John Muir and the Edenic Narrative: Towards an Understanding of Class and Racial Bias in the Writing of a Preeminent Environmentalist

Total Page:16

File Type:pdf, Size:1020Kb

John Muir and the Edenic Narrative: Towards an Understanding of Class and Racial Bias in the Writing of a Preeminent Environmentalist University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1998 John Muir and the Edenic narrative: Towards an understanding of class and racial bias in the writing of a preeminent environmentalist Russell Owen The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Owen, Russell, "John Muir and the Edenic narrative: Towards an understanding of class and racial bias in the writing of a preeminent environmentalist" (1998). Graduate Student Theses, Dissertations, & Professional Papers. 6625. https://scholarworks.umt.edu/etd/6625 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY The University ofIVIONTANA Pennission is granted by the author to reproduce tliis material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. ** Please check "Yes" or "No" and provide signature Yes, I gi'ant permission No, I do not giant pennission Author's Signature Date z9 / 9 Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. JOHN MUIR AND THE BDENIC NARRATIVE* TOWARDS AN UNDERSTANDING OF CLASS AND RACIAL BIAS IN THE WRITING OF A PREEMINENT ENVIRONMENTALIST by Russell Owen B.A. The University of Montana, 1993 presented in partial fulfillment of the requirements for the degree of Master of Arts The University of Montana 1998 Approved by* Chairperson Dean, Graduate School Date Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number; EP37426 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI* Oiwsrtation Publishing UMI EP37426 Published by ProOuest LLC (2013). Copyright in the Dissertation held by the Author. Microform Edition © ProOuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code uest ProOuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 106-1346 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Owen. Russell D.. M.A., May 1998 History John Muir and the Edenic Narrative: Towards an Under­ standing of Class and Racial Bias in the Writing of a Preeminent Environmentalist Directors Dan Flores John Muir's writings contain biased portrayals of Native Americans and working class people. The passages where these portrayals occur have been largely ignored by John Muir's major biographers. The passages have been considered inconsistent with Muir's mature thought and, thus, not worthy of attention. When examined thoroughly, however, these passages may be understood as being consonant with John Muir's basic understanding of human history. John Muir's conception of human history and the progress of civilization were rooted in his upbringing on Wisconsin farms and in his education at the University of Wisconsin. Both experiences led Muir to value technology and science as essential means to human progress. The preservationist especially praised the scientific disciplines. He believed humans would come to a deeper understanding of God through science. The emphasis in John Muir's philosophy on the importance of technology and science led to a biased view of workers. Muir came to identify with and champion the efforts of industrial and intellectual elites. At the same time, he denigrated laborers and declined to admit their role in Western Civilization's advance. As his wilderness philosophy evolved, it increasingly appealed to an audience urban and wealthy in composition. John Muir's advocacy of scientific and technological advance also influenced his view of Native Americans and their respective cultures. As individuals. Native Americans were compared to the "degraded working classes.” John Muir measured Native American cultures in terms of Western Civilization's ideals of human progress. Consequently, he always viewed Native American cultures as occupying a position inferior to those cultures evolving out of Western European traditions. The failure of biographers to consider fully John Muir's biases has resulted in a simplified view of his life and his legacy. John Muir and the preservation movement have been enshrined. A more accurate view of John Muir and his legacy will open the way for a deeper understanding of the complexities at work in today's environmental conflicts. ii Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. TABLE OF CONTENTS Chapter 1. INTRODUCTION ................................... 1 2. THE EDENIC NARRATIVE AND THE DEVELOPMENT OF JOHN MUIR'S WORLDVIEW ........................... 11 3. PROGRESS. THE GARDEN, AND THEWORKING CLASS ... 39 4. THE SAVAGE AND THE CIVILIZED: JOHN MUIR'S PERCEPTIONS OF NATIVE AMERICANS ................ 69 5. CONCLUSIONS ................................ 101 BIBLIOGRAPHY ............................................ 