Schools of Journalism and Communications Journalism Schools Prepare Students to Tell the Stories of Marginalized Voices and Communities
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Ethics for Digital Journalists
ETHICS FOR DIGITAL JOURNALISTS The rapid growth of online media has led to new complications in journalism ethics and practice. While traditional ethical principles may not fundamentally change when information is disseminated online, applying them across platforms has become more challenging as new kinds of interactions develop between jour- nalists and audiences. In Ethics for Digital Journalists , Lawrie Zion and David Craig draw together the international expertise and experience of journalists and scholars who have all been part of the process of shaping best practices in digital journalism. Drawing on contemporary events and controversies like the Boston Marathon bombing and the Arab Spring, the authors examine emerging best practices in everything from transparency and verifi cation to aggregation, collaboration, live blogging, tweet- ing, and the challenges of digital narratives. At a time when questions of ethics and practice are challenged and subject to intense debate, this book is designed to provide students and practitioners with the insights and skills to realize their potential as professionals. Lawrie Zion is an Associate Professor of Journalism at La Trobe University in Melbourne, Australia, and editor-in-chief of the online magazine upstart. He has worked as a broadcaster with the Australian Broadcasting Corporation and as a fi lm journalist for a range of print publications. He wrote and researched the 2007 documentary The Sounds of Aus , which tells the story of the Australian accent. David Craig is a Professor of Journalism and Associate Dean at the University of Oklahoma in the United States. A former newspaper copy editor, he is the author of Excellence in Online Journalism: Exploring Current Practices in an Evolving Environ- ment and The Ethics of the Story: Using Narrative Techniques Responsibly in Journalism . -
Dr J. Oliver Boyd-Barrett (2009)
Dr J. Oliver Boyd-Barrett (2009) 1 Oliver Boyd-Barrett Full Resume Education (Higher Education) Ph.D . (1978) From the Open University (U.K.). World wide news agencies: Development, organization, competition, markets and product. A study of Agence France Presse, Associated Press, Reuters and United Press to 1975. (UMI Mircofiche Author No.4DB 5008). BA Hons , (Class 2i) (1967). From Exeter University (U.K.). Sociology. (High School) GCE (General Certificate of Education)(U.K.): 'A' levels in History (Grade A), English Literature (Grade A), 'Special' paper in History (Grade 1), and Latin (AO), 1964; ‘0’ levels: passes in 10 subjects, including three ‘A’ grades; studied at Salesian College, Chertsey, Surrey (U.K.). Appointments and Experience (1) Full-time Appointments 2008- Professor (full), Department of Journalism, School of Communication Studies, Bowling Green State University, Ohio 2005-2008: Director, School of Communication Studies, Bowling Green State University, Ohio. 2001 - 2005: Full professor, tenured, Department of Communication in College of Letters, Arts and Social Sciences, California State Polytechnic University, Pomona (U.S.A.). 1998-2001: Associate Dean of the College of the Extended University, California State Polytechnic University, Pomona (U.S.A.). 1994-98: Director, Distance Learning, at the Centre for Mass Communications Research, Leicester University, and Director of the MA in Mass Communication (by distance learning) (U.K.). 1990-94: Sub-Dean (Courses) and Senior Lecturer, School of Education, at the Open University; Deputy Director MA in Education, 1992-3. (U.K.). 1985-90: Lecturer, School of Education, at the Open University (Language and Communications) (U.K.). 1975-85: Lecturer, School of Education, at the Open University (Administration and Management) (U.K.). -
The State of Multimedia Newsrooms in Europe
