“Living the Dream”
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WORDS—A Collection of Poems and Song Lyrics by Paul F
WORDS— A Collection of Poems and Song Lyrics By P.F Uhlir Preface This volume contains the poems and songs I have written over the past four decades. There is a critical mass at his point, so I am self-publishing it online for others to see. It is still a work in progress and I will be adding to them as time goes on. The collections of both the poems and songs were written in different places with divergent topics and genres. It has been a sporadic effort, sometimes going for a decade without an inspiration and then several works in a matter of months. Although I have presented each collection chronologically, the pieces also could be arranged by themes. They are about love and sex, religion, drinking, and social topics—you know, the stuff to stay away from at the holiday table. In addition, although the songs only have lyrics, they can be grouped into genres such as blues, ballads, and songs that would be appropriate in musicals. Some of the songs defy categorization. I have titled the collection “Words”, after my favorite poem, which is somewhere in the middle. Most of them tell a story about a particular person, or event, or place that is meaningful to me. It is of personal significance and perhaps not interesting or understandable to the reader. To that extent, it can be described as a self-indulgence or an introspection; but most of them are likely to have a broader meaning that can be readily discerned. I’m sure I will add to them as time goes on, but I felt it was time to put them out. -
Summary Recital Schedule
Studio One Dance Center Summary Recital Schedule Print Date: 3/1/2020 Page 1 of 5 Session: 2019-20 School Year (Aug-May) RECITAL: SODC 2020 Recital #1 9AM Song Number Class and Song Information Time 1 PROLOGUE: A COVER IS NOT THE BOOK (MUSICAL THEATER) 00:00 PROD - - - JR 1-3, INT 1-4, TPP CO MT PROD - Teacher: Jennifer Brast Thr at 5:45pm to 6:30pm in Room E 2 THE SECRET GARDEN: SONG FROM A SECRET GARDEN (BALLET) 00:00 9 & UP - 1/2 - 9 YR & UP BALLET LEVEL 1/2 - Teacher: Ashlee Gilchrist Mon at 4:30pm to 5:45pm in Room D 3 PHOEBE THE PHOTOGRAPHER: SNAP A PICTURE (TAP) 00:00 5-8 TBJ - - - 5-8 YR TBJ KIDS DANCE 2 - Teacher: Leedonna Haynes Mon at 5:45pm to 7:15pm in Room C 4 THE GIVING TREE: EVERY SEASON (BALLET) 00:00 5-8 YR - - - 5-8 YR TBJ KIDS DANCE 1 - Teacher: Elizabeth (Libby) Smith Mon at 4:30pm to 6:00pm in Room A 5 THE INVISIBLE STRING: ANGEL'S LULLABY (CONTEMPORARY) 00:00 S/D/T - CO. - MELODY SOLO - Teacher: Kari Schmuck Fri at 5:30pm to 6:00pm in Room D 6 NOAH'S ARK: NOAH'S ARK (TAP) 00:00 4-5 TBT - - - 4-5 YR TBT TAPS AND TWIRLS - Teacher: Kari Schmuck Mon at 10:30am to 11:30am in Room B 7 THE GOSPEL TRAIN: THE GOSPEL TRAIN (JAZZ) 00:00 M/P - - - MINI/PETITE CO TAP AND JAZZ - Teacher: Kari Schmuck Mon at 4:15pm to 5:00pm in Room B 8 THE TALE OF PETER RABBIT: THE TALE OF PETER RABBIT (BALLET) 00:00 MOM & ME - - - MOMMY AND ME 18 MO.-2 YR - Teacher: Kari Schmuck Mon at 9:00am to 9:45am in Room B 9 THE VERY HUNGRY CATIPILAR: HUNGRY CATIPILAR (TAP) 00:00 3-4 TBT - - - 3-4 YR TBT DANCIN' TOTS - Teacher: Leedonna Haynes Mon at 4:00pm -
A Parent's Lullaby