112 ill Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. CHAPTER I INTRODUCTION In 1869. John Muir lost himself amongst the glorious peaks, meadows, valleys, and lake basins of California's Sierras for an entire summer. A year before, he had made a brief visit to the Yosemlte Valley and the nearby Mariposa Grove of grand Sequoias. During the trip, the area captured Muir's Imagination and, on his return In 1869. an Intox­ icated energy animated his explorations. He wandered through sculpted amphitheaters, climbed hump-backed peaks, strolled across fields dotted with pastel-colored wlldflowers, and felt water droplets sting his face as he stood under the shattering of a waterfall.^ However. John Muir was not alone In the Sierra. His experiences during the summer of 1869. recorded In the autobiographical work. Mv First Summer In the Sierra, also tell the story of a season spent tending a large flock of sheep. Muir had gained employment from a sheepman named Pat Delaney. Along with a shepherd--a hot-headed youth called Bllly--Mulr followed the flock Into the mountain pastures of the Sierra. Delaney did not hire Muir to work directly In the job of herding, but Instead used him as a sort of confidant, overseeing Billy's work. The position delighted Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 2 Muir because it allowed him to spend long days away from the sheep, enjoying the high country.^ Perhaps nothing fascinated John Muir as much as the mountains themselves. Their cut faces, domed backs, and moraines posed a riddle. Over the next several years, his geological publications would help establish the signifi­ cance of glaciation on the Yosemite landscape. His work discredited the theories of a contemporary geologist, Josiah Dwight Whitney, who explained the local geology in terms of subsidence. In contrast to Muir's glacial theories, Whitney believed the Yosemite once rested on hollow space--in a series of dramatic catastrophes the valley fell like a collapsing cake.^ As with most trips, Muir's summer of shepherding had its good points and its bad. If the landscape, plants, and animals of the Sierra never failed to enchant him, the same could not be said for his travelling companions. The young shepherd, Billy, particularly irritated Muir. Among other shortcomings, Billy exhibited no appreciation for his scenic surroundings, was a poor conversationalist, indulged in chewing copious amounts of tobacco, and possessed no small share of impudence. More than anything, though, Muir found Billy disgustingly dirty* Following the sheep he carries a heavy six-shooter swung from his belt on one side and his luncheon on the other. The ancient cloth in which the meat, fresh from the frying pan, is tied serves as a fil­ ter through which the fat and gravy Juices drip Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. down on his right hip and leg in clustering stalac­ tites. These precious overalls are never taken off, and nobody knows how old they are, though one may guess by their thickness and concen­ tric structure. Instead of wearing thin they wear thick, and in their stratification have no small geological significance.' Muir was equally offended by the lack of hygiene exhibited by a Digger Indian who helped drive the sheep during the first days of summer, and by other Indians he encountered in the mountains. At a high pass, late in the month of August, Muir met a group of Indians on their way to the Yosemite Valley to gather acorns. As with Billy's pants, Muir relied on
Recommended publications
  • The Imaginative Tension in Henry David Thoreau's Political Thought
    THE CATHOLIC UNIVERSITY OF AMERICA Arcadian Exile: The Imaginative Tension in Henry David Thoreau’s Political Thought A DISSERTATION Submitted to the Faculty of the Department of Politics School of Arts and Sciences of the Catholic University of America In Partial Fulfillment of the Requirements For the Degree Doctor of Philosophy © Copyright All Rights Reserved By Joshua James Bowman Washington, D.C. 2016 Arcadian Exile: The Imaginative Tension in Henry David Thoreau’s Political Thought Joshua James Bowman, Ph.D. Director: Claes G. Ryn, Ph.D. Henry David Thoreau‘s writings have achieved a unique status in the history of American literature. His ideas influenced the likes of Gandhi and Martin Luther King Jr., and play a significant role in American environmentalism. Despite this influence his larger political vision is often used for purposes he knew nothing about or could not have anticipated. The purpose of this dissertation is to analyze Thoreau’s work and legacy by elucidating a key tension within Thoreau's imagination. Instead of placing Thoreau in a pre-conceived category or worldview, the focus on imagination allows a more incisive reflection on moral and spiritual questions and makes possible a deeper investigation of Thoreau’s sense of reality. Drawing primarily on the work of Claes Ryn, imagination is here conceived as a form of consciousness that is creative and constitutive of our most basic sense of reality. The imagination both shapes and is shaped by will/desire and is capable of a broad and qualitatively diverse range of intuition which varies depending on one’s orientation of will.
