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Home , Abraham Laboriel, Allen Farnham, Bill Mays, Bobby Lamb (trombonist), Brian Lynch (musician), Chuck Findley

CURRICULUM VITAE CHUCK BERG Revised March 2006

Office Address: Dept. of Theatre & Film 202 Oldfather Studios University of Kansas, Lawrence, KS 66044 Phone: (785) 864-1344; FAX (785) 331-2671 E-mail: [email protected]

EDUCATION: Ph.D., University of Iowa, Film-Media-Music, 1973. Dissertation, An Investigation of the Motives for and Realization of Music to Accompany the American Silent Film, 1896-1927. B.S., University of Kansas, Radio-Television-Film, 1967.

ACADEMIC APPOINTMENTS: Professor, Theatre and Film, University of Kansas (1989-present). Chair, Theatre and Film, University of Kansas (2004-2006). Associate Professor, Theatre and Film, University of Kansas (1979-1989). Assistant Professor, Theatre and Film, University of Kansas (1977-1979). Visiting Professor (Short Course, “Film Music: History, Theory, Practice”), Southern University (May 1979) Assistant Professor, Communication Arts and Sciences, Queens College, City University of New York (1972-1977). Visiting Professor (Short Course, “Dada and Surrealism in Film: the Continental Avant-Garde”), Massachusetts Institute of Technology, January 1975.

RELATED PROFESSIONAL EXPERIENCE: *Film and Media Production Techniques. *Musician (, , ). *Arts and Entertainment Journalism.

HONORS: *“W.T. Kemper Fellowship for Teaching Excellence, University of Kansas, 2000. *“Mortar Board Outstanding Educator, 1999.” Torch Chapter of Mortar Board, University of Kansas. 1999. *“Outstanding Service to Education at the Twenty-Eighth IAJE International Conference,” International Association of Jazz Educators, 2001. *Invited Voter, Critics Poll, Jazz Times Magazine (since 1988). *Invited Voter, International Critics Poll, Down Beat (since 1977). *Invited Member, National Academy of Recording Arts and Sciences (NARAS)

COURSES TAUGHT (University of Kansas): *HNRS 190, Freshman Honors Tutorial: Improvisation *TH&F 283, Introduction to the Film Medium *TH&F 302, Undergraduate Seminar in Hollywood and the Contemporary Global Marketplace *TH&F 302/702, Undergraduate/Graduate Seminars (in ; Music Videos; Screenwriting; The Contemporary Documentary Film; Film Music) *TH&F 307, Undergraduate Internship in Theatre and Film *TH&F 380/880/AMS 696, American Popular Culture of (1920's; 1930's; 1940's; 1950's; 1960's; 1970's; 1980's; Jazz and Film; The American Cine-Century; The Musical) *TH&F 381/881/AMS 696, History of the Silent Film *TH&F 382/882/AMS 696, History of the American Sound Film *TH&F 383/883/AMS 696, History of the International Sound Film *TH&F 375, Basic Film Production *TH&F 499, Directed Study in Theatre and Film *TH&F 583, Film Theory *TH&F 593, Experimental Film and Video *TH&F 684, Documentary Film and Video *TH&F 686, American Film Criticism *AM S 694, Directed Readings *TH&F 881, Colloquium in Theatre and Film *TH&F 888, Special Problems in Film Criticism *TH&F 895, Intensive Film Project *TH&F 899, Master’s Thesis *TH&F 902, Doctoral Seminar: Film and Video Historiography *TH&F 902, Television and Media Criticism *TH&F 998, Investigation and Conference *TH&F 999, Doctoral Dissertation

PUBLICATIONS:

Books:

Film 07/08: Annual Editions. Contemporary Learning Series. Dubuque, IA: McGraw-Hill, 2007 (co-edited with Heather Addison).

The Encyclopedia of . New York: Facts on File, 2003. (With Thomas Erskine)

Lookout Farm: A Case Study of Improvisation for Small Jazz Group. Hollywood, CA: Almo Publications, 1978. (With David Liebman and Richard Beirach)

An Investigation of the Motives for and Realization of Music to Accompany the American Silent Film, 1896-1927. New York: New York Times/Arno Press, 1976.

Invited Chapters in Books:

“Jazz in Film and Television.” The Oxford Companion to Jazz. Ed. Bill Kirchner. New York and Oxford: Oxford University Press, 2000, 706-721. (Paperback Reprint, 2005)

“Fade-Out in the West: The Western’s Last Stand?” In Film Genre: New Critical Essays, Ed., Wheeler Winston Dixon. Cultural Studies in Cinema/Video Series. Albany, NY: State University of New York Press, 2000, 211-25.

“Philip Glass on Composing for Film and Other Forms: The Case of Koyaanisqatsi.” Writings on Glass: Essays, Interviews, Criticism. Ed. Richard Kostenlanetz. Berkeley and : University of Press, 1999, 131-151. (Paperback Reprint of 1997 Hardcover Edition, Schirmer Books, 1997; First Published in the Journal of Dramatic Theory and Criticism. V:1 [Fall 1990].)

“Theater and Musical Theater.” Encyclopedia of American Social History. Vol. III. Ed. Mary Kupiec Cayton, Elliott J. Gorn and Peter W. Williams. New York: Charles Scribner’s Sons, 1993, 1859-79.

“Film and Photography.” Film and the Arts in Symbiosis. Ed. Gary Edgerton. Westport, CT:

Articles in Referred Journals:

“Music on the Silent Set.” Literature/Film Quarterly. 23:2 (1995), 131-6.

“Phillip Glass on Composing for Film and Other Forms: The Case of Koyaanisqatsi.” Journal of Dramatic Theory and Criticism. V:1 (Fall 1990), 301-22. (Reprinted in Writings on Glass: Essays, Interviews, Criticism. Ed. Richard Kostenlanetz. New York: Schirmer Books, 1997; Paperback Reprint, University of California Press, 1999)

“Visualizing Music: The Archaeology of Music-Videos.” ONETWOTHREEFOUR: A Rock ‘n’ Roll Quarterly (Special Issue: Music Video). No. 5 (Spring 1987), 94-103.

“Fact and Fantasy in the Films of World War One.” Film and History. September 1984, 50-60. (With David H. Mould)

“The American Film Institute Film and Humanities Summer Institute.” Quarterly Review of Film Studies. Summer 1980, 407-12.

“The Impact of Music Modality on the Perception of Communication Situated in Video Sequences.” Communication Monographs. June 1979, 135-41. (With Dominic A. Infante)

“‘Music Composed by Charles Chaplin’: Auteur or Collaborateur?” Journal of the University Film Association. XXXI:1 (Winter 1979), 47-50. (A Letter from Film Composer David Raksin with Annotations)

“Cinema Sings the .” Cinema Journal. XVII:2 (1978), 1-12.

“The Human Voice and the Silent Cinema.” Journal of Popular Film. IV:2 (1975), 165-77. Greenwood Press, 47-64.

Invited Articles/Entries for Reference Books:

“Emmy Awards” (318-9); “I’ve Got a Secret” (506); “Television in the ” (904-9). The Fifties in America. Ed. John C. Super, Pasadena CA: Salmen Press, 2005.