MIT 2002 The State of Multimedia Newsrooms in Europe Martha Stone, Jan Bierhoff Introduction The media landscape worldwide is changing rapidly. In the 1980s, the “traditional” mass media players were in control: TV, newspapers and radio. Newspaper readers consumed the paper at a specified time of the day, in the morning, over breakfast or after work. Radio was listened to on the way to and from work. Television news was watched in the morning mid-day and/or evening. Fast forward to 2002, and the media landscape is fragmented. The consumption of news has changed dramatically. News information is all around, on mobile phones, newspapers, PDAs, TV, Interactive TV, cable, Internet, teletext, kiosks, radio, video screens in hotel elevators, video programming for airlines and much more. Meanwhile, also the concept of news has changed to be more personalised, more service-oriented and less institutional. The sweeping market changes have forced media companies to adapt. This new challenge explains why Dow Jones Company, owner of the Wall Street Journal, now considers itself “a news provider of any news, all the time, everywhere.” In the frame of the MUDIA project (see annex 1), an international team of researchers has taken stock of the present situation concerning media and newsroom convergence in Europe. The various routes taken to this ideal have been mapped in a number of case studies. In total 24 leading European media (newspapers, broadcasters, netnative newscasters) were approached with a comprehensive questionnaire and later visited to interview key representatives of the editorial and commercial departments (see annex 2). The study zoomed in on four countries: the United Kingdom, Spain, France and Sweden; viewpoints from other media elsewhere in Europe were added on the basis of existing literature, and throughout the study a comparison with the USA is made where possible and relevant. -
The Leadership Institute's Broadcast Journalism School
“They may teach you a lot in college, but the polishing tips you learn here are just Launch your broadcast the edge you need to get the journalism career job you want.” - Ashley Freer Lawrenceville, GA The Leadership Institute’s Broadcast Journalism School Balance the media -- be the media -- get a job in broadcast journalism If you’re a conservative student interested in a career in journalism, the Leadership Institute’s Broadcast Journalism School is for you. The BJS is an intense, two-day seminar that gives aspiring conservative journalists the skills necessary to bring balance to the media and succeed in this highly competitive field. Learn: l How to prepare a winning résumé tape l How to plan a successful step-by-step job hunt l The nuts-and-bolts of building a successful broadcasting career Thanks to these techniques, close to 100 BJS grads now have full-time jobs in TV news. To register visit www.leadershipinstitute.org or call 1-800-827-5323 Start your future today Get paid $3,000 during your unpaid internship! Register Today! Graduates of the Leadership Institute’s Broadcast Journalism School now have a new way to 2007 Training Sessions build a successful media career: The Balance in Media Fellowship March 31 - April 1 A Balance in Media Fellowship could help you afford an unpaid internship – whether Arlington, VA you’re interning at your local television station or for a national news network. July 31- July 22 With a Balance in Media Fellowship, you can: Arlington, VA l Receive up to $3,000 during your three-month internship l Gain real-life experience at your media internship October 27 - October 28 l Start your career as a conservative journalist Arlington, VA Just send in your application, and you could have up to $3,000 for your unpaid internship! For details and an application, call the Leadership Institute at (800) 827-5323. -
Spring 2019 Umass Journalism Courses Confirm Classes, Time and Location on SPIRE
Spring 2019 UMass Journalism Courses Confirm classes, time and location on SPIRE. This is a guide, and courses may change. Journal 201: Introduction to Journalism (4 cr.) Cap. 100 Open to first-year and sophomores of any major. Gen Ed: SB DU TTH 8:30 a.m. - 9:45 a.m. Sibii ILC S140 Introduction to Journalism is a survey class that covers the basic principles and practices of contemporary journalism. By studying fundamentals like truth telling, fact checking, the First Amendment, diversity, being a watchdog to the powerful and public engagement, students will explore the best of what journalists do in a democratic society. Students will also assess changes in the production, distribution, and consumption of journalism as new technologies are introduced to newsrooms. Toward the end of the semester, students look at case studies across the media and learn how different audiences, mediums, and perspectives affect the news. Journal 250: News Literacy (4 cr.) Cap. 40 Open to any major. Gen Ed: SB TTh 10:00 a.m. - 11:15 a.m. Fox ILC N255 What is fact? What is fiction? Can we even tell the difference anymore? Today’s 24-hour news environment is saturated with a wide array of sources ranging from real-time citizen journalism reports, government propaganda and corporate spin to real-time blogging, photos, and videos from around the world, as well as reports from the mainstream media. In this class, students will become more discerning consumers of news. Students will use critical-thinking skills to develop the tools needed to determine what news sources are reliable in the digital world. -
