Annual Report
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MEDIA RELEASE 29 July 2020 The past isn’t done with us yet… Catherine Văn-Davies leads the ensemble cast of new Australian drama series Hungry Ghosts Four-night special event on SBS Monday 24 August – Thursday 27 August at 9:30pm • INTERVIEWS AVAILABLE • IMAGES AND SCREENERS: HERE • FIRST LOOK TRAILER: HERE Chilling, captivating and utterly compelling, Hungry Ghosts follows four families that find themselves haunted by ghosts from the past. Filmed and set in Melbourne during the month of the Hungry Ghost Festival, when the Vietnamese community venerate their dead, this four-part drama series event from Matchbox Pictures premieres over four consecutive nights, Monday 24 August – Thursday 27 August at 9:30pm on SBS. When a tomb in Vietnam is accidentally opened on the eve of the Hungry Ghost Festival, a vengeful spirit is unleashed, bringing the dead with him. As these spirits wreak havoc across the Vietnamese-Australian community in Melbourne, reclaiming lost loves and exacting revenge, young woman May Le (Văn-Davies) must rediscover her true heritage and accept her destiny to help bring balance to a community still traumatised by war. Hungry Ghosts reflects the extraordinary lived and spiritual stories of the Vietnamese community and explores the inherent trauma passed down from one generation to the next, and how notions of displacement impact human identity – long after the events themselves. With one of the most diverse casts featured in an Australian drama series, Hungry Ghosts comprises more than 30 Asian-Australian actors and 325 -
Production Notes Greg Haddrick, Greg Mclean Nick Forward, Rob Gibson, Jo Rooney, Andy Ryan EXECUTIVE PRODUCERS
A Stan Original Series presents A Screentime, a Banijay Group company, production, in association with Emu Creek Pictures financed with the assistance of Screen Australia and the South Australian Film Corporation Based on the feature films WOLF CREEK written, directed and produced by Greg McLean Adapted for television by Peter Gawler, Greg McLean & Felicity Packard Production Notes Greg Haddrick, Greg McLean Nick Forward, Rob Gibson, Jo Rooney, Andy Ryan EXECUTIVE PRODUCERS Peter Gawler & Elisa Argenzio PRODUCERS Peter Gawler & Felicity Packard SERIES WRITERS Tony Tilse & Greg McLean SERIES DIRECTORS As at 2.3.16 As at 2.3.16 TABLE OF CONTENTS Key Cast Page 3 Production Information Page 4 About Stan. and About Screentime Page 5 Series Synopsis Page 6 Episode Synopses Pages 7 to 12 Select Cast Biographies & Character Descriptors Pages 15 to 33 Key Crew Biographies Pages 36 to 44 Select Production Interviews Pages 46 to 62 2 KEY CAST JOHN JARRATT Mick Taylor LUCY FRY Eve Thorogood DUSTIN CLARE Detective Sergeant Sullivan Hill and in Alphabetical Order EDDIE BAROO Ginger Jurkewitz CAMERON CAULFIELD Ross Thorogood RICHARD CAWTHORNE Kane Jurkewitz JACK CHARLES Uncle Paddy LIANA CORNELL Ann-Marie RHONDDA FINDELTON Deborah ALICIA GARDINER Senior Constable Janine Howard RACHEL HOUSE Ruth FLETCHER HUMPHRYS Jesus (Ben Mitchell) MATT LEVETT Kevin DEBORAH MAILMAN Bernadette JAKE RYAN Johnny the Convict MAYA STANGE Ingrid Thorogood GARY SWEET Jason MIRANDA TAPSELL Constable Fatima Johnson ROBERT TAYLOR Roland Thorogood JESSICA TOVEY Kirsty Hill 3 PRODUCTION INFORMATION Title: WOLF CREEK Format: 6 X 1 Hour Drama Series Logline: Mick Taylor returns to wreak havoc in WOLF CREEK. -
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pp ^^^"^»?*w iinjHM^v.p •MM wffff,!!l!"