A Parent’s Lullaby A Song of Hope for Bereaved Parents From Our Children Live On, by Elissa Al-Chokhachy Mom and Dad, here I am! Your child I’ll always be Loving you both with all my heart through all eternity. Will you love me even though on earth I could not stay? There were things beyond control that called me on my way. Sometimes when you miss me, I know it makes you cry. Know that I am still with you and will be by your side. If you sit quietly with me, I’ll share with you my thoughts. Ask me what you’d like to know. Then listen with your heart. Be open to the subtle ways I will say to you, “Thanks for being my Mom and Dad, for loving me through and through.” I want to make you happy. I want to make you smile. Know each time that you think of me I’m loving you all the while. I’m sorry I’ll never accomplish the things you’d hoped for me. God and I had other plans. Search and you will see ... I came to earth to be your child, to be a teacher true. There’s so much I’ve been teaching since I’ve come to be with you. You’ve learned to live in the moment and cherish each day we have. It’s the little things that mean the most, like a smile or touch of the hand. You know it doesn’t matter the things that will never be. -
The Bible Vision
Taylor University Pillars at Taylor University TUFW Alumni Publications Publications for TUFW and Predecessors 10-1-1936 The iB ble Vision Fort Wayne Bible Institute Follow this and additional works at: https://pillars.taylor.edu/tufw-alumni-publications Part of the Higher Education Commons Recommended Citation Fort Wayne Bible Institute, "The iB ble Vision" (1936). TUFW Alumni Publications. 225. https://pillars.taylor.edu/tufw-alumni-publications/225 This Book is brought to you for free and open access by the Publications for TUFW and Predecessors at Pillars at Taylor University. It has been accepted for inclusion in TUFW Alumni Publications by an authorized administrator of Pillars at Taylor University. For more information, please contact [email protected]. 'WHERE THERE IS NO VISION, THE PEOPLE PERISH' THE BIBLE VISION '*Write the znsion and make it plain" THE HEAVENLY VISION Rev. J. E. Ramseyer THE THEOLOGY OF THE HYMNBOOK Dr. John Greenfield THE CROSS ANTICIPATED Mr. John Tuckey THE EPISTLE TO THE GALATIANS Rev. B. F. Leightner WHAT'S NEW AT THE BIBLE INSTITUTE WITH THE ALUMNI OCTOBER, 1936 Publication of the Fort Wayne Bible Institute Fort Wayne, Indiana 1 The Bible Vision Published monthly by THE FORT WAYNE BIBLE INSTITUTE S. A. WITMER, Editor B. F. LEIGHTNER, Associate Editor LOYAL RINGENBERG, Associate Editor HARVEY MITCHELL, Editor of Fellowship Circle Department Publisher Economy Printing Concehn, Berne, Indiana Yearly Subscription, Seventy- Five Cents; Sixteen Months for One Dollar; Three Years for Two Dollars; Single Copy for Ten Cents. Address all correspondence regarding subscriptions or subject-matter to the Fort Wayne Bible Institute, Fort Wayne, Indiana. -
Buffy & Angel Watching Order
Start with: End with: BtVS 11 Welcome to the Hellmouth Angel 41 Deep Down BtVS 11 The Harvest Angel 41 Ground State BtVS 11 Witch Angel 41 The House Always Wins BtVS 11 Teacher's Pet Angel 41 Slouching Toward Bethlehem BtVS 12 Never Kill a Boy on the First Date Angel 42 Supersymmetry BtVS 12 The Pack Angel 42 Spin the Bottle BtVS 12 Angel Angel 42 Apocalypse, Nowish BtVS 12 I, Robot... You, Jane Angel 42 Habeas Corpses BtVS 13 The Puppet Show Angel 43 Long Day's Journey BtVS 13 Nightmares Angel 43 Awakening BtVS 13 Out of Mind, Out of Sight Angel 43 Soulless BtVS 13 Prophecy Girl Angel 44 Calvary Angel 44 Salvage BtVS 21 When She Was Bad Angel 44 Release BtVS 21 Some Assembly Required Angel 44 Orpheus BtVS 21 School Hard Angel 45 Players BtVS 21 Inca Mummy Girl Angel 45 Inside Out BtVS 22 Reptile Boy Angel 45 Shiny Happy People BtVS 22 Halloween Angel 45 The Magic Bullet BtVS 22 Lie to Me Angel 46 Sacrifice BtVS 22 The