“Ornette Coleman.” Encyclopedia of the Great Plains. Ed. David J. Wishart. Lincoln & : University of Press, 2004, 13-4.

“Henry Fonda.” Encyclopedia of the Great Plains. Ed. David J. Wishart. Lincoln & London: University of Nebraska Press, 2004, 267.

“Territory Bands.” Encyclopedia of the Great Plains. Ed. David J. Wishart. Lincoln & London: University of Nebraska Press, 2004, 548.

“Virgil Thomson.” Encyclopedia of the Great Plains. Ed. David. J. Wishart. Lincoln & London: University of Nebraska Press, 2004, 548.

“The Connection.” In Video Versions: Film Adaptations of Plays on Video. Ed. Thomas L. Erskine and James M. Welsh. Westport, CT: Greenwood Press, 2000, 62-4. (Shirley Clark’s 1962 Film Adaptation of Jack Gelber’s 1959 Play.)

“The Seven Year Itch.” In Video Versions: Film Adaptations of Plays on Video. Ed. Thomas L. Erskine and James M. Welsh. Westport, CT: Greenwood Press, 2000, 307-8. (Billy Wilder’s 1955 Film Adaptation of George Axelrod’s 1953 Play)

“Sunrise at Campobello.” In Video Versions: Film Adaptations of Plays on Video. Ed. Thomas L. Erskine and James M. Welsh. Westport, CT: Greenwood Press, 2000, 334-5. (Vincent J. Donehue’s 1960 Film Adaptation of Dore Schary’s 1958 Play)

“The Threepenny Opera.” In Video Versions: Film Adaptations of Plays on Video. Ed. Thomas L. Erskine and James M. Welsh. Westport, CT: Greenwood Press, 2000, 355-6. (G.W. Pabst’s 1931 Film Adaptation of Bertolt Brecht and Kurt Weill’s 1928 Play)

“The Maltese Falcon (1930).” Novels into Film: The Encyclopedia of Movies Adapted from Books. Ed. John C. Tibbetts and James M. Welsh. A Checkmark Book. New York: Facts on File, 1999, 139-41.

“The Virginian, A Horseman of the Plains (1902).” Novels into Film: The Encyclopedia of Movies Adapted from Books. Ed. John C. Tibbetts and James M. Welsh. A Checkmark Book. New York: Facts on File, 1999, 255-7.

“The First Moderns: Profiles in the Origins of Twentieth-Century Thought,’ in Magill’s Literary Annual, 1998. Ed. Frank N. Magill. Pasadena, CA: Salem Press, 1998, 312-16. (Review of Historian William R. Everdell’s 1997 Book, The First Moderns.)

Gramophone Jazz CD Guide. Ed, Keith Shadwick. Second Ed. Middlesex, Great Britain: Gramophone Publications Ltd., 1997. (93 reviews of Classic Jazz Compact Discs by ; ; ; ; Count Basie; Jane Ira Bloom; ; ; Charlie Christian; Ornette Coleman; Graham Collier; ; Harry Connick, Jr.; ; Jack DeJohnette; Eric Dolphy; Paquito D’Rivera; ; Roy Eldridge; ; ; ; Johnny Frigo; Ricky Ford; ; ; ; ; ; George Gruntz; ; ; ; Chico Hamilton; ; Craig Handy; Fletcher Henderson; ; ; ; ; Irakere; ; ; Geoff Keezer; ; ; Bireli Lagrene; Bobby Lamb; Steve LaSpina; ; ; David Liebman; Charles Lloyd; Howard McGhee; Jimmy McGriff; John McLaughlin; Marian McPartland/; Herbie Mann; ; Lyle Mays; James Moody; ; Mark Murphy; ; ; ; Houston Person; ; Dom Um Romao; ; ; Perico Sambeat; ; Maria Schneider; ; ; ; Art Tatum; Eddie Thompson; Theo Travis; Nana Vasconcelos; ; Collin Walcott; Dinah Washington; Steve Waterman; ; Weslia Whitfield; Bob Wilbur; John Young; ; Joe Zawinul)

“Pop Internationalism,” in Magill’s Literary Annual 1997: Books of 1996. Ed. Frank N. Magill. Pasadena, CA: Salem Press, 1997, 666-70. (Review of Stanford Economist Paul Krugman’s 1996 Book, Pop Internationalism)

“The Arts and Government.” Survey of Social Science: Government and Politics Series. Vol. 1. Ed. Frank N. Magill. Pasadena, CA: Salem Press, 1995, 101-7.

“King of : Scott Joplin and His Era, by Edward A. Berlin.” Magill’s Literary Annual, 1995, Vol. One. Ed. Frank N. Magill. Pasadena, CA: Salem Press, 1995, 422-6.

The Gramophone Jazz Good CD Guide. Ed. Keith Shadwick. Middlesex, Great Britain: Gramophone Publications, 1995. Includes 82 Reviews of Top Jazz Compact Discs by Cannonball Adderley (pp. 20-1); Karrin Allyson (pp. 26-7); Louis Armstrong (pp. 31-2); (p. 42); Charlie Barnet (p. 50); Count Basie (p. 50); Jane Ira Bloom (p. 68); Alan Broadbent (p. 77); Gary Burton (p. 88); Charlie Christian (p. 103); Nat King Cole (p. 111); Ornette Coleman (p. 114); John Coltrane (pp. 118-9); Harry Connick Jr. (pp. 121-2); (p. 125); Miles Davis (p. 138); Jack DeJohnette (pp. 143-4); Eric Dolphy (pp. 149-150); Paquito D’Rivera (p. 155); Mark Egan (p. 158); Roy Eldridge (pp. 160-1); Duke Ellington (p. 166); Bill Evans (p. 171); Jon Faddis (pp. 173-4); Joe Farrell (pp. 175-6); Ricky Ford (p. 181); Red Garland (p. 191); Stan Getz (p. 196); /Max Roach (p. 200); Benny Goodman (p. 206); Don Grolnick (p. 215); George Gruntz (p. 216); Dave Grusin (pp. 216-7); Jim Hall (p. 221); Chico Hamilton p. 222); Herbie Hancock (p. 226); Craig Handy (p. 227); Fletcher Henderson (pp. 241-2); Joe Henderson (pp. 242-3); (p. 247); Terumasa Hino (pp. 251-2); Shirley Horn (p. 260); Bobby Hutcherson (pp. 264-5); Irakere (pp. 267-8); Al Jarreau (p. 275); Philly Joe Jones (pp. 286-7); Geoff Keezer (p. 293); Stan Kenton (p. 294); John Klemmer (p. 300); Bireli Lagrene (p. 307); Hubert Laws (p. 312); Lou Levy (p. 316); Charles Lloyd (p. 321); Howard McGhee (p. 330); Jimmy McGriff (p. 331); Marian McPartland (p. 336); Herbie Mann (pp. 342-3); Branford Marsalis (p. 347); Lyle Mays (p. 357); (p. 357); (pp. 369-70); James Moody (pp. 372-3); Bob Moses (p. 378); Mark Murphy (p. 382); Charlie Parker (p. 404); Art Pepper (pp. 410-1); Bud Powell (p. 422); (p. 442); Dom Um Romao (pp. 444-5); Hilton Ruiz (p. 449); Lalo Schifren (p. 457); Horace Silver (p. 470); Art Tatum (p. 492); Nana Vasconcelos (p. 512); Sarah Vaughan (p. 513); Collin Walcott (p. 517); Ernie Watts (p. 525-6); Bob Wilbur (p. 535); Paul Winter (p. 544); Larry Young (p. 548); Lester Young (p. 549); Joe Zawinul (p. 551); Roy Eldridge and the Swing (p. 557).

