The Ancient Divination Alphabet the History, Uses, and Meaning of Runes
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The English Language
The English Language Version 5.0 Eala ðu lareow, tæce me sum ðing. [Aelfric, Grammar] Prof. Dr. Russell Block University of Applied Sciences - München Department 13 – General Studies Winter Semester 2008 © 2008 by Russell Block Um eine gute Note in der Klausur zu erzielen genügt es nicht, dieses Skript zu lesen. Sie müssen auch die “Show” sehen! Dieses Skript ist der Entwurf eines Buches: The English Language – A Guide for Inquisitive Students. Nur der Stoff, der in der Vorlesung behandelt wird, ist prüfungsrelevant. Unit 1: Language as a system ................................................8 1 Introduction ...................................... ...................8 2 A simple example of structure ..................... ......................8 Unit 2: The English sound system ...........................................10 3 Introduction..................................... ...................10 4 Standard dialects ................................ ....................10 5 The major differences between German and English . ......................10 5.1 The consonants ................................. ..............10 5.2 Overview of the English consonants . ..................10 5.3 Tense vs. lax .................................. ...............11 5.4 The final devoicing rule ....................... .................12 5.5 The “th”-sounds ................................ ..............12 5.6 The “sh”-sound .................................. ............. 12 5.7 The voiced sounds / Z/ and / dZ / ...................................12 5.8 The -
ERILAZ a Ritual for Baritone, Violoncello and Percussion
Jeffrey Holmes ERILAZ a ritual for baritone, violoncello and percussion Score 2018 ce-jh1e1-dl-s JEFFREY HOLMES :ERILAZ: eRilay:ayt:alu A Ritual... for Baritone, Violoncello, and Percussion Text from the Lindholm amulet (DR 261, Rundata) ca. 3rd century, Skåne Full Score ii iii PERFORMANCE NOTES General 1. All tempi are approximate, but the relationships between tempi should be proportionally exact. 2. All accidentals apply through the measure and within one octave, and many cautionary accidentals are provided. 3. The following microtonal accidentals are used: B Quarter tone flat µ Quarter tone sharp J 1/6 tone lower than flat j 1/6 tone higher than flat K 1/6 tone lower than natural k 1/6 tone higher than natural L 1/6 tone lower than sharp l 1/6 tone higher than sharp 4. Pitches based on the harmonic series are labeled above the staff by their hypothetical fundamental and partial number. For example, G(7) indicates the seventh partial in the overtone series of G. (The fundamental is partial number 1.) These precise tunings are notationally approximated to the nearest quarter or sixth tone. Performers may either produce the notated quarter or sixth tone or, if accustomed to performing in just intonation, may produce the exact pitches of the indicated partials. Baritone In addition to singing, the baritone is asked to perform on three instruments: an Uruz horn (a primitive cowhorn) tuned to Eb, a lyre (or psaltery), and a drum, preferably a very large skinned tom-tom. Notation is as follows: iv Violoncello 1. The abbreviation s.t. -
Anglo-Saxon Runes
Runes Each rune can mean something in divination (fortune telling) but they also act as a phonetic alphabet. This means that they can sound out words. When writing your name or whatever in runes, don’t pay attention to the letters we use, but rather the sounds we use to make up the words. Then finds the runes with the closest sounds and put them together. Anglo- Swedo- Roman Germanic Danish Saxon Norwegian A ansuz ac ar or god oak-tree (?) AE aesch ash-tree A/O or B berkanan bercon or birch-twig (?) C cen torch D dagaz day E ehwaz horse EA ear earth, grave(?) F fehu feoh fe fe money, cattle, money, money, money, wealth property property property gyfu / G gebo geofu gift gift (?) G gar spear H hagalaz hail hagol (?) I isa is iss ice ice ice Ï The sound of this character was something ihwaz / close to, but not exactly eihwaz like I or IE. yew-tree J jera year, fruitful part of the year K kenaz calc torch, flame (?) (?) K name unknown L laguz / laukaz water / fertility M mannaz man N naudiz need, necessity, nou (?) extremity ing NG ingwaz the god the god "Ing" "Ing" O othala- hereditary land, oethil possession OE P perth-(?) peorth meaning unclear (?) R raidho reth (?) riding, carriage S sowilo sun or sol (?) or sun tiwaz / teiwaz T the god Tiw (whose name survives in Tyr "Tuesday") TH thurisaz thorn thurs giant, monster (?) thorn giant, monster U uruz ur wild ox (?) wild ox W wunjo joy X Y yr bow (?) Z agiz(?) meaning unclear Now write your name: _________________________________________________________________ Rune table borrowed from: www.cratchit.org/dleigh/alpha/runes/runes.htm . -
Rituals for the Northern Tradition
Horn and Banner Horn and Banner Rituals for the Northern Tradition Compiled by Raven Kaldera Hubbardston, Massachusetts Asphodel Press 12 Simond Hill Road Hubbardston, MA 01452 Horn and Banner: Rituals for the Northern Tradition © 2012 Raven Kaldera ISBN: 978-0-9825798-9-3 Cover Photo © 2011 Thorskegga Thorn All rights reserved. Unless otherwise specified, no part of this book may be reproduced in any form or by any means without the permission of the author. Printed in cooperation with Lulu Enterprises, Inc. 860 Aviation Parkway, Suite 300 Morrisville, NC 27560 To all the good folk of Iron Wood Kindred, past and present, and especially for Jon Norman whose innocence and enthusiasm we will miss forever. Rest in Hela’s arms, Jon, And may you find peace. Contents Beginnings Creating Sacred Space: Opening Rites ................................... 1 World Creation Opening ....................................................... 3 Jormundgand Opening Ritual ................................................ 4 Four Directions and Nine Worlds: ........................................ 5 Cosmological Opening Rite .................................................... 5 Warding Rite of the Four Directions ..................................... 7 Divide And Conquer: Advanced Group Liturgical Design. 11 Rites of Passage Ritual to Bless a Newborn .................................................... 25 Seven-Year Rite ..................................................................... 28 A Note On Coming-Of-Age Rites ....................................... -
Signs and Symbols Represented in Germanic, Particularly Early Scandinavian, Iconography Between the Migration Period and the End of the Viking Age
Signs and symbols represented in Germanic, particularly early Scandinavian, iconography between the Migration Period and the end of the Viking Age Peter R. Hupfauf Thesis submitted for the degree of Doctor of Philosophy, University of Sydney, 2003 Preface After the Middle Ages, artists in European cultures concentrated predominantly on real- istic interpretations of events and issues and on documentation of the world. From the Renaissance onwards, artists developed techniques of illusion (e.g. perspective) and high levels of sophistication to embed messages within decorative elaborations. This develop- ment reached its peak in nineteenth century Classicism and Realism. A Fine Art interest in ‘Nordic Antiquity’, which emerged during the Romantic movement, was usually expressed in a Renaissance manner, representing heroic attitudes by copying Classical Antiquity. A group of nineteenth-century artists, including Dante Gabriel Rossetti, Holman Hunt and Everett Millais founded the Pre-Raphaelite Brotherhood. John Ruskin, who taught aesthetic theory at Oxford, became an associate and public defender of the group. The members of this group appreciated the symbolism and iconography of the Gothic period. Rossetti worked together with Edward Burne-Jones and William Morris. Morris was a great admirer of early Scandinavian cultures, and his ideas were extremely influential for the development of the English Craft Movement, which originated from Pre-Raphaelite ideology. Abstraction, which developed during the early twentieth century, attempted to communicate more directly with emotion rather then with the intellect. Many of the early abstract artists (Picasso is probably the best known) found inspiration in tribal artefacts. However, according to Rubin (1984), some nineteenth-century primitivist painters appreciated pre-Renaissance European styles for their simplicity and sincerity – they saw value in the absence of complex devices of illusio-nist lighting and perspective. -
