Aamir Khan Diet Plan Dangal Movie
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Government of India Press Information Bureau Union Public Service Commission
GOVERNMENT OF INDIA PRESS INFORMATION BUREAU UNION PUBLIC SERVICE COMMISSION P R E S S N O T E SUBJECT: NATIONAL DEFENCE ACADEMY AND NAVAL ACADEMY EXAMINATION (I), 2019–DECLARATION OF WRITTEN RESULT THEREOF. On the basis of the result of the written part of the National Defence Academy and Naval Academy Examination, (I) 2019 held by the Union Public Service Commission on 21st April, 2019, candidates with the under mentioned Roll. Nos. have qualified for interview by the Services Selection Board (SSB) of the Ministry of Defence for Admission to Army, Navy and Air Force Wings of the National Defence Academy for the 143th Course and for the 105th Indian Naval Academy Course (INAC) commencing from 2nd January, 2020. The result is also available at Commission’s website https://upsc.gov.in. 2 The candidature of all the candidates whose Roll Nos. are shown in the list is provisional. In accordance with the conditions of their admission to the examination, “candidates are requested to register themselves online on the Indian Army Recruiting website joinindianarmy.nic.in within two weeks of announcement of written result. The successful candidates would then be allotted Selection Centres and dates, of SSB interview which shall be communicated on registered e-mail ID. Any candidate who has already registered earlier on the site will not be required to do so. In case of any query/ Login problem, e-mail be forwarded to dir- [email protected].” “Candidates are also requested to submit original certificates of Age and Educational Qualification to respective Service Selection Boards (SSBs) during the SSB interview.” The candidates must not send the Original Certificates to the Union Public Service Commission. -
The West Bengal College Service Commission State
THE WEST BENGAL COLLEGE SERVICE COMMISSION STATE ELIGIBILITY TEST Subject: MUSIC Code No.: 28 SYLLABUS Hindustani (Vocal, Instrumental & Musicology), Karnataka, Percussion and Rabindra Sangeet Note:- Unit-I, II, III & IV are common to all in music Unit-V to X are subject specific in music Unit-I Technical Terms: Sangeet, Nada: ahata & anahata , Shruti & its five jaties, Seven Vedic Swaras, Seven Swaras used in Gandharva, Suddha & Vikrit Swara, Vadi- Samvadi, Anuvadi-Vivadi, Saptak, Aroha, Avaroha, Pakad / vishesa sanchara, Purvanga, Uttaranga, Audava, Shadava, Sampoorna, Varna, Alankara, Alapa, Tana, Gamaka, Alpatva-Bahutva, Graha, Ansha, Nyasa, Apanyas, Avirbhav,Tirobhava, Geeta; Gandharva, Gana, Marga Sangeeta, Deshi Sangeeta, Kutapa, Vrinda, Vaggeyakara Mela, Thata, Raga, Upanga ,Bhashanga ,Meend, Khatka, Murki, Soot, Gat, Jod, Jhala, Ghaseet, Baj, Harmony and Melody, Tala, laya and different layakari, common talas in Hindustani music, Sapta Talas and 35 Talas, Taladasa pranas, Yati, Theka, Matra, Vibhag, Tali, Khali, Quida, Peshkar, Uthaan, Gat, Paran, Rela, Tihai, Chakradar, Laggi, Ladi, Marga-Deshi Tala, Avartana, Sama, Vishama, Atita, Anagata, Dasvidha Gamakas, Panchdasa Gamakas ,Katapayadi scheme, Names of 12 Chakras, Twelve Swarasthanas, Niraval, Sangati, Mudra, Shadangas , Alapana, Tanam, Kaku, Akarmatrik notations. Unit-II Folk Music Origin, evolution and classification of Indian folk song / music. Characteristics of folk music. Detailed study of folk music, folk instruments and performers of various regions in India. Ragas and Talas used in folk music Folk fairs & festivals in India. Unit-III Rasa and Aesthetics: Rasa, Principles of Rasa according to Bharata and others. Rasa nishpatti and its application to Indian Classical Music. Bhava and Rasa Rasa in relation to swara, laya, tala, chhanda and lyrics. -
Clare M. Wilkinson-Weber
Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp. -
67Th National Film Awards, 2019
67th National Film Awards, 2019 Most Film Friendly State Award Sr. No. State Medal 1. Sikkim Rajat Kamal & Certificate 67th National Film Awards, 2019 Best Writing on Cinema Award for Best Book on Cinema: Sr. No. Title of the Book Language Name of the Name of the Medal and Author Publisher Cash prize 2. A GANDHIAN AFFAIR: English Sanjay Suri HarperCollins Swarna Kamal INDIA’S CURIOS Publishers India and Rs. PORTRAYAL OF LOVE 75,000/- IN CINEMA Special Mention: Sr. No. Title of the Book Language Name of the Award Author 1. CINEMA PAHANARA MANUS Marathi Ashok Rane Certificate 2. KANNADA CINEMA: Kannada P R Certificate JAGATHIKA CINEMA VIKASA- Ramadasa PRERANE- PRABHAVA Naidu Award for Best Film Critic: Sr. No. Name of Critic Language Medal and Cash Prize 1. Sohini Chattopadhyay English Swarna Kamal and Rs. 75,000/- 67th National Film Awards, 2019 Non-Feature Films Section 67th National Film Awards 2019 Non-Feature Films Results S.No. Category of Award Title of the Film Awardee Medal & Cash Prize 1. BEST NON-FEATURE AN ENGINEERED Producer & Director Swarna Kamal FILM DREAM (HINDI) : Hemant Gaba Rs. 1,50,000/- each 2. BEST DEBUT NON- KHISA Producer : P P Cine Rajat Kamal FEATURE FILM OF A (MARATHI) Production DIRECTOR Rs. 75,000/- Director : Raj Pritam each More 3. BEST ETHNOGRAPHIC CHARAN-ATVA Producer : Films Rajat Kamal FILM THE ESSENCE Division OF BEING A NOMAD Rs 50,000/- (GUJARATI) Director : Dinaz each Kalwachwala 4. BEST BIOGRAPHICAL ELEPHANTS DO Producer : Films Rajat Kamal FILM REMEMBER Division (ENGLISH) Rs 50,000/- Director : Swati Producer Pandey, Viplove Rai Bhatia & Manohar Singh Bisht Rs. -
THE BUCHAREST UNIVERSITY of ECONOMIC STUDIES The
THE BUCHAREST UNIVERSITY OF ECONOMIC STUDIES The Faculty of International Business and Economics The Department of Modern Languages and Business Communication of ASE Iuliu Hațieganu University of Medicine and Pharmacy Cluj- Napoca 7th International Conference: Synergies in Communication Bucharest, Romania, 22 - 23 November 2018 BEHIND THE SCREENS: A STUDY OF THE FILMS OF THREE INDIAN WOMEN DIRECTORS Minouti NAIK1 Abstract Indian films, even after 76 years of independence and 105 years of Indian Cinema, are a predominantly male domain. The percentage of women film makers, in the industry, is a mere 9.1%. Despite this, the films directed by women have compelled audiences to take notice, because of the wide spectrum of issues they have touched upon. Three women directors, whose movies have left an indelible mark on the audiences, include Tanuja Chandra, Meghna Gulzar and Gauri Shinde. This paper analyses the work of these three women directors, for the uniqueness of their themes and the characters they have sketched, and attempts to find out, what has led to their films being etched deeply, into the consciousness of their audience. This will be analysed against the backdrop of the realities of the society from which these films emerge, and as a reflection of the gender dynamics existing in Indian society. Keywords: Indian cinema, women, themes, characters, uniqueness 1. Introduction Men have sight, women insight. - Victor Hugo Victor Hugo‟s observation, penned down in his memoirs, might be an apt point to begin with, when one reflects upon films made by Indian women filmmakers. Despite films forming a very important facet of the Indian society and the fact that India completed 105 years of cinema, this year, the number of women making films in India is very small. -
Kajol Ready for a Comeback