“Anita Loos.” Great Lives from History: American Women. Ed. Frank N. Magill. Pasadena, CA: Salem Press, 1995, 1140-3.

“Francis Marion.” Great Lives from History: American Women. Ed. Frank N. Magill. Pasadena, CA: Salem Press, 1995, 1213-6.

“Penny Marshall.” Great Lives from History: American Women. Ed. Frank N. Magill. Pasadena, CA: Salem Press, 1995, 1217-20.

“Ginger Rogers.” Great Lives from History: American Women. Ed. Frank N. Magill. Pasadena, CA: Salem Press, 1995, 1532-6.

“Jim Abbott.” The Twentieth Century: Great Athletes, Supplement. Ed. James L. Magill. Pasadena, CA: Salem Press, 1994, 2925-8.

“Jim Kelly.” The Twentieth Century: Great Athletes, Supplement. Ed. James L. Magill. Pasadena, CA: Salem Press, 1994, 3126-9.

“Kevin McHale.” The Twentieth Century: Great Athletes, Supplement. Ed. James L. Magill. Pasadena, CA: Salem Press, 1994, 3169-72.

“Dan Marino.” The Twentieth Century: Great Athletes, Supplement. Ed. James L. Magill. Pasadena, CA: Salem Press, 1994, 3188-91.

“Jerry Rice.” The Twentieth Century: Great Athletes, Supplement. Ed. James L. Magill. Pasadena, CA: Salem Press, 1994, 3248-51.

“Steve Young.” The Twentieth Century: Great Athletes, Supplement. Ed. James L. Magill. Pasadena, CA: Salem Press, 1994, 3344-7.

“All Music Guide to Jazz.” Ed. Ron Wynn. , CA: Miller Freeman Books, 1994. Includes 34 reviews published in Down Beat and Jazz Times-- (p. 31); (p. 77); (p. 81); Hamiet Bluiett (p. 98); Dolo Coker (p. 157); John Coltrane (pp. 167 & 169); (p. 183); Dexter Gordon (pp. 289 & 289 & 290); Stephane Grappelli (p. 290); Johnny Griffith (p. 296); Jim Hall (p. 304); Keith Jarrett (p. 374); Eddie Jefferson (p. 378); (p. 405); (pp. 408 & 408); Steve Lacy (p. 414); (p. 429); Frank Lowe (p. 429); (p. 438); Howard McGhee (p. 447); (p. 567); (pp. 583 & 583 & 583); (p. 625); Collin Walcott (p. 649); Dinah Washington (p. 657); (p. 666); Mary Lou Williams (p. 672).

“[Mary] Pickford Becomes ‘America’s Sweetheart’.” Great Events from History II: Arts and Culture. Ed. Frank N. Magill. Pasadena, CA: Salem Press, 1993, 224-9.

“Man Ray Creates the Rayograph.” Great Events from History II: Arts and Culture. Ed. Frank N. Magill. Pasadena, CA: Salem Press, 1993, 513-7.

“[Cecil B. DeMille’s] The Ten Commandments Establishes Silent-Film Spectacle.” Great Events from History II: Arts and Culture. Ed. Frank N. Magill. Pasadena, CA: Salem Press, 1993, 567- 71.

“[Gene] Kelly Forges New Direction in Cinematic Dance.” Great Events from History II: Arts and Culture. Ed. Frank N. Magill. Pasadena, CA: Salem Press, 1993, 1432-7.

“[Gian-Carlo Menotti’s 1951 TV Opera] Amahl and the Night Visitors Premieres on American Television.” Great Events from History II: Arts and Culture. Ed. Frank N. Magill. Pasadena, CA: Salem Press, 1993, 1536-40.

“The Tonight Show Becomes an American Institution.” Great Events from History II: Arts and Culture. Ed. Frank N. Magill. Pasadena, CA: Salem Press, 1993, 1623-8.

“The French New Wave Ushers in a New Era of Cinema.” Great Events from History II: Arts and Culture. Ed. Frank N. Magill. Pasadena, CA: Salem Press, 1993, 1710-5.

“[Terry] Riley Completes In C.” Great Events from History II: Arts and Culture. Ed. Frank N. Magill. Pasadena, CA: Salem Press, 1993, 1979-83.

“ Revives Acoustic Jazz.” Great Events from History II: Arts and Culture. Ed. Frank N. Magill. Pasadena, CA: Salem Press, 1993, 2454-8.

The Facts on File Encyclopedia of the 20th Century. Ed. John Drexel. New York and Oxford: Facts on Film, 1991. (Brief Articles and Items Jazz and Jazz Musicians: Basie, William “Count,” 79; , 84; Brown, Clifford, 139; Brubeck, Dave, 140; Jazz, 194; Coleman, Ornette, 210; Coltrane, John, 213; Corea, Chick, 223; Davis, Miles, 251; Jazz, 270; Ellington, Edward Kennedy “Duke,” 302; Evans, Bill, 313-4; Ferguson, Maynard, 324; , 347; Fusion Jazz, 352-3; Getz, Stan, 369; Goodman, Benny, 383-4; Hancock, Herbie, 411; Handy, W. C., 412; Hawkins, Coleman, 418-9; , 626-7; Montreux International Jazz Festival, 660-1; Oliver, Joe “King,” 686; , 660-1; Ory, Edward “Kid,” 692; Parker, Charlie “Bird,” 705; Scofield, John, 809-10; Sun Ra [Herman “Sonny” Blound], 867; Swing Era, 871; Tatrum, Art, 881; Taylor, Billy, 881; Waller, Thomas “Fats,” 944-5; Weather Report, 950; Young, Lester, 981.

“The Big Heat.” Magill’s Survey of Cinema: English Language Films. Second Series, Vol. 1. Ed. Frank N. Magill. Englewood Cliffs, NJ: Salem Press, 1981, 216-9.

“Modern Times.” Magill’s Survey of Cinema: English Language Films. Second Series, Vol. 1. Ed. Frank N. Magill. Englewood Cliffs, NJ: Salem Press, 1981, 1134-7. (Republished in Magill’s Survey of Cinema: Silent Films. Vol. II. Ed. Frank N. Magill. Englewood Cliffs, NJ: Salem Press, 1982, 764-7)

“Stagecoach.” Magill’s Survey of Cinema: English Language Films. Second Series, Vol. 1. Ed. Frank N. Magill. Englewood Cliffs, NJ: Salem Press, 1981, 1612-5.

