O-Week 2013! Wheth- to the Kopy Stop That I Found the Crew I Ment Skill Share
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Brisbane Comedy Festival Returns in 2020
MEDIA RELEASE Tuesday 26 November 2019 BRISBANE COMEDY FESTIVAL RETURNS IN 2020 Brisbane Comedy Festival enters its second big decade in 2020, playing in more venues, welcoming more international stars, promoting more local talent and bringing more laughs than ever before. A highlight of the international comedy calendar, Brisbane Comedy Festival 2020 returns for its 11th year with a bumper line-up of 85 acts playing in 14 performance spaces across five Brisbane venues from 21 February to 22 March, 2020. Brisbane Powerhouse is comedy central, hosting performances and gigs across its iconic New Farm space – from its rooftop to its storeroom – with Brisbane City Hall and Newstead Brewing Co again throwing open their doors to entertainers. Joining the fold for the first time are two new Fortitude Valley venues: the old-world charm of The Tivoli and the shiny newness of Fortitude Music Hall. The month-long festival of fun and frivolity begins with the popular Brisbane Comedy Festival Opening Gala, hosted by a soon-to-be-revealed act who will attempt to corral the comedic chaos of more than 9 comedians at Brisbane City Hall on Friday 21 February. The festival again shines the spotlight on top Queensland talent including Mel Buttle, Steph Tisdell, Becky Lucas and Matt Okine; local collectives Act/React, Brisburned and Politics in the Pub; and the dazzling return of a ‘90s icon – Agro with Jamie Dunn. Grin, giggle and guffaw with a slate of national comedy heavyweights such as Dave Hughes, Peter Helliar, Fiona O’Loughlin, Nazeem Hussein, Frank Woodley, Sammy J and the duo we never knew we needed: Paul McDermott and Steven Gates. -
Diversity & Inclusion Annual Report 2019-20
AUSTRALIAN BROADCASTING CORPORATION CORPORATION BROADCASTING AUSTRALIAN DIVERSITY ANNUAL REPORT & INCLUSION 2019-2020 DIVERSITY & INCLUSION Annual Report 2019-2020 Contents Planning and reporting context 4 About the ABC’s diversity and inclusion program 6 The year in review 12 Engaging with diverse audiences 18 Entertainment highlights 24 Celebrating events and significant days 30 Performance 36 Gender 36 Disability 42 Aboriginal & Torres Strait Islander Australians 48 Cultural and linguistic diversity 54 LGBTQI+ 60 The ABC acknowledges the Traditional Custodians of the lands where we live, learn and work. The ABC pays respects to Aboriginal and Torres Strait Islander Elders past, present and emerging. Cover: Deborah Mailman in Total Control. Right: The cast of Hardball. The ABC acknowledges the Traditional Custodians of the lands where we live, learn and work. The ABC pays respects to Aboriginal and Torres Strait Islander Elders past, present and emerging. 3 Planning and reporting context 4 The Australian Broadcasting Corporation (ABC) is Australia’s national public broadcaster and was established as a statutory corporation under the Australian Broadcasting Corporation Act 1983 (The ABC Act). The ABC Act, which includes the ABC Charter, sets out the functions and duties of the Corporation. The Charter requires the Corporation to provide content that contributes to a sense of national identity, reflects the cultural diversity of the Australian community and takes account of the multicultural character of the Australian community. As a Commonwealth authority employer, the ABC is bound by the provisions of the Equal Employment Opportunity (Commonwealth Authorities) Act 1987 (EEO Act), the Racial Discrimination Act 1975, the Sex Discrimination Act 1984, the Australian Human Rights Commission Act 1986, the Disability Discrimination Act 1992, the Age Discrimination Act 2004 and the Fair Work Act 2009. -
Issue 16 AUGUST 17Th 2011
