Songwriting 20 Music Business
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Nombre Interprete Album Cantidad 1 Himno Nacional Costa Rica Sinfonica Nacional (CR) tbc 10073 2 Por Ultima Vez (Feat. Franco De Vita) Debi Nova Soy 7003 3 Hablame De Ti (Ft Ramses) Xiomara Ramses 6194 4 La Suavecita Erick Leon Y La Jungla TBC 4536 5 Noches Buenas Entrelineas Entrelineas feat Ale Mora 2146 6 Cumbia Del Revolcon Los Ajenos TBC 2104 7 Amor Del Bueno (Ft Stephany Herrera) Jecsinior Sencillo 1358 8 Te Lo Perdiste (Ft. Los Verduleros) Los Ajenos TBC 1305 9 Buen Reggae Toledo Stress Free 1297 10 Entonces Que Somos Korporacion TBC 1263 11 Cupido (Featuring Ce'Cile) Debi Nova Soy 1087 12 Playa, Montana Y Sol Gonin TBC 1027 13 Ave Maria (Schubert) Joaquin Yglesias Tierra 992 14 Hazme Olvidarlo Fernanda Rodriguez Por definir 964 15 Que Vas A Hacer Esta Noche Gaviota TBC 953 16 Homenaje A Hermanos Rosario Germain TBC 951 17 El Padre Nuestro Kayros TBC 938 18 No Es El Momento Giovanni Barrantes TBC 937 19 Ya No Te Lloro Mas (Feat Los Rabanes) Los Ajenos TBC 931 20 Solo Quiero Que Estes Bien Xiomara TBC 886 21 Esperare Tango India ¿donde Estas Si No Es Aqui? 868 22 Que Vengan Los Bomberos Maryzza TBC 813 23 25 Alphabetics ANIMAL PLANETS 775 24 Si Te Vas Los Hicsos TBC 759 25 Sereno Manantial TBC 723 26 Recuerdame Escats Para Quien Quiera Que Seas, Donde703 Quieras Que Estes 27 Un Cafe Para Platon Manantial TBC 698 28 El Idiota Los Ajenos TBC 684 29 Nuestra Voz Francisco Murillo TBC 676 30 Meren Mix De Germain Germain TBC 671 31 Resistire Azul Plata TBC 671 32 Me Voy Rina Vega TBC 669 33 La Mexicanita Tony Y Su Show Sencillo 668 34 -
Tc Electronic Ditto Looper Manual
Tc electronic ditto looper manual Continue In the Effects and Guitar Pedals section Description TC ELECTRONIC DITTO LOOPER: Most recently, in early 2013, the well-known company TC Electronic introduced a brand new and unique product, the TC ELECTRONIC DITTO LOOPER effects pedal. The effect pedal is presented in the new series of effects pedals Ditto Looper. The effect pedal itself is extremely simple, it is packed in a perfectly compact, metal body and is equipped with one button and one controller. TC Electronic is really proud of this compact device, which was developed on the principle of guitarists for guitarists, which means that the pedal device combines the best and most important for practicing musicians. The pedal is incredibly easy to use, has a great sound quality and a basic set of features and properties that will be appreciated by professional musicians. Also, the DITTO LOOPER effects pedal combines in its design and remarkable, modern design. The effect pedal allows you to superimpose recordings of a musical instrument on each other, and almost unlimited number of times. The effect pedal is up to five minutes. The functional features of the DITTO LOOPER looper pedal design are based on a completely new, modern approach to the creation process that puts the Ditto Looper at a completely new level compared to similar effects pedal models. The functionality of this device is quite wide, so the engineers of the manufacturer's company created this compact looper specifically for a wide scope The pedal can be used by guitarists, vocalists, drummers and other musicians who use the Loop effect in their work. -
The Latin Recording Academy® Latin Academy of Recording Arts & Sciences, Inc
The Latin Recording Academy® Latin Academy of Recording Arts & Sciences, Inc. www.latingrammy.com NEWS RELEASE NOMINEES MARC ANTHONY, RUBEN BLADES, CARLOS FRANZETTI, JUANES, AND CARLOS VIVES ARE THE LATEST PERFORMERS ANNOUNCED FOR MILESTONE 15TH ANNIVERSARY TELECAST 2014 LATIN RECORDING ACADEMY PERSON OF THE YEAR JOAN MANUEL SERRAT TO MAKE SPECIAL PERFORMANCE BEST NEW ARTIST NOMINEES ANEEKA, PABLO LOPEZ AND MARIANA VEGA ALSO ADDED TO THE STELLAR LINEUP FOR THE BIGGEST NIGHT IN LATIN MUSIC® Alessandra Ambrosio, Jaime Camil, Lila Downs, Debi Nova, Niña Pastori, Soledad Pastorutti, Carlos Pena Vega, and Maite Perroni are Confirmed to Present at Latin