WP3 D9 3.1 Thematic Itineraries Brochure
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Araneae, Linyphiidae
1 Advances in the systematics of the spider genus Troglohyphantes (Araneae, 2 Linyphiidae) 3 4 Marco Isaia1 *, Stefano Mammola1, Paola Mazzuca2, Miquel A. Arnedo2 & Paolo Pantini3 5 6 1) Department of Life Sciences and Systems Biology, Università di Torino. Via Accademia 7 Albertina, 13. I-10123 Torino, Italy. 8 2) Department of Evolutionary Biology, Ecology and Environmental Sciences & Biodiversity 9 Research Institute, Universitat de Barcelona. Av. Diagonal 643, Barcelona 08028, Catalonia, Spain. 10 3) Museo civico di Scienze Naturali “E. Caffi”. Piazza Cittadella, 10. I-24129 Bergamo, Italy. 11 * Corresponding author: [email protected] 12 13 Running title: Advances in Troglohyphantes systematics 14 15 16 17 18 19 20 21 22 ABSTRACT 23 With 128 described species and 5 subspecies, the spider genus Troglohyphantes (Araneae, 24 Linyphiidae) is a remarkable example of species diversification in the subterranean environment. In 25 this paper, we conducted a systematic revision of the Troglohyphantes species of the Italian Alps, 26 with a special focus on the Lucifuga complex, including the description of two new species (T. 27 lucifer n. sp. and T. apenninicus n. sp). In addition, we provided new diagnostic drawings of the 28 holotype of T. henroti (Henroti complex) and established three new synonymies within the genus. 29 The molecular analysis of the animal DNA barcode confirms the validity of this method of 30 identification of the Alpine Troglohyphantes and provides additional support for the morphology- 31 based species complexes. Finally, we revised the known distribution range of additional 32 Troglohyphantes species, as well as other poorly known alpine cave-dwelling spiders. -
Coastal Climate Stories Documentary
Fall 2019 Sustainability Grant Proposal Coastal Climate Stories Fellowship Documentary Initiative Project Leader: Sean Jackson Amount Requested $2,876 Overview and Goals: During the Spring of 2019 I was a recipient of the first Paul Smith’s Climate Fellowship grant. The focal point of the fellowship was to work in conjunction with the climate stories project to collect interviews pertaining to the implications of climate change on different social and environmental factors through the lived realities of interviews subjects. The Climate Fellowship was granted on the grounds of a loose project proposal which I would later work to develop and hone over the course of the Spring 2019 semester. My initial project proposal was to work within the confines of the coastal communities travelling along the East Coast of the United States to collect climate stories along this gradient to see if we noticed any particular trends as our body of interviews grew. Because this was the first year of the program, output goals were relatively flexible. The primary objective for final products was to be in the form of interview transcripts and reflective writings. This was an adequate outlet for much of what the fellowship was trying to capture but was largely confined by a lack of a distributable medium. For this reason, I wanted to build upon the fellowship’s potential reach in order to make sure that these important stories pertaining to climate change were not just being collected, but also shared, and discussed. The objective of the climate stories project is to develop a comprehensive body of climate change related stories and in doing so create a network of individuals to work towards a more sustainable future. -
Directing Change Full Booklet Size
The Sixth Annual Directing Change Program and F ilm Contest To keep up with the latest updates, visit: www.facebook.com/DirectingChangeCA CALLING ALL YOUNG FILMMAKERS SHORT FILMS THAT WILL BE USED TO RAISE AWARENESS AND CHANGE AGENTS! MAKE A DIFFERENCE AND WIN CASH PRIZES BY CREATING SUICIDE PREVENTION • MENTAL HEALTH MATTERS AND HELP YOUNG PEOPLE SUBMISSION CATEGORIES: ACROSS CALIFORNIA. ANIMATED SHORT • THROUGH THE LENS OF CULTURE • SANAMENTE SUBMISSIONS ARE DUE MARCH 1, 2018. Visit www.DirectingChangeCA.org for contest rules and educational resources. Table of Contents 1. Directing Change Getting Started 2. Program and Contest Rules 3. Regional Map 4. Submission Check list 5. Suicide Prevention Category 6. Suicide Prevention Fact Sheet 7. Mental Health Matters Category 8. Mental Health Fact Sheet 9. Through the Lens of Culture Category 10. Animated Short Category 11. SanaMente Category 12. Entry Form 13. Release Forms For questions or technical support contact [email protected]. www.DirectingChange.org Directing Change – How to Get Started 1. Bookmark our new URL- www.DirectingChangeCA.org • And follow us on social media to receive notifications and announcements about the program and post questions to the Directing Change team. If at any time you are 2. Review the contest rules and FAQ experiencing an The contest is open to young people in California in two groups: emotional crisis, are • Middle and High School students (grades 7-12) thinking about suicide • Youth and young adults ages 14-25 who are submitting in partnership with a college, or are concerned about university, community-based organization, program, club or other agency. -
