AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2020 Front Cover: Jeremy Fernandez Reporting from Rosedale, New South Wales
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Sasha Mackay Thesis
STORYTELLING AND NEW MEDIA TECHNOLOGIES: INVESTIGATING THE POTENTIAL OF THE ABC’S HEYWIRE FOR REGIONAL YOUTH Sasha Mackay Bachelor of Fine Arts (Hons), Creative Writing Production Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology 2015 Keywords Australian Broadcasting Corporation Heywire new media narrative identity public service media regional Australia storytelling voice youth Storytelling and new media technologies: investigating the potential of the ABC’s Heywire for regional youth i Abstract This thesis takes a case study approach to examine the complexity of audience participation within the Australian public service media institution, the Australian Broadcasting Corporation (ABC). New media technologies have both enabled and necessitated an increased focus on user created content and audience participation within the context of public service media (PSM) worldwide and such practices are now embedded within the remit of these institutions. Projects that engage audiences as content creators and as participants in the creation of their own stories are now prevalent within PSM; however, these projects represent spaces of struggle: a variety of institutional and personal agendas intersect in ways that can be fruitful though at other times produce profound challenges. This thesis contributes to the wider conversation on audience participation in the PSM context by examining the tensions that emerge at this intersection of agendas, and the challenges and potentials these produce for the institution as well as the individuals whose participation it invites. The case study for this research – Heywire – represents one of the first instances of content-related participation within the ABC. -
Adelaide Radio
EMBARGOED UNTIL 9:30AM (AEDT) ADELAIDE RADIO - SURVEY 8 2019 Share Movement (%) by Demographic, Mon-Sun 5.30am-12midnight People 10+ People 10-17 People 18-24 People 25-39 People 40-54 People 55-64 People 65+ Station This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- FIVEaa 10.9 10.3 0.6 2.0 2.1 -0.1 0.7 0.8 -0.1 2.4 4.4 -2.0 6.6 6.5 0.1 8.5 9.9 -1.4 27.6 22.9 4.7 CRUISE1323 9.6 9.4 0.2 1.9 3.3 -1.4 4.2 0.5 3.7 1.3 2.0 -0.7 5.9 4.7 1.2 16.7 17.5 -0.8 17.9 18.3 -0.4 MIX102.3 13.6 11.9 1.7 19.5 19.1 0.4 17.5 13.6 3.9 10.7 8.9 1.8 17.2 16.3 0.9 19.9 15.0 4.9 5.5 5.9 -0.4 5MMM 8.6 9.7 -1.1 8.2 8.0 0.2 9.0 8.0 1.0 11.8 10.5 1.3 12.1 16.1 -4.0 8.5 10.9 -2.4 3.1 3.5 -0.4 NOVA91.9 11.0 12.0 -1.0 25.9 28.5 -2.6 20.8 32.1 -11.3 19.6 18.2 1.4 12.5 12.6 -0.1 4.7 5.6 -0.9 0.8 0.9 -0.1 HIT 107 9.3 9.6 -0.3 18.0 16.7 1.3 16.5 15.9 0.6 19.3 20.4 -1.1 9.0 10.5 -1.5 5.5 4.6 0.9 0.6 0.2 0.4 ABC ADE 9.0 10.0 -1.0 1.6 1.9 -0.3 0.7 0.8 -0.1 1.3 2.0 -0.7 4.9 3.5 1.4 12.2 14.4 -2.2 20.6 23.6 -3.0 5RN 2.1 1.9 0.2 0.2 * * 0.3 * * 0.3 0.1 0.2 1.0 0.9 0.1 3.6 1.5 2.1 4.3 5.4 -1.1 ABC NEWS 1.4 1.2 0.2 0.6 0.3 0.3 0.5 1.1 -0.6 0.7 0.6 0.1 2.4 1.9 0.5 1.2 1.3 -0.1 1.7 1.4 0.3 5JJJ 5.9 5.4 0.5 7.9 7.4 0.5 12.1 12.6 -0.5 11.4 7.8 3.6 8.2 8.6 -0.4 1.7 2.2 -0.5 0.3 0.4 -0.1 ABC CLASSIC 2.9 3.4 -0.5 1.1 0.8 0.3 0.3 0.1 0.2 2.0 2.1 -0.1 2.1 1.3 0.8 1.5 1.5 0.0 6.5 9.1 -2.6 Share Movement (%) by Session, P10+ Mon-Fri Breakfast Morning Afternoon Drive Evening Weekend Station Mon-Fri 5:30am-12mn Mon-Fri 5:30am-9:00am Mon-Fri 9:00am-12:00md -
ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
18 May 1999 Professor Richard Snape Commissioner Productivity
18 May 1999 Professor Richard Snape Commissioner Productivity Commission Locked Bag 2 Collins Street East Post Office MELBOURNE VIC 8003 Dear Professor Snape I attach the ABC’s submission to the Productivity Commission’s review of the Broadcasting Services Act. I look forward to discussing the issues raised at the public hearing called in Melbourne on 7 June, and in the meantime I would be happy to elaborate on any matter covered in our submission. The ABC is preparing a supporting submission focusing on the economic and market impacts of public broadcasting, and this will be made available to the Commission at the beginning of June. Yours sincerely, BRIAN