The Symbolic Meanings of the Runes
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Runestone Images and Visual Communication
RUNESTONE IMAGES AND VISUAL COMMUNICATION IN VIKING AGE SCANDINAVIA MARJOLEIN STERN, MA Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy JULY 2013 Abstract The aim of this thesis is the visual analysis of the corpus of Viking Age Scandinavian memorial stones that are decorated with figural images. The thesis presents an overview of the different kinds of images and their interpretations. The analysis of the visual relationships between the images, ornamentation, crosses, and runic inscriptions identifies some tendencies in the visual hierarchy between these different design elements. The contents of the inscriptions on runestones with images are also analysed in relation to the type of image and compared to runestone inscriptions in general. The main outcome of this analysis is that there is a correlation between the occurrence of optional elements in the inscription and figural images in the decoration, but that only rarely is a particular type of image connected to specific inscription elements. In this thesis the carved memorial stones are considered as multimodal media in a communicative context. As such, visual communication theories and parallels in commemoration practices (especially burial customs and commemorative praise poetry) are employed in the second part of the thesis to reconstruct the cognitive and social contexts of the images on the monuments and how they create and display identities in the Viking Age visual communication. Acknowledgements Many people have supported and inspired me throughout my PhD. I am very grateful to my supervisors Judith Jesch and Christina Lee, who have been incredibly generous with their time, advice, and bananas. -
Proposed Additions Red = Proposed Changes Green = Other Possible Additions Black = Existing/Unchanged
ISO/IEC JTC 1/SC 2/WG 2 PROPOSAL SUMMARY FORM TO ACCOMPANY SUBMISSIONS FOR ADDITIONS TO THE REPERTOIRE OF ISO/IEC 106461 Please fill all the sections A, B and C below. Please read Principles and Procedures Document (P & P) from http://www.dkuug.dk/JTC1/SC2/WG2/docs/principles.html for guidelines and details before filling this form. Please ensure you are using the latest Form from http://www.dkuug.dk/JTC1/SC2/WG2/docs/summaryform.html. See also http://www.dkuug.dk/JTC1/SC2/WG2/docs/roadmaps.html for latest Roadmaps. A. Administrative 1. Title: Ms 2. Requester's name: Małgorzata Deroń 3. Requester type (Member body/Liaison/Individual contribution): Individual 4. Submission date: 4 September 2009 5. Requester's reference (if applicable): http://ifa.amu.edu.pl/fa/Deron_Malgorzata 6. Choose one of the following: This is a complete proposal: Yes (or) More information will be provided later: If needed B. Technical – General 1. Choose one of the following: a. This proposal is for a new script (set of characters): - Proposed name of script: b. The proposal is for addition of character(s) to an existing block: Yes Name of the existing block: Runic 16A0-16FF (for 16F1-16FF) 2. Number of characters in proposal: 15 + 1 change 3. Proposed category (select one from below - see section 2.2 of P&P document): A-Contemporary - B.1-Specialized (small collection) X B.2-Specialized (large collection) - C-Major extinct - D-Attested extinct - E-Minor extinct - F-Archaic Hieroglyphic or Ideographic - G-Obscure or questionable usage symbols - 4. -
The Brill Typeface User Guide & Complete List of Characters
The Brill Typeface User Guide & Complete List of Characters Version 2.06, October 31, 2014 Pim Rietbroek Preamble Few typefaces – if any – allow the user to access every Latin character, every IPA character, every diacritic, and to have these combine in a typographically satisfactory manner, in a range of styles (roman, italic, and more); even fewer add full support for Greek, both modern and ancient, with specialised characters that papyrologists and epigraphers need; not to mention coverage of the Slavic languages in the Cyrillic range. The Brill typeface aims to do just that, and to be a tool for all scholars in the humanities; for Brill’s authors and editors; for Brill’s staff and service providers; and finally, for anyone in need of this tool, as long as it is not used for any commercial gain.* There are several fonts in different styles, each of which has the same set of characters as all the others. The Unicode Standard is rigorously adhered to: there is no dependence on the Private Use Area (PUA), as it happens frequently in other fonts with regard to characters carrying rare diacritics or combinations of diacritics. Instead, all alphabetic characters can carry any diacritic or combination of diacritics, even stacked, with automatic correct positioning. This is made possible by the inclusion of all of Unicode’s combining characters and by the application of extensive OpenType Glyph Positioning programming. Credits The Brill fonts are an original design by John Hudson of Tiro Typeworks. Alice Savoie contributed to Brill bold and bold italic. The black-letter (‘Fraktur’) range of characters was made by Karsten Lücke. -
Reading Runes in Late Medieval Manuscripts
Runrön Runologiska bidrag utgivna av Institutionen för nordiska språk vid Uppsala universitet 24 Beck, Wolfgang, 2021: Reading Runes in Late Medieval Manuscripts. In: Read ing Runes. Proceedings of the Eighth International Symposium on Runes and Runic Inscriptions, Nyköping, Sweden, 2–6 September 2014. Ed. by MacLeod, Mindy, Marco Bianchi and Henrik Williams. Uppsala. (Run rön 24.) Pp. 225–232. DOI: 10.33063/diva-438880 © 2021 Wolfgang Beck (CC BY) WOLFGANG BECK Reading Runes in Late Medieval Manuscripts Abstract Whilst the runica manuscripta of English tradition, the Scandinavian rune poems, and the occasional use of runes as writers’ signatures and in the Old High German glosses have been comparatively well-researched, this does not apply to the same extent to the use of runes in late medieval (German) manuscripts. Runes and runic alphabets are found far less frequently in these, for example in the foreign alphabets in the Voyages by Sir John Mandeville or in a manuscript with medical remedies and an invocation of the devil; finally also in a magical treatise relating to the hermetic tradition. However, the use of runes in late medieval manuscripts cannot properly be explained by the functions usually attributed to the runica manuscripta. On the understanding that discussion of runica manuscripta is not just a runic problem in the narrow sense, but can also contribute to an understanding of medieval culture, the specific implications of the use and pragmatics of the late medieval runica manuscripta will be explored. The func- tion of runes in late medieval manuscripts should be determined at the same time with reference to secret written forms, readability and illegibility. -
Iso/Iec 10646:2011 Fdis
Proposed Draft Amendment (PDAM) 2 ISO/IEC 10646:2012/Amd.2: 2012 (E) Information technology — Universal Coded Character Set (UCS) — AMENDMENT 2: Caucasian Albanian, Psalter Pahlavi, Old Hungarian, Mahajani, Grantha, Modi, Pahawh Hmong, Mende, and other characters Page 22, Sub-clause 16.3 Format characters Insert the following entry in the list of format characters: 061C ARABIC LETTER MARK 1107F BRAHMI NUMBER JOINER Page 23, Sub-clause 16.5 Variation selectors and variation sequences Remove the first sentence of the third paragraph (starting with ‘No variation sequences using characters’). Insert the following text at the end of the sub-clause. The following list provides a list of variation sequences corresponding to the use of appropriate variation selec- tors with allowed pictographic symbols. The range of presentations may include a traditional black and white text style, using FE0E VARIATION SELECTOR-15, or an ‘emoji’ style, using FE0F VARIATION SELECTOR-16, whose presentation often involves color/grayscale and/or animation. Sequence (UID notation) Description of sequence <0023, FE0E, 20E3> NUMBER SIGN inside a COMBINING ENCLOSING KEYCAP <0023, FE0F, 20E3> <0030, FE0E, 20E3> DIGIT ZERO inside a COMBINING ENCLOSING KEYCAP <0030, FE0F, 20E3> <0031, FE0E, 20E3> DIGIT ONE inside a COMBINING ENCLOSING KEYCAP <0031, FE0F, 20E3> <0032, FE0E, 20E3> DIGIT TWO inside a COMBINING ENCLOSING KEYCAP <0032, FE0F, 20E3> <0033, FE0E, 20E3> DIGIT THREE inside a COMBINING ENCLOSING KEYCAP <0033, FE0F, 20E3> <0034, FE0E, 20E3> DIGIT FOUR inside a COMBINING -
Elder Futhark Rune Poem and Some Notes RYKHART: ODINSXRAL
Elder Futhark Rune Poem and some notes RYKHART: ODINSXRAL Dedication Mysteries ancient, Allfather found Wrested from anguish, nine days fast bound Hung from the world tree, pierced by the spear Odin who seized them, make these staves clear 1 Unless otherwise specified, all text and artwork within ELDER FUTHARK RUNE POEM and some notes RYKHART: ODINSXRAL are copyright by the author and is not to be copied or reproduced in any medium or form without the express written permission of the author Reikhart Odinsthrall both Reikhart Odinsthrall and RYKHART: ODINSXRAL are also both copyright Dec 31, 2013 Elder Futhark Rune Poem by Reikhart Odinsthrall is licensed under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. Based on a work at http://odinsthrall.co.uk/rune-poem.html. 2 F: Fehu : Cattle / Wealth Wealth is won and gold bestowed But honour's due to all men owed Gift the given and ware the lord For thy name's worth noised abroad U: Uruz : Aurochs / Wild-ox Wild ox-blood proud, sharp hornéd might On moorland harsh midst sprite and wight Unconquered will and fierce in form Through summer's sun and winter's storm X: Thurisaz : Thorn / Giant / Thor Thorn hedge bound the foe repelled A giant's anger by Mjolnir felled Thor protect us, fight for troth In anger true as Odin's wrath A: Ansuz : As / God / Odin In mead divine and written word In raven's call and whisper heard Wisdom seek and wise-way act In Mimir's well see Odin's pact R: Raidho : Journey / Carriage By horse and wheel to travel far Till journey's -
The Staves Package
The staves package Apostolos Syropoulos Xanthi, Greece [email protected] 2006/11/06 Abstract The staves package has been designed to provide an interface to the ice- landic font, designed by the author of this package. The font contains all “magical” staves presented on the Web site of the Icelandic Museum of Sor- cery and Witchcraft. In addition, the package provides a simple command to typeset Icelandic runes. Disclaimer Sorcery as a cultural phenomenon is studied by ethnologists. Becuase of this, the author believes that his work should be of interest to enthnologists, in particular, and people with an interest in (digital) typography, in general. However, the author does not believe that the glyphs of the font do actually have any “magical” power. Also, if someone will use them to perform any kind of “magical” ceremony, the author cannot be hold responsible for any such action and its consequences. 1 Introduction The staves package provides a simple interface to the icelandic font designed by this author. The font contain all the “magical” staves that are described at the Web site of the Icelandic Museum of Sorcery and Witchcraft (see http://www. galdrasyning.is/index.php?option=com_content&task=category§ionid= 5&id=18&Itemid=60 for more details). In addition, the font contains all the Ice- landic runes as they are presented at the same Web pages (see http://www. galdrasyning.is/index.php?option=com_content&task=view&id=229&Itemid= 131 for more details). The various staves can be accessed by simple commands that have the following -
ᛶ 16F1 ᛷ 16F2 ᛸ 16F3 ᛱ 16F4 ᛲ 16F5 ᛁ 16C1 ᛳ 16F6 ᛴ 16F7 ᛵ
ISO/IEC JTC1/SC2/WG2 N4013R L2/11-096R 2011-05-10 Universal Multiple-Octet Coded Character Set International Organization for Standardization Organisation Internationale de Normalisation Международная организация по стандартизации Doc Type: Working Group Document Title: Proposal to encode additional Runic characters in the UCS Source: Michael Everson and Andrew West Status: Individual Contribution Action: For consideration by JTC1/SC2/WG2 and UTC Date: 2011-05-10 0. Introduction. A number of Runic characters should be encoded to fill gaps in the UCS. Three of them are found in the writings of J. R. R. Tolkien, and five of them are found on the Anglo-Saxon Franks Casket. If this proposal is accepted, the following characters will be added to the standard (since the Franks Casket characters replace original inherited runes, those are given on the right for comparison): ᛶ 16F1 RUNIC LETTER K ᛷ 16F2 RUNIC LETTER SH ᛸ 16F3 RUNIC LETTER OO ᛱ 16F4 RUNIC LETTER FRANKS CASKET OS ᚩ 16A9 RUNIC LETTER OS O ᛲ 16F5 RUNIC LETTER FRANKS CASKET IS ᛁ 16C1 RUNIC LETTER ISAZ IS ISS I ᛳ 16F6 RUNIC LETTER FRANKS CASKET EH ᛖ 16D6 RUNIC LETTER EHWAZ EH E ᛴ 16F7 RUNIC LETTER FRANKS CASKET AC ᚪ 16AA RUNIC LETTER AC A ᛵ 16F8 RUNIC LETTER FRANKS CASKET AESC ᚫ 16AB RUNIC LETTER AESC 1. Tolkienian extensions. Although for The Lord of the Rings J. R. R. Tolkien devised and employed two writing systems, the featural Tengwar script and the runiform Cirth script, in The Hobbit and some of his other writings he made use of Old English runes. -
Final Devoicing Principles and Parameters
Final Devoicing Principles and Parameters Wiebke Gertrud Brockhaus University College London University of London October 1991 Thesis submitted to the University of London in partial fulfilment of the requirements for the degree of Doctor of Philosophy ProQuest Number: 10610943 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10610943 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 ABSTRACT This thesis addresses the problem of how to deal with the phonological event of final obstruent devoicing (FOD) in a theoretical framework based on principles and parameters rather than rules. The data used comes almost exclusively from German (Hochlautung). The first chapter presents the 'raw facts' of FOD. Its purpose is to provide an outline of the sort of data to be accounted for in the remainder of the thesis. Previous treatments of FOD in German are discussed and evaluated in the second chapter. All of them are shown to be associated with a number of problems, many of which are artifacts of inadequate theoretical frameworks. The third and fourth chapters address the questions of what FOD is and where it occurs. -
The Runic Journey
The Runic Journey by Jennifer Smith Table of Contents 1. What Are Runes?............................................................................................................................. 2 2. History and Origin of the Runes....................................................................................................... 3 2.1 The Runic Revival ........................................................................................................................ 4 3. The Meanings of the Runes............................................................................................................. 5 3.1 Sources......................................................................................................................................... 5 3.2 Interpretation................................................................................................................................. 5 3.2.1 The First Aett......................................................................................................................... 5 3.2.2 The Second Aett.................................................................................................................... 9 3.2.3 The Third Aett...................................................................................................................... 12 4. Runic Divination ............................................................................................................................. 17 4.1 Learning to Read ....................................................................................................................... -
The Ancient Divination Alphabet the History, Uses, and Meaning of Runes
The Ancient Divination Alphabet The History, Uses, and Meaning of Runes By Kat Ohren, Crystal Inner Circle What are Runes? Runes are ancient symbols that have been used for many years for magical and divination purposes. The word rune appropriately means ‘secret’ or ‘something hidden’. They can offer you the meanings and answers you are seeking from within. Many argue that runes can be used to predict future events. However, another large part of the community believes runes and other various forms of divination are used to find answers within yourself. The idea is that you already have the answers that you seek, you just may need a little intervention and interpretation from the Divine and the Universe to bring them to the surface. The three best-known runic alphabets are the Elder Futhark (around 150–800 AD), the Anglo-Saxon Futhorc (400–1100 AD), and the Younger Futhark (800–1100 AD). The most widely used and agreed upon seems to be the Elder Futhark set. The Elder Futhark consists of 24 runes that often are arranged in three groups of eight; each group is referred to as an Ætt. The earliest known sequential listing of the full set of 24 runes dates to approximately CE 400 and is found on the Kylver Stone in Gotland, Sweden. (Page, 2005) 1 | P a g e Crystal Inner Circle The Legend of Runes Legend has it that runes were a sacred gift to mortals and were first given to the Norse God Odin after he wounded himself with a spear and then hung himself from Yggdrasill, the World Tree, for nine days. -
Smithsonian Miscellaneous Collections
SMITHSONIAN MISCELLANEOUS COLLECTIONS VOLUME 116, NUMBER 3 TWO RUNIC STONES, FROM GREENLAND AND MINNESOTA BY WILLIAM THALBITZER (Publication 4021) CITY OF WASHINGTON PUBLISHED BY THE SMITHSONIAN INSTITUTION AUGUST 30, 1951 SMITHSONIAN MISCELLANEOUS COLLECTIONS VOLUME 116, NUMBER 3 TWO RUNIC STONES, FROM GREENLAND AND MINNESOTA BY WILLIAM THALBITZER (Publication 4021) CITY OF WASHINGTON PUBLISHED BY THE SMITHSONIAN INSTITUTION AUGUST 30, 1951 %§& £oro (gattimovt (pttee BALTIMORE, MD., U. 8. A. — . TWO RUNIC STONES, FROM GREENLAND AND MINNESOTA* By WILLIAM THALBITZER Copenhagen, Denmark CONTENTS Page Introduction 2 I. The Kingigtorssuaq stone from the neighborhood of Upernavik, northwest Greenland 6 II. The Kensington stone 14 Historical background 14 The Kensington runes and the numeral signs 18 Paleographic signs 23 The Dalecarlian runes and the H-rune 26 The linguistic form 28 Old Swedish 29 Archaisms 32 Neologisms 35 The style 39 Further philological impressions 42 Appendix ( 1950) 49 Three historic documents 49 Final comments on the Danish treatise (1946- 1947) 51 Notes 54 1. The Greenland runes as carved on stone or wood in Greenland. 54 2. The secret runes on the Kingigtorssuaq stone 54 3. Singular runes on the Kensington stone, X a°d f" 56 4. © =oe 57 5. Opdagelsefaerd 57 skiar or ? ( scar, "cliff, rock" ) 6- H ^1 f X R — Eng. 58 7. rise = Modern Sw. resa, "journey, (warlike) expedition" 59 8. at se aptir, "to look after, guard, superintend (the ships)".... 61 9. dagh rise, "day's journey" 61 10. The style 62 11. Medieval Swedish-Norwegian mixed language 63 12. Old Swedish as a hypothetical problem 64 13.