University Centre University of Guelph 1. Approval of Agenda Motion
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Economists Calling All Angels PERSPECTIVES
PERSPECTIVES Todd Hirsch Economists calling all angels ack in the ‘90s, Canadian the past 50 years. He said they failed conference, we had brazenly referred songstresses Jane Siberry and — failed! — to predict what happened to low-income Canadians as “the bot- B k.d. lang sang a hauntingly in 2008, and offer little help in get- tom quintile” as if they were a scientif- beautiful duet about the beauty and ting the global economy out of this ic category. We needed a reminder that pain of life, and all its unanswerable current mess. Considering the audi- we are talking about the lives of questions. “Calling all angels, walk me ence, this is a serious statement. The Canadians and their families. through this one, don’t leave me average attendee was probably The tricky part, of course, is know- alone. Calling all angels: we’re trying, around 45 years old, which implies ing how to raise up the incomes, the we’re hoping…but we’re not sure how that most everyone in the room had skills and the literacy levels of those this goes.” either studied macroeconomic theory Canadians most vulnerable to falling Little did they know that they or worked under its assumptions for through the economic cracks. could have been singing about the about 25 years. With close to a hun- Handouts aren’t the solution, and gov- Canadian economy in 2010. dred economists in the room, that ernment programs have been hit-and- Near the end of August, close to a works out to 2,500 years of cumula- miss. -
Until the End of the World Music Credits
(Below are the credits for the music in the English version, followed by the credits, in German, for the extended restored version): English-language music credits: Musical Score Graeme Revell Musical Score Graeme Revell Solo Cello and Additional Improvisation David Darling Music Supervision Gary Goetzman and Sharon Boyle Picture and Music Editor Peter Przygodda MUSIC Music Coordinators Barklie K. Griggs Jennifer Quinn-Richardson Dana K. Sano Music Recording and Mixing Studios Tritonus Studios, Berlin Music Editor (Synch) Dick Bernstein (Offbeat Systems) Music Mixing Engineer Gareth Jones 2nd Sound Engineer Gerd Krüger Assistant Maro Birkner Additional Music Recordings Hansa Tonstudios, Berlin MUSIC TITLES IN ORDER OF APPEARANCE: "GALKAN" Appears on "Les Aborigènes, Chants et Danses de l'Australie du Nord" Phonogramme ARN 64056 Courtesy of Arion "SAX & VIOLINS" Performed by Talking Heads Lyrics and Music by David Byrne Music by Chris Frantz, Jerry Harrison, Tina Weymouth Producer Steve Lillywhite and Talking Heads Mixed by Kevin Killen Publisher Bleu Disque Music Co. Inc./ Index Music admin. by WB Music Corp./ASCAP Courtesy of Warner Bros. Records Inc./Sire Records Company/FLY Talking Heads Appear Courtesy of EMI Records Ltd. "SUMMER KISSES, WINTER TEARS" Performed by Elvis Presley Writers Jack Lloyd, Ben Weissman, Fred Wise Publisher WB Music Corp./Erica Music/ ASCAP Courtesy of RCA Records Label of BMG Music "MOVE WITH ME" Performed by Neneh Cherry Writers Neneh Cherry/Cameron Mcvey Producer Booga Bear/Jonny Dollar Publisher Virgin Music Ltd/Copyright Control/ BMI/PRS Courtesy of Circa Records, Ltd. "IT TAKES TIME" Performed by Patti Smith and Fred Smith Writers Fred Smith and Patti Smith Producer Fred Smith Publisher Druse Music Inc/Stratium Music, Inc./ASCAP Courtesy of Arista Records, Inc. -
Geoplanspring 2011
