Tc Electronic Ditto Looper Manual

Total Page:16

File Type:pdf, Size:1020Kb

Tc Electronic Ditto Looper Manual Tc electronic ditto looper manual Continue In the Effects and Guitar Pedals section Description TC ELECTRONIC DITTO LOOPER: Most recently, in early 2013, the well-known company TC Electronic introduced a brand new and unique product, the TC ELECTRONIC DITTO LOOPER effects pedal. The effect pedal is presented in the new series of effects pedals Ditto Looper. The effect pedal itself is extremely simple, it is packed in a perfectly compact, metal body and is equipped with one button and one controller. TC Electronic is really proud of this compact device, which was developed on the principle of guitarists for guitarists, which means that the pedal device combines the best and most important for practicing musicians. The pedal is incredibly easy to use, has a great sound quality and a basic set of features and properties that will be appreciated by professional musicians. Also, the DITTO LOOPER effects pedal combines in its design and remarkable, modern design. The effect pedal allows you to superimpose recordings of a musical instrument on each other, and almost unlimited number of times. The effect pedal is up to five minutes. The functional features of the DITTO LOOPER looper pedal design are based on a completely new, modern approach to the creation process that puts the Ditto Looper at a completely new level compared to similar effects pedal models. The functionality of this device is quite wide, so the engineers of the manufacturer's company created this compact looper specifically for a wide scope The pedal can be used by guitarists, vocalists, drummers and other musicians who use the Loop effect in their work. The presented model of looper has incredibly intuitive control, in addition to this, the pedal-looper takes up a minimum of space on the pedalboard guitarists and bass players. The pedal's featureset includes a clean bypass and a fully analog circuit (Analog Dry Through), allowing you to keep the beep in its original form. The electronics of the pedal has a zero delay in passing the signal, the time of recording of loops is up to 5 minutes. Processing the beep 24 (x)-bit, there are functions of cancellation and repetition of the last action, which is very convenient for building full-fledged musical compositions. It is amazing that in such a compact pedal you can record a beep almost unlimited number of times. This function of the effects pedal was developed as a result of a professional approach and reflection on exactly what should be the most ideal looper, and what functional features really are of high importance for practicing musicians during games and performances. The authentic, analog and modern Loop effect of the Looper effect has been used for quite some time and although this type of effect is less used than overload (overdrive), chorus or compressor, the looper effect is focused on active solo and concert performances by guitarists, bass players, keyboardists, DJs and many other musicians. Work and with the looper pedal it looks like this: by pressing the pedal button, the musicians play a piece of music or a riff, and then again pressing the device button, the music fragment begins to play in a circle. After that, you can over and over again superimpose musical fragments and musical phrases, playing them in the general mix. As a result of this functionality, musicians alone can perform several parts at once. The TC Electronic Ditto Looper supports many features, including recording and playback, as well as overlaying additional sound, undo, redo, and stop. The maximum duration of the written fragment or its components is as much as 5 minutes. The DITTO LOOPER Floor Pedal Ditto Looper is one of the most compact and easy to use in its class. So on the body of this compact pedal is only one metal footswitch button and one single volume control. The button has several functional meanings, and the Effect Level pen allows musicians to adjust the sound balance between the memory-playing loops (musical segments) and the sound signal currently playing from a guitar or other musical instrument. The looper interface is more than simple and intuitive. Developers of TC Electronic tried to hide from musicians all inconsequential and not playing special functionality controls, creating a pedal, with functionality even the most inexperienced musician can easily understand. Despite the fact that the Ditto Looper pedal is primarily positioned as an effects pedal for practicing guitarists, other musicians can use this pedal functionally and efficiently. It can be bass players, keyboardists, practicing DJs and musicians playing electronic music and many, many others. Due to its simplicity and functionality, the pedal is extremely easy to use and intuitive, in addition, the pedal is very attractive in price, has a modern look