GOOD SCHOOL PAPERS COULD HELP STEM READERSHIP SLIDE Paul Tash, the St
ASJMC INSIGHTSSPRING 2007 GOOD SCHOOL PAPERS COULD HELP STEM READERSHIP SLIDE Paul Tash, The St. Petersburg Times WE NEED TO STIMULATE, PROTECT STUDENT JOURNALISM Loren Ghiglione, ASJMC president, Northwestern University SECONDARY SCHOOLS Students, Teachers Face Uphill Battle Julie E. Dodd, University of Florida COLLEGES Hosty Decision Further Muddies the Water David L. Adams, Indiana University at Bloomington THE COMPLICATED STATE OF STUDENT PRESS LAW Mark Goodman, Student Press Law Center WHAT J-SCHOOLS CAN DO FOR STUDENT JOURNALISM Linda Shockley, Dow Jones Newspaper Fund COMING TOGETHER GLOBALLY AS A FIELD: The World Journalism Education Congress, Singapore 2007 Joe Foote, University of Oklahoma INTERNSHIPS CAN ASSIST IN ASSESSMENT Betsy B. Alderman, University of Tennessee at Chattanooga OPINION Educating Journalism Students Melvin Mencher, Columbia University ASJMC Insights Editor: Robert M. Ruggles Layout and production: Kyshia Brown The Association of Schools of Journalism and Mass Communication (ASJMC) 234 Outlet Pointe Boulevard, Suite A Columbia, SC 29210 803/798-0271 803/772-3509 (fax) ASJMC is a non-profit educational organization. More than 200 programs, both accredited and non-accredited, teaching journalism and mass communication at the college level are members of the association. ASJMC on the Web: www.asjmc.org. ASJMC Insights is a publication of the Association of Schools of Journalism and Mass Communication. Copyright © 2007 by ASJMC All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, including electronic, mechanical, photocopying, and recording, with- out the prior permission of the publisher. For information on getting permission for reprints and excerpts, or ordering additional copies, contact [email protected]. -
Anthropology Instructional Program Review Report
Instructional Program Review Report Sierra College, 2019-2020 Department/Program Name: Anthropology Date Submitted: 2/24/2020 Submitted By: Jennifer Molina, Matt Archer and Sohnya Castorena Ideally, the writing of a Program Review Report should be a collaborative process of full-time and part time faculty as well as all other staff and stakeholders invested in the present and future success of the program at all sites throughout the district. The Program Review Committee needs as much information as possible to evaluate the past and current performance, assessment, and planning of your program. Please attach your Department Statistics Report (DSR) and your planning report with your Program Review. 1) Relevancy: This section assesses the program’s significance to students, the college, and the community. 1a) To provide context for the information that follows, describe the basic functions of your program. The Anthropology Department prepares students for general education at a four year University, for upper division courses in Anthropology, for nursing programs, and for citizenship in our global community. Our Anthropology 1 and 1L courses satisfy transfer requirements for a lab/biological science courses for both the CSU and UC systems. Our Anthropology 2 course satisfies transfer requirements for a social/behavioral science course at CSU and UC campuses as well as being a prerequisite for the Sierra College Nursing program and other nursing programs around the state. We also offer courses in the additional two subfields of anthropology, Archaeology (ANTH 5) and Linguistic Anthropology (ANTH 6), so that anthropology majors are able to meet all of their lower division requirements before transferring to CSU and UC campuses. -
Porting Transmedia Storytelling to Journalism