BOLLYWOOD KajolKajol RReeaaddyy ffoorr aa ccoommeebbaacckk fter a long break for marriage and motherhood, actress immense talent, she surprised everyone with her acting in the film, for Kajol is all set to re-enter Bollywood with a new film, which she became the first woman to win the ‘Filmfare Best Villain Kunal Kohli’s ‘Fanaa’, co-starring Aamir Khan, which is Award’, in 1997. scheduled for a May release. But this time its only fun But the same year, the trilingual ‘Sapnay’, with Arvind Swamy and that she is acting for. She does not want to become a Prabhu Deva, failed. However, that was all forgotten in 1998. First full-timeAA actress with a tight schedule. there was the runaway hit ‘Pyaar Kiya To Darna Kya’ with Salman Khan. Born to star actress Tanuja and Shomu Mukherjee, acting was in Then came Tanuja Chandra’s ‘Dushman’, her first attempt at a double Kajol’s blood as her great grandmother Ratanbai, her grandmother role which wowed audiences and critics alike, and the country had a Shobhana Samarth, her mother and aunt Nutan were all renowned new uncrowned number one actress. actresses of their time. Then came ‘Pyar To Hona Hi Tha’ with Ajay Devgan , which opened Kajol schooled at St. Joseph’s Convent in Panchgani, Maharashtra. a new chapter in her career. But probably even she was not prepared Later, she enrolled in Sophia College, Mumbai, but gave up studies for what was coming with Karan Johar’s ‘Kuch Kuch Hota Hai’ with to join the movies at the age of 16. -
Shahrukh Khan Aishwarya Rai Hrithik Roshan Kajol Salman Khan Kareena Kapoor
Shahrukh Khan Aishwarya Rai Hrithik Roshan Kajol Salman Khan Kareena Kapoor Rani Mukherji Amitabh Bachchan Amisha Patel Aamir Khan Priyanka Chopra Akshay Kumar Shahid Kapoor Bipasha Basu John-Abraham Preity Zinta Saif Ali Khan Vidya Balan Abhishek Bachchan Deepika Padukone Arjun Rampal Katrina Kaif Ranbir Kapoor Anushka Sharma FECHA DE ACTUALIZACIÓN DEL CATALOGO: 28 DE OCTUBRE 2015 Venta especializada de Cine de la India -((CON MÁS DE 12 Años DE ESPERIENCIA ))- -Tenemos: Estrenos, Éxitos de taquilla, clásicos, musicales, Bandas sonoras, Música India, Sólo vendemos cine indio 100% , Pusimos de moda el Bollywood en cuba, CATÁLOGO DE PELÍCULAS INDIAS EN HD (ALTA DEFINICIÓN) Precio: Películas de menos de 3 GB, 2 películas x 1 cuc Películas de 3Gb en adelante, 1 película x 1 cuc También contamos con los siguientes catálogos: - Catálogo de películas indias en DVD copias oficial - Catálogo de películas indias (.avi) para llevar en copias digital - Catálogo de DVD´s de Videos musicales Bollywood - Además vendemos bandas sonoras y música india en copias digital - Pegatinas y posters de actores y dioses indios… Descargue nuestros catálogos desde internet visitando www.PELICULASINDIAS.com nuestro e-mail: [email protected] Si desea recibir en su célular alertas de Estrenos, eventos, venta de productos de la India y más, envíenos un SMS con el texto (ALERTAS BOLLYWOOD ) Telf: (7) 836-8640 Descargue desde internet la actualización de este catálogo visitando: www.PELICULASINDIAS.com (1995)- Dilwale Dulhania Le jayenge Actores:Shah Rukh Khan,Kajol -
India's Rise in Cases Third Fastest Globally
follow us: monday, june 15, 2020 Delhi City Edition thehindu.com 16 pages ț ₹10.00 facebook.com/thehindu twitter.com/the_hindu Mamata flays draft 4,827 seafarers will Gujarat experiences Bollywood actor Electricity Bill, seeks return in largest crew 5.5 magnitude quake, Sushant Singh Rajput Opposition support signoff exercise no damage reported found dead in Mumbai page 9 page 9 page 10 page 14 Printed at . Chennai . Coimbatore . Bengaluru . Hyderabad . Madurai . Noida . Visakhapatnam . Thiruvananthapuram . Kochi . Vijayawada . Mangaluru . Tiruchirapalli . Kolkata . Hubballi . Mohali . Malappuram . Mumbai . Tirupati . lucknow . cuttack . patna NEARBY In the pandemic, the disabled remain an invisible minority “Where should I go now? his legs in an accident two results from a study of 1,067 According to professional Study says 75% of