HONI SOIT Issue 16 AUGUST 17th 2011 12-10pm The revue madness continues with THE ARTS REVUE OR HOW WE LEARNT TO LOVE AGAIN and, from the law faculty, THE SOCIALLY AWKWARD NETWORK opening tonight. Head to the Seymour Centre for two great shows! Arts is on til Fri, Law til Sat. Get in quick! $12-23. 7.30PM If you want to get your comedy fix off campus, WED then get down to the Comedy Store at Moore Park for a very special show, STAND UP FOR THE HOPE OF CAMBODIAN CHILDREN. Featuring P52’s own Michael Hing, as well as a host of local talent, the show will raise $$ for children in need. $25 17th 3-5PM And joining the party, THE ED REVUE, GLADIATAR.. $12- 18, also at the Seymour. Go! Enjoy! These people will one day be responsible for our kids! 7PM-9AM One of Humanitarian Week’s highlights is the annual YOUNG VINNIES SLEEP OUT. Camp out on Gadigal Green tonight and experience what homelessness can feel like. With inspiring speakers and talented musicians on hand to educate and entertain, PICK OF it’s sure to be a fulfilling night. Make some likeminded friends! THE WEEK Register at the ACCESS Desk. $5/15, dinner and b/fast provided. • 5pm-8pm After a week of enlightenment, share the love at the Humanitarian Week WRAP UP PARTY. Bevvies, pizza, • hypnotic interactive lightshows from Punk Monk Propaganda. HUG EVERYONE is our only request. FREE. 8pm Those ironic enough to fork out over 100 nuggets for a ticket to WINTERBEATZ should don their gold Diva hoops and hi- tops to break it down with 50 Cent and G Unit, Mario, Lil Kim and FRI Fabolous at Sydney Ent Cent. -
Week Three Semester Two 2013
l week three semester two 2013 Look below the surface honi soit honi UniGate is back pg 4 What’s getting a Brazilian like? pg 7 Daily Telegraph, calm your farm pg10 It’s a nice day for a Chinese wedding pg 11 R Kelly is a Goddamn genius pg 14 DISCONTENTS Glasnost and Sydney University When you reflect on the University of industry and you find the thousands of badly needs. When you consider the UNIGATE Sydney, on what it is as a place and an international students being abused by falling ratio of education funding to 4 Seriously. So much institution, it feels almost too appropri- landlords, employees, and their class- student numbers, it’s not hard to see UniGate. ate that a sandstone Quadrangle comes mates. Take away the rhetoric about the how this mentality has come about. But to mind. It’s an icon and an image the ‘student experience’ and you will hear it doesn’t have to be this was. It’s time GOING BRAZILIAN University consciously promotes. Pri- the stories of students forced to do lit- for glasnost. It’s time for the University 7 Anonymous mary school students dressed in pri- tle more than work, study, and sleep, to to dump ‘public relations’ and have real mary school colours are taken on tours help them afford living in the city where conversations, arguments, and fights through its well kept facade. Glossy their chosen university was built. with its students and its student media. 9 HIGH IN PERU brochures adorned with the building’s This is essentially what the job of a It’s time to talk about the faults and the Andre Fenby image and words like ‘opportunity’, student newspaper should be. -
Investing in Audiences – ABC Annual Report 2017 – Volume 2
INVESTING IN VOLUME II VOLUME AUDIENCES ANNUAL REPORT 2017 Carolyn Duchene in Art Bites: The Glass Bedroom We make content for all Australians, about all Australians. HOW WE OPERATE RESPONSIBILITY ACCOUNTABILITY Editorial quality 4 Corporate Corporate Responsibility 30 Governance 54 Infrastructure and Operations 8 Corporate Responsibility Bonner Committee 62 in a Broadcasting People 12 ABC Advisory Context 34 Council 66 Work Health Environmental and Safety 18 Responsibility 38 Corporate Services 22 Social Responsibility 44 ii AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2017 In Volume I you will find: Who we are Where to find us What we do Transformation Audience Metrics Index Chico Wanybarrnga, Dino Wanybarrnga, Jerome Lilypiyana and ANNUAL PERFORMANCE Joseph Smith in Black As. Image: Rebel Films STATEMENTS ABC Annual Performance Statements 2016–17 70 FINANCIAL STATEMENTS 80 APPENDICES 134 COMPLIANCE INDEX 186 190 INDEX Contents 1 How we operate Anh’s Brush with Fame 2 AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2017 How we operate The ABC provides extraordinary content for Australians