and incredibly compact design. The specifications of the effects pedal TC ELECTRONIC DITTO LOOPER Device type: effect pedal. Frequency of device sampling: 24-bit.Maximum recording time of the beep: up to 5 minutes of recording. The replay function (REDO) : there is.Indication : two-color, LED display. Loading and saving);- Entry for the power adapter.Power device: only through power adapter.Power adapter: 9V DC (not included Pedals : cold bypass (true bypass). Country-producer: THAILAND Review No.1 Dignity: Good sound, compact size, 5 minutes of recording, infinite number of takesUndest: Complete with looper does not go power supply. It's good to be a guitarist... They are very resilient and constantly developing class of instrumentalist musicians. The modern level of sounding samples in the studios has led to the fact that symphonic and brass bands are almost not invited to record, and the final track, recorded with the help of samples, almost nothing different from the recording of live musicians. Whether it's the guitarists, they are actively mastering new styles, new sound and perfectly fit into the modern music format. Currently, progress in the market of musical equipment is moving at such a speed that it is constantly necessary to monitor the new products and master new equipment. And again, the music company TC Electronic pleases musicians with its wonderful instruments and gadgets and again before us a unique guitar gadget, which will leave no one indifferent. In 2013, the company presented its unique development - guitar pedal looper Ditto Looper. Previously, TC Electronic did not produce such effects, but this gadget has won the attention of guitarists all over the world and for a reason. This review is dedicated to the first version of Ditto Looper, but the second extended version is released in parallel and you can see it in the review of TC Electronic Ditto looper X2. For those who are not in the subject will try how the lopper effect works. The effect itself is far from new and is very actively used in solo entry of guitarists, bass guitarists, DJs and vocalists around the world. The principle of work is something like this: click on the recording button and record a piece of music. The recorded audio track is then played in a circle while retaining the rhythm of the composition and on top of the first recording you can record an infinite number of sounds. This is very convenient if you perform solo and there is no accompanying composition. Many songs, especially in the format of pop music, are built on a repetitive sequence of chords and, having recorded it in the first take, you can play on top of solo inserts and significantly expand the palette of sounds and break out of the monotonous sound of one instrument. Such guitar looper have existed for a long time and are very popular with musicians. Immediately comes to mind the devices of the series Loop Station from boss, Digitech JamMan, and this effect is present in every professional guitar processor. It would seem that this niche in the market of musical equipment has long been occupied and the creation of new gadgets is commercially unjustified, but once again engineers TC Electronic break stereotypes in the thinking of musicians and amaze the capabilities of their products. I never really felt interested in looper gadgets and didn't understand their full potential until my friends lent me A TC Electronic Ditto Looper to read it to me. The first thing that struck me immediately was the size of the gadget. Compared to most guitar effects from TC Electronic, it is almost half as much, but as it turned out, its capabilities are almost Second, the minimum settings are only the button of the on/stop recording and the volume handle of the recorded music segment. Previously, such devices had the size of a standard guitar snout and required a place in the pedalboard, but the size of the ditto loop allows you to freely find it a place in any pedalboard ... In fact, it is hard to believe that such features are available in such a compact size. Thirdly, it is the amazing sound quality of the recorded audio track - no compression and loss of quality, what was recorded, exactly the same sounds. And finally, it's a record time of five minutes!!! Practically the accompaniment of an entire musical composition can be recorded without loss of quality and the number of overlays of sounds is limitless. It really amazes and opens up great opportunities for performance and variety of sound. After the power outage, the TC Electronic Ditto Looper recorded audio track is not erased, but stored in the memory of the app. In the future, coming to a new concert venue you can play under the previously recorded successful loop. Above the TC Electronic Ditto Looper power socket is USB, which serves to update the firmware with your computer.
Recommended publications
  • The End of the Loudness War?
