Ausonius, with an English Translation
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Helden Am Himmel – Helden Im Himmel
Tanja S. Scheer Helden am Himmel – Helden im Himmel Sphärenwechsel zu den Sternen im griechischen Mythos Abstract: The Catasterisms of Pseudo-Eratosthenes and the Astronomia, written by an author named Hyginus are the most important extant sources concerning ancient Greek star-myths. Analysing these texts this paper discusses questions about the reasons and circumstances that lead mythical heroes and heroines to changing the earthly sphere for the heavens in Greek myth. Which conse- quences did these changes inflict on the protagonists concerned? What did it mean to be put among the stars? The texts allowed their audience a wide range of possibilities “to think with”, including divine compassion, gratitude and eternal memory of great deeds as well as presenting warning examples for man- kind on earth. Since when these examples were told, is difficult to assess. The case of the Arkadian heroine Callisto shows how strata of mythical subjects (mythische Stoffe) changed over the centuries. The Homeric Odysseus was told of the ‘Bear’ as an important heavenly constellation, but it seems that it took some centuries before the heroine Callisto reached the sky and this bear finally got a personal name. Authors like Pseudo-Eratosthenes and Hyginus do not express the belief that such a changing of spheres included a happy afterlife or immortal feasting in the presence of the Olympic gods. Nevertheless their read- ers were at liberty to hope for it. 1 Einführung: Himmelsbilder Nachdem Galileo Galilei im Jahr 1610 die Jupitermonde entdeckt hatte, stellten sich die neuzeitlichen Gelehrten in eine lange Tradition – als Fortschreiber des griechischen Mythos. -
Roman Literature from Its Earliest Period to the Augustan Age
The Project Gutenberg EBook of History of Roman Literature from its Earliest Period to the Augustan Age. Volume I by John Dunlop This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: History of Roman Literature from its Earliest Period to the Augustan Age. Volume I Author: John Dunlop Release Date: April 1, 2011 [Ebook 35750] Language: English ***START OF THE PROJECT GUTENBERG EBOOK HISTORY OF ROMAN LITERATURE FROM ITS EARLIEST PERIOD TO THE AUGUSTAN AGE. VOLUME I*** HISTORY OF ROMAN LITERATURE, FROM ITS EARLIEST PERIOD TO THE AUGUSTAN AGE. IN TWO VOLUMES. BY John Dunlop, AUTHOR OF THE HISTORY OF FICTION. ivHistory of Roman Literature from its Earliest Period to the Augustan Age. Volume I FROM THE LAST LONDON EDITION. VOL. I. PUBLISHED BY E. LITTELL, CHESTNUT STREET, PHILADELPHIA. G. & C. CARVILL, BROADWAY, NEW YORK. 1827 James Kay, Jun. Printer, S. E. Corner of Race & Sixth Streets, Philadelphia. Contents. Preface . ix Etruria . 11 Livius Andronicus . 49 Cneius Nævius . 55 Ennius . 63 Plautus . 108 Cæcilius . 202 Afranius . 204 Luscius Lavinius . 206 Trabea . 209 Terence . 211 Pacuvius . 256 Attius . 262 Satire . 286 Lucilius . 294 Titus Lucretius Carus . 311 Caius Valerius Catullus . 340 Valerius Ædituus . 411 Laberius . 418 Publius Syrus . 423 Index . 453 Transcriber's note . 457 [iii] PREFACE. There are few subjects on which a greater number of laborious volumes have been compiled, than the History and Antiquities of ROME. -
Saturn As the “Sun of Night” in Ancient Near Eastern Tradition ∗
Saturn as the “Sun of Night” in Ancient Near Eastern Tradition ∗ Marinus Anthony van der Sluijs – Seongnam (Korea) Peter James – London [This article tackles two issues in the “proto-astronomical” conception of the planet Saturn, first attested in Mesopotamia and followed by the Greeks and Hindus: the long-standing problem of Saturn’s baffling association with the Sun; and why Saturn was deemed to be “black”. After an extensive consideration of explanations offered from the 5th century to the 21st, as well as some new “thought experiments”, we suggest that Saturn’s connection with the Sun had its roots in the observations that Saturn’s course appears to be the steadiest one among the planets and that its synodic period – of all the planets – most closely resembles the length of the solar year. For the black colour attributed to Saturn we propose a solution which is partly lexical and partly observational (due to atmospheric effects). Finally, some thoughts are offered on the question why in Hellenistic times some considered the “mock sun” Phaethon of Greek myth to have been Saturn]. Keywords: Saturn, planets, Sun, planet colour. 1. INTRODUCTION Since the late 19th century scholars have been puzzled by a conspicuous peculiarity in the Babylonian nomenclature for the planet Saturn: a number of texts refer to Saturn as the “Sun” ( dutu/20 or Šamaš ), instead of its usual astronomical names Kayam ānu and mul UDU.IDIM. 1 This curious practice was in vogue during the period c. 750-612 BC 2 and is not known from earlier periods, with a single possible exception, discussed below. -
ROMAN ARCHITEXTURE: the IDEA of the MONUMENT in the ROMAN IMAGINATION of the AUGUSTAN AGE by Nicholas James Geller a Dissertatio
ROMAN ARCHITEXTURE: THE IDEA OF THE MONUMENT IN THE ROMAN IMAGINATION OF THE AUGUSTAN AGE by Nicholas James Geller A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Studies) in the University of Michigan 2015 Doctoral Committee: Associate Professor Basil J. Dufallo, Chair Associate Professor Ruth Rothaus Caston Professor Bruce W. Frier Associate Professor Achim Timmermann ACKNOWLEDGEMENTS This dissertation would not have been possible without the support and encouragement of many people both within and outside of academia. I would first of all like to thank all those on my committee for reading drafts of my work and providing constructive feedback, especially Basil Dufallo and Ruth R. Caston, both of who read my chapters at early stages and pushed me to find what I wanted to say – and say it well. I also cannot thank enough all the graduate students in the Department of Classical Studies at the University of Michigan for their support and friendship over the years, without either of which I would have never made it this far. Marin Turk in Slavic Languages and Literature deserves my gratitude, as well, for reading over drafts of my chapters and providing insightful commentary from a non-classicist perspective. And I of course must thank the Department of Classical Studies and Rackham Graduate School for all the financial support that I have received over the years which gave me time and the peace of mind to develop my ideas and write the dissertation that follows. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS………………………………………………………………………ii LIST OF ABBREVIATIONS……………………………………………………………………iv ABSTRACT……………………………………………………………………………………....v CHAPTER I. -
The Poetics of Science: Intertextual and Metatextual Themes in Ovid's Depiction of Cosmic and Human Origins
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title The poetics of science: intertextual and metatextual themes in Ovid's depiction of cosmic and human origins Author(s) Kelly, Peter Publication Date 2016-09-09 Item record http://hdl.handle.net/10379/6075 Downloaded 2021-09-28T20:42:11Z Some rights reserved. For more information, please see the item record link above. The Poetics of Science Intertextual and Metatextual Themes in Ovid’s Depiction of Cosmic and Human Origins By Peter M. J. Kelly A Thesis Submitted to the National University of Ireland, Galway in the College of Arts, Social Sciences and Celtic Studies for the degree of Doctor of Philosophy in Classics September 2016 Supervisor: Prof. Michael Clarke ii Preface This work explores ancient views of cosmogony and the material structure of the universe in Ovid’s Metamorphoses. In particular it focuses on the way in which Ovid problematizes how we define myth and poetry versus science and philosophy. It examines how Ovid generates a parallel between the form and content of the text in order to depict a world where abstract scientific principles can become personified deities. This work will seek to reevaluate the impact of Greek Philosophy on Roman poetry through extending the series of intertexts which we may observe Ovid alluding to. Through following and analysing these sets of allusions this work will seek to gain an insight into Ovid’s depiction of the metatextual universe. iii iv For my Parents The scientist’s demand that nature shall be lawful is a demand for unity. -
Archiv Für Naturgeschichte
© Biodiversity Heritage Library, http://www.biodiversitylibrary.org/; www.zobodat.at Bericht über die wissenschaftlichen Leistungen auf dem Ciebiete der Arthropoden während der Jahre 1875 und 1876. Von Dr. Philipp Bertkau in Bonn, (Zweite Hälfte.) Hymenoptera. Gelegentlich seiner Abhandlung über das Riech Or- gan der Biene (s. oben 1876 p. 322 (114)) giebt Wolff p. 69 ff. eine sehr eingehende Darstellung der Mundwerk- zeuge der Hymenopteren, ihrer Muskeln u. s. w. Eine ver- ständliche Reproduction ohne Abbildung ist nicht möglich und muss daher hier unterbleiben; nur in Betreff des Saug- werkes der Biene lässt sich das Resultat der Untersuchung kurz angeben. Die Zunge ist nicht, wie vielfach behauptet worden ist, hohl, sondern an ihrer Unterseite nur bis zur Mitte ihrer Länge rinnig ausgehöhlt und von den erweiterten Rändern mantelartig umfasst. In dieser Rinne kann Flüssig- keit durch die blosse Capillarität in die Höhe steigen bis zu einer Stelle („Geschmackshöhle'O, die reichlich mit Nerven ausgestattet ist, die wahrscheinlich der Geschmacks- empfindung dienen. Zum Saugen stellen sich aber die verschiedenen Mundtheile (namentlich Unterlippe, Unter- kiefer mit ihren Tastern und Oberlippe mit Gaumensegel) zur Bildung eines Saug r obres zusammen, mit welchem die Flüssigkeiten durch die Bewegungen des Schlundes in diesen und weiter in den Magen befördert werden. Eine kürzere Mittheilung über Hymenopteren- ArcMv f. Naturg. XXXXIII. Jahrg. 2. Bd. P © Biodiversity Heritage Library, http://www.biodiversitylibrary.org/; www.zobodat.at 222 Bertkau: Bericht über die wissenschaftlichen Leistungen Bauten von Brischke enthält im Wesentliclien die An- gabe, dass ein Odynerums parietum seine Brutzellen in einem Federhalter angelegt habe. Schriften naturf. Ges. Danzig. Neue Folge III. -
Newsletter Nov 2011
imperi nuntivs The newsletter of Legion Ireland --- The Roman Military Society of Ireland In This Issue • New Group Logo • Festival of Saturnalia • Roman Festivals • The Emperors - AD69 - AD138 • Beautifying Your Hamata • Group Events and Projects • Roman Coins AD69 - AD81 • Roundup of 2011 Events November 2011 IMPERI NUNTIUS The newsletter of Legion Ireland - The Roman Military Society of Ireland November 2011 From the editor... Another month another newsletter! This month’s newsletter kind grew out of control so please bring a pillow as you’ll probably fall asleep while reading. Anyway I hope you enjoy this months eclectic mix of articles and info. Change Of Logo... We have changed our logo! Our previous logo was based on an eagle from the back of an Italian Mus- solini era coin. The new logo is based on the leaping boar image depicted on the antefix found at Chester. Two versions exist. The first is for a white back- ground and the second for black or a dark back- ground. For our logo we have framed the boar in a victory wreath with a purple ribbon. We tried various colour ribbons but purple worked out best - red made it look like a Christmas wreath! I have sent these logo’s to a garment manufacturer in the UK and should have prices back shortly for group jackets, sweat shirts and polo shirts. Roof antefix with leaping boar The newsletter of Legion Ireland - The Roman Military Society of Ireland. Page 2 Imperi Nuntius - Winter 2011 The newsletter of Legion Ireland - The Roman Military Society of Ireland. -
Mercury (Mythology) 1 Mercury (Mythology)
Mercury (mythology) 1 Mercury (mythology) Silver statuette of Mercury, a Berthouville treasure. Ancient Roman religion Practices and beliefs Imperial cult · festivals · ludi mystery religions · funerals temples · auspice · sacrifice votum · libation · lectisternium Priesthoods College of Pontiffs · Augur Vestal Virgins · Flamen · Fetial Epulones · Arval Brethren Quindecimviri sacris faciundis Dii Consentes Jupiter · Juno · Neptune · Minerva Mars · Venus · Apollo · Diana Vulcan · Vesta · Mercury · Ceres Mercury (mythology) 2 Other deities Janus · Quirinus · Saturn · Hercules · Faunus · Priapus Liber · Bona Dea · Ops Chthonic deities: Proserpina · Dis Pater · Orcus · Di Manes Domestic and local deities: Lares · Di Penates · Genius Hellenistic deities: Sol Invictus · Magna Mater · Isis · Mithras Deified emperors: Divus Julius · Divus Augustus See also List of Roman deities Related topics Roman mythology Glossary of ancient Roman religion Religion in ancient Greece Etruscan religion Gallo-Roman religion Decline of Hellenistic polytheism Mercury ( /ˈmɜrkjʉri/; Latin: Mercurius listen) was a messenger,[1] and a god of trade, the son of Maia Maiestas and Jupiter in Roman mythology. His name is related to the Latin word merx ("merchandise"; compare merchant, commerce, etc.), mercari (to trade), and merces (wages).[2] In his earliest forms, he appears to have been related to the Etruscan deity Turms, but most of his characteristics and mythology were borrowed from the analogous Greek deity, Hermes. Latin writers rewrote Hermes' myths and substituted his name with that of Mercury. However, there are at least two myths that involve Mercury that are Roman in origin. In Virgil's Aeneid, Mercury reminds Aeneas of his mission to found the city of Rome. In Ovid's Fasti, Mercury is assigned to escort the nymph Larunda to the underworld. -
The Arrangement and the Language of Catullus' So-Called Polymetra With
proceedings of the British Academy, 93, 335-375 The Arrangement and the Language of Catullus’ so-called polymetra with Special Reference to the Sequence 10-11-12 H. D. JOCELYN Summary. It is contended that the order of the first 61 of the items transmitted under the name of ‘Catullus Veronensis’ shows signs of a conscious design, whether by the author or by some editor, that item 61 should be placed with its predecessors rather than with the seven ‘long’ poems which follow, that the widely used term ‘polymetrum’ is a thoroughly confusing misnomer, that metrical pattern requires the division of the 61 items into three distinct groups - ZmyphppaTa in ‘Phalaecian’ verse, L“apPoi, and p+ - and, most importantly, that even where they take up apparently similar themes the pih~distin- guish themselves in verbal style markedly from the ‘Phalaecian’ Z7riyphppa.ra and only a little less markedly from the L“apPoi. In order to illustrate this last point the lyric item 11 is compared in systematic detail with the two ‘Phalaecian’ epigrams which precede and follow it in the transmitted collection. Discussion of each feature of items 10,ll and 12 centres on its relationship with what third- and second-century BC poets might have written and with what first-century speakers of Latin might have said. The character of our record of the Latin of the two centuries following 240 BC makes a degree of tentativeness inevitable. The three groups of the 61 items in question take us to a linguistic world distant from that of items 62-68. -
The Reader and the Poet
THE READER AND THE POET THE TRANSFORMATION OF LATIN POETRY IN THE FOURTH CENTURY A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Aaron David Pelttari August 2012 i © 2012 Aaron David Pelttari ii The Reader and the Poet: The Transformation of Latin Poetry in the Fourth Century Aaron Pelttari, Ph.D. Cornell University 2012 In Late Antiquity, the figure of the reader came to play a central role in mediating the presence of the text. And, within the tradition of Latin poetry, the fourth century marks a turn towards writing that privileges the reader’s involvement in shaping the meaning of the text. Therefore, this dissertation addresses a set of problems related to the aesthetics of Late Antiquity, the reception of Classical Roman poetry, and the relation between author and reader. I begin with a chapter on contemporary methods of reading, in order to show the ways in which Late Antique authors draw attention to their own interpretations of authoritative texts and to their own creation of supplemental meaning. I show how such disparate authors as Jerome, Augustine, Servius, and Macrobius each privileges the work of secondary authorship. The second chapter considers the use of prefaces in Late Antique poetry. The imposition of paratextual borders dramatized the reader’s involvement in the text. In the third chapter, I apply Umberto Eco’s idea of the open text to the figural poetry of Optatianus Porphyrius, to the Psychomachia of Prudentius, and to the centos from Late Antiquity. -
A Dictionary of Mythology —
Ex-libris Ernest Rudge 22500629148 CASSELL’S POCKET REFERENCE LIBRARY A Dictionary of Mythology — Cassell’s Pocket Reference Library The first Six Volumes are : English Dictionary Poetical Quotations Proverbs and Maxims Dictionary of Mythology Gazetteer of the British Isles The Pocket Doctor Others are in active preparation In two Bindings—Cloth and Leather A DICTIONARY MYTHOLOGYOF BEING A CONCISE GUIDE TO THE MYTHS OF GREECE AND ROME, BABYLONIA, EGYPT, AMERICA, SCANDINAVIA, & GREAT BRITAIN BY LEWIS SPENCE, M.A. Author of “ The Mythologies of Ancient Mexico and Peru,” etc. i CASSELL AND COMPANY, LTD. London, New York, Toronto and Melbourne 1910 ca') zz-^y . a k. WELLCOME INS77Tint \ LIBRARY Coll. W^iMOmeo Coll. No. _Zv_^ _ii ALL RIGHTS RESERVED INTRODUCTION Our grandfathers regarded the study of mythology as a necessary adjunct to a polite education, without a knowledge of which neither the classical nor the more modem poets could be read with understanding. But it is now recognised that upon mythology and folklore rests the basis of the new science of Comparative Religion. The evolution of religion from mythology has now been made plain. It is a law of evolution that, though the parent types which precede certain forms are doomed to perish, they yet bequeath to their descendants certain of their characteristics ; and although mythology has perished (in the civilised world, at least), it has left an indelible stamp not only upon modem religions, but also upon local and national custom. The work of Fruger, Lang, Immerwahr, and others has revolutionised mythology, and has evolved from the unexplained mass of tales of forty years ago a definite and systematic science. -
The Poems of Catullus As They Went to the Printer for the first Time, in Venice 400 Years Ago
1.Catullus, Poems 1/12/05 2:52 PM Page 1 INTRODUCTION LIFE AND BACKGROUND We know very little for certain about Catullus himself, and most of that has to be extrapolated from his own work, always a risky procedure, and nowadays with the full weight of critical opinion against it (though this is always mutable, and there are signs of change in the air). On the other hand, we know a great deal about the last century of the Roman Republic, in which his short but intense life was spent, and about many of the public figures, both literary and political, whom he counted among his friends and enemies. Like Byron, whom in ways he resembled, he moved in fashionable circles, was radical without being constructively political, and wrote poetry that gives the overwhelming impression of being generated by the public aªairs, literary fashions, and aristocratic private scandals of the day. How far all these were fictionalized in his poetry we shall never know, but that they were pure invention is unlikely in the extreme: what need to make up stories when there was so much splendid material to hand? Obviously we can’t take what Catullus writes about Caesar or Mamurra at face value, any more than we can By- ron’s portraits of George III and Southey in “The Vision of Judgement,” or Dry- den’s of James II and the Duke of Buckingham in “Absalom and Achitophel.” Yet it would be hard to deny that in every case the poetic version contained more than a grain of truth.