Proposed Additions Red = Proposed Changes Green = Other Possible Additions Black = Existing/Unchanged
ISO/IEC JTC 1/SC 2/WG 2 PROPOSAL SUMMARY FORM TO ACCOMPANY SUBMISSIONS FOR ADDITIONS TO THE REPERTOIRE OF ISO/IEC 106461 Please fill all the sections A, B and C below. Please read Principles and Procedures Document (P & P) from http://www.dkuug.dk/JTC1/SC2/WG2/docs/principles.html for guidelines and details before filling this form. Please ensure you are using the latest Form from http://www.dkuug.dk/JTC1/SC2/WG2/docs/summaryform.html. See also http://www.dkuug.dk/JTC1/SC2/WG2/docs/roadmaps.html for latest Roadmaps. A. Administrative 1. Title: Ms 2. Requester's name: Małgorzata Deroń 3. Requester type (Member body/Liaison/Individual contribution): Individual 4. Submission date: 4 September 2009 5. Requester's reference (if applicable): http://ifa.amu.edu.pl/fa/Deron_Malgorzata 6. Choose one of the following: This is a complete proposal: Yes (or) More information will be provided later: If needed B. Technical – General 1. Choose one of the following: a. This proposal is for a new script (set of characters): - Proposed name of script: b. The proposal is for addition of character(s) to an existing block: Yes Name of the existing block: Runic 16A0-16FF (for 16F1-16FF) 2. Number of characters in proposal: 15 + 1 change 3. Proposed category (select one from below - see section 2.2 of P&P document): A-Contemporary - B.1-Specialized (small collection) X B.2-Specialized (large collection) - C-Major extinct - D-Attested extinct - E-Minor extinct - F-Archaic Hieroglyphic or Ideographic - G-Obscure or questionable usage symbols - 4. -
Ways of the Asatru
Ways of the Ásatrú Beliefs of the Modern, Northern Heathens By Michael J. Smith © Michael J. Smith 2003 All Rights Reserved. Permission to reprint, reproduce, or utilize sections of this book is given, so long as it remains unaltered, in its entirety, that it is not sold for monetary gain, and acknowledgement of the author is given. Harvest-Moon Publishing ***Author’s Note: The Old Norse/Scandinavian letter “þ” is pronounced like in “thin” but with a more pronounced “t” sound and the letter “ð” is pronounced harder, like in “the”.*** 2 Ways of the Ásatrú Beliefs of the Northern, Modern Heathens By Michael J. Smith Published by: Harvest-Moon Publishing 3 Contents: Preface ……………………………………………………………..5 Introduction ………………………………………………………..6 Chapter 1: The Tenets of Ásatrú ………………………………….7 Chapter 2: The Nature of Divinity and Deity in Ásatrú …………..9 Chapter 3: The Deities of Ásatrú ………………………………..12 Chapter 4: Other Divine/Semi-Divine Beings …………………..26 Chapter 5: Ancestors and Ancestor-Worship …………………...30 Chapter 6: Blóts, Fórns, Feasts, and Sumbles …………………...31 Chapter 7: Daily Devotions and Rites of Passage ……………….41 Chapter 8: Living Trú …………………………………………...46 Afterword ………………………………………………………...49 Appendix A: Ritual Regalia ……………………………………..50 Appendix B: Holy Symbols ……………………………………...52 Appendix C: Sample Hátíð Rituals ………………………………54 Appendix D: The Beginner’s Booklist …………………………...67 Appendix E: Bibliography ………………………………………..69 About the Author ………………………………………………….73 4 Preface: ..."Heed my words, my children, and the gods of antiquity will be the gods of the future." --The Odin Brotherhood, by Dr. Mark L. Mirabello There are two issues which I would like to bring to the reader's attention concerning this book. The first would be that this book should not, by any means, be considered an absolute authority on Ásatrú. -
Tracing Confucianism in Contemporary China