    The End Of The Loudness War? By Hugh Robjohns As the nails are being hammered firmly into the coffin of competitive loudness processing, we consider the implications for those who make, mix and master music. In a surprising announcement made at last Autumn's AES convention in New York, the well-known American mastering engineer Bob Katz declared in a press release that "The loudness wars are over.” That's quite a provocative statement — but while the reality is probably not quite as straightforward as Katz would have us believe (especially outside the USA), there are good grounds to think he may be proved right over the next few years. In essence, the idea is that if all music is played back at the same perceived volume, there's no longer an incentive for mix or mastering engineers to compete in these 'loudness wars'. Katz's declaration of victory is rooted in the recent adoption by the audio and broadcast industries of a new standard measure of loudness and, more recently still, the inclusion of automatic loudness-normalisation facilities in both broadcast and consumer playback systems. In this article, I'll explain what the new standards entail, and explore what the practical implications of all this will be for the way artists, mixing and mastering engineers — from bedroom producers publishing their tracks online to full-time music-industry and broadcast professionals — create and shape music in the years to come. Some new technologies are involved and some new terminology too, so I'll also explore those elements, as well as suggesting ways of moving forward in the brave new world of loudness normalisation.
    [Show full text]
  • Tc Computer Recording
    TC_Computer_R_Brochure'03 23/05/03 15:48 Side 1 TC COMPUTER RECORDING PowerCore FireWire PowerCore PCI Spark XL Native Bundle Spring 2003 TC_Computer_R_Brochure'03 23/05/03 15:48 Side 2 PRODUCT OVERVIEW POWERCORE POWERCORE PLATFORM PAGE 04-06 POWERCORE FIREWIRE POWERCORE Serious processing power wherever you are: Virtual Multi FX Processor at home on a desktop or even when travelling with The DSP-Turbo for Native Audio just a laptop computer. Workstations supporting VST and MAS NEW INCLUDED PLUG-INS PAGE 07-10 EQSAT CUSTOM MASTER X3 24/7•C LIMITING AMPLIFIER NEW CLASSIC VERB VINTAGE CL 01 SYNTHESIZER MEGA REVERB VOICE STRIP CHORUS•DELAY OPTIONAL PLUG-INS PAGE 11-15 MASTER X5 WALDORF D-CODER SONY OXFORD INTONATOR (UPGRADE FROM MASTER X3) DYNAMICS NEW NEW ASSIMILATOR SONY OXFORD EQS DSOUND VL2 SURROUND VERB SONY OXFORD VOICEMODELER INFLATOR NEW NATIVE SOFTWARE SPARK LINE PAGE 16-17 NATIVE PLUG-INS (VST / MAS) PAGE 18-19 SPARK XL 2.8 NATIVE BUNDLE 3.0 6 HI-END PROCESSING TOOLS THE REALTIME DIGITAL • COMPRESSOR·DEESSER AUDIO EDITOR FOR MAC OS • NATIVE REVERB PLUS WITH AUDIO RESTORATION • LIMITER • GRAPHIC EQ • PARAMETRIC EQ •FILTRATOR NEW © BY TC WORKS SOFT & HARDWARE GMBH 2002. ALL PRODUCT AND COMPANY NAMES ARE TRADEMARKS OF THEIR RESPECTIVE OWNERS. ALL SPECIFICATIONS SUBJECT TO CHANGE WITHOUT NOTICE. ALL RIGHTS RESERVED. SPRING2003 3 TC_Computer_R_Brochure'03 23/05/03 15:49 Side 4 POWERCORE MAC & PC VERSION 1.7 POWERCORE MAC & PC VERSION 1.7 POWERCORE PLATFORM SERIOUS POWER FOR NATIVE WORKSTATIONS COMPLETE INTEGRATION POWERFUL TOOLS All production tasks have moved into the computer these days – from MIDI and audio recording to mixing, Nine studio-quality virtual TC processors are included with PowerCore right out of the box.
