Expert Testimony on (I) Community Establishment; (Ii) Nexus; and (Iii) Support for Dotmusic’S Community-Based Application1 for .MUSIC (Application ID 1-1115-14110)
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Music - Best of Both Worlds - Phoenixnewtimes.Com Page 1 of 3
Phoenix - Music - Best of Both Worlds - phoenixnewtimes.com Page 1 of 3 c a b Music m Monday, February 12, 2007 r r j NEWS BLOGS RESTAURANTS ENTERTAINMENT MUSIC MOVIES BEST OF CLASSIFIED PROMOTIONS SEARCH AD INDEX p a s write to the editor | email a friend | print article Most Popular Most Viewed Most Emailed Music Best of Both Worlds The Curse Camping with Cracker Here's why the Cardinals have sucked forever, and why they might never suck again By Ed Masley Published: February 8, 2007 Boob's Tube Here's how publicity hound Joe Arpaio used a TV David Lowery lost his share of fans when he followed his days station to try to destroy rival Dan Saban with a bogus rape claim at the helm of one of independent rock's most willfully A Cancer on ASU eccentric acts — Camper Van Beethoven — with Cracker, a far Could Bob Pettit have cured cancer in his lifetime? more conventional roots-rock band in slacker-rock clothing. Of We might never know, thanks to nasty university politics course, as often happens when your second act is even slightly C The Real Rip-Off Report more conventional, he also gained a lot of fans. The concert Ed Magedson calls himself an advocate. His enemies call him an extortionist film Cracker & Camper Beethoven: The First Annual Camp Out Live (Pitch-A-Tent/MVD) is aimed at those open-minded Heaven Can Wait Served by the bell enough to appreciate both sides of the Lowery legacy, as captured live in 2005 at something called Pappy and Harriet's Pioneertown Palace in the California desert. -
Late Sixties Rock MP3 Disc Two Playlist.Pdf
Late Sixties Rock MP3 Disc Two Playlist Page One Of Three Title Artist Album 01 - Keep on Chooglin’ Creedence Clearwater Revival Bayou Country 02 - Voodoo Child (Slight Return) The Jimi Hendrix Experience Electric Ladyland 03 - Babe I’m Gonna Leave You Led Zeppelin Led Zeppelin I 04 - Move Over Janis Joplin Pearl 05 - Se a Cabo Santana Abraxas 06 - That Same Feelin’ Savoy Brown Raw Sienna 07 - Plastic Fantastic Lover Jefferson Airplane Surrealistic Pillow 08 - My Guitar Wants to Kill Your Mama Frank Zappa Single 09 - Sparks The Who Tommy 10 - Girl with No Eyes It's A Beautiful Day It's A Beautiful Day 11 - As You Said Cream Wheels of Fire 12 - Different Drum Linda Ronstadt & the Stone Poneys Evergreen, Volume 2 13 - These Boots Are Made for Walkin’ Nancy Sinatra Boots 14 - Iron Butterfly Theme Iron Butterfly Heavy 15 - Summertime Blues Blue Cheer Vincebus Eruptum 16 - Mississippi Queen Mountain Climbing! 17 - Working on the Road Ten Years After Cricklewood Green 18 - On the Road Again Canned Heat Boogie with Canned Heat! 19 - Freedom Richie Havens Woodstock 20 - Déjà Vu Crosby, Stills, Nash & Young Déjà Vu 21 - The Best Way to Travel The Moody Blues In Search of the Lost Chord 22 - Big Yellow Taxi Joni Mitchell Ladies of the Canyon 23 - If 6 Was 9 The Jimi Hendrix Experience Axis: Bold as Love 24 - Unconscious Power Iron Butterfly Heavy 25 - Break on Through (To the Other Side) The Doors The Doors 26 - I Feel Free Cream Fresh Cream 27 - I’m Free The Who Tommy 28 - Try (Just a Little Bit Harder) Janis Joplin I Got Dem 0l’ Kozmic Blues -
Music & Film Memorabilia
MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
KREVISS Cargo Records Thanks WW DISCORDER and All Our Retail Accounts Across the Greater Vancouver Area
FLAMING LIPS DOWN BY LWN GIRL TROUBLE BOMB ATOMIC 61 KREVISS Cargo Records thanks WW DISCORDER and all our retail accounts across the greater Vancouver area. 1992 was a good year but you wouldn't dare start 1993 without having heard: JESUS LIZARD g| SEBADOH Liar Smash Your Head IJESUS LIZARD CS/CD On The Punk Rock CS/CD On Sebadoh's songwriter Lou Barlow:"... (his) songwriting sticks to your gullet like Delve into some raw cookie dough, uncharted musical and if he ever territory. overcomes his fascination with the The holiday season sound of his own being the perfect nonsense, his time for this baby Sebadoh could be from Jesus Lizard! the next greatest band on this Hallelujah! planet". -- Spin ROCKET FROM THE CRYPT Circa: Now! CS/CD/LP San Diego's saviour of Rock'n'Roll. Forthe ones who Riff-driven monster prefer the