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2011 Porting Transmedia Storytelling to Journalism Kevin Timothy Moloney University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Digital Humanities Commons, and the Journalism Studies Commons Recommended Citation Moloney, Kevin Timothy, "Porting Transmedia Storytelling to Journalism" (2011). Electronic Theses and Dissertations. 440. https://digitalcommons.du.edu/etd/440 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. PORTING TRANSMEDIA STORYTELLING TO JOURNALISM __________ A Thesis Presented to the Faculty of Social Sciences University of Denver __________ In Partial Fulfillment of the Requirements for the Degree Master of Arts __________ by Kevin T. Moloney August 2011 Advisor: Dr. Adrienne Russell © Copyright Kevin T. Moloney, 2011 All Rights Reserved Author: Kevin T. Moloney Title: PORTING TRANSMEDIA STORYTELLING TO JOURNALISM Advisor: Dr. Adrienne Russell Degree Date: August 2011 ABSTRACT This thesis examines how the methods of transmedia storytelling emerging in the entertainment industry might be used in a journalism context. Journalism is facing many crises, not the least of which is a loss of readership and perceived relevance to its public. Presented with an ever-expanding array of media with which to interact, the public is more difficult to attract to a socially relevant issue or a politically important story. -
Objectivity and Autonomy in the Newsroom: a Field Approach
OBJECTIVITY AND AUTONOMY IN THE NEWSROOM: A FIELD APPROACH A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Jay F. Gabriel May, 2008 © Copyright 2008 by Jay F. Gabriel iii ABSTRACT Objectivity and Autonomy in the Newsroom: A Field Approach Jay F. Gabriel Doctor of Philosophy Temple University, 2008 Doctoral Advisory Committee Chair: Paul Garrett This dissertation provides a better understanding of how journalists attain their personal and occupational identities. In particular, I examine the origins and meanings of journalistic objectivity as well as the professional autonomy that is specific to journalism. Journalists understand objectivity as a worldview, value, ideal, and impossibility. A central question that remains is why the term objectivity has become highly devalued in journalistic discourse in the past 30 years, a puzzling development considered in light of evidence that “objectivity” remains important in American journalism. I use Bourdieu’s notion of field to explore anthropological ways of looking at objectivity, for instance, viewing it as a practice that distinguishes journalists from other professionals as knowledge workers. Applying notions of field to the journalistic field through anthropological methods and perspective permits the linkage of microlevel perspectives to macrolevel social phenomena. The dissertation demonstrates how qualitative research on individuals and newsroom organizations can be connected to the field of journalism in the United States. Additionally, it offers insight into why journalists continue to embrace objectivity, even as they acknowledge its deficiencies as a journalistic goal. iv ACKNOWLEDGMENTS The author wishes to thank dissertation chair Paul Garrett, committee members Jayasinhji Jhala and Carolyn Kitch and outside reader Andrew Mendelson for their guidance. -
Shaping 21St Century Journalism Leveraging a “Teaching Hospital Model” in Journalism Education by C.W
New America Foundation Shaping 21st Century Journalism Leveraging a “Teaching Hospital Model” in Journalism Education By C.W. Anderson, Tom Glaisyer, Jason Smith and Marika Rothfeld, October 2011 Report Summary As the media industry evolves to meet the challenges of the emerging digitally-networked era, so too are journalism schools. Democracy and healthy local communities require this evolution. As the media industry reshapes itself, a tremendous opportunity emerges for America‖s journalism programs. Neither news organizations nor journalism programs will disappear, but both must rethink their missions, particularly now that many more people can be journalists (at least, on an occasional basis) and many more people produce media than ever before. The Walter Cronkite School of Journalism at Arizona State Journalism education programs have an University (Photo credit: Sean Horan/Flickr) opportunity to become “anchor institutions” in the emerging informational ecosystem. Many schools have long embraced elements of this vision, but satisfying the information needs of communities will require schools to take on all the challenges of engaging as serious and valuable producers of meaningful journalism. To date, some