    [Show full text]
  • Tc Electronic Master X HD Native / Master X HD-DT
    User Manual MASTER X HD NATIVE / MASTER X HD-DT Multiband Dynamics Processor Plug-In with Optional Hardware Desktop Controller V 1.0 2 MASTER X HD User Manual Table of Contents Important Safety Instructions ...................................... 3 6. Navigating the MASTER X HD Desktop Controller (optional)....................................................................... 17 Legal Disclaimer ............................................................. 3 7. Dynamics Processing In-Depth .............................. 18 Limited warranty ............................................................ 3 7.1 Compressor ......................................................................... 18 1. Introduction ............................................................... 4 7.2 Limiter ................................................................................... 19 2. Plug-in Installation .................................................... 4 7.3 Gate/Expander ................................................................... 19 2.1 Installation on a PC ............................................................. 4 7.4 Modern Mastering, Loudness and .................................. 2.2 Installation on a Mac ......................................................... 5 True-Peaks ...................................................................................20 3. Activate your MASTER X HD ...................................... 8. Presets ......................................................................22 iLok license ....................................................................
    [Show full text]
  • Brickwall Limiter
    TC Support Interactive The TC Support Interactive website www.tcsupport.tc is designed as an online support and information center. At the site you can find answers to specific questions regard- ing TC software and hardware. All known issues are stored in a database searchable by product, category, keywords, or phrases. Under the section "My Stuff" you can login to check the status of your questions, download materials such as product manuals, soft- ware updates and new presets. This site has been specifically designed to meet the needs of our users. We constantly update the database and you will find the site to be a huge resource of information. Browse through Q&A's and discover new aspects of your TC product. If you can't find an answer online, you have the option of submitting a question to our technical support staff who will then reply to you by e-mail. The TC Support Team is on constant alert to help you in any way they can. Contact Details Alternatively, you may contact the TC Electronic distributor in your area, or write to: TC ELECTRONIC A/S Customer Support Sindalsvej 34 Risskov DK-8240 Denmark USA: TC Electronic, Inc. 5706 Corsa Avenue, Suite 107 Westlake Village, CA 91362 H www.tcelectronic.com S I L © BY TC ELECTRONIC A/S 2006. ALL PRODUCT AND COMPANY NAMES ARE G TRADEMARKS OF THEIR RESPECTIVE OWNERS. ALL SPECIFICATIONS SUBJECT N E TO CHANGE WITHOUT NOTICE.ALL RIGHTS RESERVED. TC ELECTRONIC IS A TC GROUP COMPANY. TABLE OF CONTENTS TABLE OF CONTENTS . .1 INTRODUCTION TO MD3 Stereo Mastering Package .
    [Show full text]
  • TC Electronic Price List 02/2010 Effective February 25Th, 2010 Net Price List PROFESSIONAL USER Subject to Change Without Prior Notice
    TC-Electronics Page 1 TC Electronic Price List 02/2010 Effective February 25th, 2010 Net Price List PROFESSIONAL USER Subject to change without prior notice. ALL PRICES AND SPECIFICATIONS SUBJECT TO CHANGE WITHOUT NOTICE All former price lists expire with the publishing of this version. All prices are suggested net retail prices; ex works. There are applicable our General Terms of Business, only. Pro-Sound & Lighting Solutions www.pro-technica.com buy online on: www.musicworld.bg 1,20 EUR Items marked * will be discontinued soon! EUR EUR ECPBR Model Description Netto + 20% DDS (ex. VAT) (incl. VAT) Guitar Processing - MI Guitar TUNER stompbox tuner, chromatic, 435Hz to 445Hz, true bybass, you simply strum all strings on your guitar or bass at once and it will YHYNB 9800011 EUR POLYTUNE immediately tell you which strings need tuning, incl. battery 75,00 90,00 Guitar Multi Effects Processors YHYNB 9800011 G-System Ultimate Guitar Controller + Multi Effects Processor 1.189,00 1.427,00 EUR Floor-based effect processor for electric guitar. High quality TC effects including built-in programmable analog overdrive and YHYNB 9520000 EUR Nova System distortion under preset and expression control. 401,00 481,00 Digital stereo delay pedal with 9 user presets, 6 delay types incl. Dynamic and reverse YHYNB 9520000 ND-1 Nova Delay delay. Tape - Analog - Digital delay styles, modulation on all delay types and styles, tap 200,00 240,00 EUR tempo and audio tapping. Digital stereo reverb pedal with two switchable settings, 5 different reverb types with 18 subtypes and DynaMix - Dynamic YHYNB 9520000 EUR NR-1 Nova Reverb Reverb.
