DOCSLIB.ORG

Gerald Albright Stays at No. 1 Wayman Tisdale Most

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

JazzWeek with airplay data powered by jazzweek.com • November 19, 2004 Volume 1, Number 2 • $7.95 In This Issue: Dave Holland Starts Own Label. 4 Tesser and Ruffin’s ‘Listen Here!’ . 7 Mediaguide Transition Q&A . 11 CD Reviews and Editors’ Picks. 13 Jazz Radio WALLACE Charts, Adds, Releases . 15 RONEY’S Smooth Jazz Radio Album PROTOTYPE and Singles Charts, Releases . 20 Interview Radio p. 9 Panels. 24 News. 4 Charts: Jazz Album– Eric Alexander Smooth Album – Gerald Albright Smooth Single – Gerald Albright JazzWeek This Week EDITOR Ed Trefzger We at JazzWeek would like to thank everyone for the (mostly) kind comments after our first issue hit the digital newsstand. We’re committed CONTRIBUTING EDITORS to giving jazz and smooth jazz the kind of attention that only a trade publi- Keith Zimmerman cation dedicated to the genre can give, but we’ve got a long way to go. Kent Zimmerman While we continue to refine our production techniques and work out Tad Hendrickson some technical details, we’re also looking to provide more of what you as jazz musicians, radio programmers, promotion people, club owners, pub- CONTRIBUTING WRITER licists, and devotees of the music want. We’d like to hear it directly from you, and not around the horn, so please speak up. Tom Mallison And speaking of promoters and publicists: please let us know what’s up PHOTOGRAPHY with your artists and labels. We’d like to continue to add to our news sec- Barry Solof tion, and add more features and interviews with musicians. On the radio side, if you’ve got something cool going on at your sta- PUBLISHER tion, let us know, or pass the word along to your promotion or development folks, or your PD or station manager. We’d like to hear about concert pro- Tony Gasparre motions, pledge drives, in-studio visits, and so forth. We’ll be including ar- ticles about the folks in radio, too. ADVERTISING: Contact Tony Gasparre We’re going to start running letters from readers, so please send us your (585) 235-4685 x3 or comments on JazzWeek or about the music and industry, too. email: [email protected] It’s clear that the change in charting is going to take getting used to for some folks, although many who have been planning for this tell me they are AIRPLAY MONITORING BY elated with the change. Whether you’re in that camp, or of a decidedly dif- ferent opinion, we’ve got another article about the switch to Mediaguide for chart data that may answer some of your questions – or create new ones. Also in this issue, Tad Hendrickson sits down with trumpeter Wallace Roney, and passes along some exciting news about Dave Holland, who is Mediaguide striking out on his own with a new record label. 1000 Chesterbrook Blvd. Suite 150 Plus, we’ve got industry news, CD reviews and picks, and the latest Berwyn, PA 19312 jazz album and smooth album and singles charts. If you’re interested in submitting an article or interview, or just have Published weekly by something on your mind, please drop me a note at [email protected]. – Ed Trefzger, Editor 2117 Buffalo Road Suite 317 Rochester, NY 14624 phone: (585) 235-4685 Because of the U.S. Thanksgiving Holiday next week, the fax: (585) 235-4685 [email protected] next issue will publish on Monday, November 29. Copyright ©2004 Yellow Dog Communications Inc. jazzweek.com • November 19, 2004 JazzWeek 2 Contents November 19, 2004 News . .4 Dave Holland Starts Own Label . .4 Ray Charles’ Genius Loves Company Ships 3 Million Worldwide . .5 Peak Signs American Idol’s Latoya London . .5 Soweto Kinch Wins UK Best Jazz Act Award . .6 4 Infinity Broadcasting Says No to Indie Promoters . .6 Karmazin Tapped as Sirius CEO . .6 Concord Inks Rita Coolidge for Jazz CD . .6 Tesser and Ruffin Go Nationwide Again with ‘Listen Here!’ . .7 Features Creating a Prototype: Q& A With Wallace Roney . .9 Transitioning to Mediaguide:Some Questions and Answers . 11 9 Reviews . 13 Jazz Radio . 15 Jazz Album Chart . 16 Jazz Add Dates . 17 Jazz Current CDs . 18 Jazz Radio Panel. 24 15 Smooth Jazz Radio . 20 Smooth Album Chart . 21 Smooth Singles Chart . 22 Smooth Current CDs . 23 Smooth Radio Panel . 