    [Show full text]
  • The Bible Vision
    Taylor University Pillars at Taylor University TUFW Alumni Publications Publications for TUFW and Predecessors 10-1-1936 The iB ble Vision Fort Wayne Bible Institute Follow this and additional works at: https://pillars.taylor.edu/tufw-alumni-publications Part of the Higher Education Commons Recommended Citation Fort Wayne Bible Institute, "The iB ble Vision" (1936). TUFW Alumni Publications. 225. https://pillars.taylor.edu/tufw-alumni-publications/225 This Book is brought to you for free and open access by the Publications for TUFW and Predecessors at Pillars at Taylor University. It has been accepted for inclusion in TUFW Alumni Publications by an authorized administrator of Pillars at Taylor University. For more information, please contact [email protected]. 'WHERE THERE IS NO VISION, THE PEOPLE PERISH' THE BIBLE VISION '*Write the znsion and make it plain" THE HEAVENLY VISION Rev. J. E. Ramseyer THE THEOLOGY OF THE HYMNBOOK Dr. John Greenfield THE CROSS ANTICIPATED Mr. John Tuckey THE EPISTLE TO THE GALATIANS Rev. B. F. Leightner WHAT'S NEW AT THE BIBLE INSTITUTE WITH THE ALUMNI OCTOBER, 1936 Publication of the Fort Wayne Bible Institute Fort Wayne, Indiana 1 The Bible Vision Published monthly by THE FORT WAYNE BIBLE INSTITUTE S. A. WITMER, Editor B. F. LEIGHTNER, Associate Editor LOYAL RINGENBERG, Associate Editor HARVEY MITCHELL, Editor of Fellowship Circle Department Publisher Economy Printing Concehn, Berne, Indiana Yearly Subscription, Seventy- Five Cents; Sixteen Months for One Dollar; Three Years for Two Dollars; Single Copy for Ten Cents. Address all correspondence regarding subscriptions or subject-matter to the Fort Wayne Bible Institute, Fort Wayne, Indiana.
    [Show full text]
  • Buffy & Angel Watching Order
    Start with: End with: BtVS 11 Welcome to the Hellmouth Angel 41 Deep Down BtVS 11 The Harvest Angel 41 Ground State BtVS 11 Witch Angel 41 The House Always Wins BtVS 11 Teacher's Pet Angel 41 Slouching Toward Bethlehem BtVS 12 Never Kill a Boy on the First Date Angel 42 Supersymmetry BtVS 12 The Pack Angel 42 Spin the Bottle BtVS 12 Angel Angel 42 Apocalypse, Nowish BtVS 12 I, Robot... You, Jane Angel 42 Habeas Corpses BtVS 13 The Puppet Show Angel 43 Long Day's Journey BtVS 13 Nightmares Angel 43 Awakening BtVS 13 Out of Mind, Out of Sight Angel 43 Soulless BtVS 13 Prophecy Girl Angel 44 Calvary Angel 44 Salvage BtVS 21 When She Was Bad Angel 44 Release BtVS 21 Some Assembly Required Angel 44 Orpheus BtVS 21 School Hard Angel 45 Players BtVS 21 Inca Mummy Girl Angel 45 Inside Out BtVS 22 Reptile Boy Angel 45 Shiny Happy People BtVS 22 Halloween Angel 45 The Magic Bullet BtVS 22 Lie to Me Angel 46 Sacrifice BtVS 22 The Dark Age Angel 46 Peace Out BtVS 23 What's My Line, Part One Angel 46 Home BtVS 23 What's My Line, Part Two BtVS 23 Ted BtVS 71 Lessons BtVS 23 Bad Eggs BtVS 71 Beneath You BtVS 24 Surprise BtVS 71 Same Time, Same Place BtVS 24 Innocence BtVS 71 Help BtVS 24 Phases BtVS 72 Selfless BtVS 24 Bewitched, Bothered and Bewildered BtVS 72 Him BtVS 25 Passion BtVS 72 Conversations with Dead People BtVS 25 Killed by Death BtVS 72 Sleeper BtVS 25 I Only Have Eyes for You BtVS 73 Never Leave Me BtVS 25 Go Fish BtVS 73 Bring on the Night BtVS 26 Becoming, Part One BtVS 73 Showtime BtVS 26 Becoming, Part Two BtVS 74 Potential BtVS 74
    [Show full text]
  • A Performer's Guide to Minoru Miki's Sohmon III for Soprano, Marimba and Piano (1988)