SPRING 2011 GEOPLAN DEPARTMENT OF GEOGRAPHY & PROGRAM IN PLANNING AND THE UNIVERSITY OF TORONTO ASSOCIATION OF GEOGRAPHY ALUMNI (UTAGA) Celebrating our 75th Anniversary he Department of Geography at the University of Toronto was founded in 1935 and the academic year 2010-11 was therefore our 75th anniversary. We had an excellent celebration, packed Twith events. It started early in September with a display at Robarts Library of more than 100 books authored by geography faculty and alumni. The display was seen by thousands of visitors to the library between September and October. We also put on a special departmen- tal speakers series with the theme of “Intersections” between human and physical geography and between geographers and the community. Twenty-two guest speakers participated and we held special panel sessions on the Tar Sands, Climate Change, the Aboriginal City, and Women and Factory Work in China. The biggest event of the year was a full weekend of activities in mid-September. The weekend began early on Thursday, September 16th, when the Planning Alumni Committee hosted its first Fall Plan- ning Mixer at the Duke of York, in honour of Geography’s 75th. On Friday afternoon, renowned climate change scholar Professor Diana Liverman (MA ‘80) from the University of Arizona gave a public lecture on “Governing Climate”. This was followed by an opening reception and book launch for Reflections on the History of Geography at the University of Toronto. On Saturday, there was a faculty panel ses- sion in the morning on the history of the department and a workshop exploring mapping on the web. -
Cuff the Duke Youtube
Cuff the duke youtube Paper Bag Records Purchase Cuff The Duke's new album 'Union': Paper Bag Records. 'Count On Me' is from the Cuff The Duke album, Morning Comes, out now in Canada. Cuff The Duke drop into Studio for a CBC Radio 2 Drive session performing music. From the CUFF THE DUKE album 'UNION' out Oct. 2, [CN] / Oct. 29, [UK] / Feb. 12th, [US. Paper Bag Records - Cuff The Duke Buy it from the online store here: Paper Bag Records - Cuff The Duke Buy it from the online store here. From the album 'Way Down Here', released (NOT MY SONG!). Cuff The Duke - Take My Money And Run performed live @ Piebird B&B d. 'Like' us on Facebook - Follow us on Twitter - Cuff The Duke's Wayne Petti and François Turenne perform an acoustic version of "You Were Right" - full. Live at Lee's Palace in Toronto on March 20, Great set. This was my first time getting to see these guys. A favourite of mine not represented on youtube. Label: Hardwood Off their album Sidelines of the City! Visit our channel or for more great. CUFF THE DUKE 'So Many Times Before' [Paper Bag Session / Pt.4] From the album 'Morning Comes. Music video by Cuff The Duke performing It's All A Blur. (C) Noble Recording Co./Universal Canada. Cuff The Duke - Failure to Some - Duration: UGottaHearThis 1, views · Joel Plaskett - On and. Stay Lyrics: In the summer that I met you / I was lost and in search of proof / Oh when the autumn leaves started falling / I've found a proof that was here with you. -
Chapters in Canadian Popular Music
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra anglistiky a amerikanistiky Ilona Šoukalová Chapters in Canadian Popular Music Diplomová práce Vedoucí práce: Mgr. Jiří Flajšar, Ph.D. Olomouc 2015 Filozofická fakulta Univerzity Palackého Katedra anglistiky a amerikanistiky Chapters in Canadian Popular Music (Diplomová práce) Autor: Ilona Šoukalová Studijní obor: Anglická filologie Vedoucí práce: Mgr. Jiří Flajšar, Ph.D. Počet stran: 72 Počet znaků: 138 919 Olomouc 2015 Prohlašuji, že jsem diplomovou práci na téma "Chapters in Canadian Popular Music" vypracovala samostatně pod odborným dohledem vedoucího práce a uvedla jsem všechny použité podklady a literaturu. V Olomouci dne 3.5.2015 Ilona Šoukalová Děkuji vedoucímu mé diplomové práce panu Mgr. Jiřímu Flajšarovi, Ph.D. za odborné vedení práce, poskytování rad a materiálových podkladů k práci. Poděkování patří také pracovníkům Ústřední knihovny Univerzity Palackého v Olomouci za pomoc při obstarávání pramenů a literatury nezbytné k vypracování diplomové práce. Děkuji také své rodině a kamarádům za veškerou podporu v době mého studia. Abstract The diploma thesis deals with the emergence of Canadian popular music and the development of music genres that enjoyed the greatest popularity in Canada. A significant part of the thesis is devoted to an investigation of conditions connected to the relation of Canadian music and Canadian sense of identity and uniqueness. Further, an account of Canadian radio broadcasting and induction of regulating acts which influenced music production in Canada in the second half of the twentieth century are given. Moreover, the effectiveness and contributions of these regulating acts are summarized and evaluated. Last but not least, the main characteristics of the music style of a female singer songwriter Joni Mitchell are examined. -