..wj T^^^7"^^p^*^""^^^" lit-pl reviewedbeglrii ill • -.:•-- * • i ' ' ^ '. • r-> Vofume.24-Numboc.83 ' Monday. April 3,1989 - - Westland. Michiqan ' • . '44 Pages . -z~ ' . • ._ Twenty-five cents By Tedd Schneider the 9-1-1 program. implemented throughout southeast The system also helps communi-' In Westland, an Enhanced 9-1-1 staff writer "We're*going to ask police and fire ern Michigan is designed to speed ties cut down the number of crank Public Education Committee has pereonne\while they're out "on other emergency response and eliminate calls since the location of the caller been formed. The 19-member volun places Public safety officials in West- runs, to request that they be able to Confusion over which departments) is automatically displayed on the teer committee is under the auspices land, Q^rden City and other western test the-system," Benyo said. responds to an emergency call. dispatcher's console. of the city and headed by Benyo. '•« 3nd faces Wayne County CQmrminities imple "They'll also be testing pay phones In western Wayne County, the ser menting Enhanced 9-1-1 emergency in the communities-." UNDER THI? system, callers* ad vice is being estabUshedihrough-the- —The committee includes police and phone service will be'aisklng some lo The emergency telephone system dresses and telephone numbers are Conference of Western Wayne, an In fire,officials, Westland City Council THE RACE uon. cal homeowners and businesses for will be available to the public Frt> automatically displayed on dispatch tergovernmental group representing man Tom Brown, a representative If Wednesday's special access to their telephones in order to day, June 9. -
A STUDY GUIDE by Roger Stitson
© ATOM 2012 A STUDY GUIDE BY ROGER STITSON http://www.metromagazine.com.au ISBN: 978-1-74295-243-7 http://www.theeducationshop.com.au 2 1: Peggy Berman (Susie Porter) with Detective Inspector Jack Ford (William McInnes) 2: Superintendent Matthews (Gary Sweet), 4 1 Jack Ford and other police at their club 3: Peggy and Jack Ford at Homicide Headquarters 4: Dr Bert Wainer (Jeremy Sims) and CURRICULUM LINKS: Jo (Maeve Dermody) investigate a ‘backyarder’ 5: Jo and Lionel This study guide is mainly aimed at (Mark Leonard Winter) as Bert’s helpers dub themselves ‘the middle and upper secondary school untouchables’ levels, with relevance to English, Media and Film Studies (especially Narrative and Genre), SOSE/HSIE, History, Cultural Studies, Ethics and Philosophy, Legal Studies, Women’s Studies, Health and 3 Human Relations. 5 Synopsis Bertram Wainer (Jeremy Sims), pugnacious Scotsman and ex-Army doctor, is drawn into a world of criminals and corruption when a young student comes to him for help because she is pregnant. He sends her away, thinking he’s convinced her to tell her parents, but instead she goes to a backyard abortionist who botches the operation. Wainer is called in to tend her as she dies. He vows to take a stand against the forces that allow this dangerous industry to thrive. The law must be changed to protect the health of desperate women. But how can one man make a difference? Wainer meets glamorous Peggy Berman (Susie Porter), receptionist for a gynaecologist who provides illegal abortions. She’s also the girlfriend of charismatic Detective Jack Ford (William McInnes), Homicide squad. -
Bob Ellis at 70 PROFILE from the Bank to the Birdcage
20 12 HONIWeek Eleven October 17 SOIT Senate Results: Writing, women, From the Bank What Senator Pat and wowsers: to the Birdcage: means for you Bob Ellis at 70 Sydney’s drag kings CAMPUS 4 PROFILE 11 FEATURE 12 Contents This Week The Third Drawer SRC Pages 8 Sex, Messages, Reception. 19 Mason McCann roadtests the iPhone 5 The Back Page 23 Presenting the Honi Laureates Spooky Soit for 2012 10 Mariana Podesta-Diverio looks on the bright side of death Editor in Chief: Rosie Marks-Smith Editors: James Alexander, Hannah Bruce, Bebe D’Souza, 11 Profile: Bob Ellis Paul Ellis, Jack Gow, Michael Koziol, James O’Doherty, Michael Koziol talks to one of his Kira Spucys-Tahar, Richard Withers, Connie Ye heroes, Bob Ellis Reporters: Michael Coutts, Fabian Di Lizia, Eleanor Gordon-Smith, Brad Mariano, Virat Nehru, Drag Kings Sean O’Grady, Andrew Passarello, Justin Pen, 12 Lucy Watson walks the streets of Hannah Ryan, Lane Sainty, Lucy Watson, Dan Zwi Newtown to teach us about drag Contributors: Rebecca Allen, Chiarra Dee, John Gooding, kings John Harding-Easson, Joseph Istiphan, Stephanie Langridge, 11 Mason McCann, Mariana Podesta-Diverio, Ben Winsor Culture Vulture 3 Spam 14 Crossword: Paps Dr Phil wrote us a letter! Well, sort of. Where has the real Slim Shady gone? Cover: Angela ‘panz’ Padovan of Panz Photography Asks John Gooding Advertising: Amanda LeMay & Jessica Henderson [email protected] Campus 16 Tech & Online 4 Connie Ye teaches us how to dance Justin Pen runs us through social your PhD media in modern Aussie politics HONISOIT.COM News Review Action-Reaction Disclaimer: 6 17 Honi Soit is published by the Students’ Representative Council, University of Sydney, Level 1 Why are Sydney buses exploding? An open letter to the Australian Rugby Wentworth Building, City Road, University of Sydney, NSW, 2006. -