Should I buy food or medi years ago. He needs Ms. Naz people with disabilities psychologists, individuals such people were cines?” nin’s assistance for most of (about 73% male, 27% fe with disability and their fa hit by lockdown Ms. Asha Devi works in a his tasks. She sighs in an male) — over 73% of those milies are at a greater risk of steel line. Post the lock guish and says, “How can I surveyed faced serious diffi poor health and quality of Suchitra down, the families have got stand in long lines for ration culties due to the lockdown. life outcomes because either Capital reports highest absolutely no support from when there is nobody to take their social status is affected spike in COVID-19 cases In Delhi's Wazirpur, two fa the government or from Locked out by their disabilities or their NEW DELHI milies are struggling each their employer. -
Post Colonialism and Political Resistance in Lagaan: Once Upon a Time in India
Turkish Journal of Computer and Mathematics Education Vol.12 No.7 (2021), 53-56 Research Article Post Colonialism And Political Resistance In Lagaan: Once Upon A Time In India 1 Arjun P Kumar, 2 Gopikrishnan S, 3 Arun S 1. P.G. Student, 2. P.G Student 3. Assistant Professor Department of English, Amrita Vishwa Vidyapeetham, Amrita puri Campus, India Article History: Received: 10 January 2021; Revised: 12 February 2021; Accepted: 27 March 2021; Published online: 16 April 2021 Abstract: Using the movie Lagaan as a case in point, the paper examines the post-colonial and political resistance in the 19th century. Lagaan is a Bollywood movie released in 2001 and is directed by Ashutosh Gowariker. The fictional story is set in a village in India and it explores the struggles faced by the citizens to earn their rights. Taking in account of the movie, the paper analyses the socio-political scenario of the country. Keywords: Post Colonialism, Political resistance, Lagaan Analysis: “Iss aetihasik jeet ke baad bhi itihas main Bhuvan ka naam kahi kho gaya” (Even after the historical win, Bhuvan lost his identity in the history of struggle) - Lagaan Indian film industry which is a collective formation of cinemas from various languages has evolved as a major form of entertainment. But as time passed, it has become a source of voice for the voiceless. The Indian directors chose the medium to speak about the socio-political background of the country. Though majority of the mass enjoyed a commercial treatment, there has always been a want for experiments. In the current scenario, movie critics play a major role in analysing the soul of the movie. -
Off to School, with Waheeda Rehman
XHAUDHVIN KA CHAND' OVER CITY SLUM Waheeda Rehman and Akshara Foundation chief Rohini Niiekani spend time with sium children on Thursj^ay— Express photo Off to school, with Waheeda Rehman ■ Legendary actress joins Primary and High School in ters, garage mechanics and tea adopted the Urdu school, where it Devara Jeevanahalli slum sport shop-owners from the age of four conducts special classes for pri hands with Akshara ed a festive look for the occasion, or five. “Sometimes I know some mary students. Akshara chair Foundation to open new packed with eager onlookers, children have no other options person, Rohini Niiekani, urged world for slum children curious children and parents. but to work. But a few hours of “ men to take interest in their chil “lam happy seeing many ofyou school can ensure that they know dren’s future and send them to Express News Service in school, but not completely, as their rights and are not exploited school.” there just as many of you outside by those they work for,” Wahee-' Rohini and Waheeda also spent Bangalore, July 31 the school,” said the actress, add da said. time with pre-schoolers in one of ressing both the children and th- Schooling, she promised. the many playhomes being run T was a rare day in Banga by the Foundation. The Govt lore’s largest slum. Visiting a , ‘Woiddn'tyouliketobecome actress like me, or an Urdu Model School was adopted Ischool at the end of a narrow actor like Aamir Khan or Fardeen Khan?’ by the Shariff Foundation, last muddy lane was one of Bolly year, which works in tandem wood’s most accomplished efrparents. -