14Th Annual Report the Canada Council 1970-1971
1 14th Annual Report The Canada Council 1970-1971 Honourable Gérard Pelletier Secretary of State of Canada Ottawa, Canada Sir, I have the honour to transmit herewith the Annual Report of the Canada Council, for submission to Parliament, as required by section 23 of the Canada Council Act (5-6 Elizabeth Ii, 1957, Chap. 3) for the fiscal year ending March 31, 1971. I am, Sir, Yours very truly, John G. Prentice, Chairman. June 341971 3 Contents The Arts The Humanities and Social Sciences Other Programs 10 Introduction 50 Levels of Subsidy, 1966-67 to 1970-71 90 Prizes and Special Awards 12 Levels of Subsidy, 1966-67 to 1970-71 51 Research Training 91 Cultural Exchanges Doctoral Fe//owships; distribution of 14 Music and Opera Doctoral Fellowships by discipline. 96 Canadian Commission for Unesco 21 Theatre 54 Research Work 100 Stanley House Leave Fellowships; distribution of Leave 27 Dance Fellowships by discipline; Research Finances Grants; distribution of Research Grants 102 Introduction 30 Visual Arts, Film and Photography by disciph’ne; list of Leave Fellowships, Killam Awards and large Research 105 Financial Statement 39 Writing Grants. Appendix 1 48 Other Grants 78 Research Communication 119 List of Doctoral Fellowships List of grants for publication, confer- ences, and travel to international Appendix 2 meetings. 125 List of Research Grants of less than $5,000 86 Special Grants Support of Learned Societies; Appendix 3 Other Assistance. 135 List of Securities March 31. 1971 Members John G. Prentice (Chairman) Brian Flemming Guy Rocher (Vice-Chairman) John M. Godfrey Ronald Baker Elizabeth A. Lane Jean-Charles Bonenfant Léon Lortie Alex Colville Byron March J. -
Everything in Its Right Place: Social Cooperation and Artist Compensation Leah Belsky Yale Law School Information Society Project
Michigan Telecommunications and Technology Law Review Volume 17 | Issue 1 2010 Everything in Its Right Place: Social Cooperation and Artist Compensation Leah Belsky Yale Law School Information Society Project Byron Kahr Max Berkelhammer University of Colorado Cooperative Institute for Research in Environmental Studies Yochai Benkler Harvard Law School Follow this and additional works at: http://repository.law.umich.edu/mttlr Part of the Commercial Law Commons, Entertainment, Arts, and Sports Law Commons, and the Internet Law Commons Recommended Citation Leah Belsky, Byron Kahr, Max Berkelhammer & Yochai Benkler, Everything in Its Right Place: Social Cooperation and Artist Compensation, 17 Mich. Telecomm. & Tech. L. Rev. 1 (2010). Available at: http://repository.law.umich.edu/mttlr/vol17/iss1/1 This Article is brought to you for free and open access by the Journals at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Telecommunications and Technology Law Review by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. EVERYTHING IN ITS RIGHT PLACEt: SOCIAL COOPERATION AND ARTIST COMPENSATION Leah Belsky* Byron Kahr** Max Berkelhammer*** Yochai Benkler**** Cite as: Leah Belsky, Byron Kahr, Max Berkelhammer and Yochai Benkler, Everything in Its Right Place: Social Cooperationand Artist Compensation, 17 MICH. TELECOMM. TECH. L. REV. 1 (2010), available at http://www.mttlr.org/volseventeen/belsky.pdf The music industry's crisis response to the Internet has been the primary driver of U.S. copyright policy for over a decade. The core institutional response has been to increase the scope of copyright and the use of litigation, prosecution, and techni- cal control mechanisms for its enforcement. -
Architect Stanley M. Roscoe (1921-2010)