Dark Age Angel 46 Peace Out BtVS 23 What's My Line, Part One Angel 46 Home BtVS 23 What's My Line, Part Two BtVS 23 Ted BtVS 71 Lessons BtVS 23 Bad Eggs BtVS 71 Beneath You BtVS 24 Surprise BtVS 71 Same Time, Same Place BtVS 24 Innocence BtVS 71 Help BtVS 24 Phases BtVS 72 Selfless BtVS 24 Bewitched, Bothered and Bewildered BtVS 72 Him BtVS 25 Passion BtVS 72 Conversations with Dead People BtVS 25 Killed by Death BtVS 72 Sleeper BtVS 25 I Only Have Eyes for You BtVS 73 Never Leave Me BtVS 25 Go Fish BtVS 73 Bring on the Night BtVS 26 Becoming, Part One BtVS 73 Showtime BtVS 26 Becoming, Part Two BtVS 74 Potential BtVS 74 -
Book Based Family Program
Book Based Family Program Lullaby Books & Music When I First Held You By Mirik Snir Before You Were Born Retold by Howard Schwartz Sunrise, Sunset By Sheldon Harnick Program Focus Age group: Babies and their parents Time frame: 45 minutes Central value: Expressing unconditional love, passing rituals/Jewish life from generation to generation (L’dor v’dor) Synopsis In When I First Held You, the unique and immediate connections between parents and newborns come to life in a sweet Israeli lullaby. In Before You Were Born, the angel Lailah explains mysteries of the world that surface each time a baby is born. From the musical Fiddler on the Roof comes an illustrated version of the much-loved song about the passage of time in Sunrise, Sunset. Goals Bring the values above to life Send families home with knowledge and tools to continue to live these values as a part of daily life Help form a pattern for our lives, providing comfort Provide words to the universal story of the gift of our children Foster relationships and build community between the moms/dads in attendance Submitted by Iris Koller – [email protected] Plan in advance Prepare the Location Materials Sign in sheets PJ sign-up forms for new families Name tags & black permanent markers Song sheets/parent handouts Any take home handouts for parents – websites; articles Prepare Wall Document Activity Materials Pre-printed copies of the three quotes on high quality paper, such as parchment or linen (enough so that everyone has a choice, see attached) Washable ink stamp pads -
PSR-E273 YPT-270 Owner’S Manual 1 2 PSR-E273 YPT-270 Owner’S Manual FCC INFORMATION (U.S.A.) 1
Before using the instrument, be sure to read “PRECAUTIONS” on pages 5–7. PSR-E273 YPT-270 Owner’s Manual 1 2 PSR-E273 YPT-270 Owner’s Manual FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! tronic devices. Compliance with FCC regulations does not This product, when installed as indicated in the instructions guarantee that interference will not occur in all installations. If contained in this manual, meets FCC requirements. Modifica- this product is found to be the source of interference, which tions not expressly approved by Yamaha may void your can be determined by turning the unit “OFF” and “ON”, please authority, granted by the FCC, to use the product. try to eliminate the problem by using one of the following mea- sures: 2. IMPORTANT: When connecting this product to accesso- Relocate either this product or the device that is being ries and/or another product use only high quality shielded affected by the interference. cables. Cable/s supplied with this product MUST be used. Utilize power outlets that are on different branch (circuit Follow all installation instructions. Failure to follow instructions breaker or fuse) circuits or install AC line filter/s. could void your FCC authorization to use this product in the In the case of radio or TV interference, relocate/reorient the USA. antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. 3. NOTE: This product has been tested and found to comply If these corrective measures do not produce satisfactory with the requirements listed in FCC Regulations, Part 15 for results, please contact the local retailer authorized to distrib- Class “B” digital devices. -