Golden Yearbook
Golden Yearbook Golden Yearbook Stories from graduates of the 1930s to the 1960s Foreword from the Vice-Chancellor and Principal ���������������������������������������������������������5 Message from the Chancellor ��������������������������������7 — Timeline of significant events at the University of Sydney �������������������������������������8 — The 1930s The Great Depression ������������������������������������������ 13 Graduates of the 1930s ���������������������������������������� 14 — The 1940s Australia at war ��������������������������������������������������� 21 Graduates of the 1940s ����������������������������������������22 — The 1950s Populate or perish ���������������������������������������������� 47 Graduates of the 1950s ����������������������������������������48 — The 1960s Activism and protest ������������������������������������������155 Graduates of the 1960s ���������������������������������������156 — What will tomorrow bring? ��������������������������������� 247 The University of Sydney today ���������������������������248 — Index ����������������������������������������������������������������250 Glossary ����������������������������������������������������������� 252 Produced by Marketing and Communications, the University of Sydney, December 2016. Disclaimer: The content of this publication includes edited versions of original contributions by University of Sydney alumni and relevant associated content produced by the University. The views and opinions expressed are those of the alumni contributors and do -
2006 Annual Report
Centenary Institute report annual 06 OUR LOGO The letter “C” set in sandstone in the logo, has dual symbolism. It reflects our commitment to cancer research and, as the Roman Numeral for 100, it represents our association with the Centenaries of the University of Sydney Medical School and Royal Prince Alfred Hospital. Our mission To improve the quality of life for all Australians through excellence in medical research Centenary Institute Annual Report 2006 www.centenary.org.au 3 Contents Page 2006 Highlights 4 Director’s Report 6 From The Chairman 7 Report from Incoming Executive Director 8 Board of Governors 9 Our History 11 Organisational Chart 12-13 Research Groups 14 Cell Biology 14 Gene and Stem Cell Therapy 18 Liver Immunobiology 20 Molecular Cardiology 25 Mycobacterial Research 26 T Cell Biology 29 Core Facilities 31 Postgraduate Training Programme 33 2006 Seminar Series 35 2006 Publications 38 2006 Presentations 41 Centenary Committees 47 2006 Staff List 48 2007 – The Year Ahead 51 Fundraising 53 Centenary Institute Annual Report 2006 4 2006 Highlights • Centenary Institute’s Agnes Ginges Centre for Molecular capacity of infected macrophages to die through Cardiology, headed by Associate Professor Chris apoptosis and kill mycobacteria. In separate studies Semsarian, have identified several ‘killer’ genes the group showed that the recently recognised believed to be responsible for sudden cardiac death cytokine IL-23 is effective for increasing the immune (SCD) following tests on more than 400 Australian response and protective effect of DNA vaccines against families with a history of heart disease. The group is TB and that this cytokine can compensate for IL-12 amongst the first to report the association between deficiency in controlling TB in mice. -
South Belt-Ellington Leader, Thursday, November 15, 2018
4242 yearsyears ofof coveringcovering SouthSouth BeltBelt Voice of Community-Minded People since 1976 Thursday, November 15, 2018 Email: [email protected] www.southbeltleader.com Vol. 43, No. 42 Holiday closures scheduled South Belt-Ellington Leader The Leader office will be closed Wednesday, Special election called to replace Garcia Nov. 21, through Friday, Nov. 23, for the Thanksgiving holiday. The Thursday edition of the Leader will be available Wednesday, By James Bolen the people of Senate District 6 have seamless expedited period is intended to speed up special before, and I hope we fi nd it again,” Garcia wrote Nov. 21. Texas Gov. Greg Abbott on Friday, Nov. 9, and high-quality representation. By resigning elections for vacancies that occur near a legisla- in her resignation letter. Clear Brook City MUD called for a special election to fi ll the state Senate at 12:01 p.m., it allows the governor to call an tive session. The period begins 60 days prior to a Multiple candidates have expressed an inter- The Clear Brook City Municipal Utility District 6 seat being vacated by Sylvia Garcia. election with enough time for my successor to be legislative session, which, in this, case begins at est in fi lling Garcia’s current District 6 seat, in- District office will be closed Thursday, Nov. The election for the district, which encom- elected, sworn in and ready to start the legislative noon on Jan. 8. cluding two local Democrats presently serving in 22, and Friday, Nov. 23, in observance of passes much of the South Belt community, will session from Day 1.” Under the expedited guidelines, Abbott must the Texas House: state Reps. -
An Exploratory Case Study of a Regional Screen Production
An exploratory case study of a regional screen production business developing fiscal sustainability, commercial responsibility, and competitive advantage in the market Thesis submitted by Gerard Anthony Reed BA (University of NSW); MA (University of the Arts, London); Master of Entrepreneurship (The University of Adelaide); Member, Screen Producers Australia (SPA), Action Learning, Action Research Association (ALARA), Small Enterprise Association of Australia & New Zealand (SEAANZ) The University of Adelaide Faculty of the Professions Entrepreneurship, Commercialisation and Innovation Centre (ECIC) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy October 2016 Table of Contents Table of Contents ii List of tables iv List of figures v Statement of originality viii List of recent activity ix Acknowledgements x List of abbreviations xi Abstract xiii Introduction 2 1.1 Context and rationale for the study 2 1.1.1 On location in Adelaide, SA 1.1.2 The nature of the problem 1.2 Conceptual framework and method 18 1.2.1 Experiencing the parabolic scramble: The filmmaker as entrepreneur 1.2.2 Method: Using Remo Media/Reed Films to conduct action research 1.3 Limitations of the study 32 1.4 The significance of the study 33 1.5 Organisation of the thesis 33 Chapter 1: Introduction Chapter 2: Methodology and methods Chapter 3: Literature as data Chapter 4: Research activity and results Chapter 5: Conclusion Methodology and methods 37 2.1 Subjectivism in research about entrepreneurship 38 2.2 Background for -
Fictocritical Sentences
)9.2..oL Fictocritical Sentences Simon Robb English Department, Universify of Adelaide. Muy, 2001,. Thesis Submitted for the Degree of Doctor of philosophy CONTENTS Abstract J Statement and Acknowledgment 4 Introduction 5 Academic Divination 27 Alien Sick 35 Family Values - transcript 42 Greetings from Adelaide htÞ, / / e*emble.va.com .aú table aa / simon Naive and Sentimental Writing 52 Nostalgic Moments 55 Loving Writing 59 Reforming the Boy - trarucript 90 The hulk P¡eface 98 Joumal (R) 100 Conesspondence 714 Scrapbook 722 ]oumal (W) L42 Interview 752 Letter L57 References 766 Illustrations 168 Appendices A. Fanily Values [CD] Back Cover B. Greetings from Adelaide [map] . 769 C. Reforming the Boy [CD] Back Cover ABSTRACT 'Fictocriticism' refers to writing that performs yet also problematizes the key manoeuvres of both fiction and criticism. Fictoc¡iticism is a term that has been taken trp in Australian academic contexts to describe writing that is concemed with an interplay of writing 'positions' and with the specific or local contexts that enable the production of these'positions,. Fictocritical Sentences primarily enacts a fictocritical mapping of local cultural events. The 'events' are essentially concemed with crime and trauma in Adelaide. They include the disappearance of the three Beaumont children in 1966, the 'Family'murders of the 1980s, the 'Truro'murders of the L9z0s and the ,reforming, of 'c¡iminal' and 'neglected' boys cn the Fitzjames, a hulk moored off the metropolitan coast of Adelaide, during the 1880s. The fictocritical treatment of these events simulates their unresolved or traumatised condition. Differences between'invention'and 'explication' matter most at times of personal and public trauma. -
2019 Quill Awards Finalists
2019 QUILL AWARDS FINALISTS ARTWORK FEATURE WRITING Richard Giliberto, The Saturday Age, The Perfect Storm Tom Cowie, The Age, Two Guys And The Yiayia Next Door Mark Knight, Herald Sun, 2019 The Year That Was James Oaten, Danny Morgan & Jane Cowan, ABC, Sam Mularczyk, Network Ten The Project, Assisted Dying Law Catching A Catfish Jim Pavlidis, The Sunday Age, Tigertown Sue Smethurst, The Weekend Australian magazine, Natalie Trayling- The Homeless Virtuoso BREAKING NEWS COVERAGE Cameron Stewart, The Weekend Australian magazine, Mike Amor, Sharnelle Vella & Nick McCallum, 7NEWS Joe Hockey’s Game Melbourne, George Pell Guilty Brett McLeod & Eliza Rugg, Nine Network, THE GRANT HATTAM QUILL FOR INVESTIGATIVE George Pell Conviction JOURNALISM Nine News Melbourne Team, Nine News, Andy Burns & Geoff Thompson, ABC 7.30, Standing Tall Arrest of Jonathan Dick Lisa Cox & Anne Davies, Guardian Australia, Angus Taylor and Emma O’Sullivan, Network Ten, Josh Frydenberg investigation Pell Suppression Lifted Sashka Koloff & Nick McKenzie, ABC Four Corners, Interference BUSINESS FEATURE Nick McKenzie & Chris Masters, The Age/60 Minutes, Amy Bainbridge, Loretta Florance & Lucy Kent, ABC 7.30, War Crimes and Special Forces Bankruptcy Hunters Sarah Danckert, The Age, Treasury Wines Under Fire INNOVATION IN JOURNALISM Sarah Danckert, The Age, Lendlease Battles Engineering Woes Margaret Burin, Nathan Hoad, Ben Spraggon & Matthew Konrad Marshall, Good Weekend Magazine, Tough Call Liddy, ABC, The Amazon Race The Age Invisible Crime Team, The Age, The Invisible -
Investing in Audiences – ABC Annual Report 2017 – Volume 2
INVESTING IN VOLUME II VOLUME AUDIENCES ANNUAL REPORT 2017 Carolyn Duchene in Art Bites: The Glass Bedroom We make content for all Australians, about all Australians. HOW WE OPERATE RESPONSIBILITY ACCOUNTABILITY Editorial quality 4 Corporate Corporate Responsibility 30 Governance 54 Infrastructure and Operations 8 Corporate Responsibility Bonner Committee 62 in a Broadcasting People 12 ABC Advisory Context 34 Council 66 Work Health Environmental and Safety 18 Responsibility 38 Corporate Services 22 Social Responsibility 44 ii AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2017 In Volume I you will find: Who we are Where to find us What we do Transformation Audience Metrics Index Chico Wanybarrnga, Dino Wanybarrnga, Jerome Lilypiyana and ANNUAL PERFORMANCE Joseph Smith in Black As. Image: Rebel Films STATEMENTS ABC Annual Performance Statements 2016–17 70 FINANCIAL STATEMENTS 80 APPENDICES 134 COMPLIANCE INDEX 186 190 INDEX Contents 1 How we operate Anh’s Brush with Fame 2 AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2017 How we operate The ABC provides extraordinary content for Australians by building an engaged, operate creative and innovative workforce that reflects and supports the broader community How we operate 3 Editorial quality The ABC Editorial Policies are principles and standards applied across the Corporation, to ensure continuous high-quality output and performance. Editorial reviews and the ABC’s responses are published on the ABC’s corporate website: http://about.abc.net.au/how-the-abc-is-run/ what-guides-us/our-editorial-policies/ ABC Editorial Policies Management of The ABC Editorial Policies and associated editorial matters guidance outline the principles and set the In April 2016, the role that had previously standards that govern ABC content, and are overseen editorial matters was expanded to a day-to-day reference for content makers.