Grinch tunes that are to Santa Claus. catchier than the common cold and The most brutal, loud enough to turn unsympathetic and your speakers into a sickeningly repulsive smoldering heap of band ever. wood and wires. A must! Wl Other titles from these fine labels fjWMMgtlllli (roue/a-GO/ are available through JANUARY 1993 "I have a responsibility to young people. They're OFFICE USE ONLY the ones who helped me get where I am today!" ISSUE #120 - Erik Estrada, former CHiPs star, now celebrity monster truck commentator and Anthony Robbins supporter. IRREGULARS REGULARS A RETROSPECT ON 1992 AIRHEAD 4 BOMB vs. THE FLAMING LIPS COWSHEAD 5 SHINDIG 9 GIRL TROUBLE SUBTEXT 11 You Don't Go To Hilltop, You VIDEOPHILTER 21 7" T\ REAL LIVE ACTION 25 MOFO'S PSYCHOSONIC PIX 26 UNDER REVIEW 26 SPINLIST. -
Championsip Celebrating the Creators of Jobs, Innovation, Safety, and Access
April 23, 2014 U.S. Chamber of Commerce Washington, D.C. 2014 CHAMPIONSIP Celebrating the Creators of Jobs, Innovation, Safety, and Access 2014 IP Champions Agenda April 23, 2014 Hall of Flags | U.S. Chamber of Commerce Time Details 8:30 AM Registration 9:00 AM Opening Remarks • David Hirschmann, President & CEO, Global Intellectual Property Center 9:05 AM Business Innovations Panel Moderator: Mark Crowell, Executive Director, U.Va. Innovations • Reza Monazami, Ph.D, University of Virginia • Jalali Hartman, Founder & Chief Human, ROBAUTO, Inc 9:55 AM Presentation of Awards to Business Innovators • Mark Crowell, Executive Director, U.Va Innovations • Reza Monazami, Ph.D, University of Virginia • Jalali Hartman, Founder & Chief Human, ROBAUTO, Inc. 10:00 AM Consumer Awareness Campaigns - Panel Discussion • Marjorie Clifton, Executive Director, Center for Safe Internet Pharmacies • Libby Baney, Executive Director, Alliance for Safe Online Pharmacies • Alun Jones, Chief of Communication and Advocacy, United Nations Office of Drugs and Crime • Chuck Westfall, Technical Advisor, Professional Engineering & Solutions Division, Canon U.S.A. 10:55 AM Presentation of Awards to Consumer Awareness Campaigns • “Be Safe. Buy Smart.” - CSIP • “Counterfeit: Don’t buy into organized crime.” - UNODC • “Anti-Counterfeit Consumer Awareness Campaign” - Canon U.S.A. 11:00 AM Consumer Awareness Speech • Introduction by: Sandra Aistars, Chief Executive Officer, Copyright Alliance • David Lowery, Musician and Guest Lecturer, Terry College of Business, University of Georgia 11:20 AM Presentation of Award to Consumer Awareness Speaker • David Lowery, Musician and Guest Lecturer, Terry College of Business, University of Georgia 11:25 AM Presentation of Awards to Public Officials Introduction by: William Reid, Vice President, Global Anti- Counterfeiting Operations, Eli Lilly • Mark Cohen, Senior Counsel, China, U. -
Milkmen's Serenade
e - ' ------------ ~ t . --=-==:7 "-~ '• Ahem, rock 'n' roll fans and practitioners. We hold this truth to be self-evident: That money can't buy you love, but it can certainly buy you ~--~~- . "=--~= .----=- ~ ---::-:....~ .-: :: a hit when applied in the right places. And a hit single, as we all know, is the apex of suc cess, the brick and mortar of fame, fortune and a fabulous sex life. But what if you've rejected that scenario for ~~--'-'"'- - - ~ - =--c_ - ~ - - ·•--'*"'.:""' "'" tr & &&'':.·;iiiisMi ~~!rt'-- one you think has more honor: the indepen dent label route, and all that that engenders? What if success to you consists of putting out your own records, playing hard-won gigs touring america for less than around the country, touring in a van, sleeping $12.06 a day, according to on floors, getting heard on college radio and camper van beethoven, the mentioned in the Village Voice? What kind of money does that sort of career accrue? Is it dead .milkmen and dag nasty even worth pursuing, in a purely monetary sense? by -gina arnold illustration by ju lie ross I --- I ·- - -----47'"~ ·.. \ , ---- \r J. ----- ------- - -t1' -··~ -.. -=-~=: - lli1 Well, on the indie-label front, you can make Truth is, the independent record industry money at it, if you are so inclined: enough to serves as an unorganized farm team system live on, enough to pay taxes on, enough to for the majors-a system whose players have appease your parents, enough-in some fewer allegiances and make less profit than cases-even to get your own Visa. But no those in the big leagues. -