JOHNS Managing Director AUSTRALIAN BROADCASTING CORPORATION SUBMISSION TO THE PRODUCTIVITY COMMISSION REVIEW OF THE BROADCASTING SERVICES ACT 1992 MAY 1999 CONTENTS Introduction 4 1. The ABC’s obligations under its own Act 6 1.1 The ABC’s Charter obligations 6 1.2 ABC’s range of services 7 1.3 Public perception of the ABC 7 2. The ABC and the broadcasting industry 9 2.1 ABC’s role in broadcasting: the difference 9 2.2 ABC as part of a diverse industry 14 2.3 ABC’s role in broadcasting: the connections 15 3. Regulation of competition in the broadcasting industry 16 3.1 Aim of competition policy/control rules 16 3.2 ABC and competition policy 17 3.3 ABC as program purchaser 17 3.4 ABC as program seller 17 3.5 BSA control rules and diversity 18 3.6 ACCC as regulator 19 4. Relationship with other regulators 20 4.1 Australian Broadcasting Authority 20 4.2 Australian Communications Authority (ACA) 21 5. -
Agpasa, Brendon
29 January 2021 The Hon Paul Fletcher MP PO Box 6022 House of Representatives Parliament House Canberra ACT 2600 CHRIS (BRENDON) AGPASA SUBMISSION TO THE 2021-22 PRE-BUDGET SUBMISSIONS Dear Minister Fletcher, I write to request assistance had appropriate for media diversity to support digital radio and TV rollouts will continue in the federal funding, Brendon Agpasa was a student, radio listener and TV viewer. Paul Fletcher MP and the Morrison Government is supporting the media diversity including digital radio rollout, transition of community television to an online operating model, digital TV rollout, radio and TV services through regional media and subscription TV rollout we’re rolled out for new media landscape and it’s yours to towards a digital future of radio and TV broadcasting. We looking up for an expansion of digital radio rollout has been given consideration, the new digital spectrum to test a trial DRM30 and DRM+ with existing analogue (AM/FM) radio services, shortwave radio and end of spectrum (VHF NAS licences) will be adopted Digital Radio Mondiale services in Australia for the future plans. The radio stations Sydney’s 2GB, Melbourne’s 3AW, Brisbane’s Nova 106.9, Adelaide’s Mix 102.3, Perth’s Nova 93.7, Hit FM and Triple M ranks number 1 at ratings survey 8 in December 2020. Recently in December 2020, Nova Entertainment had launched it’s new DAB+ stations in each market, such as Nova Throwbacks, Nova 90s, Nova Noughties, Nova 10s, Smooth 80s and Smooth 90s to bring you the freshest hits, throwbacks and old classics all day everyday at Nova and Smooth FM. -
DIVERSITY ANNUAL REPORT 2016–17 Contents
EQUITY AND DIVERSITY ANNUAL REPORT 2017 Black Comedy, Photo: ABC TV AUSTRALIAN BROADCASTING CORPORATION EQUITY AND DIVERSITY ANNUAL REPORT 2016–17 Contents PLANNING AND REPORTING 2 INDIGENOUS 15 PERFORMANCE MONITORING 3 NON-ENGLISH SPEAKING BACKGROUND 17 PERFORMANCE 4 DISABILITY 18 DIVERSITY AND INCLUSION HIGHLIGHTS 8 CONTENT HIGHLIGHTS 21 GENDER 13 Contents 1 Planning and reporting The Australian Broadcasting Corporation (ABC) About the Equity and is Australia’s national broadcaster and was established as a statutory corporation under Diversity Program the Australian Broadcasting Corporation Act This program has been designed to eliminate 1983 (the ABC Act). The ABC Act, which includes discrimination and promote equal opportunity the ABC Charter, sets out the functions and for women, Aboriginal and Torres Strait Islander duties of the Corporation. people, people from a non-English speaking As a Commonwealth authority employer, background and people with disabilities. the ABC is bound by the provisions of the: The ABC is a member of a number of key national • Equal Employment Opportunity diversity organisations, including the Diversity (Commonwealth Authorities) Act 1987 Council of Australia. • Racial Discrimination Act 1975 ABC Managing Director, Michelle Guthrie, • Sex Discrimination Act 1984 is a member of the Leadership Council on • Australian Human Rights Commission Cultural Diversity which is chaired by the Act 1986 Race Discrimination Commissioner, Tim Soutphommasane. The Council is committed to • Disability Discrimination Act -
Annual Report 2006-2007: Part 2 – Overview