24 20 Cover Photo of Wallace Roney: John Abbott JazzWeek Volume 1 Issue 2 jazzweek.com • November 19, 2004 JazzWeek 3 News Dave Holland Starts Own Label by Tad Hendrickson fter more than 30 years as “For me, I can’t really even put in Miles Davis’s group to record such bandleader with the ECM la- words how excited I am to be working classics as Bitches Brew and In A Silent Abel, bassist Dave Holland has for Dave Holland,” says Sunnyside’s Way. His own groups have become struck out on his own with the newly- Garrett Shelton. “He inspired me as powerhouse units over the years. His formed Dare2 Records. The new la- a musician and he made me want to recent accolades include major damage bel will be managed and distributed quit because he’s so amazing. Now I’ll in the Downbeat polls: Best Jazz Art- by Sunnyside Records in the ist, Best Jazz Album U.S., while other territories (Extended Play), Best will be handled by Univer- Acoustic Group (Dave sal France. Holland Quintet), Best Big Band (Dave Hol- “It’s Daniel Rich- land Big Band), and the ard of Universal France award for Best Acous- that brought us to the table tic Bass Player. He also with Sunnyside,” says Lou- won several awards in ise Holland, Dave’s manag- this year’s Downbeat er. “They have a deal with Critics Poll, including François Zalacain and Sun- Artist of Year for the nyside, who have American second time. distribution through Ryko- disc, so it really worked out When not leading well because we all know his own band, he can be each other and are friends.” found in all-star units like the 2004 tour- ing quartet that also The first record album featured saxophonist from the deal is due in Feb- Wayne Shorter, pianist ruary of 2005. The yet-to-be Herbie Hancock and titled session is a single-disc drummer Brian Blade. big band effort featuring Laurence Labat (They just killed during Holland compositions, most Dave Holland’s first CD on his new Dare2 label will be a big band re- Newport this year, and which are seeing the light of lease. It’s due in February 2005. the group’s Carnegie day for the first time. The Hall show was report- material will also include a be able tell the rest of the world how edly rock solid as well.) suite commissioned by Monterrey Jazz strongly I feel about Dave’s work.” Festival. Raising the bar from the last big band effort, What Goes Around, this Holland has long been a perennial With this new effort, it looks like one was recorded after the band had critic and fan favorite, first hitting the Holland will be back in the driver’s spent months on the road. scene in the late-’60s when he joined seat for 2005. JW jazzweek.com • November 19, 2004 JazzWeek 4 News Ray Charles’ Genius Loves Company Peak Signs American Ships 3 Million Worldwide Idol’s Latoya London Genius Loves Company, the final re- multi-talented musician perform- BEVERLY HILLS, Calif., Nov. 17 – Fans cording from music legend Ray Charles ing new duets with such world re- of Latoya London, who won the hearts of audiences across the United States with on Concord Records, is now official- nowned artists as Natalie Cole, Elton her performances on the 2004 season ly a multi-platinum disc. The CD, a John, Norah Jones, B.B. King, Glad- of American Idol, need wait no longer permanent fixture at the top of sales ys Knight, Diana Krall, Michael Mc- for her debut CD. The 25-year old singer charts since its debut on Aug. 31, has Donald, Johnny Mathis, Van Morri- has signed her first record deal with shipped more than two million copies son, Willie Nelson, Bonnie Raitt and independent label Peak Records (www. in the United States and more than James Taylor. Completed just months peakrecords.com). three million copies worldwide. To before Charles passed away on June date, it has received Gold, Silver and 10, Genius Loves Company has received Latoya was widely considered an odds-on Platinum certifications across North rave reviews. As testament to Charles’ favorite to win this year’s American Idol America, Europe and beyond, making impact on American music and in- competition on FOX-TV. Her elimination it one of the best selling recordings of fluence on artists from practically ev- in one of the final rounds of the series stunned fans nationwide, while the studio Ray Charles’ six-decade career ery genre, the CD has been featured erupted into boos and jeers. at Country, Blues, AAA, Urban AC, The landmark CD – Charles’ Smooth Jazz, Jazz and AC radio. 250th recording effort – features the Peak Records President Andi Howard has grand plans for her newest artist. “Latoya will follow in the footsteps of Whitney ������������������������������������ Houston and the other great female R&B singers that shaped the genre. She’s smart, beautiful, witty and incredibly ������������� talented. When I saw her perform on �������������� ���������������� American Idol, I was simply blown away. I ������������ ���������������� am absolutely delighted that she has now ������������ joined our family.” ����������������� The Beverly Hills-based label is partnered with Concord Records (www. ����������������� concordrecords.com), which recently ��������������� scored a multi-platinum hit with Genius ������������� Loves Company, the final recording �������������� from music legend Ray Charles.
Recommended publications
  • Network Notebook