BLOOD, SWEAT Union Snubs Musicians the MUSICIANS UNION Hasrefused Toreply to Last Week'sarticle in Recordmirrorin Which C TEARS U.K
TEENAGE Andy Fairweather recordCINEMA-page9 Lowe Group-page5 mirror MAY 16, 1970. BLOOD, SWEAT Union snubs musicians THE MUSICIANS UNION hasrefused toreply to last week'sarticle in RecordMirrorin which C TEARS U.K. MEG some musicians criticised the union. Instead a union spokesman said: "We will not be able to have any comments available as there is an executive committeemeetingthis week and that is far more importantthanthe HIE statements madeby people in this article. BLOOD, SWEAT AND TEARS are DEFINITELY "We cannot say when coming to Europe for their first ever tour! They are ourcommentwill be being brought over exclusively by Radio Luxembourg ready." In effect the union is who hold all interview and performance rights for the snubbingits members by group. saying that it has no time '208' programme to answer those who are director Tony Macarthur by critical of it, even though told RM: "The two the dossier of discontent Britishconcertswillbe Rodney was given to the union presentedinconjunction Collins ONE WEEK before it was with a major London published. promoter on the 24th 25thEnglish service during the In the article a number September. Together withgroup's two week stay in of allegations were made against the MU by pop CBS Records we are Europe. They willplay planning a giant reception musicians.And it has dates in Germany, France, since become the major for the group." Holland and Belgium in talkingpointof the Highlights of the additionto the industry during the week. concerts will be broadcast London concerts.Blood Record Mirror believes over Radio Luxembourg'sSweat and Tears will not thatitisimportant that appear anywhere in pop musiciansshould Europe before they fly in have a platform toair for'208',thestation's their views aboutthe Rolling firstpromotionofthis union, since it appears to kind in 37 years. -
Cid Pearlman/Performance Projects This Is What We Do in Winter Saturday and Sunday, May 19 (9PM) & 20 (5PM), 2012
For Immediate Release Contact: Cid Pearlman April 3, 2012 [email protected] 831-332-4956 www.cidpearlman.org The San Francisco International Arts Festival presents: Cid Pearlman/Performance Projects This is what we do in winter Saturday and Sunday, May 19 (9PM) & 20 (5PM), 2012 Choreographer Cid Pearlman’s This is what we do in winter features dancers from Estonia and the United States, performing to an original score by composer Jonathan Segel (Camper Van Beethoven). Starting as strangers – foreign bodies in the same room – this international collaboration reflects on the process of getting to know each other during the long dark Estonian winter. San Francisco is the company’s second stop on a mini-tour of California. Performances at the San Francisco International Arts Festival are May 19, 9:00pm, and May 20, Sunday, 5:00pm, Marines’ Memorial Theater, 609 Sutter Street, San Francisco, 94102. Tickets: $12-$30, http://www.sfiaf.org. Also on the program are Post Ballet (USA) and Susanna Leinonen Company (Finland). Pearlman’s “…intelligent, sensual choreography…” (SF Bay Guardian, 2011) foregrounds the individuality of the performer. Estonian dance critic Tiit Tuumalu writes: …This is what we do in winter continue(s) to haunt me...the simplicity of its culmination, brightness, impressionistic mood, soft humor, unconstrained-ness and dynamics were in beautiful harmony with the music by Jonathan Segel. (Postimees, 2010) During the 2009-10 academic year Pearlman was a Fulbright Scholar in Estonia, teaching at Tallinn University and collaborating with Estonian dance artists. One of the highlights was working with an extraordinary group of dancers – Rain Saukas, Tiina Mölder, Helen Reitsnik, Alexis Steeves and David King. -
Ten Years After Cricklewood Green Mp3, Flac, Wma
Ten Years After Cricklewood Green mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Cricklewood Green Country: Europe Style: Blues Rock, Hard Rock, Classic Rock MP3 version RAR size: 1688 mb FLAC version RAR size: 1969 mb WMA version RAR size: 1236 mb Rating: 4.1 Votes: 660 Other Formats: AC3 XM WMA AHX AIFF DXD MP1 Tracklist 1 Sugar The Road 3:46 2 Working On The Road 4:15 3 50,000 Miles Beneath My Brain 7:37 4 Year 3,000 Blues 2:17 5 Me And My Baby 4:12 6 Love Like A Man 7:13 7 Circles 3:55 8 As The Sun Still Burns Away 4:42 Companies, etc. Marketed By – EMI Distributed By – EMI Phonographic Copyright (p) – Chrysalis Records Ltd. Copyright (c) – Chrysalis Records Ltd. Pressed By – EMI Uden Recorded At – Olympic Studios Credits Artwork [Art Work] – Peter Classey Design [Sleeve] – John Fowlie, Peter Classey Engineer – Andy Johns (tracks: 1 to 4, 6 to 8), George Chkiantz (tracks: 5) Executive-Producer, Coordinator – Chris Wright Instruments [All Instruments Played By], Producer – Ten Years After Music By [All Titles] – A. Lee* Other [Links], Electronics – Alvin Lee Photography By – John Fowlie Notes ℗&© 1975 Chrysalis Records Ltd. Recorded at Olympic Studio 1. Originally released in 1970. Printed in Holland. Issued in a standard jewel case with 4-page booklet Barcode and Other Identifiers Barcode: 724385358227 Label Code: LC 1626 Matrix / Runout (Variant 1): 321084 2 @ 1 1-1-12-NL Matrix / Runout (Variant 2): 321084 2 @ 1 1-1-8-NL Mould SID Code: ifpi 15FC Distribution Code (I:): 076 Distribution Code (F:): PM 511 Rights Society: -
The Complete Ask Scott
ASK SCOTT Downloaded from the Loud Family / Music: What Happened? website and re-ordered into July-Dec 1997 (Year 1: the start of Ask Scott) July 21, 1997 Scott, what's your favorite pizza? Jeffrey Norman Scott: My favorite pizza place ever was Symposium Greek pizza in Davis, CA, though I'm relatively happy at any Round Table. As for my favorite topping, just yesterday I was rereading "Ash Wednesday" by T.S. Eliot (who can guess the topping?): Lady, three white leopards sat under a juniper-tree In the cool of the day, having fed to satiety On my legs my heart my liver and that which had been contained In the hollow round of my skull. And God said Shall these bones live? shall these Bones live? And that which had been contained In the bones (which were already dry) said chirping: Because of the goodness of this Lady And because of her loveliness, and because She honours the Virgin in meditation, We shine with brightness. And I who am here dissembled Proffer my deeds to oblivion, and my love To the posterity of the desert and the fruit of the gourd. It is this which recovers My guts the strings of my eyes and the indigestible portions Which the leopards reject. A: pepperoni. honest pizza, --Scott August 14, 1997 Scott, what's your astrological sign? Erin Amar Scott: Erin, wow! How are you? Aries. Do you think you are much like the publicized characteristics of that sun sign? Some people, it's important to know their signs; not me. -
2004 3Rd Annual Edgetone New Music Summit
2004 3rd Annual Edgetone New Music Summit This is the 3rd year for the Summit featuring some of the most creative and exploratory music of our time by the community of die- hard DIY self-motivated musicians of the West Coast. Heading this endeavor is saxophonist and sound artist Rent Romus. Romus not only administers Edgetone Records, one of the many artist run new music labels in California and part of U.I.R.C., but also curates the S.F. Luggage Store Gallery New Muisc Series, The S. F. SIMM Series, Outsound Presents… (an artist collective for live performance), the production board member for the SFAlt Festival, advisor for Big Sur Experimental Sound Shift, and founder and head of U.I.R.C. (The Ultra Independent Recording Coalition), an all artist run label distribution network. All the artists performing on the 2004 Edgetone New Music Summit reflect a wide range and genre busting exploration of new music from up and down the California coastline. PERFORMANCE SCHEDULE Thursday July 29th Luggage Store Gallery 1007 Market St. SF 8pm $6-10 THE ABSTRACTIONS –free form heavy death elctro improv Matt Davignon –(turntable/drum machine), Ernesto Diaz-Infante (guitar/voice), Philip Everett (drums/elec), Lance Grabmiller (laptop), Dina Emerson (voice), C.J. Reaven Borosque (noise), Marina Lazzara (guitar/voice), Bob Marsh (cello/voice), Marjorie Sturm (flute), Rent Romus (saxophones/elec) MARINA LAZZARA –solo voice guitar out-folk music Friday July 30th 21 Grand Gallery 449 B 23rd St, Oakland 9pm $6-10 miba with Kristin Miltner & Mark Bartscher –rhythmic granular textures harmonic washes dense noise laptops MATT DAVIGNON –½ speed music MARJORIE STURM –experimental film The Relief JONATHAN SEGEL/DINA EMERSON D duo –violin, electronics/voice soundscapes Saturday July 31st 21 Grand Gallery 449 B 23rd St, Oakland 9pm $6-10 SAY BOK GWAI (Alex Yeung/Andre Custodio) - Canto-Core Punk C.