A Performer's Guide to Minoru Miki's Sohmon III for Soprano, Marimba and Piano (1988)
University of Cincinnati Date: 4/22/2011 I, Margaret T Ozaki-Graves , hereby submit this original work as part of the requirements for the degree of Doctor of Musical Arts in Voice. It is entitled: A Performer’s Guide to Minoru Miki’s _Sohmon III for Soprano, Marimba and Piano_ (1988) Student's name: Margaret T Ozaki-Graves This work and its defense approved by: Committee chair: Jeongwon Joe, PhD Committee member: William McGraw, MM Committee member: Barbara Paver, MM 1581 Last Printed:4/29/2011 Document Of Defense Form A Performer’s Guide to Minoru Miki’s Sohmon III for Soprano, Marimba and Piano (1988) A document submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in the Performance Studies Division of the College-Conservatory of Music by Margaret Ozaki-Graves B.M., Lawrence University, 2003 M.M., University of Cincinnati, 2007 April 22, 2011 Committee Chair: Jeongwon Joe, Ph.D. ABSTRACT Japanese composer Minoru Miki (b. 1930) uses his music as a vehicle to promote cross- cultural awareness and world peace, while displaying a self-proclaimed preoccupation with ethnic mixture, which he calls konketsu. This document intends to be a performance guide to Miki’s Sohmon III: for Soprano, Marimba and Piano (1988). The first chapter provides an introduction to the composer and his work. It also introduces methods of intercultural and artistic borrowing in the Japanese arts, and it defines the four basic principles of Japanese aesthetics. The second chapter focuses on the interpretation and pronunciation of Sohmon III’s song text. -
Images of the Pregnant Body and the Unborn Child in England, 1540–C.1680 Rebecca Whiteley*
Social History of Medicine Vol. 32, No. 2 pp. 241–266 Roy Porter Student Prize Essay Figuring Pictures and Picturing Figures: Images of the Pregnant Body and the Unborn Child in England, 1540–c.1680 Rebecca Whiteley* Summary. Birth figures, or print images of the fetus in the uterus, were immensely popular in mid- wifery and surgical books in Europe in the sixteenth and seventeenth centuries. But despite their central role in the visual culture of pregnancy and childbirth during this period, very little critical attention has been paid to them. This article seeks to address this dearth by examining birth figures in their cultural context and exploring the various ways in which they may have been used and interpreted by early modern viewers. I argue that, through this process of exploring and contextual- ising early modern birth figures, we can gain a richer and more nuanced understanding of the early modern body, how it was visualised, understood and treated. Keywords: midwifery; childbirth; pregnancy; visual culture; print culture An earnest, cherubic toddler floats in what looks like an inverted glass flask. Accompanied by numerous fellows, each figure demonstrates a different acrobatic pos- ture (Figure 1). These images seem strange to a modern eye: while we might suppose they represent a fetus in utero (which indeed they do), we are troubled by their non- naturalistic style, and perhaps by a feeling that they are rich in a symbolism with which we are not familiar. Their first viewers, in England in the 1540s, might also have found them strange, but in a different way, as these images offered to them an entirely new picture of a bodily interior that was largely understood to be both visually inaccessible and inherently mysterious. -
THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour. -
AN ANGEL by BREVET Fiction M MISS CHERRY BLOSSOM of TOKYO Decorated Cloth, $1.35 the FOX-WOMAN with Frontispiece
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. http://books.google.com Anangelbybrevet HelenPitkin William B. Cairns Professor of English University of Wisconsin- Madison AN ANGEL BY BREVET fiction M MISS CHERRY BLOSSOM OF TOKYO Decorated cloth, $1.35 THE FOX-WOMAN With frontispiece. 121110. Cloth, $1.35 By John Luther Long THE ISSUE Illustrated. $1.50 By George Morgan A SEQUENCE IN HEARTS $1.50 By Mary Moss A TAR-HEEL BARON Illustrated. $1.50 By Mabel! S. C. Pelton CADETS OF GASCONY Illustrated. $1.50 AT ODDS WITH THE REGENT Illustrated. $1.50 By Burton E. Stevenson MISS CARMICHAEL'S CONSCIENCE Illustrated. $1.00 MARR'D IN MAKING Illustrated. $1.25 By Baroness von Hutten • AS HE HAD SEEN HER IN HIS DREAM An Angel by Brevet A STORY OF MODERN NEW ORLEANS BY HELEN PITKIN Soleil leve li; li couche li (The sun rises there; he sets there) — LOUISIANA MAXIM PHILADELPHIA AND LONDON J. B. LIPPINCOTT COMPANY 1904 COPYRIGHT, 1904 BY J. B. LIPPINCOTT COMPANY Published November, 1904 Printed by 'J. B. Lifpincatt Company, Philadelphia^ U. S. A TO MY MOTHER'S MOTHER I BRING THESE FIRSTFRUITS r FOREWORD IT is believed that the following story, the main incidents of which have been delved from the unchronicled mysteries of old Creole families, — the most jealously self-de fensive of all races, — is lacking in adequacies rather than accuracies. It is astonishing that scenes of voudouism and warlockry still pre vail and are not merely traditionary in Lou isiana, though there is a judicial prohibition of these practices. -
Jacob Druckman
JACOB DRUCKMAN: LAMIA THAT QUICKENING PULSE | DELIZIE CONTENTE CHE L’ALME BEATE | NOR SPELL NOR CHARM | SUITE FROM MÉDÉE [1] THAT QUICKENING PUlsE (1988) 7:41 JACOB DRUCKMAN 1928–1996 Francesco Cavalli/Jacob Druckman: [2] DELIZIE CONTENTE CHE L’ALME BEATE (arr. 1985) 2:48 THAT QUICKENING PULSE [3] NOR SPELL NOR CHARM (1990) 11:37 DELIZIE CONTENTE CHE L’ALME BEATE Marc-Antoine Charpentier/Jacob Druckman: NOR SPELL NOR CHARM SUITE FROM MÉDÉE (arr. 1985) [4] I. Ouverture 2:14 SUITE FROM MÉDÉE [5] II. Prélude 2:45 [6] III. Rondeau pour les Corinthiens 1:50 LAMIA [7] IV. Loure 4:46 [8] V. Passepied & Choeur 3:24 LAMIA (1986) LUCY SHELTON soprano [9] I. Folk conjuration to make one courageous 2:09 [10] II. Metamorphoses, Book VII; BOSTON MODERN ORCHESTRA PROJECT Folk conjuration to dream of one’s future husband 7:01 [11] III. Folk conjuration against death or other absence GIL ROSE, CONDUCTOR of the soul 4:59 [12] IV. Stanza degli Incanti de Medea; Tristan und Isolde; Periapt against theeves 5:08 TOTAL 56:24 COMMENT By Jacob Druckman Lamia was the name of a sorceress of Greek mythology and has come to mean “sorcer- ess” in the generic sense. The concept of the work grew out of a particular performance of my Animus II by my dear friend and colleague, the great American mezzo-soprano Jan DeGaetani at the Aspen Colorado Music Festival in 1972. Ms. DeGaetani, who has magnificently performed and recorded several of my works, gave a particularly magical performance that night in which everything that sounded and befell seemed to be the direct result of her will and her powers.