The Core American Films. Ed. Timothy J. Lyons. Carbondale, IL: University Film Association, 1981. (Brief Entries on Citizen Kane, 30; Grapes of Wrath, 32; The Magnificent Ambersons, 34; Casablanca, 35; The Maltese Falcon, 36)

Book Reviews in Academic Journals:

“Lullabies of Hollywood: Movie Music and the Movie Musical, 1915-1992, by Richard Fehr and Frederick G. Vogel; Movie Song Catalog: Performers and Supporting Crew for the Songs Sung in 1,460 Musical and Nonmusical Films, 1928-1988, by Ruth Benjamin and Arthur Rosenblatt; Settling the Score: Music and the Classical Hollywood Film, by Kathryn Kalinak.” Sonneck Society Bulletin. XX:1/2 (Summer 1995), 32-4.

“The Films and Career of Robert Aldrich, by Edwin T. Arnold and Eugene L. Miller, Jr.” American Studies. 29:1 (1989), 91.

“The Jazz Years: Earwitness to an Era, by .” American Music. (Spring 1989), 86-8.

“The Melody Lingers On: The Great and Their Movie Musicals, by Roy Hemming.” American Music. (Fall 1988), 331-3.

“Those Swinging Years: The Autobiography of Charlie Barnet, by Charlie Barnet, with Stanley Dance.” American Music. (Winter 1987), 455-6.

“The Essential Cinema: Essays in the Collection of Anthology Film Archives, Vol. I, by P. Adams Sitney.” Journal of Popular Film and Television. 8:1 (1980), 59. “Hitch: The Life and Times of Alfred Hitchcock, by John Russell Taylor.” Journal of Popular Film and Television. 8:1 (1980), 56-7.

“Stanley Kramer: Film Maker, by Donald Spoto.” Journal of Popular Film and Television. 7:4 (1980), 464-5.

“The Girl in the Hairy Paw: A Documentary History of King Kong, ed. Ronald Gottesman and Harry Geduld. Journal of Popular Film and Television. 7:3 (1979), 337-8.

“A History of the American Avant-Garde, ed. Marilyn Singer.” Journal of Popular Film and Television.” 7:3 (1979), 331-2.

“Introduction to the Art of the Photoplay: A Contemporary Account of the Transition to Sound in Film, ed. John C. Tibbetts and Gregory C. Black.” Journal of Popular Film and Television. 7:2 (1979), 219-20.

“Experimental Animation: An Illustrated Anthology, ed. by Robert Russett and Cecile Starr.” Journal of Popular Film. VI:4 (1978), 383-4.

“Awake in the Dark: An Anthology of American Film Criticism, 1915 to the Present, ed. by David Denby, and Nine American Film Critics: A Study of Theory and Practice, by Edward Murray.” Journal of the University Film Association. XXX:2 (Summer 1978), 27-9.

“Jazz Talk, by Robert S. Gold.” Journal of Popular Culture. X:2 (Fall 1976), 475-6.

“The Cubist Cinema, by Standish D. Lawder.” Quarterly Journal of Speech. 62:4 (December 1976), 440.

“The New Film Index: A Bibliography of Magazine Articles in English, 1930-1970, by Richard Dyer MacCann and Edward S. Perry.” Quarterly Journal of Speech. 62:3 (October 1976), 302.

“The Movies on Your Mind, by Harvey R. Greenberg.” Journal of Popular Film. V:1 (1976), 85.

“Television as a Social Force: New Approaches to TV Criticism, ed. by Douglas Cater and Richard Adler.” Journal of Broadcasting. 20:1 (1976), 135-7.

“Kuleshov on Film: Writings by Lev Kuleshov, trans. and ed. by Ronald Levaco.” Quarterly Journal of Speech. 61:4 (1975), 473-4.

“Stroheim: A Pictorial Record of His Nine Films, by Herman G. Weinberg.” Journal of Popular Film. IV:2 (1975), 186.

“Theories of Film, by Andrew Tudor.” Journal of Popular Film. IV:2 (1975), 180-1.

FILMS:

For Beth, 1985 (A Jazz Cine-Video Co-Directed/Produced with Ed Small). Winner of “Ozzi,” Best Music Video, 1985 Kansas Film Institute Film and Video Festival; Winner First Prize Music Video, Kansas 125th Anniversary Film and Video Festival, 1986; Screened at Numerous Jazz and Video Conferences)

Behind the Grand Door, 1981 (30-minute Documentary for the Kansas Committee on the Humanities; Director/Co-Writer/Co-Composer). Broadcast by Midwest PBS TV Stations; Screened at National Film and Architectural Preservation Meetings, and throughout Kansas.

ORIGINAL FILM SCORES:

Keep Your Trash, 1971 (30-minute Documentary on Martin Luther King and the Memphis Garbage Strike). Broadcast by PBS. Directed by Churchill Roberts.

Less Than Human, 1969 (30-minute Documentary for the Planned parenthood Association). Directed by Roger Doudna.

Jawhawks ‘67, 1967 (Football Hi-Lites Film for University of Kansas). Directed by Bruce Linton.

JAZZ RECORDING:

Blame It On the Music, 1988 (Featured Tenor Soloist with the Sherry Jones-Mike Ning Quintet).

ARTS AND ENTERTAINMENT JOURNALISM:

Liner Notes for Jazz Compact Discs:

“Luqman Hamza -- When a Smile Overtakes a Frown.” Catalyst Productions, CP052000. 2000. (Jazz Singer/Pianist Luqman Hamza with Tenor Saxophonist Willie Akins, Guitarist Will Matthews, Pianist Simon Rowe, Willem von Hombracht, and Drummer Montez Coleman)

“Phil DeGreg -- Whirl Away.” J Curve Records, JCR 1012. 2000. (Jazz Pianist Phil DeGreg with Tenor/Soprano Saxophonist , Guitarist Randy Johnson, Bassist Bob Bodley, and Drummer )

“Dave Santoro -- The Dave Santoro Standards Band, II.” Double-Time. DTRCD-165, 2000. (Jazz Bassist Dave Santoro with Tenor Saxophonist , Pianist Renato Chicco, and Drummer Tom Melito)

“Harry Skoler -- A Work of Heart.” Brownstone Recordings, BRCD 9905. 1999. (Clarinetist Harry Skoler, Pianist Donn Trenner, Guitarists Garrison Fewell and Joe Lano, Vibraphonist Rich Margolis, Robert Kimball and Brace Phillips, Drummers Tim Gilmore and John Abraham, and String Orchestra Conducted by Donn Trenner)

“ Trio -- Live at the Blue Note.” Half Note Records, HNR 4906. 1999. (Pianist Roberta Piket, with Bassist Harvie Swartz, Drummer Jeff Williams, and Alto Saxophonist John O’Gallagher)

“Dave Santoro -- The Dave Santoro Standards Band.” Double-Time Records, DTRCD-151. 1999. (Bassist Dave Santoro, with Tenor Saxophonist Jerry Bergonzi, Pianist Bruce Barth, and Drummer Tom Melito)

“Kelley Johnson -- Make Someone Happy.” Sapphire Records, 7611. 1998. (Vocalist Kelley Johnson, with Pianists and John Hansen, Bassist Larry Grenadier, Drummer , Alto Saxophonist Steve Wilson, Trumpeters and , Trombonist Mike Davis, and Guitarist Paul Meyers)

“David Morgenroth -- Radiance. Eskie Records, 0001. 1998. (Pianist David Morgenroth, Bassist , Drummer Jeff Brillinger and Saxophonist Chris Potter)

“Dick Watson -- Live From the Lighthouse: the Dick Watson Trio.” 1998. (Pianist Dick Watson, Bassist Steve Charlson, and Drummer Craig Wood)

“ -- Into the Sun.” , CCD-4761-2. 1997.