ESPON URRUC Annex VI.Pdf
Urban-Rural Connectivity in Non-Metropolitan Regions (URRUC) Case study report Province of Imperia – Valle Arroscia, Italy 07/06/2019 This targeted analysis activity is conducted within the framework of the ESPON 2020 Cooperation Programme, partly financed by the European Regional Development Fund. The ESPON EGTC is the Single Beneficiary of the ESPON 2020 Cooperation Programme. The Single Operation within the programme is implemented by the ESPON EGTC and co-financed by the European Regional Development Fund, the EU Member States and the Partner States, Iceland, Liechtenstein, Norway and Switzerland. This delivery does not necessarily reflect the opinion of the members of the ESPON 2020 Monitoring Committee. Authors Politecnico di Torino, Italy Cotella, G, Scudellari, J, Staricco, L and Vitale Brovarone, E Advisory Group Project Support Team: Bishop, J, Callen, J, Giles, C and McArdle, D ESPON EGTC: Frideres, L, Rossignol, N and Szabo, A Information on ESPON and its projects can be found on www.espon.eu. The web site provides the possibility to download and examine the most recent documents produced by finalised and ongoing ESPON projects. This delivery exists only in an electronic version. © ESPON, 2019 Printing, reproduction or quotation is authorised provided the source is acknowledged and a copy is forwarded to the ESPON EGTC in Luxembourg. Contact: [email protected] ISBN: 978-2-919795-46-8 Table of contents Blue Box: Province of Imperia – Valle Arroscia ..................................................................................... -
The Best of Korean Cinema Returns to London
THE BEST OF KOREAN CINEMA RETURNS TO LONDON 제 9회 런던한국영화제 / OFFICIAL FESTIVAL BROCHURE / 6-21 NOVEMBER 2014 14�OZE�454 .pdf 1 10/10/14 1:53 PM An introduction by Tony Rayns You wouldn’t know it from the pro- It’s a sad fact that not many of these gramming of this year’s other film fes- films will go into distribution in Britain, tivals in London, but 2014 has been a not because they lack audience ap- terrific year for Korean cinema. Two peal but because the ever-rising cost home-grown blockbusters have domi- of bring films into distribution in this nated the domestic market (one of country makes it hard for distributors to them has been seen by nearly half the take chances on unknown quantities. entire population of South Korea!), Twenty years ago the BBC and Chan- C and there have also been outstanding nel 4 would have stepped in to help, M achievements in the art-film sector, the but foreign-language films get less and indie sector, the student sector – and less exposure on our television. Maybe Y in animation and documentary. And just the decline in the market for non-Hol- CM as you begin to salivate over all those lywood films will mark the start of new films you’re afraid you’ll never get to initiatives in on-demand streaming and MY see, along comes the London Korean downloading, but those innovations are CY Film Festival to save the day. still in their infancy. And so the London CMY I’ve said this before, but it bears Korean Film Festival has an absolutely repeating: London is extremely lucky crucial role in bringing new Korean K to have the largest and most ambitious movies to the people who want to see of all the Korean Film Festivals staged them. -
SANREMO. 100% RIVIERA the Most Exclusive Sites of the Italian and French Riviera in One Port of Call
SANREMO. 100% RIVIERA The most exclusive sites of the Italian and French Riviera in one port of call Presenta(on by Hugo Trumpy & Trumpy Tours Contents • Sanremo – The Port – Locaon and Connecons page 3 – Port Facili=es and Services 4 – Berthing Facili=es 5 – Technical Informaon 6 • Sanremo – The City SANREMO – History 7 Genoa – Climate 9 • What to See in Sanremo – The Old Town 10 – The Capital of La Belle Epoque 11 • What to See in the sorroundings of Sanremo – Bussana Vecchia 14 – Triora 15 Rome – Dolceacqua and Apricale 16 – The Best Beaches: from Diano to Balzi Rossi 17 – Many opons for those who love the outdoors 18 – Two Beau=ful Golf Courses 19 • What to See in the French Riviera – Montecarlo 20 – Nice and Eze Village 21 – Cannes and Grasse 22 • Typical Products – Food and Wine 23 • Contacts and References 24 HUGO TRUMPY & TRUMPY TOURS 2 Sanremo – The Port Strategically located on the Italian Riviera • Sanremo is a city with about 57,000 inhabitants on the Mediterranean coast of western Liguria in north-western Italy. Founded in Roman mes, the city is best known as a tourist des=naon on the Italian Riviera. • Sanremo is situated in a privileged locaon, in the centre of an important road: the European highway E80, which includes the A10 Genoa-Ven=miglia and the A8 Menton-Aix-en- Provence, connects the city to France and to the Italian motorway SANREMO network. MONACO • The nearest internaonal airports are Nice, only 50 km from Sanremo, Albenga and Genoa (70 and 150 km) • Sanremo Railway Staon is located along the line that connects -