    [Show full text]
  • Computer Recording
    WINTER 2008 / ENGLISH Computer Recording Hardware Studio Konnekt 48 Digital Konnekt x32 Konnekt 24D and Konnekt 8 Konnekt Live PowerCore Firewire PowerCore PCI mkII PowerCore Express PowerCore Compact Plug-ins DVR2 Digital Vintage Reverb NonLin2 Stereo Effects Reverb MD3 Stereo Mastering UnWrap Stereo to 5.1 VSS3 Stereo Source Reverb Sony Oxford Dynamics Sony Oxford EQ’s Sony Oxford Inflator Sony Oxford Limiter Sony Oxford TransMod Assimilator Dynamic EQ Audiffex VL2 Fabrik C Fabrik R Tube-Tech CL 1B Harmony4 Intonator HS Master X3 Master X5 Virus | PowerCore VoiceDoubler VoiceModeler V-Station | PowerCore TC Thirty Restoration Suite Contents TC Computer Recording StudioKonnekt 48 ................................................................. 4 The TC Electronic computer recording product line features a complete palette of tools that enable you to give your music the Hardware DigitalKonnekt x32 ............................................... ................ 5 best treatment possible within the computer recording realm. Start recording with the award-winning Konnekt audio interfaces that enable you to record and mix your music at premium quality. Add powerful DSP processing from the PowerCore which Konnekt Live ......................................................................... 6 offloads your computer’s CPU, and finalize with high-end plug-ins for the very best in processing for your preferred audio work- Konnekt 24D ......................................................................... 6 station. Providing the best processing
    [Show full text]
  • Effects and Justification of Loudness War in Commercial Music
    EFFECTS AND JUSTIFICATION OF LOUDNESS WAR IN COMMERCIAL MUSIC Anssi Tenhunen Master’s Thesis Music, Mind and Technology Department of Music 22 April 2016 University of Jyväskylä Tiedekunta – Faculty Laitos – Department Humanities Music Department Tekijä – Author ANSSI TENHUNEN Työn nimi – Title EFFECTS AND JUSTIFICATION OF LOUDNESS WAR IN COMMERCIAL MUSIC Oppiaine – Subject Työn laji – Level Music, Mind & Technology Master’s Thesis Aika – Month and year Sivumäärä – Number of pages APRIL 2016 26 or 35 with References and Appendices Tiivistelmä – Abstract Loudness has been proven and acknowledged to be one of the easiest ways to convey something feeling “better”, and thus it has been frequently used technique in sound playback and recordings. However, with the invention of digital recording and playback mediums such as the CD, the limit of how loud sound can go has been met, but music is still being pushed to the limits and even further which can cause audible distortion, which often is viewed as unpleasant. This study tries to find out what is the threshold of acceptable loudness vs unpleasant loudness. A test was conducted where 25 test subjects were played 100 clips of volume matched clips of the same recording with different sort of tonal and dynamic range processing. Results showed that equalizer was perceived and disliked when compared to the unprocessed clip in linear fashion to the amount of processing, and participants either did not hear a difference or had more tolerance to limiters, but after a clear threshold point the results jumped to similar linear results. Thus using a limiter does give the mastering process and in that sense, the loudness war, a significant advantage when trying to achieve loudness until you reach the audible point of distortion.