by building an engaged, operate creative and innovative workforce that reflects and supports the broader community How we operate 3 Editorial quality The ABC Editorial Policies are principles and standards applied across the Corporation, to ensure continuous high-quality output and performance. Editorial reviews and the ABC’s responses are published on the ABC’s corporate website: http://about.abc.net.au/how-the-abc-is-run/ what-guides-us/our-editorial-policies/ ABC Editorial Policies Management of The ABC Editorial Policies and associated editorial matters guidance outline the principles and set the In April 2016, the role that had previously standards that govern ABC content, and are overseen editorial matters was expanded to a day-to-day reference for content makers. -
Annual Report Sydney Opera House Financial Year 2019-20
Annual Report Sydney Opera House Financial Year 2019-20 2019-20 03 The Sydney Opera House stands on Tubowgule, Gadigal country. We acknowledge the Gadigal, the traditional custodians of this place, also known as Bennelong Point. First Nations readers are advised that this document may contain the names and images of Aboriginal and Torres Strait Islander people who are now deceased. Sydney Opera House. Photo by Hamilton Lund. Front Cover: A single ghost light in the Joan Sutherland Theatre during closure (see page 52). Photo by Daniel Boud. Contents 05 About Us Financials & Reporting Who We Are 08 Our History 12 Financial Overview 100 Vision, Mission and Values 14 Financial Statements 104 Year at a Glance 16 Appendix 160 Message from the Chairman 18 Message from the CEO 20 2019-2020: Context 22 Awards 27 Acknowledgements & Contacts The Year’s Our Partners 190 Activity Our Donors 191 Contact Information 204 Trade Marks 206 Experiences 30 Index 208 Performing Arts 33 Precinct Experiences 55 The Building 60 Renewal 61 Operations & Maintenance 63 Security 64 Heritage 65 People 66 Team and Capability 67 Supporters 73 Inspiring Positive Change 76 Reconciliation Action Plan 78 Sustainability 80 Access 81 Business Excellence 82 Organisation Chart 86 Executive Team 87 Corporate Governance 90 Joan Sutherland Theatre foyers during closure. Photo by Daniel Boud. About Us 07 Sydney Opera House. Photo by by Daria Shevtsova. by by Photo Opera House. Sydney About Us 09 Who We Are The Sydney Opera House occupies The coronavirus pandemic has highlighted the value of the Opera House’s online presence and programming a unique place in the cultural to our artists and communities, and increased the “It stands by landscape. -
Report of Media Coverage - Eske Derks Nature Neuroscience Study - August 2018 Executive Summary
WED 29 AUGUST 2018 Report of media coverage - Eske Derks Nature Neuroscience study - August 2018 Executive summary Desire for cannabis linked to mental illness Barrier Daily Truth, Broken Hill NSW, General News 29 Aug 2018 Page 5 • 160 words • ASR AUD 236 • Photo: No • Type: News Item • Size: 82.00 cm² • NSW • Australia • QIMR Berghofer Medical Research Institute - Press • ID: 1001111073 A major international study has found people with certain mental disorders including schizophrenia have a higher genetic disposition to use cannabis. The study, published in the journal Nature Neuroscience yesterday, found 35 genes that influence whether people are likely to ever use the drug. View original - Full text: 160 word(s), <1 min Audience 4,945 CIRCULATION These genes make you highly likely to get high Courier Mail, Brisbane, General News, Janelle Miles 28 Aug 2018 Page 4 • 169 words • ASR AUD 1,458 • Photo: No • Type: News Item • Size: 83.00 cm² • QLD • Australia • QIMR Berghofer Medical Research Institute - Press • ID: 1000486817 A STUDY of more than 180,000 people worldwide has identified 35 genes that influence whether people are likely to use cannabis recreationally. The international research, co-led by QIMR Berghofer Medical Research Institute scientist Eske Derks, uncovered genetic overlaps between recreational cannabis use, some mental health conditions including schizophrenia and bipolar disorder, and certain personality traits, such as risk-taking behaviour. View original - Full text: 169 word(s), <1 min Audience 135,007 CIRCULATION Genes could influence desire to use cannabis The Dominion Post, Wellington, General News, Ruby Macandrew 28 Aug 2018 Page 3 • 418 words • ASR AUD 1,645 • Photo: No • Type: News Item • Size: 279.00 cm² • NZ • New Zealand • QIMR Berghofer Medical Research Institute - Press • ID: 1000453174 An international team of researchers has conducted the biggest ever study into genetic predisposition for cannabis use, identifying dozens of genes that influence whether people are likely to use the drug. -