The Past; Preparing for the Future
Vol. 5 No. 08 New York August 2020 Sanya Madalsa Malhotra Sharma breakout Angel face with talent a spunky spirit Janhvi Priyanka Kapoor Abhishek chopra Jonas Navigating troubled Desi girl turns Bollywood Bachchan global icon Learning thefrom past Volume 5 - August 2020 Inside Copyright 2020 Bollywood Insider 50 Dhaval Roy Deepali Singh 56 18 www.instagram.com/BollywoodInsiderNY/ Scoops 12 SRK’s plastic act 40 leaves fans curious “I had a deeper connection with Kangana’s grading Exclusives Sushant” system returns to bite 50 Sanjana Sanghi 64 her Learning from past; preparing for future 06 Abhishek Bachchan “I feel like a newcomer” 56 Sushmita Sen From desi girl to a truly global icon 12 Priyanka Chopra Jonas Perspective Angel face with spunky spirit happy 18 Madalsa Sharma 32 Patriotic Films independence day “I couldn’t talk in front of Vidya Balan” 26 Sanya Malhotra 62 Actors on OTT 15TH AUGUST The privileged one 41 44 Janhvi Kapoor PREVIOUS ISSUES FOR ADVERTISEMENT July June May (516) 680-8037 [email protected] CLICK For FREE Subscription Bollywood Insider August 2020 LOWER YOUR PROPERTY TAXES Our fee 40 35%; others charge 50% NO REDUCTION NO FEE A. SINGH, Hicksville sign up for 2021 Serving Homeowners in Nassau County Varinder K Bhalla PropertyTax Former Commissioner, Nassau County ReductionGuru Assessment Review Commission CALL or whatsApp [email protected] 3 Patriotic Fervor Of Bollywood Stars iti Sunshine Bhalla, a young TV host in Williams during 2008 to 2011. In 2012, Shah New York, anchored India Independence Rukh Khan, Anushka Sharma and Sanjay Dutt R Day celebrations which were televised appeared on her show and shared their patriotic in India and 23 countries in Europe. -
Analisis Semiotika Ketidakadilan Gender Dalam Film Dangal Karya Amir Khan Production
ANALISIS SEMIOTIKA KETIDAKADILAN GENDER DALAM FILM DANGAL KARYA AMIR KHAN PRODUCTION Skripsi Diajukan kepada Fakultas Ilmu Dakwah dan Ilmu Komunikasi untuk Memenuhi Persyaratan Memperoleh Gelar Sarjana Sosial (S.Sos) Oleh: Yulia Nur Shofiani NIM: 11130510000129 JURUSAN KOMUNIKASI DAN PENYIARAN ISLAM FAKULTAS ILMU DAKWAH DAN ILMU KOMUNIKASI UNIVERSITAS ISLAM NEGERI SYARIF HIDAYATULLAH JAKARTA 1439H/2017M 9 i ABSTRAK Yulia Nur Shofiani (1113051000129) Analisis Semiotika Ketidakadilan Gender Dalam Film Dangal Karya Amir Khan Production Sebagai media yang menampilkan realitas kehidupan yang nyata, film mencoba meyakinkan penonton dengan persoalan yang ada di masyarakat. Salah satu persoalan yang menjadi pedebatan berbagai kalangan adalah ketimpangan gender. Film Dangal yang rilis pada 23 Desember 2016 ini menggambarkan ketimpangan gender yang diterima oleh Mahavir dan kedua anak perempuannya karena bergulat. Film Bollywood ini berbeda dengan film Bollywood lainnya, pasalnya film-film Bollywood lain yang diketahui masyarakat mengedepankan cerita cinta, nyanyian dan tarian, sedangkan film Dangal menampilkan cerita yang menarik, dan penuh dengan makna didalamnya. Berdasarkan latar belakang di atas, pertanyaan dalam penelitian ini adalah bagaimana makna denotasi ketidakadilan gender yang terkandung dalam film Dangal? Bagaimana makna konotasi ketidakadilan gender yang terkandung dalam film Dangal? Bagaimana makna mitos ketidakadilan gender yang terkandung dalam film Dangal? Penelitian ini menggunakan paradigma kontruktivisme dimana bahasa tidak