    Network Notebook

    Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
  • Vanguard Jazz Orchestra Plans May Tribute to Thad Jones and Mel Lewis

    Vanguard Jazz Orchestra Plans May Tribute to Thad Jones and Mel Lewis

    JazzWeek with airplay data powered by jazzweek.com • March 30, 2005 Volume 1, Number 19 • $7.95 In This Issue: Mack Avenue to Sponsor Detroit Jazz Fest. 4 WGBH Ups Rivero to Radio/ TV GM . 5 Camilo Embarks . 6 441 Launches Test of Time . 9 Reviews and Picks. 15 Jazz Radio . 18 Smooth Jazz Radio. 23 RADIO Q&A: Radio WEMU’S Panels. 27 LINDA YOHN News. 4 page 12 Charts: #1 Jazz Album – Joey DeFrancesco #1 Smooth Album – Dave Koz #1 Smooth Single – Dave Koz JazzWeek This Week EDITOR Ed Trefzger ’m thrilled that we get to feature another of our favorite people CONTRIBUTING EDITORS in jazz radio this week, WEMU music director Linda Yohn. Keith Zimmerman Kent Zimmerman ILinda is a nominee for the Jazz Journalists Association Excel- Tad Hendrickson lence in Jazz Broadcasting/Willis Conover-Marian McPartland CONTRIBUTING WRITER Award. She has been there encouraging and supporting our ef- Tom Mallison forts even before there was a JazzWeek, as one of the first par- PHOTOGRAPHY ticipants on the Jazz Programmers Mailing List. Linda has been Barry Solof a key figure at each of JazzWeek’s Summits and an active part of PUBLISHER the industry tracks at IAJE for years. As host of the 9 a.m. to noon Tony Gasparre shift on WEMU, Linda shows everyone how jazz radio should be ADVERTISING: Contact Tony Gasparre done, and thanks to the ’net, those of us outside of Ypsilanti/Ann (585) 235-4685 x3 or Arbor/Detroit get to eavesdrop. email: [email protected] While we’re talking about the Motor City, hats off to Mack SUBSCRIPTIONS: Prices in US Dollars: Avenue Records for picking up the sponsorship of the Detroit In- Charter Rate: $199.00 per year, ternational Jazz Festival.
  • DEANNA WITKOWSKI Wide Open Window (Khaeon)

    DEANNA WITKOWSKI Wide Open Window (Khaeon)

    Pianism from the September 2003 issue DEANNA WITKOWSKI Wide Open Window (Khaeon) Remember the name Deanna Witkowski. The 31-year-old New Yorker is not far from jazz stardom with her keyboard techniques, her mastery of exotic time signatures, her imaginative composing and arranging (much of her writing includes sacred music) and her wordless vocalizing. The latter is most impressive on Wide Open Window (Khaeon), her second CD as leader. The title tune is a blues- drenched jazz waltz, allowing for clever interplay between piano and Donny McCaslin's tenor. She takes Cole Porter's "From This Moment On" over a slow Latin beat, blending her voice with McCaslin's soprano sax. The way-up samba "A Rare Appearance" blends wordless voice again, this time with tenor sax. Her blazing straightahead technique comes through on Porter's "Just One of Those Things," with great support from bassist Jonathan Paul and drummer Tom Hipskind. She cleverly fashions bookends from a Chopin etude for a solo version of "You and the Night and the Music," and ends in a heavenly mood, singing "Sanctus," from one of her jazz masses. Remember her name. -Harvey Siders Program Highlights: Week of November 26, 2003 - Deanna Witkowski Thirty-one year old composer, pianist, and vocalist, Deanna Witkowski is an amazing talent. This young artist on the rise plays music full of surprises, and her talents have received acclaim, recently winning the 2002 Great American Jazz Piano Competition. Classically trained, Deanna also admires the great works of Cole Porter and Rodgers & Hammerstein, and infuses the standards with her own creative style for unique interpretations.
  • The News Magazine of the University of Illinois School of Music from the Dean