TRACING CONFUCIANISM IN CONTEMPORARY CHINA Ruichang Wang and Ruiping Fan Abstract: With the reform and opening policy implemented by the Chinese government since the late 1970s, mainland China has witnessed a sustained resurgence of Confucianism first in academic studies and then in social practices. This essay traces the development of this resurgence and demonstrates how the essential elements and authentic moral and intellectual resources of long-standing Confucian culture have been recovered in scholarly concerns, ordinary ideas, and everyday life activities. We first introduce how the Modern New Confucianism reappeared in mainland China in the three groups of the Chinese scholars in the Confucian studies in the 1980s and early 1990s. Then we describe how a group of innovative mainland Confucian thinkers has since the mid-1990s come of age launching new versions of Confucian thought differing from that of the overseas New Confucians and their forefathers, followed by our summary of public Confucian pursuits and activities in the mainland society in the recent decade. Finally, we provide a few concluding remarks about the difficulties encountered in the Confucian development and our general expectations for future. 1 Introduction Confucianism is not just a philosophical doctrine constructed by Confucius (551- 479BCE) and developed by his followers. It is more like a religion in the general sense. In fact, Confucius took himself as a cultural transmitter rather than a creator (cf. Analects 7.1, 7.20), inheriting the Sinic culture that had long existed before him.2 Dr. RUICHANG WANG, Professor, School of Culture & Communications, Capital university of Economics and Business. Emai: [email protected]. -
Runatal 1Up (PDF)
RÚNATAL Fjár Ætt (Family or lineage of Fé or Wealth) Rune Phoneme Meaning Rune Name Description Cattle which have been domesticated, and represent portable wealth (as opposed to FEE FEHU – fé f! f real estate, which is not portable), money or wealth, increase from wise investment Aurochs, which was the long-horned undomesticated bovine prevalent in AUROCHS ÚRUZ Europe, North Africa and Asia Minor, U! u measuring 6 foot at the shoulder. Thus, the wilder, untamed forces. Jötunn (pl. jœtnar), a Chthonic spirit force lacking the necessary structuring which would lead to acts of creation or THURS ÞURISAZ – þurs Q th nurture. Coincidentally, it is also the first rune in the name Þórr, who was called upon to hallow the runes. One of the ÆsiR, originally spirits/gods of a! a Ase ANSUZ – áss the air and meteorological phenomena. Carriage, wagon or other conveyance for RIDE RAIÐÔ – reið transporting goods or people. Also ráðr R! r meaning advice, teaching. KEN, meaning torch or flame and illness. Thus, perhaps a purifying fever, or the torch KAUNAN – ken purificatory flames of transformation. The k! k bone-fire blazing on the hill-top lures us into its mystery. A gift or present. Partnerships, both in g! g GIFT GEBÔ – gefu love and in business. Old English wynn = laughter. Joy, W! w joy WÛNJÔ – wynn celebration, fröjd. 1 HAGLA ÆTT (Family or lineage of HagalaZ or Hail) Rune Phoneme Meaning Rune Name Description Hail, a disruptive natural force which is h h HAIL HAGALAZ difficult to prepare for. Need, emergency, hunger, hunting in NAUÐIZ NEED winter, a sinking ship. -
Meanings of the Elder Futhark Runes
Meanings of the Elder Futhark Runes Fehu (F: Domestic cattle, wealth.) Possessions won or earned, earned income, luck. Abundance, financial strength in the present or near future. Sign of hope and plenty, success and happiness. Social success. Energy, foresight, fertility, creation/destruction (becoming). Fehu Reversed or Merkstave: Loss of personal property, esteem, or something that you put in effort to keep. It indicates some sort of failure. Greed, burnout, atrophy, discord. Cowardice, stupidity, dullness, poverty, slavery, bondage. Uruz: (U: Auroch, a wild ox.) Physical strength and speed, untamed potential. A time of great energy and health. Freedom, energy, action, courage, strength, tenacity, understanding, wisdom. Sudden or unexpected changes (usually for the better). Sexual desire, masculine potency. The shaping of power and pattern, formulation of the self. Uruz Reversed or Merkstave: Weakness, obsession, misdirected force, domination