THEMATIC DOSSIER | DOSSIER THÉMATIQUE ARCHITECT STANLEY M. ROSCOE (1921-2010): PIONEERING INNOVATIONS Sharon VattaY is an architectural historian > SHARON VATTAY with wide-ranging professional and academic credentials. She holds a Ph.D. from the University of Toronto where she lectures on the history of architecture. She is also an associate at Goldsmith, Borgal & Company Ltd. Architects (GBCA)—a firm his paper traces the postwar archi- specializing in historic restoration and adaptive Ttectural designs of Stanley M. Roscoe reuse, with projects across Canada. Previous (1921-2010)—an architect who introduced cutting-edge construction techniques positions include Heritage planner at the City of and avant-garde styles to the mid-sized Hamilton, Ontario, and the City of Vaughan, Ontario. Canadian city of Hamilton, Ontario. While not necessarily radical in national or inter- national terms, Roscoe’s buildings were certainly progressive in the regional con- text of the day. As reported in a 1960 article on Roscoe in Time Magazine, his decade-long tenure as city architect brought to Hamilton “ten years of lively argument.”1 This spirited debate was the result of his role as a champion of modern design, within the traditional nineteenth- century Victorian city of Hamilton (fig. 1). The analysis of Roscoe’s oeuvre shows that, in the overall context of architec- ture in Canada, he was very much keep- ing pace with new developments and progress in building systems then being explored by architects across the coun- try. Not only did the writer of the afore- mentioned Time Magazine article boldly contend that Hamilton had received “the most interesting modern architecture in Canada” as a result of Roscoe’s employ- ment as their city architect,2 but a review of other references in the popular press, along with documents found in Roscoe’s personal correspondence,3 also uncovers many other accolades that support an assertion of the architect as a pioneer in modern architecture. -
Bio Files/D. Sharp CV.Pdf
dean sharp drummersoundscapistREmixerlooperproducer 845.464.0515 [email protected] Tours/Sideman/Live Work (selected) Moby, David Torn, Rachael Sage, Jane Siberry, Brad Mehldau, Liz Gorill (kazzrie jaxon), Cameron Brown, Joe Lovano, Hugh Brodie, Michael Bisio, Shunzo Ono, Steve Swallow, Marc Ribot, Avram Fefer, Todd Sickafoose, Russ Johnson, Michael Bisio, Tony Levin, Elliott Sharp, Mario Pavone, Hermeto Pascoal, Greg Brown, Jill Sobule, John Hall, Rick Danko, Ellis Paul, Fish Love That, Curtis Bahn, Louise Taylor, Christina Wheeler’s Blowout, Zoe B Zak, White Boys on Swing, Francis Dunnery, Scott Weiss Band, Lunch- meat, Donna Lewis, Stephen Vitiello, Defiant Ones (Bad Brains), Nona Hendryx, MACHAN, Leslie Ritter, Happy Rhodes, Artie Traum, Robbie Dupree, Josh Colow, Gwen Laster/Damon Banks, Eugene Ruffolo, Daryl Hall, Billy Ocean, Saphire, Latoya Jackson, Brenda Starr, PUC, ARI UP Discography (•....denotes production/writing credits) Bond Berglund - “Unearth” - Pathfinder Records • Elliott Sharp/ David Fulton - “State of the Union” - Atavistic • “Real Estate” - Ear Rational Records Dawntown(CharlElie Cotour) - Crysalis Records/ France • Lunchmeat - “Woodstock ‘94 Vol.II” - A&M Records Happy Rhodes - “The Keep” - Aural Gratification Records Artie Traum - “The View from Here” - Shanachie Records “Meetings With Remarkable Friends” - Narada Records “The Last Romantic” - Narada Records “South of Lafayette” - Roaring Stream Music Eric Garrison - “Looking For Egypt” - China Moon Music Robbie Dupree - “Smoke and Mirrors” - Miramar Records -
Deep Listening, Touching Sound
WHAT IS DEEP LISTENING? What is Deep Listening? There’s more to listening than meets the ear. Pauline Oliveros describes Deep Listening as “listening in every possible way to everything possible to hear no matter what one is doing.” Basically Deep Listening, as developed by Oliveros, explores the difference between the involuntary nature of hearing and the voluntary, selective nature – exclusive and inclusive -- of listening. The practice includes bodywork, sonic meditations, interactive performance, listening to the sounds of daily life, nature, one’s own thoughts, imagination and dreams, and listening to listening itself. It cultivates a heightened awareness of the sonic environment, both external and internal, and promotes experimentation, improvisation, collaboration, playfulness and other creative skills vital to personal and community