations IV.A. Compounding IV.B. Number IV.C. Case IV.D. Articles and Demonstratives IV.E. Possession Chapter 5 - Predicate Nominals and Related Constructions V.A. Proper Inclusion and Equation V.B. -
Unicode Request for Additional Phonetic Click Letters Characters Suggested Annotations
Unicode request for additional phonetic click letters Kirk Miller, [email protected] Bonny Sands, [email protected] 2020 July 10 This request is for phonetic symbols used for click consonants, primarily for Khoisan and Bantu languages. For the two symbols ⟨⟩ and ⟨ ⟩, which fit the pre- and post-Kiel IPA and see relatively frequent use, code points in the Basic Plane are requested. Per the recommendation of the Script Ad Hoc Committee, two other symbols, ⟨‼⟩ and ⟨⦀⟩, may be best handled by adding annotations to existing punctuation and mathematical characters. The remainder of the symbols being proposed are less common and may be best placed in the supplemental plane. Three precomposed characters, old IPA ʇ ʖ ʗ with a swash (⟨⟩, ⟨⟩, ⟨⟩), are covered in a separate proposal. Characters U+A7F0 LATIN SMALL LETTER ESH WITH DOUBLE BAR. Figures 1–9. U+A7F1 LATIN LETTER RETROFLEX CLICK WITH RETROFLEX HOOK. Figures 16–19. U+10780 LATIN SMALL LETTER TURNED T WITH CURL. Figures 8–13. U+10781 LATIN LETTER INVERTED GLOTTAL STOP WITH CURL. Figures 8, 9, 11, 12, 15. U+10782 LATIN SMALL LETTER ESH WITH DOUBLE BAR AND CURL. Figures 8-10. U+10783 LATIN LETTER STRETCHED C WITH CURL. Figures 8, 9, 12, 14. U+10784 LATIN LETTER SMALL CAPITAL TURNED K. Figure 20. Suggested annotations U+A7F0 LATIN SMALL LETTER ESH WITH DOUBLE BAR ⟨⟩ resembles U+2A0E INTEGRAL WITH DOUBLE STROKE ⟨⨎⟩, though the glyph design is different. (The Script Ad Hoc Committee recommends not unifying them.) U+203C DOUBLE EXCLAMATION MARK ⟨‼⟩ may be used as a phonetic symbol, equivalent to a doubled U+1C3 LATIN LETTER RETROFLEX CLICK ⟨ǃ⟩.