by others. Sickness, inconsistency, ignorance. Lust, brutality, rashness, callousness, violence. Thurisaz: (TH: Thorn or a Giant.) Reactive force, directed force of destruction and defense, conflict. Instinctual will, vital eroticism, regenerative catalyst. A tendency toward change. Catharsis, purging, cleansing fire. Male sexuality, fertilization. (Thorr, the Thunder god, was of Giant stock.)Thurisaz Reversed or Merkstave: Danger, defenselessness, compulsion, betrayal, dullness. Evil, malice, hatred, torment, spite, lies. A bad man or woman. Rape? Ansuz: (A: The As, ancestral god, i.e. Odin.) A revealing message or insight, communication. Signals, inspiration, enthusiasm, speech, true vision, power of words and naming. Blessings, the taking of advice. Good health, harmony, truth, wisdom. Ansuz Reversed or Merkstave: Misunderstanding, delusion, manipulation by others, boredom. Vanity and grandiloquence. (Odin is a mighty, but duplicitous god. -
Iso/Iec 10646:2011 Fdis
Proposed Draft Amendment (PDAM) 2 ISO/IEC 10646:2012/Amd.2: 2012 (E) Information technology — Universal Coded Character Set (UCS) — AMENDMENT 2: Caucasian Albanian, Psalter Pahlavi, Old Hungarian, Mahajani, Grantha, Modi, Pahawh Hmong, Mende, and other characters Page 22, Sub-clause 16.3 Format characters Insert the following entry in the list of format characters: 061C ARABIC LETTER MARK 1107F BRAHMI NUMBER JOINER Page 23, Sub-clause 16.5 Variation selectors and variation sequences Remove the first sentence of the third paragraph (starting with ‘No variation sequences using characters’). Insert the following text at the end of the sub-clause. The following list provides a list of variation sequences corresponding to the use of appropriate variation selec- tors with allowed pictographic symbols. The range of presentations may include a traditional black and white text style, using FE0E VARIATION SELECTOR-15, or an ‘emoji’ style, using FE0F VARIATION SELECTOR-16, whose presentation often involves color/grayscale and/or animation. Sequence (UID notation) Description of sequence <0023, FE0E, 20E3> NUMBER SIGN inside a COMBINING ENCLOSING KEYCAP <0023, FE0F, 20E3> <0030, FE0E, 20E3> DIGIT ZERO inside a COMBINING ENCLOSING KEYCAP <0030, FE0F, 20E3> <0031, FE0E, 20E3> DIGIT ONE inside a COMBINING ENCLOSING KEYCAP <0031, FE0F, 20E3> <0032, FE0E, 20E3> DIGIT TWO inside a COMBINING ENCLOSING KEYCAP <0032, FE0F, 20E3> <0033, FE0E, 20E3> DIGIT THREE inside a COMBINING ENCLOSING KEYCAP <0033, FE0F, 20E3> <0034, FE0E, 20E3> DIGIT FOUR inside a COMBINING -
Elder Futhark Rune Poem and Some Notes RYKHART: ODINSXRAL
Elder Futhark Rune Poem and some notes RYKHART: ODINSXRAL Dedication Mysteries ancient, Allfather found Wrested from anguish, nine days fast bound Hung from the world tree, pierced by the spear Odin who seized them, make these staves clear 1 Unless otherwise specified, all text and artwork within ELDER FUTHARK RUNE POEM and some notes RYKHART: ODINSXRAL are copyright by the author and is not to be copied or reproduced in any medium or form without the express written permission of the author Reikhart Odinsthrall both Reikhart Odinsthrall and RYKHART: ODINSXRAL are also both copyright Dec 31, 2013 Elder Futhark Rune Poem by Reikhart Odinsthrall is licensed under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. Based on a work at http://odinsthrall.co.uk/rune-poem.html. 2 F: Fehu : Cattle / Wealth Wealth is won and gold bestowed But honour's due to all men owed Gift the given and ware the lord For thy name's worth noised abroad U: Uruz : Aurochs / Wild-ox Wild ox-blood proud, sharp hornéd might On moorland harsh midst sprite and wight Unconquered will and fierce in form Through summer's sun and winter's storm X: Thurisaz : Thorn / Giant / Thor Thorn hedge bound the foe repelled A giant's anger by Mjolnir felled Thor protect us, fight for troth In anger true as Odin's wrath A: Ansuz : As / God / Odin In mead divine and written word In raven's call and whisper heard Wisdom seek and wise-way act In Mimir's well see Odin's pact R: Raidho : Journey / Carriage By horse and wheel to travel far Till journey's