83 Orange Peels
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 83 Orange Peels Klara Hammoud University of Central Florida Part of the Film Production Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Hammoud, Klara, "83 Orange Peels" (2017). Electronic Theses and Dissertations, 2004-2019. 5390. https://stars.library.ucf.edu/etd/5390 83 ORANGE PEELS A MICRO-BUDGET EXPERIMENTAL DOCUMENTRAY FEATURE by KLARA HAMMOUD BA. University of Damascus, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Entrepreneurial Digital Cinema in the School of Visual Arts and Design in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2017 © 2017, Klara Hammoud ii ABSTRACT 83 ORANGE PEELS is a feature-length film written and directed by Klara Hammoud and produced by Biddayat as part of the requirements for earning a Master of Fine Arts in Entrepreneurial Digital Cinema from the University of Central Florida. The project aims to challenge existing conventions of the documentary filmmaking on multiple levels – aesthetic, narrative, and technical– while also examining growing importance of workflow throughout all aspects of production. These challenges were both facilitated and necessitated by the limited resources available to the production team and the academic context of the production. -
Una Boccata D'arte Press Release EN 08.2020
PRESS RELEASE Milan, 6 August 2020 Una boccata d’arte 20 artists 20 villages 20 regions 12.9 - 11.10.2020 A Fondazione Elpis project in collaboration with Galleria Continua Una boccata d’arte is a contemporary, widespread and unanimous art project, created by the Fondazione Elpis in collaboration with Galleria Continua. It is intended to be an injection of optimism, a spark of cultural, touristic and economic recovery based on the encounter between contemporary art and the historical and artistic beauty of twenty of the most beautiful and evocative villages in Italy. With Una boccata d’arte, the Fondazione Elpis also wishes to make a significant contribution to the support for contemporary art and the enhancement of Italian historical and landscape heritage, in light of the resumption of cultural activities in our country. In September, the twenty picturesque and characteristic chosen villages which enthusiastically joined the initiative will be enhanced by twenty site-specific contemporary art interventions carried out, for the most part, outdoors by emerging and established Italian artists invited by the Fondazione Elpis and Galleria Continua. Twenty artists for twenty villages, in all twenty regions of Italy. Over the past few weeks, the artists involved have conducted, in the company of representatives of the local municipalities, a first inspection in the selected village. In addition to a general visit of the village and a meeting with the inhabitants, the artists identified the site that will host their interventions, for which the conception and design phase is underway. For its first edition, Una boccata d’arte will inaugurate the artist’s works on the weekend of 12 and 13 September, at the same time in all the selected locations. -
NAFA-Network 15.1
Contents Editorial . 2 Presentation of new co-editor: Christian Suhr Nielsen . 3 News from the Commission on Visual Anthropology . 5 NAFA 2008: Festival and Conference, 29/5–1/6-2008 . 7 New Films in the NAFA Film Archives . 8 nafa:// The 10th Biennial Conference of the European Association of Social Anthropologists: Call for papers . 14 Announcement of DEF - Days of Ethnographic Film, Ljubljana, May 19-23, 2008 . 17 19th edition of Beeld voor Beeld, Documentary Film Festival 2008, June 4-8, 2008: final call for films . 17 Programme of Jean Rouch International Film Festival, network Paris, March 2008 . 18 Programme of the 9th Göttingen International Film vol. 15.1 (February 2008) Festival, April 30-May 4, 2008 . 22 Newsletter of the Nordic Anthropological Film Association International Visual Sociology Association: Conference Incorporating the Commission of Visual Anthropology (CVA) Circular August 2008: Announcement and call for panels . 24 Visual and Critical Studies Graduate Symposium: Call for Web version: http://www.nafa.uib.no projects . 25 ISSN: 0805 - 1046 Call for papers for a special issue of Accounting, Auditing and Accountability Journal: “Accounting and the Visual” 27 Please send news, articles and announcements to: The 5th Cosmobilities Conference: Tracing the New Berit Madsen, Anne Mette Jorgensen and Christian Suhr Nielsen Mobilities Regimes, Munich, October 16-17, 2008 . 28 Department of Anthropology Review of the 1st VIDOVIN: open festival of Moesgaard ethnographic and documentary film from the Periphery, 8270 Hoejbjerg 2007, Tolmin, Slovenia . 29 Denmark Fax: +45 89424655 NOTICE BOARD . 31 E-mail: [email protected] ; [email protected] CALENDAR . 33 NAFA Network vol. -
A Combinatorial Method for Health-Care Districting