    University of Cincinnati Date: 4/22/2011 I, Margaret T Ozaki-Graves , hereby submit this original work as part of the requirements for the degree of Doctor of Musical Arts in Voice. It is entitled: A Performer’s Guide to Minoru Miki’s _Sohmon III for Soprano, Marimba and Piano_ (1988) Student's name: Margaret T Ozaki-Graves This work and its defense approved by: Committee chair: Jeongwon Joe, PhD Committee member: William McGraw, MM Committee member: Barbara Paver, MM 1581 Last Printed:4/29/2011 Document Of Defense Form A Performer’s Guide to Minoru Miki’s Sohmon III for Soprano, Marimba and Piano (1988) A document submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in the Performance Studies Division of the College-Conservatory of Music by Margaret Ozaki-Graves B.M., Lawrence University, 2003 M.M., University of Cincinnati, 2007 April 22, 2011 Committee Chair: Jeongwon Joe, Ph.D. ABSTRACT Japanese composer Minoru Miki (b. 1930) uses his music as a vehicle to promote cross- cultural awareness and world peace, while displaying a self-proclaimed preoccupation with ethnic mixture, which he calls konketsu. This document intends to be a performance guide to Miki’s Sohmon III: for Soprano, Marimba and Piano (1988). The first chapter provides an introduction to the composer and his work. It also introduces methods of intercultural and artistic borrowing in the Japanese arts, and it defines the four basic principles of Japanese aesthetics. The second chapter focuses on the interpretation and pronunciation of Sohmon III’s song text.
    [Show full text]
  • Images of the Pregnant Body and the Unborn Child in England, 1540–C.1680 Rebecca Whiteley*
    Social History of Medicine Vol. 32, No. 2 pp. 241–266 Roy Porter Student Prize Essay Figuring Pictures and Picturing Figures: Images of the Pregnant Body and the Unborn Child in England, 1540–c.1680 Rebecca Whiteley* Summary. Birth figures, or print images of the fetus in the uterus, were immensely popular in mid- wifery and surgical books in Europe in the sixteenth and seventeenth centuries. But despite their central role in the visual culture of pregnancy and childbirth during this period, very little critical attention has been paid to them. This article seeks to address this dearth by examining birth figures in their cultural context and exploring the various ways in which they may have been used and interpreted by early modern viewers. I argue that, through this process of exploring and contextual- ising early modern birth figures, we can gain a richer and more nuanced understanding of the early modern body, how it was visualised, understood and treated. Keywords: midwifery; childbirth; pregnancy; visual culture; print culture An earnest, cherubic toddler floats in what looks like an inverted glass flask. Accompanied by numerous fellows, each figure demonstrates a different acrobatic pos- ture (Figure 1). These images seem strange to a modern eye: while we might suppose they represent a fetus in utero (which indeed they do), we are troubled by their non- naturalistic style, and perhaps by a feeling that they are rich in a symbolism with which we are not familiar. Their first viewers, in England in the 1540s, might also have found them strange, but in a different way, as these images offered to them an entirely new picture of a bodily interior that was largely understood to be both visually inaccessible and inherently mysterious.