“David Liebman Group -- New Vista.” Arkadia Jazz, CD 71041. 1997. (Soprano-Tenor Saxophonist David Liebman, Guitarist , Keyboardist Phil Markowitz, Bassist Tony Marino, Drummer Jamey Haddad, Percussionists Cafe)

“ -- Children of the Night.” Double-Time Records, DTRCD-125. 1997. (Pianist Hal Galper, Tenor Saxophonist , Trumpeter Randy Brecker, Bassist , and Drummer Bob Moses)

“Keith Jarrett. Keith Jarrett: The Impulse Years, 1973-1974.” Impulse!, IMPD5-237. 1997.

“Lynne Arriale -- With Words Unspoken.” Digital Music Products, DMP CD-518, 1996. (Pianist Lynne Arriale, Bassist Drew Gress, and Drummer Steve Davis)

“Greg Marvin -- Wake Up-Call!” Planet X Productions, CD 007. 1996. (Tenor Saxophonist Greg Marvin, Flugelhornist , Pianist James Williams, Bassist , and Drummer Lewis Nash)

“Sergio Salvatore -- Always a Beginning.” , CCD-4704. 1996. (Pianist Sergio Salvatore, Bassist , and Drummer Peter Erskine)

“Dave Pietro -- Forgotten Dreams.” A Records, AL 73049. 1996. (Alto Saxophonist Dave Pietro, Pianist Kenny Werner, Guitarist , Bassist Dave Holland, and Drummer Bill Stewart)

“Tim Sessions -- And Another Thing . . .” Episode Records, ESP-1002-2. 1996. (Trombonist Tim Sessions, Trumpeter Randy Brecker, Pianist Ken Werner, Saxophonist Chris Potter, Bassist Tony Scherr, Guitarist Brad Schoeppach, and Drummer John Hollenbeck)

“Marian McPartland and -- Marian McPartland’s Jazz with Guest Kenny Burrell.” The Jazz Alliance, TJA-12021. 1955. (Jazz Compact Disc Release of Marian McPartland’s ““ Broadcast with Guitarist Kenny Burrell) “Jay Clayton & Fred Hersch -- Beautiful Love.” , SSC 1066D. 1995. (Vocalist Jay Clayton and Pianist Fred Hersch)

“Joe Roccisano Orchestra -- .” , LCD-1541-2. 1995. (Saxophonist/Composer/Arranger Joe Roccisano and His Orchestra: Saxophonists , Scott Robinson, and Jack Stuckey; Trumpeters Bob Millikan, Greg Gisbert and Tony Kadleck; Trombonists Jim Pugh and David Taylor; Pianist ; Bassist Doug Weiss; Percussionist John Kaye; Drummer )

“Jerry Hahn -- Time Changes.” , ENJ-9007 2. 1995. (Guitarist Jerry Hahn, Bassist Steve LaSpina, Drummer , Soprano Saxophonist David Liebman, and Pianists Phil Markowitz and Art Lande)

“ -- New York .” Reservoir Records, RSR CD 138. 1995. (Trombonist/ Composer/Arranger John Fedchock and his New York Big Band: Saxophonists , Jon Gordon, Rich Perry, and Scott Robinson; Trumpeters Tony Kadleck, Greg Gisbert, Barry Ries and ; Trombonist Keith O’Quinn, Clark Gayton and George Flynn; Pianist Joel Weiskoph; Bassist Lynn Seaton; Drummer Dave Ratajczak; and Percussionist Jerry Gonzalez)

“David Friesen Trio -- 1 * 2 * 3.” Burnside Records, BCD 0017-2, 1994. (Bassist David Friesen, Pianist Randy Porter, and Drummer Alan Jones)

“Jack Reilly -- Here’s What I Like!” Unichrom 1015. 1994. (Pianist Jack Reilly)

“John Goldsby -- Tale of the Fingers.” Concord Records, CCD-4632. 1994. (Bassist John Goldsby, Pianist Bill Mays, Alto Saxophonist Andy Fusco, and Drummer Terry Clarke)

“Per Lofgren Trio -- So Nice.” Per Lofgren Productions, PER 0694. 1994. (Guitarist Per Lofgren, Bassist Phil Flanigan, and Percussionist Robert Thomas)

“Jerry Weldon and Bobby Forrester -- Five By Five.” Cats Paw Records, CPD-2101. 1994. (Tenor Saxophonist Jerry Weldon, Hammond Organist Bobby Forrester, Guitarist John Hart, Drummer Clarence “Tootsie” Bean, and Percussionist Daniel Sadownick)

“Susannah McCorkle -- From Broadway to Bebop.” Concord Records, CCD-4615. 1994. (Vocalist Susannah McCorkle, Pianist , Bassist , Drummer Richard De Rosa, Guitarist , Trumpeter , Saxophonists Ken Peploswki and , and Trombonist Robert Trowers)

“Angela Hagenbach -- Come Fly With Me.” Amazon Records, ARCD 3913. 1994. (Vocalist Angela Hagenbach, Guitarist Danny Embrey, Pianists Russ Long and Joe Cartwright, Bassists Bob Bowman and Gerald Spaits, Bassists James Jeffley and Greg Whitfield, Drummers Ray DeMarchi, Todd Strait and Doug Auwarter, Percussionist Gary Helm, and Saxophonist/ Flutist Kim Park)

“Arthur Lipner -- The Magic Continues. . .” Palmetto Records, PM-2006. 1994. (Vibraphonist/Marimbaist Arthur Lipner, Saxophonists and Bruce Williamson, Guitarists Vic Juris and Glenn Alexander, Bassists Paul Adamy, Joel Rosenblatt, Jim Mola and Randy Landau, and Percussionists Vanderlei Perreira and Bob Ward )

“Kansas City Boulevard Big Band -- The Kansas City Boulevard Big Band.” Sea Breeze, SB- 2051. 1994. (Leader Michael McGraw; Trumpeters Jay Sollenberger, Al Pearson, Steve Malloy, Dave Aaberg, Rene Bernard and Chuck Tumlinson; Trombonists Greg Finch, Jim Cann, Matt Kern, Bruce Tychinski, Lindsey Williams, Norm Vagn and Lee Hill Kavanaugh; Pianists Wayne Hawkins, Paul Hofmann and Joe Cartwright; Bassists Tim Brewer, James Jeffley and Bob Bowman; Guitarist Danny Embrey; Drummers Todd Straight and Tom Morgan; and Vocalists Karrin Allyson and Kevin Mahogany)

“Bob Kindred -- Playin’ in the Yard.” JazzMania Records, JCD-6006. 1992. (Tenor Saxophonist Bob Kindred, Guitarist , Bassist , and Percussionist John Kaye)

“Blue Note Critics’ Choice.” , CDP 7 98291 2. 1992. (Berg’s Review of Organist Joey Calderazzo Featured)