Thursday 20 July 2017
THURSDAY 20 JULY 2017 11:00 12:00 1:00 2:00 3:00 4:00 5:00 6:00 7:00 8:00 9:00 10:00 11:00 12:00 1:00 2:00 SOUND SELECT DJS SOUND SELECT DJS SOUND SELECT DJS SOUND SELECT DJS SOUND SELECT DJS MIX UP BROADWAY RED BULL RED BULL RED BULL RED BULL SAMPA RED BULL PROGRAMMED BY SOUNDS ALTA B WISE GL THE GREAT MANSIONAIR 6.00-6.40 6.40-7.00 7.00-7.40 7.40-8.00 8.00-8.40 8.40-9.00 9.00-9.40 9.40-10.00 10.00-10.40 10.40-11.10 11.10-12.00 FRAKTAL AURAMECHANIC RAINBIRD LICKWEED SURGE KODIAK KID 4EYES GOOSEBUMPZ TIPI FOREST FAERIE 4.00-5.00 5.00-6.00 6.00-7.00 7.00-8.00 8.00-9.00 9.00-10.00 10.00-11.00 11.00-12.00 BUTTERFLY WELCOME SUNSET DRUM & SAFETY BUNYARRA SI MULLUMBY ECLECTICA COMEDY MISS DANIDOO CREATRIX DUSTIN BOHEMIAN TO DANCE CIRCLE FIRST DUBAYS DANCE OF FRIBY'S LIVE BODY COUNTRY WITH HAPPY AFRICA CIRCUS ART CABARET PAINTING THOMAS LOUNGE 9.00- 3.30-4.00 4.15-5.15 5.15-5.45 6.00-6.30 6.45-7.30 7.30-8.00 8.15-8.45 9.00-9.30 9.45 10.00-10.45 11.00-12.00 JIMMY D TIAFAU B2B FLEX COP LUEN JACOBS B2B SUNSHINE WONGO AUDUN STRETCH LATOUR B2B GIV ELSEWHERE 6.00-6.40 6.40-7.40 7.40-8.40 8.40-9.20 9.20-10.20 10.20-11.20 11.20-12.00 COMEDY CLUB FEAT. -
Three Venues Will Burst with Laughter for Brisbane Comedy Festival's
DATE: Strictly embargoed Wednesday 6 December 2017 Three venues will burst with laughter for Brisbane Comedy Festival’s largest ever lineup in 2018 DATE Friday 23 February - Sunday 25 March 2018 TIME Various VENUE Brisbane Powerhouse, Brisbane City Hall, SunPAC INFO 07 3358 8600 / brisbanecomedyfestival.com Brisbane will be plunged into hysterics from 23 February - 25 March when the city’s largest ever lineup of the best Aussie and international acts lay comical siege to three venues – Brisbane Powerhouse, Brisbane City Hall and new venue SunPAC – as part of Brisbane Comedy Festival 2018. The ninth instalment of Australia’s fastest growing comedy festival will bring more than 70 stellar comedians to Brisbane. Leading the pack of international laughter masters are Jim Gaffigan, who will kick off his anticipated Australian and New Zealand tour with his Brisbane debut, Irishmen Jimeoin and Des Bishop, Canadian DeAnne Smith, Englishmen Stephen K Amos and Jeff Green, who will be celebrating 30 years on the comedy circuit with a special show. Also on the bill is beloved Kiwis Cal Wilson and Urzila Carlson, Scottish star Daniel Sloss and American Rich Hall, making his long-awaited return. Brisbane-bound Aussie household names include Akmal, Wil Anderson, Dave Hughes, Joel Creasey, Lawrence Mooney, Matt Okine, Nazeem Hussain and Tom Gleeson, alongside comedy queens Fiona O’Loughlin, Mel Buttle, Celia Pacquola, Becky Lucas, Gen Fricker and Zoë Coombs Marr. The festival will kick off with non-stop giggles and gags at the Brisbane Comedy Festival Gala at Brisbane City Hall on Friday 23 February. The ever-popular variety extravaganza will feature Brisbane favourite Mel Buttle as mistress of ceremonies, alongside Matt Okine, Luke Heggie, Becky Lucas, Demi Lardner (making her Brisbane debut), and some special surprise guests. -
Soitissue 18 Aug 31St 2011
