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22 October 2007 3 Hong Kong Exclusively Rolls out Revolutionary
22 October 2007 3 Hong Kong exclusively rolls out revolutionary mobile music service 3 MusicStation . Innovative weekly fees.Unlimited music downloads.Free from streaming limitations Share celebrities’ and artists’ music tastes Explore and discover a huge world of mobile music 22 October 2007, Hong Kong - 3 Hong Kong today announced that it has partnered with Omnifone, a leading developer of international mobile music services, to exclusively roll out 3 MusicStation to provide unlimited downloads of mobile music. 3 MusicStation completely breaks away from all limitations and network interferences associated with streaming. Available on an innovative and flexible weekly rate plan, the new service brings to Hong Kong music lovers a vast music library comprised of both local and international music, a string of exclusive functions like smart search, high-speed downloads, music community based sharing of tracks and an innovative “off-net listening” function. The “all-you-can-download” service enables mobile users to access their music everywhere even when not connected to a network or when in Flight Safe mode. 3 MusicStation has transformed a mobile handset into an instant and intelligent digital mobile music playing gadget with high sound quality, enabling music fanatics to roam free in the wide expanse of music anytime while on the move. Take the lead to introduce award winning technology and open up a new mobile music world Amy Lung, Chief Operating Officer – Mobile of Hutchison Telecom Hong Kong said: “It is 3 Hong Kong’s long belief that a high-speed mobile network is more than a platform for voice and data communications. -
Mandinga Papi Chulo Mp3 Free Download
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"Licensing Music Works and Transaction Costs in Europe”
"Licensing music works and transaction costs in Europe” Final study September 2012 1 Acknowledgements: KEA would like to thank Google, the internet services company, for financing which made this study possible. The study was carried out independently and reflects the views of KEA alone. 2 EXECUTIVE SUMMARY Establishing and running online music services is a complex task, raising both technical and legal difficulties. This is particularly the case in Europe, where complex rights licensing structures hinder the development of the market and the launch of new innovative online services. Compared to the US, Europe is lagging behind in terms of digital music revenue. Furthermore, the development of the market is fairly disparate among different countries in the European Union. This study aims to identify and analyse transaction costs in music licensing. It examines the online music markets and outlines the licensing processes faced by online services. It offers a qualitative and quantitative analysis of transaction costs in the acquisition of the relevant rights by online music services. The study also suggests different ways of decreasing transaction costs. The research focuses on three countries (the UK, Spain and the Czech Republic) and builds on data collected through a survey with online music service providers available in the three countries as well as interviews with relevant stakeholders in the field of music licensing. THE EUROPEAN ONLINE MUSIC MARKET The music industry has steadily expanded over the past few years, away from selling CDs towards selling music online or through concerts and live music. (Masnick, Ho, 2012). Among the 500 licensed online music services in the world (according to IFPI), many emulate the physical record store, by offering ‘download to own’ tracks at a similar price point. -
(12) United States Patent (10) Patent No.: US 9.294,430 B2 Knight Et Al
USOO929443OB2 (12) United States Patent (10) Patent No.: US 9.294,430 B2 Knight et al. (45) Date of Patent: *Mar. 22, 2016 (54) METHOD OF ENABLING DIGITAL MUSIC (58) Field of Classification Search CONTENT TO BE DOWNLOADED TO AND CPC ....... H04W 4/003; H04W 4/08; H04W 4/206; USED ON A PORTABLE WIRELESS H04W 8/205; H04W 12/08; H04L 67/04; COMPUTING DEVICE H04L 67/32; H04L 2463/101 (71) Applicant: OMNIFONE LIMITED, London (GB) USPC ............................................. 709/225; 726/26 (72) Inventors: Mark Stephen Knight, London (GB); See application file for complete search history. Michael Ian Lamb, London (GB); (56) References Cited Robert John Lewis, London (GB); Stephen William Pocock, Egham (GB); U.S. PATENT DOCUMENTS Philip Anthony Sant, London (GB); Mark Peter Sullivan, Birmingham 8,229,856 B1* 7/2012 Reddick .......................... 705/50 (GB); Christopher John Evans, London 2002.0049679 A1 4/2002 Russell et al. (GB) (Continued) (73) Assignee: OMNIFONE LIMITED, London (GB) FOREIGN PATENT DOCUMENTS (*) Notice: Subject to any disclaimer, the term of this patent is extended or adjusted under 35 EP 1 6.24 446 A1 8, 2006 U.S.C. 154(b) by 0 days. JP 2000.112858 A 4/2000 This patent is Subject to a terminal dis (Continued) claimer. OTHER PUBLICATIONS (21) Appl. No.: 13/959,079 Haworth, A., “Napster Launches Digital Music Service in Germany.” (22) Filed: Aug. 5, 2013 (online) Napster, Los Angeles, USA (Dec. 8, 2005), http://investor. (65) Prior Publication Data napster.com/releasedetail.cfm?ReleaseID=181439. US 2013/0318.187 A1 Nov. 28, 2013 (Continued) Related U.S. -