    [Show full text]
  • Read Ebook {PDF EPUB} Art and Life in America by Oliver W. Larkin Harvard Art Museums / Fogg Museum | Bush-Reisinger Museum | Arthur M
    Read Ebook {PDF EPUB} Art and Life in America by Oliver W. Larkin Harvard Art Museums / Fogg Museum | Bush-Reisinger Museum | Arthur M. Sackler Museum. In this allegorical portrait, America is personified as a white marble goddess. Dressed in classical attire and crowned with thirteen stars representing the original thirteen colonies, the figure gives form to associations Americans drew between their democracy and the ancient Greek and Roman republics. Like most nineteenth-century American marble sculptures, America is the product of many hands. Powers, who worked in Florence, modeled the bust in plaster and then commissioned a team of Italian carvers to transform his model into a full-scale work. Nathaniel Hawthorne, who visited Powers’s studio in 1858, captured this division of labor with some irony in his novel The Marble Faun: “The sculptor has but to present these men with a plaster cast . and, in due time, without the necessity of his touching the work, he will see before him the statue that is to make him renowned.” Identification and Creation Object Number 1958.180 People Hiram Powers, American (Woodstock, NY 1805 - 1873 Florence, Italy) Title America Other Titles Former Title: Liberty Classification Sculpture Work Type sculpture Date 1854 Places Creation Place: North America, United States Culture American Persistent Link https://hvrd.art/o/228516 Location Level 2, Room 2100, European and American Art, 17th–19th century, Centuries of Tradition, Changing Times: Art for an Uncertain Age. Signed: on back: H. Powers Sculp. Henry T. Tuckerman, Book of the Artists: American Artist Life, Comprising Biographical and Critical Sketches of American Artists, Preceded by an Historical Account of the Rise and Progress of Art in America , Putnam (New York, NY, 1867), p.
    [Show full text]
  • “Living the Dream”
    George A. Mason Wilshire Baptist Church th A Season for Dreamers 4 Sunday of Advent 22 December 2019 Last“Living in series, the Dream” Dallas, Texas Luke 1:26-38, 46-55 It was the only thing that always This song is to the country of worked to quiet her. It is the Austria about what Kate Smith’s only thing that works to quiet version of “God Bless America” is him. to us—not a national anthem but a patriotic ballad. Edelweiss is a One of the pleasures of white flower that grows bravely grandparenting is seeing how in the highest altitudes. the children you parented Unfortunately, it’s also too often parent. Kim and I were in New a symbol of racist white power. York a few weeks ago, staying with our daughter, Jillian. It was Lullabies are powerful ways of her son River’s bedtime, and he calming children and putting wasn’t having it. Then I heard it. them to sleep. What I want to A song. A lullaby. Something I suggest to you today is that they hadn’t heard since she was a are also powerful ways of riling little girl that became an people and waking them up to earworm in my head night after act. Lullabies can set you to night—“Edelweiss.” dreaming and also to living the dream. lullaby Jillian grew up with stories. It’s no surprise she majored in The very word is curious. acting inThe college Sound and of isMusic our Some say—and for all the family drama queen, don’t you research I have done this week, I know?! was a still can’t confirmLilith, it—that be gone.
    [Show full text]
  • Jacob Druckman
    JACOB DRUCKMAN: LAMIA THAT QUICKENING PULSE | DELIZIE CONTENTE CHE L’ALME BEATE | NOR SPELL NOR CHARM | SUITE FROM MÉDÉE [1] THAT QUICKENING PUlsE (1988) 7:41 JACOB DRUCKMAN 1928–1996 Francesco Cavalli/Jacob Druckman: [2] DELIZIE CONTENTE CHE L’ALME BEATE (arr. 1985) 2:48 THAT QUICKENING PULSE [3] NOR SPELL NOR CHARM (1990) 11:37 DELIZIE CONTENTE CHE L’ALME BEATE Marc-Antoine Charpentier/Jacob Druckman: NOR SPELL NOR CHARM SUITE FROM MÉDÉE (arr. 1985) [4] I. Ouverture 2:14 SUITE FROM MÉDÉE [5] II. Prélude 2:45 [6] III. Rondeau pour les Corinthiens 1:50 LAMIA [7] IV. Loure 4:46 [8] V. Passepied & Choeur 3:24 LAMIA (1986) LUCY SHELTON soprano [9] I. Folk conjuration to make one courageous 2:09 [10] II. Metamorphoses, Book VII; BOSTON MODERN ORCHESTRA PROJECT Folk conjuration to dream of one’s future husband 7:01 [11] III. Folk conjuration against death or other absence GIL ROSE, CONDUCTOR of the soul 4:59 [12] IV. Stanza degli Incanti de Medea; Tristan und Isolde; Periapt against theeves 5:08 TOTAL 56:24 COMMENT By Jacob Druckman Lamia was the name of a sorceress of Greek mythology and has come to mean “sorcer- ess” in the generic sense. The concept of the work grew out of a particular performance of my Animus II by my dear friend and colleague, the great American mezzo-soprano Jan DeGaetani at the Aspen Colorado Music Festival in 1972. Ms. DeGaetani, who has magnificently performed and recorded several of my works, gave a particularly magical performance that night in which everything that sounded and befell seemed to be the direct result of her will and her powers.