programs have avoided or shirked these responsibilities, failing to leverage broadcast licenses as part of their educational mission or inadequately supporting the pursuit of meaningful journalism by students. A move to embrace a community news mission would add a powerful momentum to the recommendation of the Knight Commission Report on the Information Needs of Democracies that “higher education, community and nonprofit institutions [should increase their role] as hubs of journalistic activity and other information-sharing for local communities.” This call was echoed in the recently issued Federal Communications Commission report on the changing media landscape in a broadband age. -
What You Do Matters
what you do matters 2008–09 ANNUAL REPORT 2 ANNUAL REPORT 2008–09 WHAT YOU DO MATTERS 3 FRONT COVER ESTELLE LAUGHLIN HOLOCAUST SURVIVOR AND MUSEUM VOLUNTEER what they do Dear friends—this past November, however impressive our far-reaching 40-foot-high portraits of Estelle impact, we must constantly challenge Laughlin and other Museum survivor ourselves to do more. In a century volunteers were projected one by one already threatened by an alarming onto the exterior of our building. rise in hatred and antisemitism as The symbolism was stunning as each well as genocide, there are simply illuminated the night. Estelle had just no time-outs. turned ten when Germany invaded Our global institution is on the Poland. Over the next four years, she front lines confronting these issues managed to survive the Warsaw ghetto, thanks to your generosity and an the Majdanek death camp, and two extraordinary constellation of other slave labor camps. With dreams still partners equally passionate in our haunted by these memories, Estelle cause. On the pages that follow you shares her story with audiences here will meet some of them. While we and across the country in order to, as cannot eradicate hatred and evil, she says, “keep truth alive and visible.” together we remain unrelenting in In telling their stories, Holocaust our commitment to remember and to survivors put the horror of the genocide teach the lessons of the Holocaust— of Europe’s Jews into a profoundly not just to impart the truth of history’s personal context. They move us beyond greatest crime but to ignite the personal the monolithic event and unfathomable sense of responsibility that stands at numbers to the anguish of each the heart of strong, just societies. -
NEW/CHANGE PROGRAM REQUEST Undergraduate Programs
NEW/CHANGE PROGRAM REQUEST UUPC Approval _________________ UFS Approval ___________________ Undergraduate Programs Banner Posted __________________ FLORIDA Department School of Communication and Multimedia Studies Catalog __________________________ ATLANTIC UNIVERSITY College Arts and Letters Program Name New Program Effective Date (TERM & YEAR) Multimedia Studies Journalism ✔ Change Program Fall 2021 Please explain the requested change(s) and offer rationale below or on an attachment See attached memo. Faculty Contact/Email/Phone Consult and list departments that may be affected by the change(s) and attach documentation Aaron Veenstra / [email protected] / 7-3851 N/A Approved by Date Department Chair College Curriculum Chair 11.23.20 College Dean 11-30-2020 UUPC Chair Undergraduate Studies Dean UFS President Provost Email this form and attachments to [email protected] one week before the UUPC meeting so that materials may be viewed on the UUPC website prior to the meeting. FAUprogramchangeUG, created December 2017 Memo for Multimedia Journalism Program Changes: 1. In an effort the streamline the curriculum, decrease time to degree, and maintain curricular rigor, the MMSJ program proposes several changes. We will reduce the required number of credits from 50 credits to a minimum of 38 (can be more depending on focus courses selected). 2. We are also dividing the MMSJ Curriculum into three parallel streams: Core (13 required credits), Production (13 required credits), Focus (12 required credits minimum). This entails renaming: a. the “Disciplinary Core” into “Core,” b. renaming the “Performance and Production” category to “Production” and, c. remove/collapse all remaining current sections, Focus, Theory/History/Criticism, and Performance and Production Emphasis”, to “Focus” resulting the categories as listed below: Core The following courses are required (13 credits): MMC 1540 Introduction to Multimedia Studies (3 credits) JOU 4004 U.S.