IFPI Digital Music Report 2010 Music How, When, Where You Want It Contents
IFPI Digital Music Report 2010 Music how, when, where you want it Contents 3. Introduction 4. Executive Summary: Music – Pathfinder In The Creative Industries’ Revolution 8. The Diversification Of Business Models 10. Digital Music Sales Around The World 12. In Profile: Pioneers Of Digital Music 18. Competing In A Rigged Market – The Problem Of Illegal File-Sharing 20. ‘Climate Change’ For All Creative Industries 24. Graduated Response – A Proportionate, Preventative Solution 28. The World Of Legal Music Services 30. Consumer Education – Lessons Learned Music How, When, Where You Want It – But Not Without Addressing Piracy By John Kennedy, Chairman & Chief Executive, IFPI This is the seventh IFPI Digital Music in new artists, we have to tackle mass legislation to curb illegal file-sharing. Report. If you compare it to the first piracy. Second, we are progressing towards Another clear change is within the music report published in 2004, you can an effective response. The progress is sector itself. It was, until recently, rare see a transformation in a business agonisingly slow for an industry which does for artists to engage in a public debate which has worked with the advance not have a lot of time to play with – but it is about piracy or admit it damages them. of technology, listened to the consumer progress nonetheless. In September 2009, the mood changed. and responded by licensing its music Lily Allen spoke out about the impact of in new formats and channels. On page 20 of the Report, Stephen illegal file-sharing on young artists’ careers. Garrett, head of the production company When she was attacked by an abusive In 2009 globally, for the first time, more Kudos, refers to a “climate change” in online mob, others came to her support. -
STATE of the NEWSROOM SOUTH AFRICA2 013 Disruptions and Transitions
STATE OF THE NEWSROOM SOUTH AFRICA2 013 Disruptions and Transitions Glenda Daniels Lead Researcher and Project Co-ordinator: Dr Glenda Daniels For Wits Journalism: Prof Anton Harber and Prof Franz Krüger Wits Journalism student researchers: Kagiso Ledikwa, Taurai Maduna, Ebrahim Moolla, Mackson Muyambo and Camilla Bath Copy editor: Gill Moodie/Grubstreet Design and Layout: Hothouse South Africa Proof reader: Ruth Becker Photography: TJ Lemon, Pheladi Sethusa, Madelene Cronje, Liesl Frankson Special thanks: to Dr Julie Reid, Kelly Hawkins (both from Unisa), Joe Thloloe and Dr Johan Retief for information on the Press Council and Ombudsman rulings, to Jenny Tennant from Big Media for reading and commenting, and to Dinesh Balliah for general help. Publisher: Wits Journalism, University of the Witwatersrand Electronic copies can be accessed at: journalism.co.za/newsroom2013 CONTENTS PREFACE iii EXECUTIVE SUMMARY v 01 THE MEDIA LANDSCAPE 1 The Print Media Circulation Cutting Costs Ownership New Developments Transformation Community Media and Independent Publishing The Broadcast Landscape Television Audience Figures The Move to Digital Terrestrial Television (DTT) Radio The Internet, Paywalls, Apps and Mobis 02 THE LEGAL, POLITICAL AND REGULATORY LANDSCAPE 15 The Protection of State Information Bill/Secrecy Bill Amendments and Outstanding Problems Other Laws Impacting on Journalism From Self-regulation to Independent Co-regulation Freedom of Expression 03 RACE AND GENDER TRANSFORMATION 22 A Look Back in Time Employment Equity Policies Race and -
Centurion Lifestyle Centre Shopper Profile