Music Industry's Premier Event, which will Air Live on the Univision Network Nov. 20 from the MGM Grand Garden Arena in Las Vegas MIAMI (Nov 6, 2014) — Current nominees and Latin GRAMMY® winners Marc Anthony and Carlos Vives will share the stage as they help The Latin Recording Academy® celebrate its milestone 15th anniversary. Also set to perform are Latin GRAMMY winners and current nominees Rubén Blades, Carlos Franzetti and Juanes as well as the 2014 Latin Recording Academy Person of the Year singer/songwriter Joan Manuel Serrat. In a special Best New Artist performance nominees Aneeka, Pablo López and Mariana Vega will take the stage together at the 15th Annual Latin GRAMMY AwardsTM (#LatinGRAMMY). Confirmed to present awards are current Latin GRAMMY nominees Lila Downs, Debi Nova, Niña Pastori and Soledad Pastorutti as well as super model/designer Alessandra Ambrosio, actor Jaime Camil, actor/musician Carlos PeñaVega, and actress/singer Maite Perroni. The Biggest Night in Latin Music® will take place Nov. -
The End of the Loudness War?
The End Of The Loudness War? By Hugh Robjohns As the nails are being hammered firmly into the coffin of competitive loudness processing, we consider the implications for those who make, mix and master music. In a surprising announcement made at last Autumn's AES convention in New York, the well-known American mastering engineer Bob Katz declared in a press release that "The loudness wars are over.” That's quite a provocative statement — but while the reality is probably not quite as straightforward as Katz would have us believe (especially outside the USA), there are good grounds to think he may be proved right over the next few years. In essence, the idea is that if all music is played back at the same perceived volume, there's no longer an incentive for mix or mastering engineers to compete in these 'loudness wars'. Katz's declaration of victory is rooted in the recent adoption by the audio and broadcast industries of a new standard measure of loudness and, more recently still, the inclusion of automatic loudness-normalisation facilities in both broadcast and consumer playback systems. In this article, I'll explain what the new standards entail, and explore what the practical implications of all this will be for the way artists, mixing and mastering engineers — from bedroom producers publishing their tracks online to full-time music-industry and broadcast professionals — create and shape music in the years to come. Some new technologies are involved and some new terminology too, so I'll also explore those elements, as well as suggesting ways of moving forward in the brave new world of loudness normalisation. -
The Sa-Ra Creative Partnerstm Nuclear Evolution: the Age of Love
UBIQUITY RECORDS PRESENTS THE SA-RA CREATIVE PARTNERSTM NUCLEAR EVOLUTION: THE AGE OF LOVE FOR INFORMATION AND SOUNDCLIPS OF OUR TITLES, GO TO WWW.UBIQUITYRECORDS.COM/PRESS STREET DATE: 06/09/2009 The SA-RA Creative Partners™ have dazzled & amazed with Andreas Stevens, aka Greyboy, born 1970, was the first artist to sign to Ubiquity. Freestylin’, his first full-length album, holds cult-status and is up-there with the label's all-time best sellers. Not bad for a record that cost less than $4000 to productions, collections, mixes and remixes and now, for the first time, make, and sold on an advertising budget of $0! He was a man in the right place at the right time. While the acid jazz with Nuclear Evolution: The Age of Love, they deliver a completely phenomenon was brewing in Europe in the early 1990s, Greyboy became the first American producer to mix new and original album. Built from scratch, it’s a truly coherent and instrumental hip-hop with jazz. His chunky beat-making sensibilities earned him praise from the European crowd, innovative body of work. Musical, adventurous, and even more evolved and his tracks were heard by crowds checking out DJs like UK-based Gilles Peterson, Marcus Wyatt (LA), and DJ Smash (NYC). "When I first started making beats, I was making hip-hop. Since I couldn't find MC's to work with, I than anything they’ve done before, Nuclear Evolution also shows a decided to try the jazz thing and lace my tracks with live instruments instead. -