24 international broadcasting then... The opening transmission of Radio Australia in December 1939, known then as “Australia Calling”. “Australia Calling… Australia Calling”, diminishing series of transmission “hops” announced the clipped voice of John Royal around the globe. For decades to come, through the crackle of shortwave radio. It was listeners would tune their receivers in the a few days before Christmas 1939. Overseas early morning and dusk and again at night broadcasting station VLQ 2—V-for-victory, to receive the clearest signals. Even then, L-for-liberty, Q-for-quality—had come alive signal strength lifted and fell repeatedly, to the impending terror of World War II. amid the atmospheric hash. The forerunner of Radio Australia broadcast Australia Calling/Radio Australia based itself in those European languages that were still in Melbourne well south of the wartime widely used throughout South-East Asia at “Brisbane Line” and safe from possible the end of in the colonial age—German, Dutch, Japanese invasion. Even today, one of Radio French, Spanish and English. Australia’s principal transmitter stations is located in the Victorian city of Shepparton. Transmission signals leapt to the ionosphere —a layer of electro-magnetic particles By 1955, ABC Chairman Sir Richard Boyer surrounding the planet—before reflecting summed up the Radio Australia achievement: down to earth and bouncing up again in a “We have sought to tell the story of this section 2 25 country with due pride in our achievements international broadcasting with Australia and way of life, but without ignoring the Television. Neither the ABC nor, later, differences and divisions which are inevitable commercial owners of the service could in and indeed the proof of a free country”. -
Five-Year Plan 2020–2025
Five-Year Plan 2020–2025 Contents Foreword 2 Executive Summary 4 A National Asset 4 Time for a Five-Year Plan 6 ABC Services 10 Recent Innovations 11 Five-Year Outlook 12 Operating Environment 12 Audience Trends 17 The ABC Five-Year Plan 26 Elements of the Strategy 27 Strategic Pillars 28 Strategic Priorities 30 Implementation 34 Measuring Success 38 Appendix 1 40 ABC Purpose and Charter 40 Appendix 2 42 ABC Values and Principles 42 ABC Principles 42 ABC FIVE-YEAR PLAN 2020-25 | 1 Foreword The ABC belongs to all Australians. It reflects not just who we are, but also where we have come from, and where we are going as a modern nation. It has been Australia’s voice for close to 90 years, delivering the stories we have loved, the news and information we needed, and services that have enriched our culture and civic life. This is as true for rural and regional Australians as it is for those who live in our cities or overseas. 2 | ABC FIVE-YEAR PLAN 2020–25 I’m proud to lead the ABC and build on this rich and so the ABC will continue to monitor all heritage, especially during this important period developments, audience needs and behaviours, of its history. It is a critical time for the national and make changes to its strategy as required public broadcaster charged with giving a voice to over the coming years. all Australians, keeping them informed, and sharing their stories with one another and the world. Your ABC is one that listens to Australia and is focused on being an essential part of Australian We must plan the right path forward to meet high life. -
The Misrepresentation of Representation: in Defense of Regional Storytelling in Netflix's the New Legends of Monkey
The Misrepresentation of Representation: In Defense of Regional Storytelling in Netflix’s The New Legends of Monkey KATE MCEACHEN The 2018 Australian Broadcasting Corporation (ABC Me), Television New Zealand (TVNZ), and Netflix’s coproduction of the original series The New Legends of Monkey (2018) is a fantasy-based television series that reimagines Monkey (1978), a British Broadcasting Corporation (BBC) dubbing of the Japanese television series Saiyūki 西遊記. Saiyūki was an adaptation of the historically significant Chinese novel Xiyou ji (Wu Cheng’en, 1592), known in English as Journey to the West. Monkey gained a cult following in Australia, New Zealand, and other international markets leading to the 2018 reboot The New Legends of Monkey, which, unlike Monkey, was released in the United States (Flanagan). This new iteration prompted