Italian Studies 521
Italian Studies 521 SEICENTO By Maurice Slawinski, Lecturer in Italian Studies, University of Lancaster 1. General poetics, criticism, literary history. Archivio tematico delle similitu- dini, i, ed. O. Besomi, J. Hauser, and G. Sopranzi, Hildesheim, Olms, 1994,x+476 pp., a companion volume to the ‘Archivio tematico della lirica italiana’ inaugurated with the volume dedicated to Marino’s Lira (cf. YWMLS, 54: 500), indexes by subject the imagery of all the major Italian verse romances and poemi grandi, from the Morgante to La Secchia and Adone (including the Gerusalemme Conquistata as well as the Liberata, which though not strictly belonging to the Seicento will be of particular interest to students of the period). L’anima in barocco, ed. Carlo Ossola et al., T, Scriptorium, xxxviii + 278 pp., is an anthology of devotional texts, divided by topic, and including a substantial number of near-forgotten authors (Felice Passero, Gasparo Murtola) and some well known in their time but since forgotten altogether (Pietro Battista, Giovanni Bona, Giuseppe Girolamo Semenzi), accompanied by the editors’ sparse commentary; the anthology, it would appear from the preface, originates in University seminars, but its exact purpose and prospective readership escape me. Marc Fumaroli, L’E´ cole du silence: le sentiment des images au XVIIe sie`cle, Paris, Flammarion, 1994, 512 pp., focuses on the visual arts, but is also peppered with references to Italian baroque poetics (the Index lists Allacci, the Andreini, Boccalini, Bracciolini, Capaccio, Cesarini, Ciampoli, Eritreo, Marino, Mascardi, Murtola, Pallavicino, Stigliani, Strada, Testi) which provide much of the ‘rhetorical’ backbone of the argument, a slightly worrying fact given that what he says about these (and a number of late Cinquecento literary figures) appears to be second-hand and in many cases inaccurate.
[Show full text]