Lista De Inscripciones Lista De Inscrições Entry List
LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos, -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
50 Years in Rock History
HISTORY AEROSMITH 50 YEARS IN ROCK PART THREE AEROSMITH 50 YEARS IN ROCK PART THREE 1995–1999 The year of 1995 is for AEROSMITH marked by AEROSMITH found themselves in a carousel the preparations of a new album, in which the of confusions, intrigues, great changes, drummer Joey Kramer did not participate in its termination of some collaboration, returns first phase. At that time, he was struggling with and new beginnings. They had already severe depressive states. After the death of his experienced all of it many times during their father, everything that had accumulated inside career before, but this time on a completely him throughout his life and could no longer be different level. The resumption of collaboration ignored, came to the surface. Unsuspecting and with their previous record company was an 2,000 miles away from the other members of encouragement and a guarantee of a better the band, he undergoes treatment. This was tomorrow for the band while facing unfavorable disrupted by the sudden news of recording circumstances. The change of record company the basics of a new album with a replacement was, of course, sweetened by a lucrative drummer. Longtime manager Tim Collins handled offer. Columbia / Sony valued AEROSMITH the situation in his way and tried to get rid of at $ 30 million and offered the musicians Joey Kramer without the band having any idea a contract that was certainly impossible about his actions. In general, he tried to keep the to reject. AEROSMITH returned under the musicians apart so that he had everything under wing of a record company that had stood total control. -
18LG Nominees English
Nominee_Export Latin Academy of Recording Arts & Sciences, Inc. List of Nominees for the 18th Annual Latin GRAMMY Awards Nominee Name Category #s Combined Category Names Ainhoa Ábaunz 41 Best Latin Children’s Album Alejandro Abeijón 4 Best New Artist Adam Abeshouse 42 Best Classical Album Julie Acosta 22 Best Ranchero/Mariachi Album Antonio Adolfo 31 Best Latin Jazz/Jazz Album Camilla Agerskov 47 Best Short Form Music Video Gilberto Aguado 48 Best Long Form Music Video Gustavo Aguado 17, 48 Best Contemporary Tropical Album, Best Long Form Music Video Leonardo Aguilar 25 Best Norteño Album Yuvisney Aguilar 28 Best Folk Album Yuvisney Aguilar & Afrocuban Jazz Quartet 28 Best Folk Album Cheche Alara 2 Album Of The Year Rubén Albarrán 13 Best Alternative Music Album Albita 18 Best Traditional Tropical Album Daniel Alvarez 10 Best Rock Album Diego Álvarez 48 Best Long Form Music Video Hildemaro Álvarez 42 Best Classical Album J Álvarez 8 Best Urban Music Album Oscar Álvarez 23 Best Banda Album Andrea Amador 11 Best Pop/Rock Album Vicente Amigo 30 Best Flamenco Album AnaVitória 34 Best Portuguese Language Contemporary Pop Album Julio Andrade 35 Best Portuguese Language Rock or Alternative Album Marc Anthony 41 Best Latin Children’s Album Page 1 Nominee_Export Gustavo Antuña 13 Best Alternative Music Album Eunice Aparicio 22 Best Ranchero/Mariachi Album The Arcade 2 Album Of The Year Rafael Arcaute 1, 2, 9, 14 Record Of The Year, Album Of The Year, Best Urban Song, Best Alternative Song Paula Arenas 4 Best New Artist Ricardo Arjona 3 Song Of -
Glen Ballard