cultural confusion from those largely unfamiliar with the preceding series, the contexts in which it was introduced to English-speaking viewers in Australia and New Zealand, or the cult response that resulted. This article presents the recent series with this background in mind and within the context of locally produced television in New Zealand, where The New Legends of Monkey was filmed. Analysis of online discussions exposes the interpretive differences arising from this lack of context regarding the show’s connection to Monkey and highlights the problems viewers face interpreting stories outside of their local production markets—an increasingly relevant problem as more regional productions become accessible to a wide range of audiences through transnational streaming services like Netflix. The 2018 The New Legends of Monkey television adaptation, produced by and for the Australian and New Zealand markets and co-produced for international KATE MCEACHEN is currently pursuing her Doctoral Degree in Cultural Studies at The University of Southern Queensland in Australia. -
Adelaide Radio
EMBARGOED UNTIL 9:30AM (AEST) ADELAIDE RADIO - SURVEY 4 2021 Share Movement (%) by Demographic, Mon-Sun 5.30am-12midnight People 10+ People 10-17 People 18-24 People 25-39 People 40-54 People 55-64 People 65+ Station This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- FIVEaa 12.3 10.8 1.5 1.9 2.0 -0.1 5.8 ** 3.2 1.7 1.5 9.5 6.9 2.6 13.0 13.3 -0.3 24.2 24.0 0.2 CRUISE1323 10.6 11.1 -0.5 1.0 2.0 -1.0 7.7 6.8 0.9 2.4 3.9 -1.5 7.0 8.3 -1.3 20.4 18.2 2.2 17.0 17.7 -0.7 MIX102.3 13.2 13.0 0.2 19.1 10.1 9.0 19.7 19.7 0.0 11.2 12.3 -1.1 15.8 15.9 -0.1 15.9 18.2 -2.3 7.4 7.3 0.1 5MMM 9.2 10.1 -0.9 11.1 13.4 -2.3 8.8 10.1 -1.3 11.8 14.9 -3.1 13.8 13.5 0.3 9.3 9.7 -0.4 3.7 3.6 0.1 NOVA91.9 10.4 11.5 -1.1 29.0 31.5 -2.5 24.0 22.9 1.1 16.7 16.0 0.7 9.8 13.3 -3.5 3.9 4.9 -1.0 1.0 2.1 -1.1 SAFM 7.9 7.1 0.8 14.7 9.4 5.3 16.1 15.0 1.1 14.7 12.5 2.2 7.5 8.3 -0.8 5.2 5.4 -0.2 1.2 0.8 0.4 ABC ADE 9.8 10.0 -0.2 1.5 1.7 -0.2 0.7 1.4 -0.7 1.6 3.6 -2.0 5.6 5.1 0.5 10.5 11.3 -0.8 22.4 22.1 0.3 5RN 1.5 1.9 -0.4 0.1 0.1 0.0 0.5 0.5 0.0 0.2 0.2 0.0 1.1 1.2 -0.1 1.7 2.3 -0.6 3.2 4.1 -0.9 ABC NEWSRADIO 1.3 1.4 -0.1 1.0 1.4 -0.4 0.3 0.5 -0.2 0.5 0.8 -0.3 1.7 1.7 0.0 2.4 1.9 0.5 1.3 1.6 -0.3 5JJJ 4.9 5.4 -0.5 5.6 8.3 -2.7 7.8 9.3 -1.5 11.6 11.1 0.5 6.8 7.1 -0.3 1.6 1.9 -0.3 0.2 0.4 -0.2 ABC CLASSIC 3.2 3.2 0.0 0.2 0.3 -0.1 0.2 0.6 -0.4 0.9 1.9 -1.0 1.4 2.2 -0.8 2.4 0.7 1.7 8.1 7.7 0.4 Share Movement (%) by Session, P10+ Mon-Fri Breakfast Morning Afternoon Drive Evening Weekend Station Mon-Fri 5:30am-12mn Mon-Fri 5:30am-9:00am -
Stories to Tell Protecting Australian Children’S Screen Content
Stories to Tell Protecting Australian Children’s Screen Content By Emma Dawson Proudly sponsored by: STORIES TO TELL JUNE 2017 EMMA DAWSON PAGE 1 Table of Contents About Per Capita ...............................................................................................3 Acknowledgements ...........................................................................................3 Executive Summary ...........................................................................................4 Introduction ........................................................................................................5 Current Regulation and Funding for Australian Children’s Content ......7 The Role of the ABC .......................................................................................12 International Case Study: The United Kingdom ........................................16 Supporting Original Australian Content in the Digital Era .....................18 Conclusion .........................................................................................................21 Policy Recommendations ...............................................................................23 End Notes ..........................................................................................................26 STORIES TO TELL JUNE 2017 EMMA DAWSON PAGE 2 About Per Capita Per Capita is an independent progressive think tank, dedicated to fighting inequality in Australia. We work to build a new vision for Australia based on fairness, shared prosperity, community -