“Hal Galper -- Redux 78.” Concord Jazz, CCD-4483. 1991. (Pianist Hal Galper, Tenor Saxophonist/Flutist Michael Brecker, Trumpeter/Flugelhornist Randy Brecker, Bassist Wayne Dockery, and Drummer Bob Moses)

“Art Pepper -- Art Pepper Quartet, Vol. 1, with the Trio.” Time Is Records, TI9805. 1991. (Alto Saxophonist Art Pepper, Drummer Sonny Clark, Bassist/Cellist Harry Babasin, and Drummer Bobby White)

“ -- Lee Ritenour Collection.” GRP Records, GRD-9645. 1991. (Guitarists Lee Ritenour, Jeff Miranov and ; Keyboardists Alan Broadbent, Dave Grusin, Russell Ferrante, Barnaby Finch and ; Bassists , Marcus Miller, , , Anthony Jackson, and John Patitucci; Drummers Carlos Vega, Buddy Williams, Omar Hakim, William Kennedy and ; Percussionists Paulinho Da Costa, Rubens Bassini and Alex Acuna; and Saxophonists Marc Russo, Ernie Watts and Larry Williams)

“Clarinet Summit -- In Concert at the Public Theatre, Volumes I/II.” , IN 1962 CD. 1991. (Clarinetists Alvin Batiste, John Carter, Jimmy Hamilton, and David Murray)

“Jim Mair -- 8th & Central.” JMP Productions, JMP-101. 1991. (Tenor Saxophonist Jim Mair, Trumpeter Carmell Jones, Keyboardists Everette DeVan, Frank Smith and Tim Whitmer, Guitarist Brian Harman, Bassists Bob Bowman and Milt Abel, Drummer Tommy Ruskin, Percussionist Chico Battaglia, Flugelhornist Pat Morrissey, Trombonist James Ball, and Vocalist Richard Ross)

“Fred Hersch Trio -- Heartsongs.” Sunnyside Records, SSC 1047D. 1990. (Pianist Fred Hersch, Bassist Mike Formanek, and Drummer Jeff Hirshfield)

“Greg Marvin -- Taking Off!.” , CDSJP 348. 1990. (Tenor Saxophonist Greg Marvin, Flugelhornist Tom Harrell, Pianist , Bassist Eric Von Essen, Drummer Sherman Ferguson, and Virbraphonist Joe Locke)

“Logren & Pace -- Collaboration in Jazz.” PME Associated, PLBP 0690. 1990. (Guitarist Per Lofgren and Bassist Bill Pace)

“Ted Rosenthal Trio -- New Tunes, New Traditions.” KEN Records, 30KEN-003. 1990. (Pianist Ted Rosenthal, Bassist , Drummer , and Trumpeter Tom Harrell)

“Lee Ritenour -- First Course.” Epic/Contemporary Jazz Masters, EK 46114. 1990. (Guitarist Lee Ritenour; Keyboardists Davie Grusin, Michael O’Martian, Larry Nash, Jerry Peters, Ian Underwood and Patrice Rushen; Bassists Bill Dickinson, Louis Johnson and ; Drummer ; Saxophonists , Ernie Watts, ; Trumpeter ; Trombonist ; Percussionist Jerry Steinholtz)

CONFERENCE AND OTHER PUBLIC PRESENTATIONS Conference and Other Scholarly Presentations (R=referred; I=Invited)

“Meltdown in the Oval Office: Apocalyptic Presidents in Dr. Strangelove and Fail Safe.” Images of American Presidents in Film and Television Conference. Westlake Village, CA. 11 November 2000. R

“The Forties Radio Hour,” a Presentation Prepared for “Remembering the 1940s.” Dwight D. Eisenhower Library Elderhostel. Abilene, KS. Dwight D. Eisenhower Library. 20 September 2000. I

“Theorizing Relationships Between Music and Film: A Reassessment and Expansion of Paolo Milano’s Music-Film Morphology. University Film and Video Association. Colorado Springs, CO. 16-19 August 2000. R

“In Quest of the Musically Authentic in Bertrand Tavernier’s ‘Round Midnight.” 22nd American Culture Association Conference. , LA. 19-22 April 2000. R

“Television: The Post-War Expansion of Television During the Truman Years,” a Presentation Prepared for “Media in the American Century” Series. Independence, MO. Harry S. Truman Library. 13 April 2000. I

“Matisse’s Jazz: Musings on Jazz, the Arts, and the American Experience,” a Presentation for KU Perspectives, in Conjunction with the Spencer Museum of Art and the Lied Center’s JazzTrain Project. Spencer Museum of Art. 12 April 2000. I

“The Influence of Silent Film Music on American Musical Taste: A Case Study, J.S. Zamecnik.” Society for Cinema Studies Conference. Chicago, IL. 12 March 2000. R

“: A Cinematic Survey.” The Great Plains Music & Dance Symposium. University of Nebraska. 9 April 1999. Lincoln, NE R

“Problematizing the Jazz Bio-Pic: Another Look at The Benny Goodman Story.” America Culture Association Conference. San Diego, CA. 2 April 1999. R

“Historical Lecture Series: Sarah Vaughan, The Devine One.” Kansas State University Jazz Festival. Manhattan, KS. 13 February 1999. (With Jazz Artists Carmen Branford, Dennis Wilson, and Kevin Mahogany -- Subsequently Broadcast on National Public Radio) I

“The Cinematization of Kansas City Jazz: In Quest of the Musically Authentic in ’s Bird and Robert Altman’s Kansas City.” Sonneck Society for American Music. Kansas City, MO. 18-22 February 1998. R

(Moderator-Respondent) “Creating Interactive Presentations for Teaching Jazz” with Andrew Edelstein. 25th Annual Conference of the International Association of Jazz Educators. New York, NY. 9 January 1998. (Session Devoted to Interactive Exhibits Designed for the Kansas City Jazz Museum) I

“Theorizing the Score: A Cognitive-Cultural Approach to the [Noam] Chomsky-[Leonard] Bernstein Connection.” University Film & Video Association. Oshkosh, WI. 6 August 1997. R

“The Making, Promotion, and Reception of Robert Altman’s Jazz Score for Kansas City.” American Culture Association. San Antonio, TX. 28 March 1997. R

“Rethinking Film Music: A Cognitive-Cultural Approach.” Society for Cinema Studies. New York, NY. 2 March 1995.