    The News Magazine of the University of Illinois School of Music from the Dean

    WINTER 2012 The News Magazine of the University of Illinois School of Music From the Dean On behalf of the College of Fine and Applied Arts, I want to congratulate the School of Music on a year of outstanding accomplishments and to WINTER 2012 thank the School’s many alumni and friends who Published for alumni and friends of the School of Music at the University of Illinois at Urbana-Champaign. have supported its mission. The School of Music is a unit of the College of Fine and Applied Arts at the University of Illinois at Urbana-Champaign and has been an accredited institutional member of the National While it teaches and interprets the music of the past, the School is committed Association of Schools of Music since 1933. to educating the next generation of artists and scholars; to preserving our artistic heritage; to pursuing knowledge through research, application, and service; and Karl Kramer, Director Joyce Griggs, Associate Director for Academic Affairs to creating artistic expression for the future. The success of its faculty, students, James Gortner, Assistant Director for Operations and Finance J. Michael Holmes, Enrollment Management Director and alumni in performance and scholarship is outstanding. David Allen, Outreach and Public Engagement Director Sally Takada Bernhardsson, Director of Development Ruth Stoltzfus, Coordinator, Music Events The last few years have witnessed uncertain state funding and, this past year, deep budget cuts. The challenges facing the School and College are real, but Tina Happ, Managing Editor Jean Kramer, Copy Editor so is our ability to chart our own course. The School of Music has resolved to Karen Marie Gallant, Student News Editor Contributing Writers: David Allen, Sally Takada Bernhardsson, move forward together, to disregard the things it can’t control, and to succeed Michael Cameron, Tina Happ, B.

  • Page 1 Valentine's Day.Indd

    THE BALL STATE MONDAY February 14, 2005 Vol. 84, Issue 98 DAILYMUNCIEDAILY WWW.BSUDAILYNEWS.COM NEWSNEWS INDIANA INTERNATIONAL DNNEWS See what is going on across the nation. NEW YORK Shiites, New generation of Manhattan madams allegedly Kurds made mint off oldest profession (AP) — The blue blood sweep Mayflower Madam argued that the oldest profession was merely ‘‘naughty,’’ not criminal. More than two decades after her high-priced service was election shut down, police are cracking Bush congratulates down on a new generation of Manhattan madams who alleg- Iraqis for ‘defying edly became wealthy by running prostitution rings for big spend- terrorist threats’ ers, and like Mayflower Madam Robert H. Reid ■ Associated Press Sydney Biddle Barrows, one of them wonders what all the fuss BAGHDAD, Iraq — Clergy- is about. backed Shiites and indepen- ‘‘It’s the oldest game in town,’’ dence-minded Kurds swept to victory in Iraq’s landmark elec- Julie Moya said before surren- tion, propelling to power the dering to a vice squad late last groups that suffered most un- month. ‘‘We don’t hurt anyone. der Saddam Hussein and forc- We just offer pleasure.’’ ing Sunni Arabs to the margins Prostitution ‘‘has become the DN Illustration / CHAD YODER for the first time in modern crime du jour,’’ said Moya’s at- history, according to final re- torney, Dan Ollen. sults released Sunday. But the Shiites’ 48 percent ‘‘There’s a tremendous amount of the vote is far short of the of money involved,’’ said Inspec- two-thirds majority needed to tor James P. O’Neill, head of the control the New York Police Department’s Agenda 275-member vice enforcement division.
  • AL SCHMITT Al Schmitt Is a Renowned Recording and Mix Engineer Whose