    [Show full text]
  • User's Manual
    USER’S MANUAL IMPORTANT SAFETY INSTRUCTIONS The lightning flash with an arrowhead The exclamation point within an symbol within an equilateral triangle, is equilateral triangle is intended to alert intended to alert the user to the the user to the presence of important presence of uninsulated "dangerous volt- operating and maintenance (servicing) age" within the product's enclosure that may be of instructions in the literature accompanying the sufficient magnitude to constitute a risk of product. electric shock to persons. 1 Read these instructions. Warning! 2 Keep these instructions. • To reduce the risk of fire or electric shock, do 3 Heed all warnings. not expose this apparatus to rain or moisture 4 Follow all instructions. and objects filled with liquids, such as vases, 5 Do not use this apparatus near water. should not be placed on this apparatus. 6 Clean only with dry cloth. • This apparatus must be earthed. 7 Do not block any ventilation openings. • Use a three wire grounding type line cord Install in accordance with the like the one supplied with the product. manufacturer's instructions. • Be advised that different operating voltages 8 Do not install near any heat sources such as radiators, heat registers, stoves, or other require the use of differ ent types of line apparatus (including amplifiers) that cord and attachment plugs. produce heat. • Check the voltage in your area and use the 9 Do not defeat the safety purpose of the correct type. See table below: polarized or grounding-type plug. A polarized plug has two blades with one wider than the other.
    [Show full text]
  • Pro Tools Mastering Limiter Shootout: Part 2
    feature pro tools Choosing A Limiter Pro Tools Mastering Limiter Shootout: Part 2 Mike Thornton We follow up our comprehensive round-up of mastering limiter plug-ins for Pro Tools with a look at ince we published our shootout of mastering limiters for Pro Tools in the hot new products from three further manufacturers. S May 2006 issue, PT users have seen two new mastering limiter plug-ins released except that it has a graph section added into meters always upsample to make sure from TC Electronic and Massey Labs. We’ve the window. This shows a very inter-sample peaks are detected and also had several letters pointing out that the comprehensive dither and noise-shaping measured — the meter scale goes beyond original roundup didn’t include Wave Arts’ section with a good selection of 0dBFS to +3dBFS so you know you are popular Final Plug or Multi Dynamics, so in noise-shaping curves to suit the different going right over. TC Electronic boast that this month’s Pro Tools workshop, we’re sample rates and bit depths. It has a feature Brickwall Limiter is bit-transparent below going to run a ‘take two’ shootout where you can turn off the dither noise with its threshold, and there is a green light next comparing all these limiters. In the interests a Mute button, allowing you to compare the to the Threshold control which lights to of fair play all round, I’ll be using the same undithered sound with the dithered output. show when it is operating in bit-transparent comparison procedure and the same test Final Plug also includes a range of presets mode.
    [Show full text]
  • DBMAX Manual.Qxd
    English USERS MANUAL DBMAX - V 2 DIGITAL BROADCAST MAXIMIZER TABLE OF CONTENTS INTRODUCTION Tools Table of contents . 3 Flow. 40 Quick Start Guide . 4 Surround Meter . 40 Introduction . 5 Peak-Hold Meter . 41 Front Panel . 6 Phase Meter. 41 Rear Panel . 8 Digital I/O. 42 Signal flow diagram . 9 Calibration Tone . 42 DBMAX setup . 10 Utility . 44 Reset page . 46 BASIC OPERATION The WIZARD . 47 Reference Levels. 12 Reference Levels Illustration . 14 Recall . 15 APPENDIX Store - Delete and Preset Names. 16 Trouble Shooting . 48 Self test . 49 MAIN PAGE Technical specifications . 50 Tutorial . 51 Input . 18 Glossary . 53 Inserts Note . 54 AGC. 22 Soldering instructions. 55 Parametric EQ . 22 Preset list . 57 90 deg. mono. 22 Optional Master Fader . 59 Dynamic Equalizer . 24 Stereo Enhance . 24 Normalizer . 26 MS Decoding . 26 MS Encoding . 26 Expander . 28 Compressor . 30 Limiter . 34 Inserts - Post Dynamic Transmission Limiter. 36 Production Limiter . 36 Output Dither. 38 Fade . 38 TC Electronic, Sindalsvej 34, DK-8240 Risskov - [email protected] Rev 2 - SW - V 2.02 3 QUICK START We recommend you read the entire manual before using the DBMAX, but if you’re anxious to get started we suggest you take the following steps in the described sequence. 1 Connect analog and/or digital I/O and power to the unit. 6. Press the OK key. Play some program material and leave The DBMAX will adapt to the power being used in your the Wizard working while you are playing a soft part and a area without you having to select a voltage. loud part of the type of signal the DBMAX will be processing.