    [Show full text]
  • Personal, Societal, and Ecological Values of Wilderness: Sixth World Wilderness Congress Proceedings on Research, Management, and Allocation, Vol
    United States Department Personal, Societal, and of Agriculture Forest Service Ecological Values of Wilderness: Rocky Mountain Research Station Sixth World Wilderness Proceedings RMRS-P-14 Congress Proceedings on July 2000 Research, Management, and Allocation, Volume II Abstract Watson, Alan E.; Aplet, Greg H.; Hendee, John C., comps. 2000. Personal, societal, and ecological values of wilderness: Sixth World Wilderness Congress proceedings on research, management, and allocation, vol. II; 1998 October 24-29; Bangalore, India. Proc. RMRS-P-14. Ogden, UT: U.S. Department of Agriculture, Forest Service, Rocky Mountain Research Station. 248 p. The papers contained in Volume II of these Proceedings represent a combination of papers originally scheduled for the delayed 1997 meeting of the World Wilderness Congress and those submitted in response to a second call for papers when the Congress was rescheduled for October 24-29, 1998, in Bangalore, India. Just as in Volume I, the papers are divided into seven topic areas: protected area systems: challenges, solutions, and changes; understanding and protecting biodiversity; human values and meanings of wilderness; wilderness for personal growth; understanding threats and services related to wilderness resources; the future of wilderness: challenges of planning, management, training, and research; and international cooperation in wilderness protection. Keywords: biodiversity, protected areas, tourism, economics, recreation, wildlife, international cooperation The Compilers Alan E. Watson is a Research Social Scientist, USDA Forest Service, Aldo Leopold Wilderness Research Institute, and Executive Editor for Science, the International Journal of Wilderness. The Aldo Leopold Wilderness Research Institute is an interagency (Forest Service, Bureau of Land Management, National Park Service, U.S. Fish and Wildlife Service, U.S.
    [Show full text]
  • PULITZER PRIZE WINNERS in LETTERS © by Larry James
    PULITZER PRIZE WINNERS IN LETTERS © by Larry James Gianakos Fiction 1917 no award *1918 Ernest Poole, His Family (Macmillan Co.; 320 pgs.; bound in blue cloth boards, gilt stamped on front cover and spine; full [embracing front panel, spine, and back panel] jacket illustration depicting New York City buildings by E. C.Caswell); published May 16, 1917; $1.50; three copies, two with the stunning dust jacket, now almost exotic in its rarity, with the front flap reading: “Just as THE HARBOR was the story of a constantly changing life out upon the fringe of the city, along its wharves, among its ships, so the story of Roger Gale’s family pictures the growth of a generation out of the embers of the old in the ceaselessly changing heart of New York. How Roger’s three daughters grew into the maturity of their several lives, each one so different, Mr. Poole tells with strong and compelling beauty, touching with deep, whole-hearted conviction some of the most vital problems of our modern way of living!the home, motherhood, children, the school; all of them seen through the realization, which Roger’s dying wife made clear to him, that whatever life may bring, ‘we will live on in our children’s lives.’ The old Gale house down-town is a little fragment of a past generation existing somehow beneath the towering apartments and office-buildings of the altered city. Roger will be remembered when other figures in modern literature have been forgotten, gazing out of his window at the lights of some near-by dwelling lifting high above his home, thinking