“Excavating Acoustic Reality: The Cinematic Sounds of Charlie Bird Parker.” Society for Cinema Studies. Iowa City, IA. 15 April 1989. R

“At The Cotton Club: ‘Round Midnight, with Bird: Contemporary Portrayals of the Jazz Life on Film.” American Culture Association. St. Louis, MO. 5 April 1989. R

(Moderator) “The Making of Bird” (with Lennie Niehaus, , Charles McPherson, Jon Faddis and Leonard Feather). National Association of Jazz Educators. San Diego, CA. 13 January 1989. I

(Commentator) “Asian American Documentary--Carved in Silence; Chinaman’s Choice; The Displaced View; Immigrant Story.” Third Asian American International Film Festival. Lawrence, KS. 1 December 1988. I

(Coordinator/ Lecturer/Musical Director) “: A Cine-Musical Celebration.” California State University-Los Angeles. 1-2 June 1988. I

“Music Meets the Movies: St Louis Blues.” American Culture Association. New Oreleans, LA. 23 March 1988. R

(Coordinator/Moderator) “Jazz-Video Film Series.” Stanford Jazz Workshop. Palo Alto, CA. 9-15 August 1987. I

“Departments in Trouble: What Can We Learn?--Ohio State University.” University Film and Video Association. Los Angeles, CA. 6 August 1987. I

(Respondent) “New Vision Video: Design and Marketing of Ambient and New Age Video.” University Film and Video Association. Los Angeles, CA. 6 August 1987. I

“News at Eleven: A Reflection on a Reflexive Probe in Which a Network Takes Issue with the Values of Its Affiliates.” Popular Culture Association. Montreal, Canada. 25 March 1987. R

“Composing Music for Film and Television: Popularity vs. Excellence: Interview with Composer .” National Association of Jazz Educators.” Atlanta, GA. 10 January 1986. I

“For Beth and Experimental Cine-Video.” University Film and Video Association. Los Angeles, CA. 10 August 1985. R

“When Media Collide: Radio Meets the Movies in the Big Broadcast Series.” University Film and Video Association. Los Angeles, CA. 8 August 1985. R

“Sex, Violence and Rock ‘n’ Roll: The Manipulation of Women in Music-Videos.” Speech Communication Association. Chicago, IL. 4 November 1984. R

“Visualizing Music: The Archaeology of Music Video.” Speech Communication Association. Chicago, IL. 2 November 1984. R

“The Day After: “Television Networks on Location, and State-Municipal Promotion.” University Film and Video Association. Harrisonburg, VA. 31 July 1987. R

“Music from the Movies.” University Film and Video Association. Denton, TX. August 1983. R

“Interactive Television.” Popular Culture Association. Wichita, KS. 23 April 1983. R

“Hitchcock’s Musical Imagery.” 10th Annual Oklahoma State University Filmathon. Stillwater, OK. 29 January 1983. I

“Jazz Film Resources: Using Films in the Classroom.” National Association of Jazz Educators. Kansas City, MO. 14 January 1983. R

“Jammin’ the Blues: Hollywood’s Portrayal of the Jazz World.” National Film Society. Los Angeles, CA. 24 October 1981. I

(University Lecture) “Functions of Film Music.” Southern Illinois University. Carbondale, IL. 29 April 1980.

(Presenter) “Screening: Behind the Grand Door” (Directed by Berg). University Film Association. Austin, TX. 10 August 1980. I

“Film Music Pedagogy: Strategies for Tracking the Score.” University Film Association. Austin, TX. 8 August 1980. R

(Moderator) “An Evening with David Raksin, Film Composer.” Oklahoma State University Filmathon. Stillwater, OK. 1 February 1980. I

(Moderator/Panelist) “The Art of Film Music.” Oklahoma State University Filmathon. Stillwater, OK. 2 February 1980. I

“Film Studies and the Visual Arts.” University Film Association. Ithaca, NY. 15 August 1979. R

“Screening the First World War: The Creel Committee’s Censorship of Newsreels.” University Film Association. Ithaca, NY. 14 August 1979. R

“Music from the Movies.” Presentation to the XIX International Congress and General Assembly of CILECT. Airlie, VA. 12 September 1978. I

(Moderator/Panelist) “Contemporary Music for Films” (with film composers David Raksin and Fred Steiner). University Film Association. Los Angeles, CA. 22 August 1978. I

“The Image of the Jazz Musician in Film.” Society for Cinema Studies.” Philadelphia, PA. 8 March 1978. R

“Visual Music: An Exploration of Films Based Upon Musical Principles.” Popular Culture Association. Baltimore, MD. 28 April 1977.

“Music on the Silent Set.” Popular Culture Association. Chicago, IL. 24 April 1976. R

“The Birth of a Nation and Music History.” Society for Cinema Studies. Burlington, VT. 22 April 1976. R

“The Impact of Music Modality in the Perception of Moving Images.” International Communication Association. Portland, OR. 14 April 1976. R

“Film Music: A Reassessment.” University Film Association. Rochester, NY. 18 August 1975. R

“The Human Voice and the Silent Cinema.” Society for Cinema Studies. New York, NY. 5 April 1975. R

Professional Associations:

Society for Cinema Studies University Film and Video Association American Society for Aesthetics American Culture Association Popular Culture Association Jazz Journalists Association National Association of Recording Arts and Sciences (NARAS) Phi Mu Alpha-Sinfonia American Federation of Musicians

Department of Theatre and Film Service:

*Chair, Department of Theatre and Film, 2004- present. *Associate Chair, Department of Theatre and Film (with administrative responsibilities in Film and Video), 1998-2004. *Chair. Film Faculty-Staff Committee, 1996-2004. *Coordinator of Film, 1977-95; 1997-98. *TH&F Executive Committee, since 1996. *TH&F Curriculum Committee, 2000-01. *Chair, Theatre History Search Committee, 2000-01 *Chair, Technical and Facilities Manager of Oldfather Studios Search Committee. 2000. *Chair. Search Committee. Film Production Faculty Position. 1999. *Chair Search Committee. Video Production/Latin American Faculty Position. 1999. *Search Committee. Chair of Department of Theater and Film. 1999. *Co-Organizer (with John Tibbetts), KU Film Symposium, since 1999-98.

College of Liberal Arts and Sciences Service: *CLASAB (College of Liberal Arts and Sciences Advisory Board). Since 1995. *Evaluator, General Research Grant Competition. Humanities Division. 2000-01. *Committee on the Budget (CBUD) 1997-8. *CBUD Subcommittee on Faculty Compensation for Summer Theses/Dissertations, 1998.

University Service: *University Council (1996-1998; 2000-2002). *Faculty Council (1996-1998; 2000-2002). *Organization and Administration Committee (O&A), 1997-1998. *Organization and Administration Subcommittee on Revisions to University Senate Code, 1998. *Academic Relations Committee (Division of Student Affairs). Appointed by David A. Ambler and Barbara Ballard. 2000-2002. *Organization & Administration Committee (Subcommittee of the Senate Executive Committee). 2000. *Faculty Evaluator, Undergraduate Research Awards Committee (Fine Arts Subcommittee). March 2000 *Master of Ceremonies, “ Tonight!” Sponsored by the Hall Center for the Humanities. Lied Center. 28 September 2000. *Faculty Exchange Visit, Film and Media Studies Program, Stirling University, Scotland. 27-31 May 1998. *“Analyzing Popular Culture.” A Faculty Mini-Course Sponsored by the Hall Center for the Humanities. February 1997. *School of Engineering Dean Review Committee, Spring 1997 *Organizer. “The American Cine-Century.” A Faculty Mini-Course Sponsored by the Hall Center for the Humanities. February 1996. *”Mapping a Discipline: The 100th Anniversary of the Motion Picture.” Presentation in “The American Cine-Century” Series, Hall Center for the Humanities. February 1996.