growth. The Deep Listening: Art/Science conference provides artists, educators, and researchers an opportunity to creatively share ideas related to the practice, philosophy and science of Deep Listening. Developed by com- poser and educator Pauline Oliveros, Deep Listening is an embodied meditative practice of enhancing one’s attention to listening. Deep Listening began over 40 years ago with Oliveros’ Sonic Meditations and organi- cally evolved through performances, workshops and retreats. Deep Listening relates to a broad spectrum of other embodied practices across cultures and can be applied to a wide range of academic fields and disci- plines. This includes, but not limited to: • theories of cognitive -
Music Education and Technology
Teach It... or Experience It. Immerse your students in an interactive cross-cultural learning experience in Cuba To truly learn, theory must be put into practice. Our educational trips engage your students by providing face-to-face in-depth encounters with Cuban music students, master musicians and ensembles. Through workshops, integrated rehearsals and concerts, your students will experience the techniques, unique passion and true excellence of Cuban music. A life changing experience. ! Go beyond the tour bus and museum rope. Let’s talk about CUBA. Log onto www.canadacuba.com to have our informative multimedia package delivered to you. www.canadacuba.com 1-800-818-8840! [email protected] The Ontario Music Educators’ Association and the Canadian Music Industry Education Committee welcome you to Inspired by our Students, Music Education and Technology November 5th to 7th, 2015 International Plaza Hotel (655 Dixon Road, Toronto) www.omea.on.ca TABLE OF CONTENTS Conference at a Glance ................................................... 6 Welcome Letters ............................................................. 7 Keynotes ...................................................................... 17 Concert Performances ................................................... 19 Friday Evening Showcase Concert ................................... 20 Cameo Performances .................................................... 24 Cameo Biographies ....................................................... 24 Annual General Meetings .............................................. -
Singing out Singingout.Com Singing Out's Annual Holiday Concert
MEDIA CONTACT: Nicholas Dewkinandan, Marketing Director [email protected] 416-859-4248 Toronto’s LGBTQ Community Chorus FOR IMMEDIATE RELEASE: PLEASE INCLUDE IN YOUR LISTINGS November 2013 Singing Out’s Annual Holiday Concert: Lighting up the Holidays with 100+ Voices TORONTO – Singing Out, Toronto’s 100+ member LGBTQ community choir, presents LIGHTS OF DECEMBER, A Holiday Concert, Saturday December 7, 2013 at 3:00pm & 7:30pm. Performances take place at the Jane Mallett Theatre – St Lawrence Centre for the Arts, 27 Front St E, Toronto for $25. This season’s concert has a unique flavour. Besides popular composers like John Rutter, we are also presenting a larger roster of Renaissance style pieces that will evoke images of troubadours and an Arthurian holiday. A highlight of the concert includes an original arrangement of Canadian composer Jane Siberry’s masterpiece: Calling All Angels. This song has been recorded by the legendary k.d. lang. Singing Out’s accompanist Beth Hanson was overjoyed when Ms. Siberry personally gave her permission to arrange the song for the choir: “I expected to get a form letter reply, but instead Jane herself replied saying that I could arrange away, then send it to her if I was happy with the results. Trying to notate for the chorus the delicate melodic nuances she sings was a rewarding challenge.” Artistic Director Jody Malone is excited that “we have invited various instrumentalists to join us in this concert, to provide a variety of backdrops for our music. Be prepared to hear some familiar tunes as well as some lesser known works as we plan to delight you once again!” Tickets are $25 and are available online at www.singingout.com, or may be purchased at Out on the Street 551 Church Street, Toronto.