    [Show full text]
  • The Divine Pymander of Hermes Mercurius Trismegistus the Divine Pymander of Hermes Mercurius Trismegistus an Egyptian Philosopher
    The Divine Pymander of Hermes Mercurius Trismegistus The Divine Pymander of Hermes Mercurius Trismegistus an Egyptian Philosopher In 17 Books translated formerly out of the Arabic into Greek, and thence into Latin, and Dutch, and now out of the Original into English by that Learned Divine Doctor Everard. Printed by Robert White in London in 1650 Judicious Reader, This Book may justly challenge the first place for antiquity, from all of the Books in the World, being written some hundred of years before Moses time, as I shall endeavour to make good. The Original (as far as it is know to us) is Arabic, and several Translations thereof have been published, as Greek, Latin, French, Dutch, etc., but never English before. It is a pity that the Learned Translator [Doctor Everard] is not alive, and received himself, the honour, and thanks due to him from Englishmen; for his good will to, and pains for them, in translating a Book of such infinite worth, out of the Original, into their Mother- tongue. Concerning the Author of the Book itself, Four things are considered, viz His Name, Learning, Country and Time. 1) The name by which he was commonly titled is, Hermes Trismegistus, i.e., Mercurious Ter Maximus, or, The thrice greatest Intelligencer. And well might he be called Hermes, for he was the first Intelligencer in the World (as we read of) that communicated Knowledge to the sons of Men, by Writing, or Engraving. He was called Ter Maximus, for some Reasons, which I shall afterwards mention. 2) His Learning will appear, as by his Works; so by the right understanding the Reason of his Name.
    [Show full text]
  • DECLARATION of Jane Sunderland in Support of Request For
    Columbia Pictures Industries Inc v. Bunnell Doc. 373 Att. 1 Exhibit 1 Twentieth Century Fox Film Corporation Motion Pictures 28 DAYS LATER 28 WEEKS LATER ALIEN 3 Alien vs. Predator ANASTASIA Anna And The King (1999) AQUAMARINE Banger Sisters, The Battle For The Planet Of The Apes Beach, The Beauty and the Geek BECAUSE OF WINN-DIXIE BEDAZZLED BEE SEASON BEHIND ENEMY LINES Bend It Like Beckham Beneath The Planet Of The Apes BIG MOMMA'S HOUSE BIG MOMMA'S HOUSE 2 BLACK KNIGHT Black Knight, The Brokedown Palace BROKEN ARROW Broken Arrow (1996) BROKEN LIZARD'S CLUB DREAD BROWN SUGAR BULWORTH CAST AWAY CATCH THAT KID CHAIN REACTION CHASING PAPI CHEAPER BY THE DOZEN CHEAPER BY THE DOZEN 2 Clearing, The CLEOPATRA COMEBACKS, THE Commando Conquest Of The Planet Of The Apes COURAGE UNDER FIRE DAREDEVIL DATE MOVIE 4 Dockets.Justia.com DAY AFTER TOMORROW, THE DECK THE HALLS Deep End, The DEVIL WEARS PRADA, THE DIE HARD DIE HARD 2 DIE HARD WITH A VENGEANCE DODGEBALL: A TRUE UNDERDOG STORY DOWN PERISCOPE DOWN WITH LOVE DRIVE ME CRAZY DRUMLINE DUDE, WHERE'S MY CAR? Edge, The EDWARD SCISSORHANDS ELEKTRA Entrapment EPIC MOVIE ERAGON Escape From The Planet Of The Apes Everyone's Hero Family Stone, The FANTASTIC FOUR FAST FOOD NATION FAT ALBERT FEVER PITCH Fight Club, The FIREHOUSE DOG First $20 Million, The FIRST DAUGHTER FLICKA Flight 93 Flight of the Phoenix, The Fly, The FROM HELL Full Monty, The Garage Days GARDEN STATE GARFIELD GARFIELD A TAIL OF TWO KITTIES GRANDMA'S BOY Great Expectations (1998) HERE ON EARTH HIDE AND SEEK HIGH CRIMES 5 HILLS HAVE
    [Show full text]