    AL SCHMITT Al Schmitt Is a Renowned Recording and Mix Engineer Whose

    AL SCHMITT Al Schmitt is a renowned recording and mix engineer whose acclaimed music career has spanned more than half a century. During that time Al has been awarded more accolades than any of his contemporaries including holding the record for most Grammy awards for a recording or mix engineer. To date, Al is the recipient of 23 Grammy Awards, including the Grammy Trustees Lifetime Achievement Award in 2006. In 2014, Al received the Honorary Doctorate from Berklee School of Music. Al is a New York native, of whom Barbra Streisand states, "as a fellow Brooklyn-ite, we speak the same language." He has worked on more than 150 gold and platinum albums, and was inducted into the TEC Awards Hall of Fame in 1997 to honor his technical and creative excellence in recording and sound. In the early days of his career, working at RCA, Al engineered albums for such legendary artists as Sam Cooke, Rosemary Clooney and Henry Mancini, featuring the Grammy Award winning title, "Moon River", which also won an Academy Award for Best Song, and for "Breakfast at Tiffany's." During this time he also worked on scoring for multiple motion pictures as well. In the mid 60's, while demand for his engineering services grew, Al also aspired to become an independent producer. In addition to recording all the last records of the legendary Sam Cooke, during this same period, Al also worked with Ann Margaret, Bobby Darin and Eddie Fisher. He also worked with newer, up and coming artists of the time including Jefferson Airplane, Jackson Browne and Neil Young.
  • Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls

    Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls

    CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY
  • The Rippingtons Discography 1987 2011Rar

    The Rippingtons Discography 1987 2011Rar

    The Rippingtons Discography 1987 2011rar 1 / 4 The Rippingtons Discography 1987 2011rar 2 / 4 3 / 4 THE RIPPINGTONS. Formed: 1987. Members: Scott Breadman, percussion; Russell Freeman, guitar, keyboards, programmer, arranger, .... The Rippingtons Discography (1987 2011).rar ->>> http://cinurl.com/14r940.. Jump to Discography - This album was the first for the Rippingtons under its new partnership with E1 Music. Discography[edit].. The Rippingtons Discography (1987 2011).rar http://ssurll.com/10qm83 f40dba8b6f The Rippingtons Discography (1987 2011).rar .... The Official Website of the Rippingtons, a contemporary jazz band formed in 1985 by guitarist Russ Freeman.. The Rippingtons. Biography by Matt Collar. + Follow Artist. Hugely successful West Coast smooth and contemporary jazz outfit featuring guitarist Russ Freeman.. The Rippingtons Discography (1987 2011).rar[/b] daz poser contentparadise 3d models megapack 6.5 gb torrent rangoli designs without dots pdf download [i] .. MP3 @ 192Kb - 57,1Mb. Lista de Temas: 01 Moonlighting 02 She lilkes to watch 03 Angela 04 Dreams 05 Mirage 06 Calypso cafe 07 Open all .... 7 May 2018 . Talibov Yol Hereketi Qaydalari Pdf Download. YOL HRKTININ TKILI V HRKT. f42d4e2d88. The Rippingtons Discography (1987 2011).rar.. download_public_finance_and_public_policy_jonathan_gruber_pdf-adds. The Rippingtons Discography (1987 2011).rar power plan assistant .... Whitesnake 1987 30th Anniversary Super Deluxe Edition. ... 320kbps and FLAC, like The Rippingtons and Spyro Gyra and japanese stuff too, of course. ... Apr 04, 2011 · Download S. However, the unforgettable baby-talk voice of singer Claire .... Seeds:0 Leech:1 2.13 Gb RIPPINGTONS Discography 1987 2011 MP3 320. The Rippingtons - Let It Ripp Mp3 Album Download. Buy Mp3 Music Online / The .... adele wikipedia discography, adele wikipedia discography, Take That ..
  • IP Survey Averages 23