    [Show full text]
  • AES DAILY Day1 Edition Serving the 131St AES Convention 3
    day one edition | map and exhibitor listings begin on page 20 day1 From the editors of Pro Sound News & Pro Audio Review friday edition the AES SERVING THE 131STDA AES CONVENTION • october 20-23, I 2011 jacob k. LY javits convention center new york, ny Tutorials Top Dr. Limb Delivers Stirring Keynote Thursday Fare By Steve Harvey This year’s Keynote address by Dr. By Strother Bullins Charles Limb, a hearing specialist and Demonstrating the broad range a musician, not only offered insight into of tutorial topics at the 131st AES the workings of the ear and the brain Convention, two Thursday tutori- but also a plea to audio engineers to als provocatively stirred emotions help rehabilitate patients with cochlear amongst early attendees. Michael implants. D. Griffin of Essential Sound Prod- Hearing is the only sense that ucts (ESP) presented “After-Market can be at least partially restored, Power Cords: ‘Snake Oil’ or Legiti- observed Limb, noting that mate Audio Accessory?” followed 200,000 people worldwide have by Schuyler Quackenbush of Audio undergone surgery for cochlear Research Labs and Thomas Spor- implants. Yet the operation is er of Fraunhofer with “MP3 Can only part of the process; without Sound Good.” training, patients are unlikely to Griffin began his tutorial by truly perceive music in the same stating after-market IEC cables do way as speech. comprise a category of “controver- People with implants can sial products” in the audio indus- recover their language skills, but try, but went on to present audio musical pitch perception can be examples to support the use of his off by as much as two octaves, own ESP Music Cord in audio pro- for example.
    [Show full text]
  • OASYS: the Ultimate All-In-One Music Studio
    Spring 2005 Issue | Vol. 62 S weetNotes (800) 222-4700 • www.sweetwater.com Making music happen for over 25 years! INSIDE OASYS: The Ultimate THIS ISSUE: Korg OASYS ................................ 1 Ibanez Guitars .............................. 1 PreSonus FIREBOX ........................ 2 All-in-One Music Studio Digidesign VENUE ......................... 3 Total musical fulfi llment. Isn’t that what we’re all after? And though technology has brought us powerful tools, we became musicians MOTU Symphonic Instrument ............ 4 to make music fi rst and foremost. That’s exactly where the phenomenal Korg OASYS comes in. It places an all-in-one music studio Access Virus TI .............................4 at your fi ngertips. Imagine being able to remain at your keyboard while you compose a song, work out and record the ideal vocal Pro Tools Clinic .......................... 4 track, add a killer guitar solo to the chorus, mix and edit audio and MIDI with the fl exibility only computer DAWs used to offer, and Eventide Anthology ....................... 6 even master and burn a CD. With OASYS you don’t need a computer, outboard effects, a recorder… it handles all the details for you. M-Audio Black Box ............................. 6 No other workstation offers such total integration of the creative and recording processes! Sony Oxford bundles .. ...................... 8 From OASYS’s huge 10.4˝ TouchView display you have fi ngertip control of three distinct and powerful synth engines, amazing multi- Studio Tips/Tricks ..........................9 effects processors, a new generation of KARMA technology, and classic Korg Wave Sequencing and Vector Synthesis control. Plus, TC Electronic VSS3 ....................... 9 OASYS packs a full-blown 16-track hard disk audio recorder that’s completely integrated with its MIDI sequencer! From concept to Dynaudio BM5A ...........................10 fi nished product, it’s all in OASYS.
    [Show full text]