GLEN BALLARD AWARDS/NOMINATIONS WORLD SOUNDTRACK NOMINATION “A Hero Comes Home” from BEOWULF (2008) shared with Alan Silvestri Best Original Song Written for Film GRAMMY AWARD (2005) “Believe” from THE POLAR EXPRESS Best Song Written for a Motion Picture shared with Alan Silvestri ACADEMY AWARD NOMINATION “Believe” from THE POLAR EXPRESS (2005) shared with Alan Silvestri Best Achievement in Music Written for Motion Pictures, Original Song GOLDEN GLOBE NOMINATION (2005) “Believe” from THE POLAR EXPRESS Best Original Song shared with Alan Silvestri BROADCAST FILM CRITICS CHOICE “Believe” from THE POLAR EXPRESS NOMINATION (2004) shared with Alan Silvestri Best Song GRAMMY AWARD, 1997 “Jagged Little Pill” - LIVE Best Music Video, Long Form Video Producer GRAMMY AWARD, 1995 “Jagged Little Pill” Best Rock Album (Songwriter) GRAMMY AWARD, 1995 “You Oughta Know” Best Rock Song co-written with Alanis Morissette GRAMMY AWARD, 1995 “Jagged Little Pill” Album of the Year (Producer) GRAMMY AWARD, 1990 "The Places You Find Love" Best Instrumental Arrangement from "Back On The Block" by Accompanying Vocal(s) Quincy Jones ASCAP POP AWARD, 2002 “The Space Between” (Writer & Publisher) TEC AWARD, 2002 “The Space Between” Record Production/ Single (Producer) ASCAP POP AWARD, 2000 “Thank You” (Writer & Publisher) TEC AWARDS, 1999 Outstanding Creative Achievement, Record Producer The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 GLEN BALLARD ASCAP POP AWARD, 1998 “Head Over Feet” (Writer & Publisher) NARAS’ 1997 GOVERNOR’S AWARD NATIONAL ACADEMY OF SONGWRITERS -
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The arcade got chatted with Jay will react to your music (lighter and do I do this to myself?" Popoff, the lead singer ofLit, Feb- pop-ier) compared to Kid's more a: What was it like to work with ruary 25, about lipstick, bruises, aggressive approach? Steven Tyler when he did back- dirty martinis, and Aerosmith. AP: We're excited for it. We're ground vocals for the track "Over arcade: What's ill a name? How always excited to start any tour, My Head:'? did yours come about? whether it's on our own or with AP: Honestly, it was one of the A. Jay Popoff: Honestly, it was someone else. And this is an arena coolest moments of our career. at the only one we could all agree on. tour, three days a week for a couple least mine. It was a total accident. Originally, our name was Stain (not of weeks, so we will be doing our We were on tour, so we were record- to be confused with Staind) and the own shows in between. We're get- ing in different places. One day, we name of our first album was Lit. But ting really tight with the new songs. just bumped into him. He's friends then we realized that Lit really It will be insane to play them inside with Glen Ballard. who produced described our energy that we had as an arena for the first time. l 'm stoked "Over my Head." We just showed a band and on stage, so we decided to tour with Kid. -
Homegrown Alanis Morissette Issue 61
REGULARS The biggest problem I encountered was spill see it as a huge modular synth that you can use from her headphones. She likes it loud. At one in whatever way you want. I love the sound point, I put on a second pair of headphones to of ProTools – I would much rather work with hear Alanis’ mix, and I almost leaped out of just a shtonking ’Tools rig and a good set of my chair. The thing is, when her monitor mix monitors, than a big console and lots of outboard in the ’phones was right, she sang beautifully gear. I think the sound is cleaner, tighter, and – we didn’t need to do heaps of takes. If the more accurate. I love the fact that the attack mix wasn’t right, she didn’t give the best transients are completely preserved. The creative performance. Early on, I worked out what she potential is massive – particularly what you Vital Stats likes – which is everything bloody loud, her can do with plug-ins and automation. We’d Name: Andy Page vocal even louder, and lots of reverb! never have done this album with a console and Occupation: Programmer/ hardware outboard processing. engineer in London JAGGED LITTLE SPILL Claim to fame: Worked with GH: How did you deal with the spill? GH: What are the secret weapons on a session producer Guy Sigsworth on like this? Alanis Morissette’s latest AP: The spill was fairly easy to deal with: I’d album Flavors of Entangle- put a low-pass filter on the output bus to reduce AP: Apart from ProTools, the other weapons ment and Bebel Gilberto’s were software.