A COI~BINATORIAL METHOD FOR HEALTH-CARE DISTRICTING C. Ghiggi P.P. Puliafito R. Zoppoli Istituto di Elettrotecnica Universith di Genova Viale Causa, 13 16145 Genoa (Italy) I. INTRODUCTION The problem described in this paper arises whenever, for political or administrative reasons, a geographical region must be partitioned into an unknown number of districts so that, within each district,the total amount of service supplied by existing facilities of known location and capacity may satisfy a given demand, according to some optimality criterion. The philosophy of the problem is quite different from that of the so-called Location Problem (see for example TOREGAS et AL. [I]), since we are neither seeking locations for new facilities nor trying to modify their capacities. The following assumptions will define the problem more clearly. I. The region is considered to be made up of a certain number of assigned undivisible communities of known concentrated population. 2. Each community must be univocally assigned to a district, i. e. , no overlap among districts is allowed. 3. The location and capacity of every facility are assigned. 4. Each district must be connected in the geometrical sense. 5. The population of each district must lie within an assigned range. 6. The number of districts is unknown. In the following, we shall refer to hospitals as facilities. This work was supported by the National Council of Research of Italy (CNR). 117 The capacity of a facility will be simply characterized by the number of beds of the hospital. Then, the aim of the paper will be to present a partioning method for the region, such that each district can be considered as "self-sufficient" from a health care point of view, and "satisfactory" for both the planner and the citizen. -
6523 Papadimitriou & Grgic.Indd
CONTEMPORARY BALKAN CINEMA 66523_Papadimitriou523_Papadimitriou & GGrgic.inddrgic.indd i 001/10/201/10/20 33:27:27 PPMM Traditions in World Cinema General Editors Nordic Genre Film Linda Badley (Middle Tennessee State Tommy Gustafsson and Pietari Kääpä (eds) University) Contemporary Japanese Cinema Since R. Barton Palmer (Clemson University) Hana-Bi Adam Bingham Founding Editor Chinese Martial Arts Cinema (2nd edition) Steven Jay Schneider (New York University) Stephen Teo Titles in the series include: Slow Cinema Tiago de Luca and Nuno Barradas Jorge Traditions in World Cinema Expressionism in Cinema Linda Badley, R. Barton Palmer and Steven Jay Olaf Brill and Gary D. Rhodes (eds) Schneider (eds) French Language Road Cinema: Borders, Japanese Horror Cinema Diasporas, Migration and ‘New Europe’ Jay McRoy (ed.) Michael Gott New Punk Cinema Transnational Film Remakes Nicholas Rombes (ed.) Iain Robert Smith and Constantine Verevis (eds) African Filmmaking Coming of Age in New Zealand Roy Armes by Alistair Fox Palestinian Cinema New Transnationalisms in Contemporary Nurith Gertz and George Khleifi Latin American Cinemas Czech and Slovak Cinema Dolores Tierney Peter Hames Celluloid Singapore: Cinema, Performance and The New Neapolitan Cinema the National Alex Marlow-Mann Edna Lim American Smart Cinema Short Films from a Small Nation: Danish Claire Perkins Informational Cinema 1935–1965 C. Claire Thomson The International Film Musical Corey Creekmur and Linda Mokdad (eds) B-Movie Gothic: International Perspectives Justin D. Edwards and Johan -
Exegesis (877.1Kb)
Theo The production and promotion of a microfilm exploring the experience of a Chinese immigrant in Auckland Wenrui Dai An exegesis submitted to Auckland University of Technology in partial fulfillment of the requirements for the degree of Master of Creative Technologies (MCT) 2014 Theo The production and promotion of a microfilm exploring the experience of a Chinese immigrant in Auckland Wenrui Dai 2014 2 Table of Contents Attestation of Authorship ............................................................................................................................... 4 Acknowledgements ........................................................................................................................................ 5 Abstract .......................................................................................................................................................... 6 Introduction .................................................................................................................................................... 7 Chapter 1: Literature Review ......................................................................................................................... 9 1.1 Chinese emigrants and Chinese immigrants .................................................................................... 9 1.2 The Protagonist .............................................................................................................................. 11 1.3 Microfilm in China ........................................................................................................................