SIM CHI YIN Fallout

Data sheet of the exhibition SIM CHI YIN Fallout Associazione Culturale ONTHEMOVE DATA SHEET OF THE EXHIBITION | Fallout - Sim Chi Yin Fallout Sim Chi Yin Produced by Associazione culturale ONTHEMOVE in occasion of the Internation Photography Festival Cortona On The Move 2018 Curated by Arianna Rinaldo For information Antonio Carloni Director antonio@cortonaonthemove.com +39 3286438076 Associazione culturale ONTHEMOVE | Località Vallone, 39/A/4 - Cortona, 52044 (AR) DATA SHEET OF THE EXHIBITION | Fallout - Sim Chi Yin Title Fallout Photographer Sim Chi Yin Curated by* Arianna Rinaldo Type of prints and mounting 17 color prints mounted on dilite Size of prints 11 prints 80 x 120 cm 5 prints 105 x 157 1 prints 105 x 144 cm Frames No frames. Prints are mounted on dilite (similar to dibond). Slider spacers in the back to be hung. Linear development 23 linear mt minimum (spaces not included) Video “Most people were silent”, 2017 Two-channel video installation with sound, 3:40 Set up annotations Text material must be printed at the expense of the hosting organization. We provide introduction text, biography and captions both in italian and english. *any changes to the selection or layout of the exhibition must be consulted with the curator Associazione culturale ONTHEMOVE | Località Vallone, 39/A/4 - Cortona, 52044 (AR) DATA SHEET OF THE EXHIBITION | Fallout - Sim Chi Yin FALLOUT In the pitch darkness, a single light reflected over the shallow waters of the Tumen river. All that was visible on the far shore was a pair of giant portraits: of North Korean founder Kim Il-sung and his son and successor Kim Jong-il. In the distance, beyond the barren hills, dogs barked, as if in rhythm. Two weeks later, I stood on the desolate, dusty hills cocooning the U.S. nuclear test site in Nevada, listening to the calming, eerie ring of silence. I seemed to hear those same dogs. I had come to find traces of humans’ encounter with nuclear bombs – the only weapon that can destroy humanity in a single blow. In October 2017, I drove the quiet, empty border between China and North Korea, photographing across the two rivers and one mountain that divide them. I searched out locations closest to North Korea’s nuclear test sites, missile manufacturing facilities and military bases. Two weeks later, I traveled through equally quiet stretches of the western United States, from snowy North Dakota, where an all-seeing pyramidal radar complex stands, to the white heat of the cratered test site in Nevada’s desert. I climbed into missile silos, crawled out of bomber escape hatches, and wandered around command and control centers used during the Cold War. I was looking for parallels – visual, historical, factual, symbolic – between these landscapes. North Korea is the only country to have tested nuclear weapons in the 21st century. The United States is first country to test and only country to use them, in 1945. They are also locked in a rhetorical war attacking each other, with President Donald Trump taking swipes at North Korean leader Kim Jong-un as ‘Little Rocket Man,’ while his counterpart called him a ‘gangster fond of playing with fire’. Much of this takes place in the abstract – on Twitter, in newspapers or in theory. I wanted to see what the actual nuclear infrastructure looks like. I wanted to understand how these weapons work, what the command chain was, how we used them and might do so again. I wondered about the morality: what do we make of the repeated calls to ban these weapons on the one hand, and those who argue we need them for deterrence? On my journey, I met people from both ends of the spectrum. Some view the weapons with awe and respect, such as Yvonne Morris, director of the Titan Missile Museum in Arizona, who spoke quietly as she looked down at the massive, sleek missile illuminated by flood lamps newly installed in its silo. This was the nuclear-tipped weapon she had commanded in the 1980s. “I would have had no trouble following the launch command, if it had come to that, because it would have meant that the U.S. was under attack,” she said. I also met educator Joseph Brehm, whose father was an American World War II bomber pilot saved from having to fight in Japan because the atomic bombs that destroyed Hiroshima and Nagasaki might have helped end the war. The younger Brehm grew up believing in nuclear weapons but now calls for disarmament. “I love technology, love the wow factor: ‘Oh my god look what we created.’ But then you have Associazione culturale ONTHEMOVE | Località Vallone, 39/A/4 - Cortona, 52044 (AR) DATA SHEET OF THE EXHIBITION | Fallout - Sim Chi Yin to take a step back and realize ‘what did we create?’ Because it literally is the sword that could slay humanity.” With each site I visited, I felt the beauty and the weight of these landscapes and these quiet machines. I had studied Cold War history at university, reading books and texts about that dangerous era, but suddenly these events came alive in the metres-thick concrete blast doors of the missile silos and in the rusty complexes far below ground. North Korea’s nuclear ambitions can be gauged only through satellite images, seismic tests, and propaganda pictures. That forced me to look through barbed wire fences, mountains and villages, metaphorically trying to see the missile sites and the Punggyi-ri nuclear test site where Pyongyang has conducted six nuclear tests since 2006. The lat-est and largest test had taken place just a month before my journey, causing buildings to shake, knifes to rattle in kitchens and schools to evacuate in neighbouring Chinese towns. In some ways, the landscapes were from a different era: farmers pushing carts at a gentle speed, single-storey houses with stacks of corn out front, steam-powered tractors, workers bicycling back to factories after lunch hour, and factory chimneys with wisps of smoke rising into the night sky. But the sense of tension was palpable: the regular guard posts on the North Korean side, and on the Chinese side the constant checkpoints and border police forbidding photography. In the U.S., I was welcomed in to look at decommissioned facilities preserved for tours and education, and sites that have been abandoned after having served their purpose. Only at the 3,500 square kilometer Nevada National Security Site – a still – active site – was I kept outside the fence as well. Over 900 nuclear weapons tests were done here between 1951 and 1992, creating a series of giant craters in the ground resembling a moonscape visible in satellite images. It was seeing an archival US military photograph of the largest of these – the Sedan crater – that first led me to think I could create a series of anonymised landscapes of these two countries that when placed side by side might let us suspend our sense of place and enter the realm of reflection and imagination. Elements of what I saw in both places fed off each other in my mind. Some of the parallels were clear as soon as I shot the second picture in the pairs. Others I discovered in the editing process. Across both countries, there were some striking similarities in the landscapes – both natural and man-made. Perhaps, as Natalie Luvera, curator at the National Atomic Testing Museum in Nevada, put it: “We haven’t learnt from history. What the US did in the past is being repeated right now. In North Korea.” Associazione culturale ONTHEMOVE | Località Vallone, 39/A/4 - Cortona, 52044 (AR) DATA SHEET OF THE EXHIBITION | Fallout - Sim Chi Yin FALLOUT A Nobel Peace Prize Exhibition We live in a world where the risk of nuclear weapons being used is greater than it has been for a long time. On assignment for the Nobel Peace Center to create the Nobel Peace Prize exhibition for 2017, the internationally acclaimed photographer Sim Chi Yin, trav-elled 6,000 kilometres along the China-North Korea border and through six US states to visualize and portray people’s experience of nuclear threats and nuclear weapons. The result is the unique series of photographs named “Fallout” first shown in Oslo at the Nobel Peace Center, forming the core of the Nobel Peace Prize Exhibition “Ban the Bomb” on this year’s Nobel Peace Prize Laureate: The International Campaign to Abolish Nuclear Weapons. ICAN was awarded the 2017 Nobel Peace Prize for its work to draw attention to the catastrophic humanitarian consequences of any use of nuclear weapons, and for its ground-breaking efforts to achieve a treaty-based prohibition of such weapons. By putting the images from North Korea and the US side by side, Sim Chi Yin is looking for parallels – visual, historical, factual, symbolic – between these landscapes, and she invites us to explore the situation in two countries which stand opposed. With her sensitive and perceptive eye, and equipped with a camera and a drone, Sim Chi Yin reveals a world we do not otherwise have access to: at border posts, in control rooms and on top of missile silos. When Nobel Peace Prize Laureate Mohamed ElBaradei gave his Nobel lecture back in 2005 he stated: “Imagine if the only nuclear weapons remaining were the relics in our museums.” Although ElBaradei’s words remain a dream, many people and organizations are working to turn them into reality. ICAN is one such driving force. The Nobel Peace Prize Exhibition is an annual tradition and is the thirteenth in succession to be staged at the Nobel Peace Center since the Center opened back in 2005.

Load more