HONI SOIT Issue 18 aug 31st 2011 6.30pm Woohoo! VERGE FESTIVAL aka our favourite ever shipping- container-related festival kicks off today. 10 days of uni fun, shipping containers, music, comedy, shipping containers, cupcakes, shipping containers and much much much more. Get involved. 7 - 11pm Local poetry in Surry Hills, WED Check out my mad rhyming skillz, They’re pretty fierce, something to fear You’re looking at the new William Shakespeare ... sorry about that... CARAVAN SLAM, at TONE, 16 Wentworth 31st Avenue, Surry Hills. Freeeee! 8PM Opening tonight for STC, THE THREEPENNY OPERA is a gritty, dark, bawdy and delicious must-see. Brecht’s delightful look at the underworld, you’re going to hear Mack the Knife in all its edgy glory. From $40. 10-12pM Choreographer Ros Warby is hosting a DANCE MASTERCLASS today at the Opera House. Challenging dancers to forget what they think they know, it’ll be a totally free and un-prescribed look at the body and movement. For intermediate+ dancers. $40. 8PM Woo! Even more revues! Bringing up the rear are Commerce with the brilliantly titled ECONOMY OF ERRORS and the Queer Revue’s THE QUEEN. Seymour Centre, tix from $14. • 7-12am Manning, that great hub of student life, that home away from our cockroach-infested student homes, is turning 11! To • celebrate, join us at MANNING’S 11th BIRTHDAY party and groove PICK OF to the tunes of The Holidays, Megastick Fanfare, Guineafowl and THE WEEK Fishing. $5/10 + bf. 6pm I LIKE BEING CONSCIOUS! A fact, and also the title of a really cool stand up show on as part of the Verge Festival! Written and performed by acclaimed USyd comic Cyrus Bezyan, the quirky show will examine consciouness, and if it’s all it’s cracked up to be. -
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2020 Front Cover: Jeremy Fernandez Reporting from Rosedale, New South Wales
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2020 Front cover: Jeremy Fernandez reporting from Rosedale, New South Wales. Image: David Sciasci Frances Djulibing as Ruby in Operation Buffalo. Image: Ben King / Porchlight Films Letter to the Minister 9 September 2020 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2020. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 9 September 2020 and provides a streamlined, yet full, overview of the ABC’s performance and delivery in line with its Charter remit. The ABC walked beside Australians through the stress, fear and change of late 2019 and early 2020, a time full of uncertainty. It provided constant support for audiences with its wide-ranging and comprehensive news coverage, and help and distraction through quality discussion, entertainment, music, children’s content and specialist services. We adapted to our new operating circumstances expediently, while facing our internal challenges head on. There can be no better example of the ABC’s dedication to Australian stories, culture and experience than its activities throughout 2019-20. I trust you will find the same reflected within this report. Sincerely, -
Triple J Farewells Breakfast Hosts Matt & Alex
triple j farewells Breakfast hosts Matt & Alex EMBARGOED UNTIL: 8.10am Monday 21 November 2016 This morning, triple j Breakfast hosts Matt & Alex announced that at the end of the year they’ll be shouting ‘Pack er up boys!’ one last time on triple j. Sleep ins are in sight for the brekkie boys who’ll do their last show on Fri 16 Dec. After 10 years at the station, Alex Dyson is excited to whip out his underutilised passport, saying “After spending over a third of my life at triple j, I felt it was time to give someone else a go while I travel the world, do a bit of writing and wean myself off my addiction to new Australian music.” Continuing his successful comedy career, Matt Okine plans to focus on TV, saying “Before radio I actually studied an acting degree, so I figured I’d wait until my looks and hair had completely deteriorated before moving to the small screen.” He’s also committing more time to his own music project, Boilermakers. We’re sad to see two of triple j’s most loved and iconic presenters move on, but are excited for their next adventures, with triple j Content Director Ollie Wards saying “As soon as I wake up I hit the triple j app to hear what Matt & Alex are talking about. Not because I have to, I’m genuinely a massive fan. From ludicrous talkback like ‘what’ve you eaten for stuff?’, wtf moments to learning about space – triple j breakfast has been an awesome ride with Matt & Alex.