Community Service: *Pre-Performance Talk. “Jazz and Dance: An Introduction to the Lied Center’s Presentation of For Dancers Only with Wynton Marsalis and the Lincoln Center Jazz Orchestra.” Friends of the Lied Center. Adams Alumni Center. April 2000. *Master of Ceremonies, KU Jazz Festival. Lied Center. 2-4 March 2000. *Lecture. “Jazz in Film” (Part of the “Nuts & Bolts of Jazz Lecture Series,” a Program in the Lied Center’s JazzTrain Project for KU Continuing Education). Lawrence. 14 October 1999. *Panelist. Post-Screening Discussion of Kevin Brownlow’s Proto-Documentary Film, It Happened Here. Liberty Hall. Lawrence. 22 September 1999. *On-Air Guest (as Jazz Critic for Jazz Times, etc.). Annual Spring Fund Drive, KANU- FM. 20 April 1999. *Lecture-Screening. “American Pop Culture: Resisting the Hollywood Mainstream” (in conjunction with the exhibition, Decade of Transformation: American Art of the 1960s). Spencer Museum of Art. 17 February 1999. *Pre-Performance Talk. “The Mingus Big Band.” Lied Center Concert Series. Adams Alumni Center. 29 January 1999. *Pre-Performance Talk. “Latin American Jazz and Triangulo” (with Clarinetist Paquito D’Rivera, Cellist Gustavo , and Pianist Pablo Zinger). Lied Center Swarthout Chamber Music Series. Lied Center. 24 January 1999. *Lecture-Screening. The Documentary Film, : Triumph of the Underdog. Lied Center. 20 January 1999. *Introduction of a Screening of Fred Zinnemann’s 1955 Filmic Adaptation of Oklahoma! Lied Center. 16 November 1998. *Panelist. “The Musical Theatre.” A Salute to the American Musical Theatre: Celebrating Rodgers & Hammerstein. Borders Books and Music. 14 November 1998. *Pre-Performance Talk on the “Uptown String Quartet.” Presented by the KU School of Fine Arts and the Lied Center Swarthout Concert Series. Lied Center. 5 April 1998. *Pre-Performance Talk on “Tap Dogs.” Presented by the KU School of Fine Arts and the Lied Center Broadway & Beyond Series. Adams Alumni Center. 27 February 1998. *“Hollywood’s Western Myth.” Rotary Club. Lawrence, KS. 16 February 1998. *Pre-Performance Talk. “STOMP” (the Avant-Garde Tap Dance Group). Lied Center New Directions Series. Adams Alumni Center. 21 February 1997. *”The American Cine-Century.” KU Faculty Retirees Club. Adams Alumni Center. Fall 1996. *Pre-Performance Talk. “Carousel.” Lied Center Broadway Series. Adams Alumni Center. 5 February 1995.

State Service (Kansas and Missouri): *Presentation. “The Forties Radio Hour.” Dwight D. Eisenhower Library. Abiline, KS. 20 September 2000. *Moderator for Panel on Kansas City Jazz. Sponsored by NARAS (National Association of Recording Arts and Sciences). With , Neil Tesser, Brian Busby. Union Station, Kansas City, MO. August 2000. *Emcee for the Topeka Jazz Festival. Topeka Performing Arts Center. 27-29 May 2000. *Emcee for Concert by Jazz Pianist Luqman Hamza. Folly Theater. Kansas City, MO. 19 May 2000. *Producer/Host of “JazzTrain Film Festival.” Gem Theater, Kansas City, MO, 19 February 2000; Liberty Hall, Lawrence, KS, 26 February 2000. *Member at Large, The KAN Film Festival (since 2000). *Preliminary Judge, KANS Film Festival. 12 May 2000. *Lecture. “Jazz in Film.” Sponsored by the Lied Center’s JazzTrain Project. The Gem Theater. Kansas City, MO. 13 October 1999. *Guest (as an Authority on the Hollywood Western), Kansas Illustrated, Hosted by Tom Grimes. Channel 49, WTKA-TV (ABC), Topeka. 10:30-11:00am, 2 May 1999. *Master of Ceremonies. 1999 Young Artists of the Year Awards Program. Topeka Performing Arts Center. 2 May 1999. *Panelist. “Artist Marketing and Working with the Press” (with Kansas City Star Jazz Critic Lee Hill Kavanaugh and Jazz Singer Karrin Allyson.) Mid-America Jazz Arts Alliance Conference. Kansas City, MO. 14 March 1998. *“The Real Dizzy Gillespie: Historical Lecture Series with Chuck Berg and [Jazz Trumpeter] Jon Faddis.” Kansas State University Jazz Festival. Manhattan, KS. 14 February 1998 *Moderator. “Flute Workshop with Jazz Flautist Dave Valentin.” International Association of Jazz Educators. New York, NY. 9 January 1998. *Moderator. “Countdown to Giant Steps with the Andy LaVerne Quartet.” International Association of Jazz Educators. New York, NY. 8 January 1998. *Arts-in-Education/Artist-in-Residence Programs. Kansas Arts Commision. 1988-89. *Consultant. Kansas Committee for the Humanities. 1978-82.

National/International Service: *Elected to Two-Year Term (2000-2002) as Editorial Vice President, University Film and Video Association. *Associate Editor. Journal of Dramatic Theory and Criticism (since 1987). *Associate Editor. Journal of Popular Music and Society (since 1992). *Advisory Council. University Film Foundation (since 1977). *Contributor. Jazz Times (since 1980-2002). *Voting Member of National Association of Recording Arts and Sciences (NARAS), Sponsor of the Grammy Awards (since 2000). *Coordinator. “Video Resource Center” (A Screening Facility for Jazz Videos). International Association of Jazz Educators Convention (1988-2001). *External Referee for Promotion from Associate to Full Professor Case. Department of Radio, Television and Film. University of North Texas. 2000. *External Referee for Promotion from Associate to Full Professor. Department of Music. University of North Texas. 2000. *Moderator. “Composing Jazz Music for Film & TV” (with Michael Wolff, Pianist/Conductor, The Arsenio Hall Show) International Association of Jazz Educators. 1999. *External Referee for Promotion from Associate to Full Professor Case, Department of Communication, Northern Illinois University. 1998. *Introduction. Western Jazz Quartet with Guest Trumpeter, Randy Brecker. International Association of Jazz Educators. Chicago, IL. 11 January 1997. *American Judge. 1989 “Bird” Award. . Brussels, Belgium. 1989. *Chair. Screening Panel. American Film Festival. 1988. *Consultant. Nebraska Arts Commission. 1985-88. *Board of Directors. American Federation of Musicians, Local #512. 1981-88. *Secretary. University Film and Video Association. 1981-83. *Critic in Residence. Berlin Film Festival. Berlin, West Germany. 1979 *Midwest Regional Coordinator. FOCUS, National Competition for Student Filmmakers and Scholars. Sponsored by Nissan Motors, US Magazine and Universal Studios. 1978-82. *Coordinator. National Student Film Competition. Sponsored by the United States International Communication Agency and the University Film and Video Association. 1980. *Chair. “UFA/UFF International Student Film Exchange.” University Film Association. Austin TX. 8 August 1980. *Associate Editor. Journal of the University Film Association. 1978-82. *Contributing Editor. American Classic Screen. 1978-82. *Critic-in-Residence. Berlin Jazz Festival. Berlin, West Germany. 1977-79. *Board of Directors. University Film Association. 1977-79. *Program Chair. 30th Annual Conference of the University Film Association. Ames, IA. 17-22 August 1976.