    IP Survey Averages 23

    IP Monohull Timeline 1980 1981 1982 1983 1984 1985 1986 1987 IP 26 IP 26, 29 Hulls, $28,567 A$, $67,233 A05$ IP 26 MkII IP 26 MkII, 46 Hulls, $35,950 A$, $80,174 A05$ IP 27 IP 27, 24 IP 29 IP 31 IP 31, 262 Hulls, $68,617 A$, $140,468 A05$ IP 32 IP 320 IP 35 IP 350 IP 37 IP 370 IP 38 IP 380 IP 40 IP 420 IP 44 IP 445 IP 45 IP 485 Island Packet Events 1980 1981 1982 1983 1984 1985 1986 1987 Model(s) Launched IP 26 MkII IP 27, IP 31 IP 38 Est. Monohulls Produced 10 10 33 23 71 71 94 94 Est. Cumulative Monohulls 10 19 52 75 146 216 311 405 Production Milestones First pure Bob Johnson Design Milestones design 5/19/2005 Page 1 of 9 IP Monohull Timeline First building on Wild Second building on Wild Company Milestones Acres Road Acres Road Race Victories Global Dealers Awards Circumnavigators World Events 1980 1981 1982 1983 1984 1985 1986 1987 1980 $ = 1.00 1.13 1.23 1.27 1.32 1.37 1.42 1.44 2005 $ = 2.48 2.35 2.25 2.21 2.16 2.11 2.05 2.04 Mortgage Rate % 12.66 14.70 15.14 12.57 12.38 11.55 10.17 9.31 Dow Jones Industrials 964 875 1,047 1,259 1,212 1,546 1,896 1,939 5/19/2005 Page 2 of 9 IP Monohull Timeline US GNP (Bil) 2,796 3,131 3,259 3,535 3,933 4,213 4,453 4,743 US HSD Median Income (constant 2002 $) 36,608 36,042 35,986 36,001 36,921 37,648 38,975 39,453 World Population (Mil) 4,454 4,530 4,610 4,690 4,770 4,850 4,933 5,018 US Population (Thous) 227,726 229,966 232,188 234,307 236,348 238,466 240,651 242,804 Americas Cup Freedom (USA) Liberty (USA) Stars & Stripes (USA) World Series Phillies Dodgers Cardinals Orioles Tigers Royals Mets
  • Network Notebook

    Network Notebook

    Network Notebook Summer Quarter 2017 (July - September) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
  • Steve Turre Regains Jazz Album No. 1 Caribbean Jazz

    Steve Turre Regains Jazz Album No. 1 Caribbean Jazz

    JazzWeek with airplay data powered by jazzweek.com • January 12, 2005 Volume 1, Number 8 • $7.95 In This Issue: NEA Jazz in the IAJE 2005 WRAP UP ISSUE Schools. 4 Verizon Funds NEA Jazz Masters. 6 Radio Track back at IAJE . 7 IAJE Round Up (Sort of) . 14 IAJE Snapshots . 17 Reviews and Picks. 19 Jazz Radio . 21 Smooth Jazz Radio. 28 Radio Panels. 35 More News . 4 Charts: #1 Jazz Album – Dr. Lonnie Smith (1/7) Steve Turre (1/12) #1 Smooth Album – Various: For Luther #1 Smooth Single – Richard Elliot JazzWeek This Week EDITOR Ed Trefzger Are you rested up yet? CONTRIBUTING EDITORS If you attended IAJE 2005 in Long Beach, you’re probably still trying Keith Zimmerman to catch up on sleep. With so much to do and so many folks to see, I don’t Kent Zimmerman know how you can be expected to cover everything. Tad Hendrickson It was great to see the return of the radio track; we’ve got a rundown CONTRIBUTING WRITER on what went on in those sessions, and we plan on helping IAJE make Tom Mallison those workshops even better in 2006. Included in that is coverage of the PHOTOGRAPHY “Legends of Radio” panel, and our session on radio airplay. Barry Solof Tad Hendrickson was on the go at IAJE, too. He has his own run- down of the conference, but slightly tongue in cheek. PUBLISHER Check out some of the photos from there, too. Tony Gasparre One of the most positive things to come from the conference was the ADVERTISING: Contact Tony Gasparre NEA/Jazz at Lincoln Center “NEA Jazz in the Schools” program.
  • Monterey Jazz Festival

    Monterey Jazz Festival

    DECEMBER 2018 VOLUME 85 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob;