Tokyo National Museum
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
専門家会議 Meeting of Japanese Art Specialists
専門家会議 Meeting of Japanese Art Specialists 2019 年 1 月 19 日(土) 於東京国立博物館 平成館第一会議室 January 19 (Sat.), 2019; Meeting Room 1, Heiseikan, Tokyo National Museum January 19, 2019: Meeting of Japanese Art Specialists Purpose: Tis meeting was an opportunity for experienced curators of Japanese art from North America, Europe, and Japan to exchange information and discuss challenges per- taining to their work. Venue: Meeting Room 1, Heiseikan, Tokyo National Museum Chairman and Facilitator: Mr. Atsushi Imai (Tokyo National Museum) Participants from North America Dr. Laura Allen (Asian Art Museum of San Francisco) Dr. Monika Bincsik (Te Metropolitan Museum of Art) Dr. Andreas Marks (Minneapolis Institute of Art) Dr. Anne Nishimura Morse (Museum of Fine Arts, Boston) Dr. Xiaojin Wu (Seattle Art Museum) Participants from Europe Dr. Rupert Faulkner (Victoria and Albert Museum) Dr. Akiko Yano (Te British Museum) Ms. Wibke Schrape (Museum für Kunst und Gewerbe Hamburg) Dr. Ainura Yusupova (Te Pushkin State Museum of Fine Arts) Mr. Menno Fitski (Rijksmuseum) Participants from Japan Mr. Tomoyuki Higuchi (Sendai City Museum) Dr. Maromitsu Tsukamoto (University of Tokyo, Institute for Advanced Studies on Asia) Mr. Takeo Oku (Agency for Cultural Afairs) Participants from the National Institutes for Cultural Heritage Mr. Atsushi Imai (Tokyo National Museum) Mr. Ryusuke Asami (Tokyo National Museum) Ms. Satomi Kito (Tokyo National Museum) Mr. Hideaki Kunigo (Tokyo National Museum) Mr. Hiroshi Asaka (Kyoto National Museum) Mr. Rintaro Inami (Kyoto National Museum) Ms. Melissa M. Rinne (Kyoto National Museum) Dr. Sakae Naito (Nara National Museum) Ms. Mihori Okina (Nara National Museum) Dr. Norifumi Mochizuki (Kyushu National Museum) Mr. -
Considering Undercurrents in Japanese Cultural
Considering undercurrents in Japanese cultural heritage management: the logic of actualisation and the preservation of the present Masahiro Ogino Kwansei Gakuin University The aim of this chapter is to analyse two undercurrents in Japanese cultural heritage management. The first of these is the ‘logic of actu- alisation’, or the way in which the past is brought up to date in the present. This is a long-standing traditional approach towards the How to cite this book chapter: Ogino, M 2016 Considering undercurrents in Japanese cultural heritage management: the logic of actualisation and the preservation of the present. In: Matsuda, A and Mengoni, L E (eds.) Reconsidering Cultural Heritage in East Asia, Pp. 15–29. London: Ubiquity Press. DOI: http://dx.doi. org/10.5334/baz.b. License: CC-BY 4.0 16 Reconsidering Cultural Heritage in East Asia past in Japan, and also helps distinguish Japanese cultural heritage management from approaches taken in Europe. The other under- current is a recent phenomenon that can be observed not only in Japan but also in many other late-modern societies across the World: that is, the preservation of the present. Examining these two undercurrents helps us understand the particular situation in which Japan finds itself today in terms of cultural heritage management. The logic of actualisation In Europe, people’s conception of time seems in part informed by the presence of historic monuments and museums. In this cultural context, many old buildings retain their original use and function socially as monuments. These monuments, through their very presence, visually represent history in its continuity, and people thus come to acknowledge a linear notion of time by seeing them in their everyday life. -
Odaigahara, Yoshino-Kumano National Park
Odaigahara, Yoshino-Kumano National Park ▲ Moss colony in Nishi-Odai Seed of Ilex geniculata Autumn foliage in Nishi-Odai Masaki pass Daijagura What is the Nishi-Odai Regulated Utilization Area? Odaigahara Driveway Precious nature remains in Odaigahara. Among them is ▲ Nishi-Odai, one of the most beautiful natural beech forests in western Japan, where you can experience the calm and Nishi-Odai Regulated ▲ Odaigahara Parking Lot and Utilization Area Odaigahara Visitor Center pristine nature. (lecture location) In order to preserve this beautiful natural environment and Mt.Hidegatake take over it in the future, Nishi-Odai has been designated as Kaitaku junction ▲ Japan's first "Regulated Utilization Area". To maintain a favorable natural environment and provide a Sakasa Pass Higashi-Odai high-quality nature experience, the number of users is (Out of regulation) Regulated Utilization Area restricted in the “Regulated Utilization Area”. Trail Masakigahara Drive way Field In order to enter the Nishi-Odai Regulated Utilization Area, it Gate Daijagura is necessary to carry out procedures in advance and follow "Regulated Utilization Area" designated area This map is based on the Digital Topographic Map 25000 published by Geospatial Information Authority of Japan established rules. (About 450ha) * You can enter the Higashi-Odai, such as Mt. Hidegatake or Daijagura, without Kinki Regional Environment Office any procedures. Ministry of the Environment Natural environment of Nishi-Odai Nishi-Odai is surrounded by natural forests mainly composed of beech, and you can experience the calm and pristine nature. Beech forests are home to many wildlife, such as Japanese deer, Wrens, Japanese robins, and Odaigahara salamanders. -
32 Katsuragi Katsuragi 33
32 33 Katsuragi Katsuragi Relax in an onsen hot spring and enjoy time in Katsuragi! Fresh vegetables, etc. at low prices! ➊ ➋ ➌ #060 #061 ➊Indoor hot springs constantly draw abundant hot water from four source springs. The fifth source spring that is used for the large daiyokujo hot spring is sea water Kaki no Chaya Road Station Kinokawa Manyo no Sato from tens of thousands of years ago called fossil salt water. ➋A guest room in its Locally-grown fresh vegetables and fruits are available at A road station along National Route 24. Its local produce lodging Happu Bekkan. Each room has a private outdoor hot spring rotenburo. affordable prices. You can get local info from shop keepers store offers locally-grown vegetables, etc. at discounted ➌Rotenburo allows you to enjoy the scent of seasons. while chatting at the cafe section. prices. The very popular kakinoha-zushi is available at #058 ❖612-1 Nishiiburi, Katsuragi-cho ☎0736-22-7024 Mahoroba on the second floor. 9:00 - 17:00 Closed: Wed ❖487-2 Kubo, Katsuragi-cho ☎0736-22-0055 Katsuragi Onsen Happuno-Yu MAP/P62.A-7 8:30~18:00 (Summer) 8:30~17:00 (Winter) Closed: None This hot spring facility offers quintessential Japanese style MAP/P62.D-2 indoor and outdoor roten hot springs, accommodating both day use and overnight guests. Its restaurant featuring locally- produced ingredients is also very popular. It makes a great base location to tour around the Katsuragi area. ❖702 Saya, Katsuragi-cho ☎0736-23-1126 10:00 - 22:00 (Last check-in at 21:00) Closed: None MAP/P62.C-3 Trips are for hot springs and gourmet meals! Hit the green in Katsuragi! #062 #063 #059 Road Station Katsuragi Nishi Katsuragi Chamber of Commerce Kiikogen Golf Club A road station located at inbound PA on Keinawa Expressway. -
Wakayama and Sakurai Line
1 / 32 Contents 1. Route information.................................................................................................... 3 1.1 Background information .............................................................................................. 3 1.2 The Route map .............................................................................................................. 4 1.3 ATS Safety system ......................................................................................................... 5 1.4 Route signs and train stop position ........................................................................... 6 1.5 Kitauchi station operation ........................................................................................... 9 2. 103 series EMU ....................................................................................................... 10 2.1 Basic information ........................................................................................................ 10 2.2 External models ........................................................................................................... 11 2.3 The consist ................................................................................................................... 12 2.4 The cab ......................................................................................................................... 13 2.5 Cabin view .................................................................................................................... 16 -
Special Article 3 an Interview with Chu Wen-Ching, Advisor & Director, Taipei Cultural Center, Taipei Economic and Cultural Representative Office in Japan
Special Article 3 An Interview with Chu Wen-Ching, Advisor & Director, Taipei Cultural Center, Taipei Economic and Cultural Representative Office in Japan By Japan SPOTLIGHT Editorial Section The last issue highlighted Japanese soft power. Soft power is in particular important in consolidating close diplomatic relations with a neighboring country. In this issue Japan SPOTLIGHT highlights Taiwan and Taiwan-Japan cultural exchanges in an interview with a senior Taiwanese expert on culture, Chu Wen- Ching, advisor and director at the Taipei Cultural Center. Q: How do you assess the current Japanese NHK programs can always be status of cultural exchanges seen in Taiwan, as Taiwanese Cable TV has between Taiwan and Japan? a contract with NHK. Japanese folk singers like Sachiko Kobayashi, Shinichi Mori, Chu: We have a very close relationship in Sayuri Ishikawa, and Hiroshi Itsuki are also terms of trade and human exchanges. Our very popular. Masaharu Fukuyama, another bilateral trade totaled $62 billion last year famous Japanese singer, was recently and the number of tourists coming and appointed by the Taiwanese Tourism going between us will soon reach 4 million. Bureau as an ambassador of tourism for I have recently heard that there were a Taiwan and he is expected to volunteer to number of Taiwanese tourists who could introduce in his Japanese radio program not reserve air tickets to Japan to see the Taiwanese cuisine and culture to his cherry blossoms in April this year because audience. there were not enough vacancies. As this Taiwanese rock group Mayday and episode shows, human exchanges between Japanese pop-rock band flumpool are good us have recently been significantly friends, and often visit each other, while increasing. -
Hakuhodo-VRAR and Kennin-Ji Hold “MR Museum in Kyoto”
February 21, 2018 Microsoft Japan Co., Ltd. hakuhodo-VRAR and Kennin-ji Hold “MR Museum in Kyoto”, a New Cultural Asset Viewing Experience that Applies Mixed Reality to The Folding Screen of Fujin and Raijin (Wind God and Thunder God Screens), a National Treasure - Open to Public for Limited Period at Kennin-ji Temple and Kyoto National Museum - Microsoft Japan Co., Ltd. (head office: Minato-ku, Tokyo; President: Takuya Hirano) has provided technical support for a project for providing new cultural experiences by leveraging mixed reality that is being implemented by Hakuhodo Inc. (head office: Minato-ku, Tokyo; President: Masayuki Mizushima, a certified member of the Microsoft Mixed Reality Partner Program), Hakuhodo Product’s Inc. (head office: Koto-ku, Tokyo; President: Akihiko Ebana, a certified member of the Microsoft Mixed Reality Partner Program) and hakuhodo-VRAR, a lab specializing in the latest VR and AR technologies that was established by the two companies. hakuhodo-VRAR has since July 2017 been pursuing joint research with Kennin-ji, the main temple of the Rinzai school of Buddhism, on applying mixed reality (MR) technology to The Folding Screen of Fujin and Raijin (Wind God and Thunder God Screens), a National Treasure, to explore new ways of experiencing such cultural assets. “MR Museum in Kyoto”, the first outcome of this research, was recently completed, and will be open to the public for a limited period as a totally novel cultural asset viewing experience. “MR Museum in Kyoto” allow viewers to enjoy a 10-minute MR experience that combines The Folding Screen of Fujin and Raijin with 3D graphics by using Microsoft HoloLens headsets, while standing in front of the masterpiece (a replica). -
Transport Information Guide Tug of War Shinjo Kenmin Athletic Field 1
Transport Information Guide Sport & Discipline Venue Nara Pref. Shinjo Kenmin Katsuragi City Athletic Field 1 292-3 Shinmachi, Katsuragi City, Nara www.city.katsuragi.nara.jp/index.cfm/17,2969,80,html ※There is an other venue. Please check each venue. Tug of War ・ Kashiba City General Gymnasium ■Recommended route to the venue From Osaka Station (Center Village) to the venue ( OP Original Kansai One Pass usable section WP Original JR Kansai Wide Area Pass usable section) Osaka Oji Yamato-Shinjo Venue Sta. Sta. Sta Traffic Mode Line Depart Arrive Route Time pass Osaka Loop Line / Yamatoji Line Train JR Osaka Sta. Oji Sta. OP WP 42min. for Kamo Wakayama Line Train JR Oji Sta. Yamato-Shinjo Sta. OP WP 24min. for Gojo Shuttle Yamato-Shinjo Sta. Venue 5min. bus Osaka Tennoji Osaka-Abenobashi Sta. Sta. Sta. Shakudo Kintetsu-Shinjo Venue Sta. Sta. Traffic Mode Line Depart Arrive Route Time pass Osaka Loop Line Train JR Osaka Sta. Tennoji Sta. OP WP for Tennoji 16min. ※5-minute walk to Kintetsu Line. Kintetsu Minami-Osaka Line Train Osaka-Abenobashi Sta. Shakudo Sta. OP 30min. Railway for Gose Kintetsu Gose Line Train Shakudo Sta. Kintetsu-Shinjo Sta. OP 5min. Railway for Kintetsu-Gose Shuttle Kintetsu-Shinjo Sta. Venue 5min. bus From Masters Village Nara to the venue Masters Village Nara: "Nara Visitor Center & Inn” ※ 16-minute walk from JR Nara Station, 8-minute walk from Kintetsu Nara Station Nara Visitor Nara Oji Yamato-Shinjo Venue Center & Inn Sta. Sta. Sta Traffic Mode Line Depart Arrive Route Time pass Walking Masters Village Nara Sta. -
The Aesthetics of the Capital, at The
Those Beautiful Images We Know So Well, Shown In Context Rinpa: The Aesthetics of the Capital, at the Kyoto National Museum Review by Emily Sano, October 20, 2015 The abundant exhibitions at many museums in major cities and the national museums provide one of the special treats of visiting Japan in the autumn. This year is no exception, but visitors need to know that this year's most significant exhibit for the traditional Japanese arts is Rinpa: The Aesthetics of the Capital, at the Kyoto National Museum. The exhibition, which opened on October 10, will last only six weeks, until November 23, 2015. While the excellent catalogue lists 175 objects, many are on view for shorter periods of time, and some displays change every week on Mondays during the run of the exhibition. The term Rinpa―which is combined from the second character in Kōrin's name and the character for "school" or "style"―was coined in modern times and did not exist during the Edo period. Though sometimes described as a school, Rinpa is less a direct lineage of teachers and their disciples than a lineage of personal artistic influence: Sōtatsu's work inspired Kōrin, whose oeuvre, in turn, influenced Hōitsu. Of course, these three artists never actually met: most artists working in the Rinpa mode discovered the aesthetic for themselves and pursued it out of admiration for their artistic predecessors. “Rinpa and Kyoto,” English preface, p. V) One of the most familiar of Japanese decorative styles, Rinpa (also spelled Rimpa, which this reviewer prefers, but I will stay with the Museum's spelling) includes works commonly viewed as the epitome of the arts of Japan. -
Tokyo National Museum
Ⅳ Activities of Each Institution Tokyo National Museum As Japans foremost museum in the humanities eld, Toyo National Museum collects, pre- serves, manages, and displays cultural properties from across Japan and other Asian re- gions, while also conducting research and providing educational programs. The Tokyo National Museum was established in 1872, making it the oldest museum in Japan. We collect, preserve, restore, and display a large number of National Treasures and Important Cultural Properties as well as around 120,000 tangible cultural properties, mainly from Japan and various Asian regions. We also conduct surveys and research in addition to providing educational programs on them. The Museum is working to develop more appealing comprehensive cultural exhibitions by holding seasonal events in addition to its display of collected and preserved works. We also run school programs, guided tours, workshops, and various other programs that help participants appreciate cultural properties while becoming more familiar with and further understanding them through, for example, art making experiences. Additionally, as Japanese culture attracts global attention, we play a central role in disseminating it to the world and strive to become a more appealing museum. To this end, we are formulating and implementing the Tohaku New Era Plan with the goals of promoting easy-to-understand exhibition commentary and multilingual support as well as creating a comfortable viewing environment. ENIA Masami We will continue in our efforts to make the Tokyo National Museum more enjoyable for everyone, including children and adults, as well as visitors from around the world. Executive Director Toyo National Museum ■Exhibitions ●elar Exhibitions The regular exhibitions comprise the core function of the museum’s exhibition activities, displaying works from the museum collection as well as objects on loan to the museum. -
Training Report on Cultural Heritage Protection
, 7U DLQLQJ&RXUVHIRU5HVHDUFKHUVLQ&KD Training Report on UJ HRI&XOWXUDO+HULWDJH Cultural Heritage Protection Training Course for Researchers in Charge of Cultural Heritage Protection in Asia and the Pacic 2012 - Indonesia - 12 June-12 July, 2012, Nara, Japan 3URWHFWLR Q LQ $VLDDQGWKH3DFL¿F,QGRQHVLD Cultural Heritage Protection Cooperation Oce, Asia-Pacic Cultural Centre for UNESCO (ACCU) 2 Training Report on Cultural Heritage Protection Training Course for Researchers in Charge of Cultural Heritage Protection in Asia and the Pacific 2012 - Indonesia - 12 June-12 July, 2012, Nara, Japan Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) Edited and Published by Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) Nara Prefecture Nara Branch Office Ground Floor 757 Horen-cho, Nara 630-8113 Japan Tel: +81(0)742-20-5001 Fax: +81(0)742-20-5701 e-mail: [email protected] URL: http://www.nara.accu.or.jp Printed by Meishinsya Ⓒ Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) 2013 The on-site lecture in Horyu-ji Area, Nara Mr Kobayashi (right) explained how to prepare traditional wall clay at Himeji-jo Castle. An explanation on how the fallen chimney by the Great Hanshin Earthquake was restored. At the west pagoda in Yakushi-ji Temple Adjusting a shutter speed and an aperture value Practical training of photography at Gango-ji Temple Scale drawing in Tanaka Family Residence Practicing yari-ganna, a spear plane A lecture by Mr Hayashi at NNRICP The closing ceremony at the ACCU Nara office Preface The Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU Nara) was established in August 1999 with the purpose of serving as a domestic centre for promoting cooperation in cultural heritage protection in the Asia-Pacific region. -
Operating Results by Business Segment — —
Introduction Business Strategy and Operating Results ESG Section Financial Section The President’s Message Medium-Term Management Plan Operating Results by Business Segment — — Operating Results by Business Segment Transportation Operations JR-West’s transportation operations segment consists of railway Railway Revenues operations and small-scale bus and ferry services. Its railway operations encompass 18 prefectures in the western half of Japan’s Sanyo Shinkansen main island of Honshu and the northern tip of Kyushu, covering a total service area of approximately 104,000 square kilometers. Other Conventional Lines The service area has a population of approximately 43 million people, equivalent to 34% of the population of Japan. The railway network comprises a total of 1,222 railway stations, with an operating route length of 5,015.7 kilometers, almost 20% of passenger railway kilometerage in Japan. This network includes the Sanyo Kansai Urban Area Shinkansen, a high-speed intercity railway line; the Kansai Urban (including the Urban Network) Area, serving the Kyoto–Osaka–Kobe metropolitan area; and other conventional railway lines (excluding the three JR-West branch offices in Kyoto, Osaka, and Kobe). The Sanyo Shinkansen is a high-speed intercity to the major stations of the Sanyo Shinkansen passenger service between Shin-Osaka Station in Line, such as Okayama, Hiroshima, and Hakata, Osaka and Hakata Station in Fukuoka in northern without changing trains. These services are Kyushu. The line runs through several major cities enabled by direct services with the services of Sanyo in western Japan, including Kobe, Okayama, the Tokaido Shinkansen Line, which Central Shinkansen Hiroshima, and Kitakyushu.