Shopper profile Contents RETAIL The value of the data 1 Mall demographic profile 2 Shopper media consumption 4 Sample size: 909 Weighted to SA shopper: 339 000 The value of the data The following data has been collected and verified by Ask Afrika Group, the copyright license holder for Target Group Index (TGI). Ask Afrika Group is the largest independent South African market research company with fieldwork capabilities in 95% of Sub-Saharan Africa. They are backed by the power of TGI Research, the only SA population database with psychographics that cover over 600 lifestyle and attitude statements. TGI is South Africa’s broadest consumer/shopper profiling tool in sampling 24 000 nationally representative respondents aged 15+, living in communities 8 000+. Insights are tailor-suited for malls, which link demographic, psychographic, brand and media insights. TGI supports strategic and informed decision making. Page 1 Mall demographic profile RETAIL SA shopper SA shopper vs Centurion Lifestyle Centre shopper Age Race Gender LSM 3.4% 61.1% 65+ Black 7.1% 73.1% 50.7% 21.5% 31.1% 49.8% 45-64 White 23.2% 10.6% 28.4% 1.6% 35-44 Coloured 22.5% 12.2% 49.3% 6.3% 33.5% Indian/ 6.2% 50.2% 3.9% 25-34 2.3% 25.6% 29.1% Asian 4.2% 11.7% 9% 14.6% 36.4% 13.6% 14.1% 12.6% 23.7% 10.2% 15.9% 4 5 6 7 8 9 10 13.2% 15-24 18% Most important media used* 0.6% 20.6% 3.7% 2.3% 5.2% 3.6% 7.9% 14.4% 42.8% 2% 16% 4.4% 3.3% 6% 5.4% 6% 9.2% 48.4% Cinema In-store Outdoor Internet Internet Magazines Newspapers Radio TV (Billboards and posters) (Desktop) (Mobile) *Based on those that have visited a mall in the past three months/*2018C TGI Data. -
Private & Confidential SAARF AMPS
Private & Confidential SAARF AMPS Jan - Dec 14 Rolling Average Release Layout SAARF AMPS Dec 14 ADULTS with Branded Products Prepared for:- South African Audience Research Foundation (SAARF®) Copyright Reserved Apr-14 Private & Confidential SAARF AMPS DEC '14 Section (Rolling Average Release Layout) Prepared for:- South African Audience Research Foundation (SAARF®) Prepared by:- Nielsen SAARF AMPS DEC '14 AMPS ® DEC '14 PAGE A TECHNICAL DATA Informants : 25584 Adult Population : 37665 (Adults 15+) H/Hold Weight : 15236 Cards Per : 1-57, 58, 61, 62, 64-68, 70, 72, 73-75, 91-93, 203-299, 300-316, 501-504 Questionnaire Questionnaire No. : Columns 1-6 Card Designation : Columns 78-80 (Numeric) Adult Population : c9227-c9236 Weight Household : c9237-c9246 Weight (## Not to be used with personal demographics) Large Item : c9247-c9256 Decision Maker (## Not to be used with personal demographics) Weights (These must be used for Household Products only on a filtered base of male heads of household and females who are wholly or partly responsible for the day-to-day purchases of the household = c9147'2') Household : c9257-c9266 Purchaser Weights (These must be used for Household Products only on a filtered base of those wholly or partly responsible for the day-to-day purchases of the household = c9147'1') Weight Format : Weights stretch over 10 columns with the seventh column being the decimal point represented an '&38' (.000) Weight Decimal Point Columns Population c9233-c9236 Household c9243-c9246 Decision Maker c9253-c9256 Purchaser c9263-c9266 NB:: PLEASE USE SMALL BASES WITH CAUTION ** For further notes see Special Notes in Technical Report SAARF AMPS DEC '14 RECOMMENDATIONS FOR WEIGHT SELECTION PAGE B There are 4 sets of weights on the SAARF AMPS DEC '14 The type of analysis to be done and the phrasing of the question will determine which weight should be used. -
Case No COMP/M.3333 Œ SONY / BMG
EN This text is made available for information purposes only. A summary of this decision is published in all Community languages in the Official Journal of the European Union. Case No COMP/M.3333 – SONY / BMG Only the English text is authentic. REGULATION (EC) No 4064/89 MERGER PROCEDURE Article 8 (2) Date: 03/10/2007 COMMISSION OF THE EUROPEAN COMMUNITIES Brussels, 03/X/2007 C(2007) 4507 PUBLIC VERSION COMMISSION DECISION of 03/X/2007 declaring a concentration to be compatible with the common market and the EEA Agreement (Case No COMP/M.3333 – Sony/ BMG) 2 I. INTRODUCTION..................................................................................................... 11 II. THE PARTIES.......................................................................................................... 12 III. THE CONCENTRATION ........................................................................................ 12 IV. COMMUNITY DIMENSION .................................................................................. 12 V. RELEVANT MARKETS.......................................................................................... 13 A. RELEVANT PRODUCT MARKET .............................................................. 13 1. PHYSICAL RECORDED MUSIC ................................................... 13 2. RECORDED MUSIC IN DIGITAL FORMATS ............................. 14 a) Introduction ....................................................................... 14 b) The wholesale market for licensing of digital music ........ 15 c) The digital -
Park Meadows Shopping Centre Shopper Profile
Shopper profile Contents RETAIL The value of the data 1 Mall demographic profile 2 Shopper media consumption 4 Sample size: 2 269 Weighted to SA shopper: 1 049 000 The value of the data The following data has been collected and verified by Ask Afrika Group, the copyright license holder for Target Group Index (TGI). Ask Afrika Group is the largest independent South African market research company with fieldwork capabilities in 95% of Sub-Saharan Africa. They are backed by the power of TGI Research, the only SA population database with psychographics that cover over 600 lifestyle and attitude statements. TGI is South Africa’s broadest consumer/shopper profiling tool in sampling 24 000 nationally representative respondents aged 15+, living in communities 8 000+. Insights are tailor-suited for malls, which link demographic, psychographic, brand and media insights. TGI supports strategic and informed decision making. Page 1 Mall demographic profile RETAIL SA shopper SA shopper vs Park Meadows Centre shopper Age Race Gender LSM 5.7% 68.2% 65+ Black 7.1% 73.1% 50% 22.1% 18.2% 49.8% 45-64 White 23.2% 10.6% 23.6% 5.6% 35-44 Coloured 22.5% 12.2% 50% 7.1% 5.8% 32.2% Indian/ 8.1% 50.2% 3.9% 2.3% 25-34 1.6% 25.6% 29.1% Asian 4.2% 9% 31.2% 36.4% 25% 15.1% 12.6% 14.2% 10.2% 4 5 6 7 8 9 10 16.4% 15-24 18% Most important media used* 0.6% 20.6% 3.7% 2.3% 5.2% 3.6% 7.9% 14.4% 42.8% 0.4% 18.8% 3.4% 2.3% 7% 3% 7.6% 13% 45.6% Cinema In-store Outdoor Internet Internet Magazines Newspapers Radio TV (Billboards and posters) (Desktop) (Mobile) *Based on those that have visited a mall in the past three months/*2018C TGI Data. -
Entertainment and Media Outlook: 2013 – 2017
4th annual edition: PwC’s annual forecast of advertising and consumer spending across 3 countries and 12 industry segments South African entertainment and media outlook: 2013 – 2017 In-depth analysis of the trends shaping the entertainment industry in South Africa, Nigeria and Kenya www.pwc.co.za/outlook ii | South African entertainment and media outlook: 2013-2017 (including Nigeria and Kenya) 4th annual edition PwC South African entertainment & media outlook: 2013-2017 PwC fi rms help organisations and individuals create the value they are looking for. We are a network of fi rms in 158 countries with more than 180 000 people who are committed to delivering quality in assurance, tax and advisory services. PricewaterhouseCoopers Inc. 2 Eglin Road Sunninghill, 2157 +27 11 797 4000 www.pwc.co.za © 2013 Published in South Africa by PricewaterhouseCoopers. All rights reserved. “PwC” is the brand under which member fi rms of PricewaterhouseCoopers International Limited (PwCIL) operate and provide services. Together, these fi rms form the PwC network. Each fi rm in the network is a separate legal entity and does not act as agent of PwCIL or any other member fi rm. PwCIL does not provide any services to clients. PwCIL is not responsible or liable for the acts or omissions of any of its member fi rms nor can it control the exercise of their professional judgment or bind them in any way. Editorial team Vicki Myburgh Nana Madikane Osere Alakhume Michael Mugasa South African South African Nigerian Kenyan Entertainment & Entertainment and Entertainment and -
Wits Journalism Report SA Newsrooms 2013
STATE OF THE NEWSROOM SOUTH AFRICA2013 Disruptions and Transitions Glenda Daniels Lead Researcher and Project Co-ordinator: Dr Glenda Daniels For Wits Journalism: Prof Anton Harber and Prof Franz Krüger Wits Journalism student researchers: Kagiso Ledikwa, Taurai Maduna, Ebrahim Moolla, Mackson Muyambo and Camilla Bath Copy editor: Gill Moodie/Grubstreet Design and Layout: Hothouse South Africa Proof reader: Ruth Becker Photography: TJ Lemon, Pheladi Sethusa, Madelene Cronje, Liesl Frankson Special thanks: to Dr Julie Reid, Kelly Hawkins (both from Unisa), Joe Thloloe and Dr Johan Retief for information on the Press Council and Ombudsman rulings, to Jenny Tennant from Big Media for reading and commenting, and to Dinesh Balliah for general help. Publisher: Wits Journalism, University of the Witwatersrand Electronic copies can be accessed at: journalism.co.za/newsroom2013 CONTENTS PREFACE iii EXECUTIVE SUMMARY v 01 THE MEDIA LANDSCAPE 1 The Print Media Circulation Cutting Costs Ownership New Developments Transformation Community Media and Independent Publishing The Broadcast Landscape Television Audience Figures The Move to Digital Terrestrial Television (DTT) Radio The Internet, Paywalls, Apps and Mobis 02 THE LEGAL, POLITICAL AND REGULATORY LANDSCAPE 15 The Protection of State Information Bill/Secrecy Bill Amendments and Outstanding Problems Other Laws Impacting on Journalism From Self-regulation to Independent Co-regulation Freedom of Expression 03 RACE AND GENDER TRANSFORMATION 22 A Look Back in Time Employment Equity Policies Race and